Equestrian Scenes and Sports

A series of artworks depicting horse racing and riding themes, featuring horsemen, landscapes, and dynamic action captured in oil and etching styles.

'Elis' with J. Day up: Winner of the St.Ledger, 1836 and 'Bay Middleton' with J. Robinson up: the Winner of the Derby, 1836. David Dalby of York (1780-1849). Oil on canvas, 56.5 x 76.7cm.

Colonel Pearson's 'Achievement' with J. Chalmer up in a Landscape. William Joseph Shayer (1811-1892). Oil on canvas, 35.9 x 45.7cm.

Henry Thomas Alken, 1785-1851, British, Set of twelve with title-page: Sporting Satirist, 1834. Hand colored soft-ground etching.

Reproduction of a painting: Juliusz Kossak (1824-1899), Count Drohojowski with his daughter; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

A Tandem, R. Hixon, active 1813, after unknown artist, 1812, Aquatint, colored by hand, Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)

The Hunting Doctor, Attributed to John Leech, 1817-1864, British, undated, Graphite, pen and brown ink, and watercolor on medium, slightly textured, white wove paper, Image: 10 × 16 5/8 inches (25.4 × 42.2 cm) and Frame: 15 3/4 × 22 1/4 × 1 inches (40 × 56.5 × 2.5 cm), animal art, boots, carriage, doctors, hunting, sporting art, whip

Possibly James Pollard, 1792-1867, British, The Derby Day: Tits and Trampers on the Road to Epsom, undated. Watercolor and graphite on moderately thick, moderately textured, beige, wove paper.

Image reproduction: Józef Brodowski (1828-1900), royal walk; from: "Wędrowiec" 1905, No. 2, 28; Wanderer (Warsaw; magazine; 1863-1906); 1905 (1905-00-00-1905-00-00);

Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone, John Harris, 1811-1865, British, after Henry Thomas Alken, 1785-1851, British, 1850, Aquatint, hand-colored, Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm) and Image: 8 1/8 x 11 3/8in. (20.6 x 28.9cm)

'Elis' with J. Day up: Winner of the St.Ledger, 1836 and 'Bay Middleton' with J. Robinson up: the Winner of the Derby, 1836. David Dalby of York (1780-1849). Oil on canvas, 56.5 x 76.7cm.

Fox Hunters - In Full Cry, Richard Gilson Reeve, 1803-1889, after Henry Thomas Alken, 1785-1851, British, 1828, Aquatint, hand-colored, Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm) and Image: 8 5/8 x 12 5/8in. (21.9 x 32.1cm)

James Pollard, 1792-1867, British, Trotting Match in Harness Against Time, 1817. Aquatint, hand-colored.

The Return from the Hunt, Thomas Rowlandson, 1756-1827, British, 1787, Watercolor, with pen, in gray ink and black ink on moderately thick, slightly textured, cream, laid paper, Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm) and Sheet: 7 5/8 x 11 9/16 inches (19.4 x 29.4 cm), dogs (animals), horses (animals), hunting, men, porch, sporting art, stairs, trees, women

Studies for or after "The 3rd Duke of Richmond with the Charleton Hunt". Date/Period: Late 1750s. Painting. Oil on four pieces of paper conjoined on canvas. Height: 260 mm (10.23 in); Width: 302 mm (11.88 in). Author: George Stubbs.

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, active 1820-1840, British, after Henry Thomas Alken, 1785-1851, British, 1823, Aquatint, hand-colored, Sheet: 13 x 15 3/4in. (33 x 40cm) and Image: 10 1/4 x 14 1/4in. (26 x 36.2cm)

James Pollard, 1792-1867, British, Coaching: Stage Coach & Opposition Coach in Sight, 1819. Aquatint, hand-colored.

Welden, Franz Ludwig Freiherr von.

John Hassell, 1767-1825, British, Racing set of four: The High Mettled Racer. 2. The Hunter, 1789. Aquatint, hand-colored, with engraved titles and verses with aquatinted border.

Amazon woman. Juliusz Kossak (1824-1899), painter

Dr. Syntax with a Balky Horse Before an Inn. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 5 3/4 x 9 1/8 in. (14.6 x 23.2 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Set of four - Fox-hunting. Going to Cover, Thomas Sutherland, ca. 1785-1838, British, after Henry Thomas Alken, 1785-1851, British, 1818, Aquatint, hand-colored, Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)

Edward Hull, 1810-1877, Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro', ca. 1835. Watercolor, with pen, in brown ink, graphite, gum arabic and gouache on moderately thick, moderately textured, cream, wove paper.

