Equestrian Portraits of Leaders

Engravings of historical figures on horseback, emphasizing their command and status, showcasing artistic styles from the 16th to the 18th century.

Rome, Panzera, Battista, Italy, Tempesta, Antonio, - 1596, paper, etching, Work conception, Italian, 1555 - 1630-08-05, own design of, Publication (Event), Publication, publisher

Three men on horseback bear the Austrian banners of Ortenburg, Echingen and Achalm; Triumphs of Emperor Maximiliaan I. Three men on horseback bear the Austrian banners with the weapons of Ortenburg, Echingen and Achalm. They are part of the triumphal of Emperor Maximiliaan I. The white beams on the banners offer space for text.

Johann Friedrich, Duke of Württemberg.

The four Roman riders, Titus and Vespasian. First issue of a 4-room suite (Bartsch 188) Marc Antoine Raimondi (1480-vers1534). The four Roman riders, Titus and Vespasian. First issue of a 4-room suite (Bartsch 188). Fight, chisel. 16th century.

Plate 5: equestrian statue of Claudius, seen from behind, a naval competition at right in the background, from 'Roman Emperors on Horseback' ca. 1587-89 Adriaen Collaert. Plate 5: equestrian statue of Claudius, seen from behind, a naval competition at right in the background, from 'Roman Emperors on Horseback'. 'Roman Emperors on Horseback'. Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp). ca. 1587-89. Engraving, squared in graphite. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Prints

Le Comte de Marmitavlet, gate-sauce , Politicians, Montalivet, Marthe Camille Bachasson, comte de, 1801-1880. Honoré Daumier (1808-1879). Lithographs

Kaiser Maximilians I. Triumph

Charlemagne, Anonymous, 1870 - 1899 print Rider in Galop, the weapon of Charlemagne on the shield and on the weapon rug. On the head a helmet with emperor crown. 19th-century reprint of a 16th-century block. Northern Netherlands paper Charlemagne (one of the nine worthies)

Hadik runs, Andreas Graf.

Antwerp, Collaert, Adriaen, Straet, Jan van der, Monogrammist FLB, Hunting scenes, Wolf hunt with bait, A man on horseback drags a dead sheep along as bait for the wolves. The leg of the sheep is tied to the horse's tail. Hunters sit among the foliage of trees with hunting rifles hidden to shoot the wolves. Below the image a four-line verse in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 220 mm, width 305 mm, print maker, prentmaker, 1574 - 1574, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, Southern Netherlands (before 1775), 1560 - 1618-06-29, publisher

Ruitersandbeeld Van Cosimo I de 'Medici, Groothertog Van Toscane, Gaetano Vascellini, After Giambologna, 1755 - 1805 print Numbered at the top right: VIII. Two lines of Italian text in the lower margin. print maker: Italyafter sculpture by: Italypublisher: Florence paper engraving / etching historical persons. equestrian statue. piece of sculpture, reproduction of a piece of sculpture

Fairground-Prent / Willem De Vde. Equestrian portrait of Willem V in an oval ornamental table of orange tree branches. Middle above a coat of arms. Under the show a twelve arrangement fresh in two columns. Numbered at the top right: No. 60.

It is easier for a camel to go through the eye of a needle than for a rich one to enter the Kingdom of God, Philips Galle, After Maarten van Heemskerck, 1563 print On the left in the foreground, a rich man (with a Stokkebeurs in his hand) tries by wringing a gate. Behind him a camel, driven by three men: a farmer, a judge and a merchant. They try to force the animal through a needle that is held by a hand that comes out of the clouds. On the left in the background the road to the realm of heavens that leads to Christ in the clouds. The print has a Latin caption and a Dutch and French caption in book pressure. The print is part of a series on the subject of the misery that wealth brings. paper engraving / letterpress printing Christ addressing his disciples: 'it is easier for a camel to go through the eye of a needle ...' (Matthew 19:24; Mark 10:25; Luke 18:25). farmers. merchant, salesman. magistracy, judges. hoofed animals: dromedary. bad rich man, good poor man. contemplating one's

Title print for a series with horse breeds, Egbert van Panderen, after Antonio Tempesta, c. 1590 - 1637 print A triumphal wagon pulled by two horses with personifies of fame and victory. On the horses there are personifications of caution, with mirror, and faith, with pelican. In the margin a two -way caption in Latin. Title print for a series of thirty with horse breeds. Amsterdam paper engraving Fama as Roman personification. Prudentia (Prudence) as Roman personification. Victory. Fides (faith) as Roman personification

Purple tile picture, Blücher and Wellington shook hands, tile picture material ceramic earthenware glaze wood, baked 2x glazed painted Two broad three tall White shard Blücher & Wellington (painted and baked at the bottom) battle at Waterloo Blücher Wellington Heinenoord Originating from the Blaaksedijk farm in Heinenoord.

