Equestrian Sports and Hunting Scenes

Vibrant artworks featuring horse racing and hunting, capturing lively depictions of riders, hounds, and their dramatic pursuits.

Alexander I of Russia accompanied by his staff by Anonymous / Private Collection / Early 19th cen. / Russia / Oil on canvas / Portrait,History / 49,5x69,5 / Neoclassicism

The Race, unknown artist, ca. 1850, Watercolor, graphite, and gouache on medium, slightly textured, gray/green, wove paper, Mount: 5 1/16 × 14 inches (12.9 × 35.6 cm) and Sheet: 4 15/16 × 13 13/16 inches (12.5 × 35.1 cm), horse racing, horseback riders, horseback riding, horses (animals), men, races, spectators, sporting art, whips (animal equipment), women

Fox-Hunting set of six: 3. The Death of the Fox, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1787, Aquatint, hand-colored, Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)

George Alken, 1794-active 1837, British, Full Cry. 1821: Riders Taking a Wooden Fence, 1821. Graphite and watercolor on medium, slightly textured, cream, wove paper.

Horseman's fight, Gerardus Emaus de Micault, 1799 - 1863, Design for a print., draughtsman: Gerardus Emaus de Micault, 1799 - 1863, paper, pen, brush, h 127 mm × w 195 mm

Alexander I of Russia accompanied by his staff by Anonymous / Private Collection / Early 19th cen. / Russia / Oil on canvas / Portrait,History / 49,5x69,5 / Neoclassicism

Regency gentlemen riding in Hyde Park, London, on a Sunday. Ladies in barouche carriages, men on horseback. Hyde Park, Tom and his Cousin dashing among the Pinks in Rotten Row. Handcoloured copperplate engraving after an illustration by Henry Alken from Real Life in London, or, the Further Rambles and Adventures of Bob Tallyho, Esq. and His Cousin The Hon. Tom Dashall, through the Metropolis, Jones, London 1821. Anonymous imitation of Pierce Egans Life in London.

Print made by Thomas Burford, ca. 1710-after 1774, British, Making a Cast at a Fault, 1794. Mezzotint on moderately thick, slightly textured, beige wove paper.

Middle Age. Hawking in France. Engraving. Iconographic Enclyclopaedia of science, Literature and Art. 19th century. Author: HENRY WINKLES. Johan George Heck.

John Grant, Died 1873, Rocket Practice in the Marshes, 1845. Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper.

Set of twelve Scenes in the Life of Master George, Henry Thomas Alken, 1785-1851, British, 1823, Hand colored soft-ground etching, Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)

Henry Thomas Alken, 1785-1851, British, Steeplechasing: The Finish, undated. Graphite and watercolor on medium, slightly textured, blued white, wove paper.

Plate 39, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A horse race in a field, with some horses and riders falling onto the ground and running to get out of the way. Spectators watch at right.. Plate 39, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Enraged Vicar, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm), churches, fence, flower beds, fox (animal), fox hunting, garden, genre subject, horses (animals), hunt, sporting art, trees, vicar

Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog. Artist: attributed to Giuseppe Bernardino Bison (Italian, Palmanova 1762-1844 Milan). Dimensions: 4 1/2 x 6 5/8in. (11.4 x 16.8cm). Date: 1762-1844. Museum: Metropolitan Museum of Art, New York, USA.

Horse fair near Warsaw. Juliusz Kossak (1824-1899), painter

Print made by Thomas Sutherland, ca. 1785-1838, British, To the British Nation, 1836. Colored aquatint on medium, slightly textured, beige wove paper.

John Harris, 1811-1865, British, One of a set of four: The Liverpool Great National Steeple-Chase, 1839. Color printed aquatint.

