Equestrian Sports Illustrations

Dynamic artworks depicting steeplechase and hunting scenes with horses and riders, capturing the excitement and motion of equestrian sports.

Batch No. 850457

Batch No. 850457

Scenes from a steeplechase: Near the Finish A Steeplechase: Another Hedge Signed in black paint, lower left: "H. Alken", Henry Thomas Alken, 1785-1851, British

Steeplechasing: At the Start. Date/Period: 1869. Painting. Oil on canvas. Height: 121 mm (4.76 in); Width: 248 mm (9.76 in). Author: William J. Shayer.

Beggars and Horseman, unknown artist, eighteenth century, 1798, Watercolor, pen, and black ink on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)

Myles Sandys' Hounds and Huntsmen Starting a Hare, Thomas Sunderland, 1744-1828, British, undated, Pen in brown ink, and blue in, with blue and gray wash over graphite on medium, slightly textured, beige, wove paper, Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm), sporting art

The Combat of the Giaour and Hassan 1826 France. The Combat of the Giaour and Hassan is among EugËne Delacroixís finest early representations of battle. The painting was inspired by The Giaour, a lengthy poem by Englandís famous Romantic poet, Lord Byron. Written in 1813 and translated into French in 1824, the poem presents a subject and settingópassion avenged on a Greek battlefieldóthat perfectly suited the artistís Romantic imagination. The painting depicts the poemís dramatic climax, when the Venetian giaour (a Turkish word for a non-Muslim) avenges his loverís death at the hands of the Turk Hassan. Weapons poised, the two enemies face off in mirroring poses the giaour in swirling white, and Hassan with his face hidden. With its exotic costumes, intense drama, and forceful colors and forms, this painting is the most revered of the six known versions Delacroix made based on Byronís poem. Begun in 1824, the year Byron died in the struggle for Greek independence from the Turks, Delacr

Steeplechasing: The Brook. Date/Period: 1869. Painting. Oil on canvas. Height: 165 mm (6.49 in); Width: 273 mm (10.74 in). Author: William J. Shayer.

Two Riders in a Landscape, Anthony Oberman, 1817

An Oriental Chieftain Resting 1727-1804 Giovanni Domenico Tiepolo Italian. An Oriental Chieftain Resting 339437

The Berkeley Hunt, 1842: Full Cry. Date/Period: 1842. Painting. Oil on canvas. Height: 406 mm (15.98 in); Width: 610 mm (24.01 in). Author: FRANCIS CALCRAFT TURNER.

Henry Thomas Alken, 1785-1851, British, "Doing the Thing: and the Thing Done:" Doing it No How, 1818. Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper.

James Seymour, 1702-1752, British, A Lady and a Gentleman Riding Out, undated. Gouache, with pen, in black ink, and brown ink on medium, moderately textured, beige, laid paper.

'Voltaire Taming a Horse'. Series of paintings devoted to Voltaire. Switzerland, Between 1750 and 1775. Dimensions: 62x50 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN HUBER.

Artist Designing After Nature Abraham Pietersz. van Calraet (Dutch, 1642-1722). Artist Designing After Nature, after 1651. Oil on cradled panel, 11 x 17 7/8 in. (27.9 x 45.4 cm). Abraham Pietersz. van Calraet here painted two figures on a low rise overlooking a panoramic view of a hill village and the surrounding flatlands. One, an artist, perches on a portable stool with a sketchbook on his knees, while his companion attends to their horses and steals a look at the scene as it develops on paper. The viewer is drawn into the space of the painting through two devicesthe engaging eye of the brown horse and the empty patch of terrain in the right foreground. The composition offers a glimpse of the working process of a seventeenth-century landscape painter, who might make outdoor sketches that would later serve as studies for larger, finished compositions executed in the studio. European Art after 1651

unknown artist, The Race, ca. 1850. Watercolor, graphite, and gouache on medium, slightly textured, gray/green, wove paper.