. Festive procession with Hertog August, Keurvorst van Sachsen dressed up as farmer and various other characters in farmer and allegorical intensities. Frisian consisting of at least 20 parts with approximately. 26 etchings. The first two parts are missing.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Philipp Ludwig, Duke of Schleswig-Holstein-Wiesenburg.

Cardona and Córdoba, Gonzalo de.

Karl Emanuel II, Duke of Savoyen.

Chalk drawing by Johann Elias Ridinger depicting a parade in Linck's area, executed in reddish, black, and white chalk on light-brown paper.

Anna, Infantin of Spain.

Lorenese, Nicolò, Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani II, Bas-relief of a horseman, verso - stamped, Roman bas-relief of a horseman, in classical attire. Bottom left the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 236 mm, width 200 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process), intermediary draughtsman

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: sixtieth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Philipp, Pfalzgraf and Prince of Sulzbach.

Saint George on horseback wearing armour is about to kill the dragon with his sword. Engraving by N. de Larmessin III after Raphael, 1729.

Netherlands, Knight on horseback, print, book illustration, prints, height 168 mm, width 82 mm, print maker, 1517 - 1517, first quarter 16th century, second quarter 16th century, paper, woodcut

Polish horseman with a bow and arrow, seen from behind with his horse facing right, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) ca. 1651 Stefano della Bella Italian. Polish horseman with a bow and arrow, seen from behind with his horse facing right, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) 374058

Scene from The Ridiculous Precieuses Les pr

Two riders, c. 1656 - c. 1657 drawing Zwolle paper. chalk

GroootMoedigheid, Jacques Antoine Friquet the vauroze, After SeaDia, Bourdon, 1663 - 1716 print Keizer Pompey on a chariot is crowned by the victory. paper engraving / etching Historical Persons. Magnanimity; 'Greatness and robustness of mind', 'Magnanimitè (Ripa)

Triumphar from Emperor Maximilian I (fourth leaf), 1519; Copies to Dürers Triomfvag for Emperor Maximiliaan I, published in Antwerp in 1545 by the widow of Cornelis Liefrinck; Triumphalis His Currus Ad Honorem Invictiss. AC Gloriosiss. Principis D. Maximiliani Caesis Semper Augusti (...) per Albertum Durer Delineatus. The large triomfvag in honor of Emperor Maximiliaan I at his death on January 12, 1519. Fourth leaves with the second span horses with acritas and oportion unitas. Copy to the original of Albrecht Dürer from 1522.

Hendrik Goltzius, Frederik de Vries, 1597 Frederik de Vries

Copper engraving by Wenzel von Olmütz from the late 15th century depicting Saint George battling the dragon (kite), showing figures, gesture, and landscape elements.

The Polish Rider. Dimensions: overall: 35.4 x 26.6 cm (13 15/16 x 10 1/2 in.). Medium: pen and brown ink and gray wash over red chalk on blue paper, laid down. Museum: National Gallery of Art, Washington DC. Author: Aleksandr Osipovich Orlovskii.

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), Unhappy end of Mary of Burgundy, Mary of Burgundy falls from her horse, 1482, Mary of Burgundy falls from her horse outside Bruges, March 17, 1482., print, picture, history print, prints, Frederik Muller History plates, height 190 mm, width 115 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1790 - 1790, fourth quarter 18th century, paper, papier, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

Frederick III., King of Denmark.

Three Arabic eats; Hopfer, Daniel (Ca 1470-1536), Swart Van Groningen, Jan (Ca 1500-Ca 1560), Funck, David (1642-1709); 1500-1536 (1500-00-00-1536-00-00);Arabs, Magdalenaea (collection), Orient, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, riders, horses

Zon of Justice, Albrecht Dürer, 1497 - 1501 print The sun god with a sword in one hand and a scale in the other, seated on a lion. Nuremberg paper engraving Apollo as sun-god, I.E. Sol (Helius), Titan. Justitia (justia) as Roman Personification (Justiam

Cartoon on the French Revolution, Anonymous, 1793 print The spot is driven in this print with the revolutionary order in France. The rolls of horse and rider are reversed: a rider with a horse's head rides a horse with the head of an aristocrat. The reins in the hand of the rider hang loose in front of the animal's neck. Freedom is therefore equated with lawlessness. However, free running of the horse is hampered by a cart with judges and chained equality. Germany paper etching political caricatures and satires

Karl Eduard, Prince of England.

Rearing Horse and Rider, c. 1600. Attributed to Antonio Tempesta (Italian, 1555-1630). Red chalk counterproof; sheet: 19.5 x 16.7 cm (7 11/16 x 6 9/16 in.).

Copper engraving print by Nicolas Beatrizet showing the triumph of Marcus Aurelius, created in 1583.