A Struggle for the Start, plate one from The Leicestershire Hunt. John Dean Paul (English, 1775-1852); Thomas McLean (English, 1788-1875). Date: 1825. Dimensions: 226 × 561 mm (image); 329 × 633 mm(plate); 425 × 730 mm (sheet). Hand-colored aquatint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Rowlandson (British, 1756 - 1827 ), A Cart Race, 1788, hand-colored etching, Rosenwald Collection

Angel Della Valle, El juego del pato, 1903, óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Fox-hunting: The Brook!, John Harris, 1811-1865, British, Henry Thomas Alken, 1785-1851, British, 1844, Aquatint, printed in color and by hand, Sheet: 16 5/8 x 14 1/4in. (42.2 x 36.2cm)

A Fair in the Country. Painting. Watercolor. Height: 137 mm (5.39 in); Width: 237 mm (9.33 in). Author: Thomas Rowlandson.

Thomas Sutherland, IpswichWeighing, 1818, aquatint on paper.

Suleiman Pasha, 1847. Artist: Jean Adolphe Beauce

Groups of 18th century figures in rural pastimes. Men and women flirting during a harvest, riding horses, driving a carriage, etc. Handcoloured copperplate engraving after Anthony Walker from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Recruits Going to Join the Regiment. Henri-Simon Thomassin (French, 1687-1741); after Antoine Watteau (French 1684-1721); published by François Chéreau (French 1680-1729). Date: 1717-1726. Dimensions: 208 × 334 mm (image); 248 × 349 mm (plate); 251 × 352 mm (sheet). Etching, with engraving on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Election Scene, Catonsville, Baltimore County. Dated: c. 1860. Dimensions: overall: 28.7 × 39.4 cm (11 5/16 × 15 1/2 in.) framed: 38.1 × 48.3 × 2.5 cm (15 × 19 × 1 in.). Medium: oil on academy board. Museum: National Gallery of Art, Washington DC. Author: Alfred Jacob Miller.

N ° 94. / Well done! well done! well done!! Courage! (IT)

Isaac Cruikshank, 1756-1810, British, John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3), 1794. Etching, hand-colored.

The Encampment at Brighton, Print made by John Murphy, c.1748-1820, British, after Francis Wheatley, 1747-1801, British, 1796, Mezzotint on moderately thick, slightly textured, cream wove paper, Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm) and Image: 19 9/16 × 25 11/16 inches (49.7 × 65.2 cm)

George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721, James Seymour, 1702-1752, British, 1721, Gouache, graphite, and pen in black ink and brown ink on moderately thick moderately textured, beige, laid paper, Image: 6 3/16 × 10 9/16 inches (15.7 × 26.8 cm) and Sheet: 6 1/2 x 10 13/16in. (16.5 x 27.5cm), portrait

Thomas Burford, ca. 1710-after 1774, British, Hunting set of four: 4. The Death of the Fox (titles are also inscribed in French), 1766. Hand colored mezzotint.

The Right Honourable Lord Pigot Governor of Madras., Benjamin Green, ca. 1736-ca. 1800, British, after George Stubbs, 1724-1806, British, 1769, Mezzotint, proof before inscriptions, Sheet: 18 1/8 x 21 7/8in. (46 x 55.6cm)

George Hunt, active 1820-1840, British, The Cover, 1823. Aquatint, printed in color and colored by hand.

Peter Moran, Harvest at San Juan, New Mexico, c 1883 Harvest at San Juan, New Mexico

Rural Sports, Smock Racing October 1, 1811, reprint Thomas Rowlandson A crowd watches three country girls who race barefoot and scantily clad. A fourth girl has been tripped by a dog at left.. Rural Sports, Smock Racing. Thomas Rowlandson (British, London 1757-1827 London). October 1, 1811, reprint. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

LIN, Herman van (1623-1681). Calvary Collision. ca. 1675. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Set of four- Fox-hunting. Full Cry, Thomas Sutherland, ca. 1785-1838, British, after Henry Thomas Alken, 1785-1851, British, 1818, Aquatint, hand-colored, Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)