A Tandem, R. Hixon, active 1813, after unknown artist, 1812, Aquatint, colored by hand, Sheet: 18 3/4in. (47.6cm)

Racing: 'Smolensko' / By Sorcerer his Dam Wowski by Mentor out of Maria who was the / Dam of Waxy and Worthy Tuesday in the first Spring Meeting at / Newmarket ..., William Ward, 1766-1826, British, after John Nost Sartorius, 1759-1828, British, 1813, Mezzotint, color-printed, Sheet: 15 3/4 x 19 5/8in. (40 x 49.8cm)

James Seymour, 1702-1752, British, The Famous Childers, undated. Gouache, with pen, in black ink, brown ink, and graphite on medium, moderately textured, beige, laid paper.

Hablot Knight Browne, 1815-1882, British, "You're Not Going to Follow, Belle, Are You", undated. Graphite, watercolor and white gouache on moderately thick, slightly textured, gray, wove paper.

Promenade.. Artist: Paul Gavarni, French, 1804-1866

Ikh Velichestva Gosudar' Imperator Aleksandr Nikolaevich I Gosudarynia Imperatritsa Mariia Aleksandrovna. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Coaching: Stage Coach & Opposition Coach in Sight, James Pollard, 1792-1867, British, after James Pollard, 1792-1867, British, 1819, Aquatint, hand-colored, Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)

Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left, James Seymour, 1702-1752, British, undated, Graphite and gray wash on medium, moderately textured, cream, wove paper, Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm) and Sheet: 6 5/16 × 6 13/16 inches (16 × 17.3 cm), exercise, figure study, horse (animal), horse racing, jockey, man, sporting art

Promenade. Artist: Paul Gavarni, French, 1804-1866

Cut Two and Horse's Off Side Protect, New Guard. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 × 15 in. (30.5 × 38.1 cm)Plate: 10 13/16 × 13 1/16 in. (27.4 × 33.1 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

The rider's kiss, painting by Joszi Arpad Koppay (1859-1927), woodcut by Richard Bong (1853-1935) from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1893, Year VII, No 9, Spring Issue, Vienna, Berlin, Leipzig.

Comrade I'm going to find reinforcement Michel Louis Etienne Regnault's Saint Jean d'Angely

Warsaw. Lady on horseback, from a wall painting at the Octagonal Study at the White House at the Royal Łazienki Park. Małachowski, Jan (1886-1917), draughtsman, cartoonist

Henry Addington, Later 1st Viscount Sidmouth. Date/Period: 1785 to 1786. Painting. Oil on canvas. Height: 1,270 mm (50 in); Width: 1,016 mm (40 in). Author: Francis Wheatley.

'You're Not Going to Follow, Belle, Are You', Hablot Knight Browne, 1815-1882, British, undated, Graphite, watercolor and white gouache on moderately thick, slightly textured, gray, wove paper, Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm), Contemporary drawn border: 11 1/2 × 15 13/16 inches (29.2 × 40.2 cm), and Sheet: 10 9/16 × 14 7/8 inches (26.8 × 37.8 cm), caricature, child, fence, fields, hills, horseback riders, horseback riding, horses (animals), hunt, hunters, hunting, landscape, men, path, road, sporting art, trees, women

The Earl of Shrewsbury's Groom Holding a Hunter. Date/Period: Ca. 1800. Painting. Oil on canvas. Height: 1,016 mm (40 in); Width: 1,270 mm (50 in). Author: Henry Bernard Chalon.

Theophilus Levett and a Favorite Hunter John Levett Hunting at Wychnor, Staffordshire Signed and dated, lower right: "JWARD monogram RA 1871.", James Ward, 1769-1859, British

The Gosden Head, Enquirer, 1932, mezzotint on paper.

Doctor Syntax, stopt by highwaymen , Horses, Criminals, Robberies, Rowlandson, Thomas, 1756-1827. Doctor Syntax drawings. Thomas Rowlandson (1756-1827). Prints and Drawings

John Vanderbank, 1694-1739, British, "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse.., 1729. Pen, in gray ink, black ink, gray wash and graphite on medium, moderately textured, blued white, laid paper.

A cockney & his wife going to Wycombe , Carriages & coaches, Horses, Starvation, Birds of prey. James Gillray (1756-1815). Prints and Drawings

Hunting Discoveries ... Discover if you intend to do the thing well ..., Henry Thomas Alken, 1785-1851, British, 1817, Etching, colored by hand, Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)

Francis Wheatley, 1747-1801, British, Henry Addington, Later first Viscount Sidmouth, 1785 to 1786. Oil on canvas.