Forging horses by Peeter Meulenaer, oil on wood , 1648, 1602-1654, Russia, St. Petersburg , State Hermitage, 37, 3x53, 6

Henry Thomas Alken, 1785-1851, British, "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat, between 1848 and 1851. Graphite and watercolor on medium, slightly textured, beige, wove paper.

Thomas Rowlandson, 1756-1827, British, The Heralds, undated. Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, blued white, laid paper.

The Drag of Sir Watkin Williams Wynn Signed and dated in brown paint, lower center: "J Ferneley | Melton Mowbray 1843.", John Ferneley, 1782-1860, British

fine arts, Wouvermann, Pieter (1623 - 1682), painting, ""Hunting Party"", oil on canvas, 48 x 85.5 cm,

Ride of Tsar Peter II and Crown princess Elizabeth to the hunt by Serov, Valentin Alexandrovich (1865-1911) State Russian Museum, St. Petersburg 1900 Tempera on cardboard 41x39 Russia Russian Painting, End of 19th - Early 20th cen. Genre Painting

Diamond, with Dennis Fitzpatrick Up. Date/Period: 1799. Painting. Oil on canvas. Height: 864 mm (34.01 in); Width: 1,041 mm (40.98 in). Author: Benjamin Marshall.

Foxhunting: The Few Not Funkers. Date/Period: 1840. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 762 mm (30 in). Author: Richard Barrett Davis.

Racing Scene, Samuel Howitt, 1756-1822, British, 1792, Watercolor, pen and black ink, and gray ink on medium, smooth, cream, wove paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm), Contemporary drawn border: 9 15/16 × 14 3/16 inches (25.2 × 36 cm), and Sheet: 8 13/16 × 13 inches (22.4 × 33 cm), crowd, horse racing, horses (animals), jockeys, landscape, men, race (event), spectators, sporting art

The Duke of Devonshire's Flying Childers. Date/Period: 1742. Painting. Oil on canvas. Height: 1,016 mm (40 in); Width: 1,270 mm (50 in). Author: James Seymour.

Cecil Charles Windsor Aldin, 1870-1935, British, `Hold Back, Sir!', 1904. Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, blued white, wove paper.

Henry Thomas Alken, 1785-1851, British, Jumping a Wooden Fence, undated. Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper.

'The Sea', 1908-1914, Oil on canvas, 108 x 132,5 cm, AS06429. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: PRIVATE COLLECTION. MADRID. SPAIN.

George Stubbs, 1724-1806, British, Pumpkin with a Stable-lad, 1774. beeswax and oil on panel.

Henry Thomas Alken, 1785-1851, British, Going Along a Slapping Pace, undated. Watercolor, gouache and graphite on medium, slightly textured, beige wove paper.

Portrait of a Gentleman in a Carriage. Dimensions: 22 1/8 x 29 in. (56.2 x 73.7 cm). Date: ca. 1850-60. Museum: Metropolitan Museum of Art, New York, USA.

Foxhunting: Breaking Cover, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)

'The Bashkirs (The Bashkirs Escorting Prisoners)'. Great Britain, 1814. Dimensions: 43x63 cm. Museum: State Hermitage, St. Petersburg. Author: Sir William Allan.

Charles B. Newhouse, fl. c.1820-1836, British, An Elopement by Moonlight, 1834. Watercolor, with pen, in brown ink, black ink, red ink, gouache and graphite on moderately thick, slightly textured, beige, wove paper.

Moroccans Travelling, Delacroix, Eugene, 1855.

Return from the fair. Pillati, Henryk (1832-1894), painter

Holiday in Essex. Date/Period: 1910. Painting. Oil on canvas. Height: 183.8 cm (72.3 in); Width: 230.6 cm (90.7 in). Author: George Washington Lambert.