Amsterdam, Bom, G. Theod., Albek, Barend Cornelius, Arrival of Saint Nicholas, verso - stamped, Sheet with a large representation of Saint Nicholas on horseback, handing out candy to good children on the street. Black Pete on an angry mule, with a rod in his hand, looks angrily at naughty children. In the background a street with shops. The representation is surrounded by a frame with leaves, fruits and small scenes. Center above the coat of arms of the city of Amsterdam., print, prent, volksprent, volksprenten, prints, prenten, height 380 mm, width 467 mm, Dutch, 1826-10-24 - 1862-05-14, print maker, printmaker, 1840 - 1851, paper, papier, lithografie (technique), met de handkleur, Publication (Event), Publicatie, publisher

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

CABALLERIA DE LINEA (GRABADO). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Toll gate , Jumping Horsemanship, Gates, Tolls, Horseback riding, Horses. Thomas Rowlandson (1756-1827). Prints and Drawings

'Exercises of the Circus Horse', c1818-1836. Artist: Carle Vernet

London, Ackermann & Co., Pollard, James, Harris, John (prentmaker), Scenes on the road, or a trip to Epsom and back, Hyde Park Corner after J. Pollard, print, prent, prints, print maker, prentmaker, paper, papier, aquatint, hand colouring, Work conception, English, 1797 - 1867, after a design by, Publication (Event), Publication, British, publisher

Return of Napoleonic prey art to the countries of origin

"Tom and Bob winning the long odds from a knowing one" Date: 1822

Nicolas Lancret, Picnic after the Hunt, probably c 1735 1740 Picnic after the Hunt

RUITERGEVECHT, Christian Rugendas, after Georg Philipp Rugendas, 1718 - 1781 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman. battle

Funeral procession of Anna Paulowna (page 10), 1865. Draughtsman: anonymous. Dating: 1865. Place: Netherlands. Measurements: h 140 mm × w 365 mm. Museum: Rijksmuseum, Amsterdam.

Pochód lisowczyków. Brandt, Józef (1841-1915), draughtsman, cartoonist

Maskerade of the Leiden students, 1875 (plate 6), 1875 Historically costumed parade of the students of the Leiden University of Applied Sciences held on 15 June 1875 on the occasion of the 300th anniversary of the Hogeschool. The parade depicts the most famous men at the Hogeschool. Sixth plate with the groups numbered 96-110. Part of the series of 21 patched magazines. print maker: Netherlandspublisher: Leiden paper Leiden Historically costumed parade of the students of the Leiden University of Applied Sciences held on 15 June 1875 on the occasion of the 300th anniversary of the Hogeschool. The parade depicts the most famous men at the Hogeschool. Sixth plate with the groups numbered 96-110. Part of the series of 21 patched magazines. print maker: Netherlandspublisher: Leiden paper Leiden

Empress Catherine I by Alexei Alexandrovich Vasilyev, Oil on canvas, 1851, 1811-1879, Russia, Poltava, Regional Art Museum, 97x132

Comanche Feats of Horsemanship. oil on canvas. Date: 1834-1835. Museum: Smithsonian American Art Museum.

'Portrait of Grand Duke Mikhail Pavlovich'. Russia, 1850. Dimensions: 60x73 cm. Museum: State Hermitage, St. Petersburg. Author: Nikolay Sverchkov.

Four in Hand, 1907. Artist: James Pollard

SOCIEDAD SIGLO XIX. "CAZA DEL ZORRO. MOMENTO DE LA SALIDA DE LA MONTERIA". Grabado impreso en el año 1854.

Passing the Mincio River, by Giovanni Fattori (1825-1908).

Italy - Tuscany Region - Siena. City Hall Palazzo Pubblico. Italy's King Victor Emmanuel II meets Giuseppe Garibaldi at Teano, 26th October 1860. Fresco by unknown painter, 19th century

Euxton, with John White Up, at Heaton Park. Date/Period: 1829. Painting. Oil on canvas. Height: 1,016 mm (40 in); Width: 1,270 mm (50 in). Author: John Ferneley.

Rugendas, Christian, inventor: Georg Philip Rugendas, work, Battle of the Cavalry, (1000 - 2000), mezzotinto, graphics, plate width 24 cm, plate height 16.9 cm, leaf width 44.5 cm, leaf height 27 cm, image width 23 cm, image height 15.6 cm

James Pollard, 1792-1867, British, Epsom Races: Preparing to Start, 1834 to 1835. Oil on canvas.