Henry Thomas Alken, 1785-1851, British, Hunting Discoveries ... at Length perceive a light which you Discover .., 1817. Etching, colored by hand.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Prepare to Guard September 1, 1798 Thomas Rowlandson. Prepare to Guard. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Théodore Gericault (French, 1791-1824), Cheveaux des Ardennes, 1822, lithograph on wove paper

Amazon; Rosen, Jan Bogumi (1854-1936); 1882 (1882-00-00-1882-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Diez, Wilhelm von (1839 1907)

Scenes from a steeplechase: Taking a Hedge A Steeplechase: Near the Finish Signed in ocher-color paint, lower left: "H. Alken", Henry Thomas Alken, 1785-1851, British

Off Side Protect, New Guard September 1, 1798 Thomas Rowlandson. Off Side Protect, New Guard. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Mid-Day, unknown artist, after Thomas Rowlandson, 1756-1827, British, 1799, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm), falling, figure study, genre subject, hats, horseback riders, horseback riding, horses (animals), men, sporting art

'Some Do and Some Don't: It is All a Notion:' Getting Home, Henry Thomas Alken, 1785-1851, British, between 1820 and 1821, Graphite, watercolor and gouache on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm) and Image: 7 3/8 × 10 7/16 inches (18.7 × 26.5 cm), horseback riders, horseback riding, horses (animals), men, puddle, rain, sporting art, walking

Dr. Syntax Bound to a Tree by Highwaymen, Thomas Rowlandson, 1756-1827, British, 1820, Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm) and Mount: 8 3/8 x 10 5/8 inches (21.3 x 27 cm), baskets, country (rural landscape), dog (animal), genre subject, man, road, trees, women

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. four of a set of six, untitled: 6. Going Home, 1802. Aquatint, hand-colored with aquatinted border.

French 18th Century after Jean Baptiste Oudry, Arrival at an Inn, 18th century Arrival at an Inn

Races at Champ-de-Mars ". Oil on canvas, around 1825. Paris, Carnavalet museum. 34230-1 Cavalier, Champ-de-Mars, Race, Horse, French School, Runtering, Hippodrome, VIIEME VII 7th 7 arrondissement, Oil on canvas

Edward Troye, Boston, 1818-1874, etching and engraving on paper.

Brodowski, Józef (1828-1900), A hunt with a chase; from: "Tygodnik Ilustrowany" 1879, I, 201. Brodowski, Józef (1828-1900), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Jarmużyński, Józef (fl. ca 1875-1892), woodcutter

Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire. Date/Period: Between 1745 and 1747. Painting. Oil on canvas. Height: 978 mm (38.50 in); Width: 1,232 mm (48.50 in). Author: Arthur Devis.

The Gosden Head, Vandal, 1932, mezzotint on paper.

The Portraiture of Lamprey, Print made by Richard Houston, ca. 1721-1775, British, after James Seymour, 1702-1752, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm), animal art

War time by Bernard Eduard Swebach, oil on canvas, 19th century, 1800-1870, Russia, St. Petersburg, A. Pushkin Memorial Museum, 1820 50x68

Le Locati, Plate 18 from 'Les Toquades', 1858, Paul Gavarni (Sulpice-Guillaume Chevalier), French, 1804-1866, 17 11/16 x 12 1/2 in. (44.93 x 31.75 cm) (sheet), Lithograph, France, 19th century

Farmers wife and the Raven painted by George Stubbs 1782 in the interior of the Lady Lever Gallery in Port Sunlight Model Village Wirral Peninsula Merseyside England UK United Kingdom GB Great Britain British Isles Europe EU

'Russian Manners and Customs , 1821. Coloured lithograph. Man and veiled woman in horse-drawn cart processing through countryside preceded and followed by mounted horsemen. Wedding() Landscape

Returning from the Hunt. Date/Period: Ca. 1855. Painting. Oil on canvas. Height: 521 mm (20.51 in); Width: 660 mm (25.98 in). Author: John Frederick Herring Jr.

Going to Cover, from Fox Hunting. Charles Bentley (English, 1806-1854); after Henry Alken (English, 1785-1851). Date: 1828. Dimensions: 269 × 420 mm (image); 340 × 465 mm (plate); 365 × 492 mm (sheet). Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Officer on horseback. Draughtsman: Paulus Constantijn la Fargue. Dating: 1739 - 1782. Measurements: h 143 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Moses Adam, Albrecht (1786 1862)

Westminster Races, A Political Heat Run in Convent Garden, Attributed to Isaac Cruikshank, 1756-1810, British, Published by William Humphrey, 1745-1810, British, 1784, Etching on thin, slightly textured, white laid paper, Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm), Plate: 8 1/2 × 13 7/8 inches (21.6 × 35.2 cm), and Image: 7 × 13 1/2 inches (17.8 × 34.3 cm)

Watercolor by Sigmund Ferdinand von Perger depicting Sultan, showing the figure, attire, and surrounding interior or landscape elements.