'Isabel II dirigiendo una revista militar', 1867, Oil on canvas, 333 x 277 cm, DE0122. Author: CHARLES LOUIS PORION (1814-1884). Location: MUSEO DEL ROMANTICISMO-PINTURA. MADRID. SPAIN. CASTAÑOS FRANCISCO JAVIER. ISABEL II REINA DE ESPAÑA (1830-1904). FRANCISCO DE ASIS (1822-1902). LEOPOLDO O DONNELL (1809-1867) I DUQUE DE TETUAN. JOAQUIN BALDOMERO FERNANDEZ-ALVAREZ ESPARTERO. GENERAL BALDOMERO ESPARTERO (1793-1879). RAMON MARIA NARVAEZ (1800/1868) I DUQUE DE VALENCI. LEOPOLDO O'DONNELL (1809/1867) I DUQUE DE TETUAN.

George M. Patchen, Brown Dick and Miller's Damsel.

A Village Bullfight by Goya, Francisco, de (1746-1828) / Real Academia de Bellas Artes de San Fernando, Madrid / 1812-1814 / Spain / Oil on wood / Genre / 45x72 / Romanticism

Sovereign. Artist: Edward Troye, American, born Switzerland, 1808-1874

Lucas Velázquez, Eugenio (1824-1870). Spanish painter. The Picador (c. 1850-1851). Oil on canvas. National Museum of Fine Arts in Havana. Cuba.

'Matilda Beating Mameluke, St. Leger, 1827', 1827. Artist: Benjamin Herring.

Fox Hunting. 3. The Check, Edward Bell, active 1794-1847, after George Morland, 1763-1804, British, 1800-1801, Mezzotint, printed in color and hand colored, Sheet: 21 3/4 x 26 7/8in. (55.2 x 68.3cm)

Francisco de Goya y Lucientes / 'The Threshing Floor, or Summer', 1786, Spanish School, Oil on canvas, 276 cm x 641 cm, P00794. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Two Kalmyk horsemen. Orłowski, Aleksander (1777-1832), painter

'Gaspar de Guzmán, Count-Duke of Olivares', ca. 1636, Spanish School, Oil on canvas, 313 cm x 239 cm, P01181. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Count-Duke of Olivares Gaspar de Guzman. FELIPE IV VALIDO. GUZMAN Y PIMENTEL GASPAR DE.

The Night Riders of Nacton: The Finish. Nacton Church and Village, Henry Thomas Alken, 1785-1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper, Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm) and Mount: 11 × 14 inches (27.9 × 35.6 cm), church, equestrians, horses (animals), sporting art, village, England, Europe, Suffolk, United Kingdom

GOYA Y LUCIENTES, Francisco de (1746-1828). The Bullfight. 1824. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Ryman, James, Graves & Warmsley, Grant, (Sir) Francis, Humphrys, William, The Melton Hunt after J. Grant, print, prints, height mm, width mm, Irish, British, 1794 - 1865-01-21, print maker, printmaker, 1794 - 1865, paper, papier, etching, etchings, roulette, brush, schilder, Work conception, Schots, 1803 - 1878-10-05, naar ontwerp van, Publication (Event), Publicatie, publisher, uitgever, Expression creation

Ryszard Okniński (1848-1925), driveway; Salon Kulikowski (Warsaw; Art Gallery; Publisher), Husnik & Häusler (Praga; Reprographic Department; 1888-1936); around 1910 (1910-00-00-1915-00-00);

'The Village Hunt', c1800, (1922). Artist: Thomas Rowlandson.

1850s THE PURSUIT - CURRIER & IVES LITHOGRAPH - 1856

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

Holy Saturday by anonymous artist, painting, Russia, Moscow, State Tretyakov Gallery, 20, 2x39, 1

The Horsemen. Portrait of Eugeny and Emily Mussard by Briullov, Karl Pavlovich (1799-1852)/ State Tretyakov Gallery, Moscow/ 1849/ Russia/ Watercolour and white colour on cardboard/ Romanticism/ 69,3x51,2/ Portrait,Genre

Going Out in a Snowstorm. Henry Thomas Alken (1785-1851). Oil on canvas. 25.4 x 35.6cm.

St. George and the Dragon. 1504-1506; oil painting on wood, by the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). St. George and the Dragon is a small cabinet painting in which the saint wears the blue garter of the English Order of the Garter, reflecting the award of this decoration in 1504 to Raphael's patron Guidobaldo da Montefeltro, Duke of Urbino, by King Henry VII of England. The first word of the order's motto, 'HONI' can be made out.