A woodcut engraving depicting a lady riding side-saddle attended by a male attendant. Woodcut by Jost Amman (1539-1591) a Swiss-German artist. Dated 16th century

Equestrian statue of William III, Prince of Orange, Equestrian statue of William III. In the background mountains. On a pedestal are names and titles in English, knighthood order (GARTER) - insignia of a knighthood order, eg .: badge, chain, equestrian statue, William III (Prince of Orange and King of England, Scotland and Ireland), anonymous, 1688 - 1749, paper, etching, h 593 mm × w 435 mm

Workshop of Peter Vischer the Younger, Warrior in Renaissance Armor on a Rearing Horse, c 1530 1540 Warrior in Renaissance Armor on a Rearing Horse

Middle Ages. Knight wearing hauberk. Engraving. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Europe. First issue of a series of 52 pieces. (A. de Vesme 543; Dutuit 117) (Main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Museum of NINIWY a figure leading four horses. French magazine unknown

Equestrian statue of Marcus Aurelius.

Equestrian portrait of Willem III, Prince of Orange. Equestrian portrait of Willem III. A fortress in the background. In the middle of his weapon with a crown, decorated with the garter. In the undermaster his name and titles in French.

Print, A Saxon Horse, from the first set of "Equile Joannis Austriaci"; Designed by Jan van der Straet, called Stradanus (Flemish, 1523-1605); Print Maker: Hieronymus Wierix; Netherlands; engraving on paper; 19.5 × 26.3 cm (7 11/16 × 10 3/8 in.); Bequest of George Campbell Cooper; 1896-3-95

Portrait of emanuel Philibert from Savoy on horseback. Emanuel Philibert, Duke of Savoy, on horseback. At the top left the coat of arms of Savoy, 'broken' by the Barsteel. Two lines text in French.

Marcus Curtius. 1540. Brosamer, Hans, approximately 1500-approximately 1554. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), a man on horseback holding another horse on a leash (manuscript, Italian school, page 98. N ° 225 bis) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

'Portrait of Manuel Godoy, Prince of the Peace', 1796, Cooper/Intaglio, 60,3 x 44,9 cm, Engraving by Mariano Brandi. Author: ANTONIO CARNICERO MANCIO (1748-1814). Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN. MANUEL GODOY Y ALVAREZ DE FARIA (1767-1851). MANUEL GODOY (1767-1851) PRINCIPE DE LA PAZ.

Etching by Augustin Hirschvogel from 1546 illustrating Herbersteins travels to Russia with detailed depiction of people, landscape, and journey.

Albrecht Dürer Knight, Death and the Devil Knight, Death and the Devil

Etching and type print by Augustin Hirschvogel from 1549 depicting the parable of the merciful Samaritan, showing figures, gestures, and composition.

Bauern Hochzeit, Baurn Hochzeit, Göbl, Andreas Benedictus, 1765-1792, ink, gold board, with gilt edges, ca. 1765, 1 boxed deck of playing cards, etching, stencil, hand col., 11.5 x 7 x 3 cm.

C. Julius Caesar from Twelve Caesars on Horseback. Artist: Abraham de Bruyn (Flemish, Antwerp 1540-1587 Cologne ()). Dimensions: Sheet: 2 5/16 × 1 13/16 in. (5.8 × 4.6 cm). Date: ca. 1565-1587. Museum: Metropolitan Museum of Art, New York, USA.

Holy Roman Empire. Officers of the table and the chamber of the imperial court: butler, cook, barber and tailor. Engraving after "Le Triomphe de l'Empereur Maximilien I", by J. Resch, Burgmayer; drawing by Albrecht Durer (1471-1528), 1512. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Jacques Attendolo Sforza, after the miniature of a manuscript department of the Imperial Library of manuscripts, vintage engraving. Jacques Attendolo Sforza, after the miniature of a manuscript department of the Imperial Library of manuscripts, vintage engraved illustration. Magasin Pittoresque 1870. Copyright: xZoonar.com/PatrickxGuenettex 10679312

Procession of Princes, detail, figures Dietrich the Distressed, Henry the Illustrious, 13th century, mural on tiles of the Meissen Porcelain Manufactory, Dresden Residence Palace, Dresden, Saxony, Germany, Europe

having a horse with a star disease and shields with the image of a white ordered - reverse of baking; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Habsburgs, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, White Eagle (coat of arms - Poland), Wacław II (King of the Czech Republic and Poland - 1271-1305), Wacław II (King of the Czech Republic and Poland - 1271-1305) - iconography, gift (provenance), coats of arms, riders, horses, copies, copies from seals, kings, Polish personalities, seals, majesty seals, knights, rulers

After Albrecht Dürer, The Large Horse, After 1505, engraving on paper.