Outside the Guard House at Windsor, Edmund Bristow, 1787-1876, British, between 1817 and 1821, Oil on canvas, Support (PTG): 24 x 30 inches (61 x 76.2 cm), animal art, castle, dog (animal), guard houses, guards, helmets, horse (animal), landscape, saddle, soldier, tack, tower (building division), uniform, England, Europe, United Kingdom, Windsor, Windsor Castle

1. Partridge Shooting, Charles Catton the elder RA, 1728-1798, British, after George Morland, 1763-1804, British, 1789, Stipple and aquatint, printed in color, Sheet: 14 1/8 x 16 7/8in. (35.9 x 42.9cm)

Snorting and Puffing beside Chesapeake and Ohio Canal by Herbert D. Stitt, 1832

Woman with a laurel wreath driving a Greek four-horse chariot. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Charles Hunt, 1803-1877, British, One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 3. Mr. Clifford on Countess .., 1837. Hand-colored aquatint.

Painting titled'Prince Baltasar Carlos in the Riding School' by Diego Velázquez (1599-1660) a Spanish painter and leading artist for the Court of King Philip IV. Dated 17th Century

Up and Over, Cecil Charles Windsor Aldin, 1870-1935, British, undated, Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream, wove paper, Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm), Contemporary drawn border: 9 15/16 × 14 1/16 inches (25.2 × 35.7 cm), and Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm), dogs (animals), hedge, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, jumping, landscape, leaping, men, sporting art, tree

The Death. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36.1 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: February 1, 1789. Museum: Metropolitan Museum of Art, New York, USA.

Currier & Ives, Ready for the Signal, 1872, lithograph, partly hand-colored, on paper.

The Trap. Dated: 1880. Dimensions: overall: 15.9 x 21.9 cm (6 1/4 x 8 5/8 in.) framed: 25.6 x 31.4 x 3.5 cm (10 1/16 x 12 3/8 x 1 3/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

NAPOLEON Bonaparte, 1769-1821 Emperor of France, equestrian portrait, c. 1806 engraving

'Mincepie', 19th century, (1911). Artist: Unknown.

Going to Barnet Fair. John Frederick Herring, Jr. (1815-1907). Oil on canvas, 45.7 x 76.2cm.

Ring Race of Christian II ("Rinkle Race of Conditions ... Find the Nauen Stal Renban at Fastnacht Anno 1607. 24th 25th and 26th February"). Dresden: Slub mscr.dresd.j.10

The mail mail, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

Thomas Rowlandson, 1756-1827, British, Interior of a Stable, undated. Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper.

CASAS i CARBO, RamÑn (1866-1932). SPAIN. Segovia. Riofrio Palace. Modernism. Oil on canvas.

Portrait of a Nobleman, small full-length on Horseback. Attributed to David Morier (1705-1770). Oil on canvas. 126.3x101.6cm.

André Durand, La mort du renard, 1817-1867, chromolithograph, partly hand-colored, on wove paper.

'El pase de muleta', ca. 1840, Oil on canvas, 21,5 x 27 cm. Author: JOAQUIN MANUEL FERNANDEZ CRUZADO (1781-1856). Location: MUSEO DEL ROMANTICISMO-PINTURA. MADRID. SPAIN.

Frederika Sophia Wilhelmina of Pruissia (1751-1820), Equestrian portrait of the Wife of Prince Willem V. Dating: 1789. Measurements: h 86 cm × w 69.5 cm × t 4 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Tethart Philip Christian Haag.

Van Diepenbeeck, Abraham (n.1596-05-09-D.1675-12-31), Balotades on the left (main title), 1658. Organic, textiles, wool, silk, tapestry reduction: 6 to 7 chain threads / cm. Petit Palais, Museum of Fine Arts of the City of Paris.

Logic Adam, Albrecht (1786 1862)

Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather. Artist: John Leech (British, London 1817-1864 London). Dimensions: Sheet: 10 3/16 × 12 3/4 in. (25.8 × 32.4 cm). Date: 1830-64. Museum: Metropolitan Museum of Art, New York, USA.

Four in Hand, Joshua Gleadah, active 1830s, after James Pollard, 1792-1867, British, 1823, Aquatint, hand-colored, Sheet: 14 7/8 x 16 5/8in. (37.8 x 42.2cm)

Ibrahim Pasha of Egypt (1789-1848) by Laporte, George Henry (1799-1873) / Private Collection / 1846 / Germany / Aquatint / Portrait / 29,8x23,4

Full Cry. Seifferien Alken II (1821-1873). Oil on canvas, 30.5 x 40.7cm.

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