John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk Signed and dated in green paint, lower right: "J. Dunthorne | 1765", James Dunthorne, 1730-1815, British

The Education of Achilles. Eugène Delacroix (French, 1798 - 1863)

John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk. Date/Period: 1765. Painting. Oil on canvas. Height: 902 mm (35.51 in); Width: 1,372 mm (54.01 in). Author: James Dunthorne.

If the child's mandate; Or 1810-1820 (1810-00-00-1820-00-00);

Hunter in a landscape. Date/Period: 1810. Painting. Oil on panel. Height: 708 mm (27.87 in); Width: 911 mm (35.86 in). Author: James Ward.

Spring Labours, 1820 by Alexey Gavrilovich Venetsianov (1780- 1847) Russian painter, renowned for his paintings devoted to peasant life and ordinary people.

Game keepers, 1790

Returning from town, 1848, by Hippolyte Bellange (1800-1866).

Piotr Michalowski (1800-1855). Polish painter. Horse Rifleman of the Napoleonic War. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Henry Thomas Alken, 1785-1851, British, The St. Leger, Doncaster: Preparing to Start, undated. Graphite and watercolor on medium, slightly textured, cream, wove paper.

Painted for Louisa, Countess of Mansfield by Julius Caesar Ibbetson (1759-1817) British 18th-century landscape and watercolour painter. Dated 1797

The first meeting of Skrzetuski and Chmielnicki, illustration for Henryk Sienkiewiczs novel “With Fire and Sword". Piotrowski, Antoni (1853-1924), draughtsman, cartoonist

Margrave' with James Robinson Up Inscribed, lower right: "Margrave" Signed and dated, lower left: "J. F. Herring | 1833", John Frederick Herring, 1795-1865, British

Jospe Cusachs / 'Montería', s. XX, Óleo sobre lienzo. Author: JOSEP CUSACHS.

HUSARES DE LA PRINCESA - SIGLO XIX - OLEO/LIENZO - 30 x 50 cm. Author: JOSE CUSACHS Y CUSACHS (1851-1908). Location: PRIVATE COLLECTION. MADRID. SPAIN.

'A Rainy Day', 1870, (1912).Artist: Peter Graham

USA, Colorado, Delta. Native-American scene decorates brick wall.

In Hot Pursuit. Artist: Charles Schreyvogel (1861-1912). Dimensions: 34 1/8 x 24 3/4in. (86.7 x 62.9cm)Framed: 39 3/8 x 29 15/16 x 2 3/4 in. (100 x 76 x 7 cm). Date: After 1900.This work depicts an armed American Indian on a galloping horse being pursued down a rough mountainside by several riders, who are barely visible in the distance. The instantaneous, snapshotlike view and the fact that the Indian and his mount appear to be on the verge of plunging into the viewer's space amplify the drama. To capture naturalistic effects, Schreyvogel often painted outdoors, studying his models in daylight against the Palisades, the rugged cliffs along the Hudson River near his Hoboken, New Jersey, studio. He also referred to photographs and sketches he had made during his trips to the West. Museum: Metropolitan Museum of Art, New York, USA.

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

'Bullfight', 1923, Oil on canvas, 163 x 213 cm. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Water Jump - 19th century lithograph .

The Races. Dated: 1871-1872. Dimensions: overall: 26.6 x 35.1 cm (10 1/2 x 13 13/16 in.) framed: 42.2 x 49.9 cm (16 5/8 x 19 5/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.

His Smidth (1839-1917), Kuts to Fussingoe, About 1900

Landscape with Cattle. Artist: Jacob van Strij (Dutch, Dordrecht 1756-1815 Dordrecht). Dimensions: 31 1/2 x 42 1/4 in. (80 x 107.3 cm). Date: probably ca. 1800.This impressive panel bears the signature of Aelbert Cuyp, and until recently was never doubted as his work. Cuyp's paintings were widely appreciated in the eighteenth century, and attracted a number of imitators. The most capable of them, Jacob van Strij, is very probably the author of this picture. Among the qualities that indicate an eighteenth-century painter are the impasto treatment of the clouds, the simplified highlights, the saturated greens and blues, and a tendency to render details as picturesque accents. Several motifs are repeated from paintings by Cuyp. The right background, for example, is derived from the so-called Salmon Fishing in the Mauritshuis, The Hague. Museum: Metropolitan Museum of Art, New York, USA.