A Tournament Contest; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf: 43 x 28.9 cm (16 15,16 x 11 3,8 in.)

Portrait of Hendrik VIII from England. Portrait of Hendrik VIII from England on horseback. He reminds his nickname 'Novus Constantinus'. Rider and horse in armor. At the top right the English weapon with the order of the garter, at the top left of Lancaster and York roses and the Devies Diev Est Mon Droit on a spell. Five lines text in French above the image and one below.

Emperor Vitellius on horseback, Antonio Tempesta, 1596 print print maker: Italyafter own design by: Italypublisher: RomeItalyItaly paper etching equestrian statue. emperor

Study for the Equestrian Monument to Francesco Sforza early to mid 1480s Antonio Pollaiuolo Italian This celebrated drawing was made by the Florentine painter, sculptor, engraver, and goldsmith Antonio Pollaiuolo. The sixteenth-century historian Giorgio Vasari, who owned the sheet and may have added the brown wash around the figures, seems to have described this drawing in his biography of Pollaiuolo (Lives of the Artists) of 1568. It represents a design for the bronze equestrian monument commissioned by Ludovico Sforza (1480-94, de facto ruler of Milan; 1494-99, Duke of Milan) in honor of his father, Francesco Sforza. This sheet (as well as its pendant, Staatliche Graphische Sammlung, Munich, inv. 1908.168) could have served as a presentation drawing for Ludovico, who may have arranged a competition between the artist and Leonardo da Vinci, who arrived at the Milanese court in the early 1480s. Leonardo, who won the commission, produced studies for the project from the early 1480s to t

William Cavendish, Marquis (from 1665 Duke) of Newcastle performing dressage in front of Bolsover Castle. Engraving by P. Clouwet after A. van Diepenbeeck.

Scipio and Hannibal. Godwin, William, 1756-1836. Illustrations, Prints. 1809. Carl H. Pforzheimer Collection of Shelley and His Circle. Rome , History, Hannibal, 247 B.C.-182 B.C., Scipio, Africanus, approximately 236 B.C.-183 B.C.

Silver statuette of Queen Victoria 1819-1901 Engraved by Emery Walker. From the book ""The Letters of Queen Victoria 1844-1853 Vol II""published 1907.

Engraving depicting King Ferdinand VI of Spain (1713-1759) King of Spain until his death. Dated 18th Century

Hercules in battle with Centaurs; Arvmnae Hercvlis; Working from Hercules.

Giovanni Catena, miniature from the Capodilista Codex manuscript, Italy 16th Century.

Amsterdam, Egmont, Heirs of the Widow Jacobus van, Long Live Orange, Willem de Vde, verso - stamped, Equestrian portrait of Willem V in an oval decorative frame of orange tree branches. In the middle above a coat of arms. Below the image a twelve-line verse in two columns. Numbered at the top right: No. 60., print, prent, volksprent, prints, prenten, volksprenten, height 420 mm, width 314 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1761 - 1804, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Leopold Wilhelm, Archduke of Austria.

John of Bohemia or John the Blind (1296-1346). Count of Luxembourg from 1309, King of Bohemia from 1310 and titular King of Poland. Engraving by Kaeseberg. "Historia de Alemania", 1865.

Slavnyi rytsar' Evdon.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Enea Vico after Albrecht Dürer, Rhinoceros, 1548 Rhinoceros

Equestrian Combat with Lance; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Venice, Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

HISTORIA DE ESPAÑA - PERU. SIGLO XVI. INTERVENCION MILAGROSA DEL APOSTOL SANTIAGO EN LA CONQUISTA DE AMERICA. ILUSTRACION DE LA OBRA " NUEVA CRONICA Y BUEN GOBIERNO " OBRA DE POMA DE AYALA Y FELIPE HUAMAN.

The Second Nun, Detail From The Canterbury Tales, Geoffrey Chaucer (1342-1400 British), The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Putto on a lion and playing lyre

Circus scene, 3rd century. Auriga with palm, symbol of victory and 'iubilator' with his whip on the chariot. Roman art. Early Empire. Mosaic. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Museum of Archaeology. Proc: ITALY. LAZIO. ROME. Rome.

Gonzaga family by Mantegna

A judge on caparisoned horse led by a page to the tournament lists, end of the 15th century. Juge-Diseur conduit par un page au lieu du tournoi. France, fin du XVe siecle. From the illuminated manuscript King René's Tournament Book, Tournois du Roi Rene, 1460, MS 8351, Bibliotheque Imperiale de Paris. Chromolithograph by Ferdinand Sere after Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

A woman with a Bible resting on the clouds; representing theology. Engraving by P. Ghigi after L. Agricola after Raphael.

Any winghind boom; L dromas / the dromeler; Dien en fabelwezens; New collection of the cooks of the curious deli ..

of 2