Thomas Stringer, 1722-1790, British, Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings, 1773. Oil on canvas.

John Frederick Herring, 1795-1865, British, Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery, before 1847. Oil on canvas.

Sleighing in New York.. Eno, Amos F., 1836-1915. Prints. 1855. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Barnum's American Museum, Sleds & sleighs , New York (State) , New York, Streets , New York (State) , New York , 1850-1859

The Meet. Gilbert Scott Wright (1880-1958). Oil on canvas. 59 x 89cm

Full Cry. Gilbert Scott Wright (1880-1958). Oil on canvas. 59 x 89cm

Filial Affection, or a Trip to Gretna Green December 15, 1785 Thomas Rowlandson British An eloping couple is carried north towards Scotland in a fast post-carriage or chaise, pursued by the woman's angry father and a posse of riders. A signpost at right points "To Gretna Green". The father urges his horse forward and holds a whip, as the man and woman lean out of the coach windows and brandish pistols. A new restrictive marriage law, passed in England in 1754, encouraged couples to elope to Scotland. At Gretna Green, the first village over the Scottish border, they could marry under a medieval practice that required them only to make a statement of their intenstions before a witness.. Filial Affection, or a Trip to Gretna Green. Thomas Rowlandson (British, London 1757-1827 London). December 15, 1785. Hand-colored etching with aquatint. John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Prints

'Entrance of Alexander II into Ploesti on 15 June 1877'. Russia, 1881. Dimensions: 103,5x194,5 cm. Museum: State Hermitage, St. Petersburg. Author: Nikolay Dmitriev-Orenburgsky.

Argentina, 19th century. El Matadero (slaughterhouse) in the southwest of Buenos Aires. Watercolor, 1818.

Lord and Lady Twemlow, William Barraud, 1810-1850, British, late 1840s, Oil on canvas, Support (PTG): 27 3/4 x 35 1/2 inches (70.5 x 90.2 cm), animals, aristocrats, boots, breeches, costume, dogs (animals), equestrians, frocks, helmets, horses (animals), portrait, riding, saddle, sporting art, top hat, Victorian

Rip Van Winkle. John Quidor; American, 1801-1881. Date: 1829. Dimensions: 69.9 × 87.3 cm (27 1/2 × 34 3/8 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Eugène Charles François Guérard, Physionomies de Paris #11: Promenade au Bois (Pré Catelan), c. 1858, chromolithograph, partly hand-colored, on wove paper.

Juliusz Kossak (1824-1899), Morsztyn near Khotyn; Salon Painters Publishing House (Kraków; 1895-1949); around 1915 (1910-00-00-1920-00-00);

Preparing to Start. Thomas Rowlandson; English, 1756-1827. Date: 1811. Dimensions: 230 × 340 mm (image); 248 × 350 mm (plate); 260 × 390 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

John Ferneley, 1782-1860, British, A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire, undated. Oil, watercolor, gouache, and graphite on very thick, rough, brown, wood board.

En el corral. Date/Period: 1840-1870 - 1840-1879. Painting. Height: 175 mm (6.88 in); Width: 255 mm (10.03 in). Author: Prilidiano Pueyrredon.

ART XIX century. SPAIN. Lucas Velázquez, Eugenio (1824-1870). Influenced by Spanish painter Goya. Bull with necklace (1863). Oil on canvas. Museum of Fine Arts. Havana. Cuba.

The Canterbury Pilgrims. William Blake; English, 1757-1827. Date: 1810. Dimensions: 295 × 920 (image); 300 × 925 mm (plate); 368 × 965 mm (sheet). Line engraving on cream laid paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.

The March. 17th c. GERMANY. Munich. New Schleissheim Palace. Baroque art. Tapestry.