Apache Indians on Horseback, c. 1910, Herman Wendelborg Hansen, American (born Denmark), American (born Denmark), 1854 - 1924, 19 5/8 x 29 5/8 in. (49.85 x 75.25 cm) (sheet), Watercolor on paper, United States, 19th century

Don Gaspar de Guzman, Count-Duke of Olivares, Diego Velazquez, circa 1635, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Frederika Sophia Wilhelmina of Pruissia (1751-1820), Equestrian Portrait of the Wife of Prince Willem V, Tethart Philip Christian Haag, 1789 painting Portrait of Frederika Sophia Wilhelmina van Pruisen, wife of Prince Willem V, on horseback. Equestrian portrait, sitting on a brown horse, with a stitch on the head, in a landscape, a church tower on the right in the distance. canvas. oil paint (paint) equestrian state-portrait. historical persons - BB - woman

The Mexican Major. Frederic Remington; American, 1861-1909. Date: 1889. Dimensions: 87 × 124.8 cm (34 1/4 × 49 1/8 in.). Oil on canvas. Origin: New York. Museum: The Chicago Art Institute, Chicago, USA. Author: Frederic Remington.

Sleigh ride; Jaroshi Ski, Józef (1835-1900); 2. PO. 19th century (1851-00-00-1900-00-00);gift (provenance), horses, landscapes, lowland landscapes, winter landscapes, dogs, realism (style), sleigh, village, winter, snow

Young Rider, S.L.R., by Alfred James Munnings, oil on wood panel, 1878-1959, USA, Pennsylvania, Philadelphia, David David Gallery Felix Rosenstiel's Widow & Son Ltd

Batch No. 850457

Prairie on Fire Charles Deas (American, 1818-1867). Prairie on Fire, 1847. Oil on canvas, 28 3/4 x 35 15/16 in. (73 x 91.3 cm). Prairie Fire takes the classic damsel-in-distress story line and transports it to the American West. Panicked horses and frantic riders race through a prairie as a fire rages in the background. In choosing this setting, Charles Deas drew on popular imagery in nineteenth-century visual art and literature, including James Fenimore Coopers novel The Prairie. American Art 1847

Tapestry titled 'The March' by Judocus de Vos (1661-1734) a Flemish weaver. Dated 18th Century

Lisowczyk; Kossak, Juliusz (1824-1899); 1860-65 (1860-00-00-1865-00-00);Purchase (provenance)

EL TORO CON COLLAR, 1863 - OLEO LIENZO 105x167 CM - DETALLE PICADOR Y TOREROS. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Rider. Juliusz Kossak (1824-1899), painter

Edouard Manet, At the Races, c 1875 At the Races

GOYA, FRANCISCO DE. PINTOR ESPAÑOL. FUENTETODOS. 1746-1828.. "PICADOR". DETALLE TRIPTICO. MUSEO CAMON AZNAR. ZARAGOZA. TAUROMAQUIA.

Leaving the Oasis, 1880s. Jean-Léon Gérôme (French, 1824-1904). Oil on wood panel; framed: 67.3 x 98.4 x 9.5 cm (26 1/2 x 38 3/4 x 3 3/4 in.); unframed: 50 x 81.2 cm (19 11/16 x 31 15/16 in.).

Frederic Remington (1861-1909). American painter. The Parley, 1903.

Equestrian portrait of Krzysztof Koryzna. Toliński (fl. ca 1840), painter

Interior of a Stable. Date/Period: Between 1830 and 1840. Painting. Oil on panel. Height: 143 mm (5.62 in); Width: 216 mm (8.50 in). Author: James Ward.

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