Bliżej Kultury Publisher by Rich. Bong in Berlin, Chaperon, Eugène (1857 1938)

Charles Turner, 1774-1857, British, Malcolm Fleming of Barochan 1745-1811. Hawking.., 1834. Engraving, mixed method.

Dixon, J., Boydell, Cosway, Richard, Gilpin, S., John, Portrait of William John, Earl of Ancrum, print, prints, height mm, width mm, British, 1730 - 1811-12, print maker, printmaker, 1730 - 1811, paper, papier, mezzotint, roulette, after, after painting by, English, 1742-05-11 - 1821-04-07, Publication (Event), Publication, publisher

Winter landscape with ice entertainment, Louis Chalon, 1697 - 1741 drawing paper. deck paint. gouache (paint) ice ~ freezing weather. winter sports

The Berkeley Hunt, 1842: The Death. Date/Period: 1842. Painting. Oil on canvas. Height: 406 mm (15.98 in); Width: 610 mm (24.01 in). Author: FRANCIS CALCRAFT TURNER.

Surprise at the bridge over the Danube on 13 November 1805 by Lethiere, Guillaume Guillon (1760-1832) / Musee de l'Histoire de France, Chateau de Versailles / Early 19th cen. / France / Oil on canvas / Genre,History / 332x500 / Classicism

fine arts, Schwarz, Viatcheslav (1838 - 1869), painting, ""The Tsarina's Spring Pilgrimage"", Oil on canvas, 1868,

Woven picture show jumping unknown

'' Portrait of Don Balthazar Carlos; after Velazquez, exhibited at the Royal Academy', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.

'The Death - Postponed', 1822, (1922). Artist: Robert Pollard.

Arabs Crossing a Ford. Artist: Eugène Fromentin (French, La Rochelle 1820-1876 Saint-Maurice). Dimensions: 20 x 24 1/2 in. (50.8 x 62.2 cm). Date: 1873.Throughout his career, Fromentin's subject matter was drawn largely from the romantic and colorful life of Arabian nomads. This late example, which reflects Corot's influence, was purchased directly from the artist by Catharine Lorillard Wolfe. Museum: Metropolitan Museum of Art, New York, USA.

Fox-Hunting set of four: 3. Breaking Cover, Charles Hunt, 1803-1877, British, after James Pollard, 1792-1867, British, 1840, Aquatint, hand-colored, Sheet: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)

'Heaton Park Races', 1835, (1929). Artist: Richard Reeve.

Charles XI (1665-97), King of Sweden. Dating: 1676 - 1697. Measurements: h 290 cm × w 275 cm × t 4.5 cm; d 8 cm × h 298 cm × w 284 cm × d 11 cm. Museum: Rijksmuseum, Amsterdam. Author: David Ehrenstrahl.

Scene from the Thirty Years War (1618 - 1648), painted by Sebastian Vranck (active 17th century).

Settlers imploring Washington for protection, George Washington, 1732-1799. First President of the United States, After a 19th century print by J Rogers after McNevin, Historic, digitally restored reproduction from a 19th century original, Record date not stated..

The Gilpin Whigs Return to Rochester without their Candidate, () Isaac Cruikshank, 1756-1810, British, c. 1790, Etching, hand-colored, Sheet: 7 x 18in. (17.8 x 45.7cm)

PRIM I PRATS, Joan (1814-1870). Spanish general and politician, Prime Minister (1869-1970). Equestrian Portrait of General Prim. Juan Prim, 8th October 1868. 1869. Romanticism. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Mus_e d'Orsay (Orsay Museum).

Averyanov, Alexander Yuriyevich (*1950) State Borodino War and History Museum, Moscow 2001 55x44 Oil on canvas Modern Russia History

ALBUM DE LA REAL MAESTRANZA DE SEVILLA - FIESTA POR LA BEATIFICACION DE SAN FERNANDO EN SEVILLA EL 15 DE JUNIO DE 1671. Author: ALPERIZ NICOLAS. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN. GUZMAN AGUSTIN DE.

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1803-1882, British, after John Ferneley, 1782-1860, British, 1833, Aquatint with hand coloring in watercolor, Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)

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