Equestrian Themes in Artwork

Artworks focusing on horse riders and carriages, capturing dynamic movement and character expression in various styles and historical contexts.

Cartoon with Russell, Inglis and Bentinck, John Doyle, 1847 print Cartoon from 1847 with John Russell as a carriagener on a cart on which Lord Bentinck and Lord Inglis sit. Published as no. 878 in the HB Sketches series. paper two-wheeled vehicle drawn by one animal. political caricatures and satires

PASEO EN CALESA - SIGLO XIX - ACUARELA. Author: CONSTANTIN GUYS. Location: MUSEE D'ARTS DECORATIFS.

Seventh Slede, Abraham Delfos, 1776 drawing The seventh sledge in the parade. A sledge with Minerva pulled by a horse and preceded by two people in Greek clothing. Part of the series of fifteen drawings for the plates of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575). Northern Netherlands paper commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Watercolour titled 'The Colonial Society: The Mayor of the first vote' by Pancho Fierro (1807-1879) Afro-Peruvian painter. Dated 19th Century

'The Lady at Egham Races', c1810. Artist: Richard Barrett Davis.

The PotatoSeller. Artist: Nicolino Calyo, Italian, 1799-1884

ARRIVAL OF REPLACERS OR TABLE OF PARIS Arrival of replacements or painting of Paris and France in Floreal ". Anonymous print.

English gentleman on an old nag rejected by a man on a bay horse. Mr. Jack Bunting rejected. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Plain or Ringlets, Bradbury and Evans London, 1860. Leech (1817-1864) was an English caricaturist and illustrator best known for his work for Punch magazine.

Running out of the Course January 1, 1799 Thomas Rowlandson The print comes from a group by Rowlandson devoted to moments in horse racing--interestingly none shows a finish. When first published around 1789, the titles were "The Mount," "The Start," "The Betting Post," and "The Course." The present example comes from an expanded reissue of 1798-99 with titles altered to "Mounting" (59.533.1697), "Racing" (59.533.1694), "Betting" (59.533.1695), with "Between Heats" (59.533.514, 59.533.1700), and "Weighing" (59.533.1696) and "Running out of the Course" (59.533.1698) added. One of the latter, this shows a jockey struggling to control his mount which threatens spectators--fences rarely lined courses at this period, even near the finish.. Running out of the Course. Racing Series (1789; reissued with additions 1798-99). Thomas Rowlandson (British, London 1757-1827 London). January 1, 1799. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Juliusz Kossak (1824-1899), on Widet / En Vedette image reproduction from Zb. Jan Fischer; Wisła (Kraków), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Lady of a riding overwhelming; Kossak, Juliusz (1824-1899); around 1860 (1855-00-00-1865-00-00);Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Amazons, horses, recovered war losses, Poland (culture), portraits, female portraits, horse portraits, message (provenance), Dogs, Polish drawings, Sokolnica

LITOGRAFIA-TAUROMAQUIA-ENTRADA DEL TORO A LA BARA. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS COLOREADOS. MADRID. SPAIN.

Arthur-Joseph Guéniot (1866-1951). Napoleon on horseback (front); Young sleeping child (back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Polychrome tile picture, farmer with horse, tile picture ceramic earthenware glaze tin glaze, baked 2x glazed painted Two broad three high Tile plaster adorn living interior Bellevue Rotterdam Hillegersberg-Schiebroek Hillegersberg Zuid Kleiweg Originating from former House Bellevue Kleiweg 427 Rotterdam.

TheCab. Artist: Nicolino Calyo, Italian, 1799-1884

Journey by Sedan Chair, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, pen and black ink, brush and watercolor on paper, Horizontal rectangle. A man riding upon a horse which carries luggage beside him, leads the front mule carrying with another a sedan chair in which a woman and a man sit. A driver with a long stick walks at right. A dog accompanies the caravans. In the background are the sea, Vesuvius and other mountains. Framing lines. Signature in the lower right corner: '1828/Gatta f.', Italy, 1828, figures, Drawing, Drawing

Route de Poissy, Route de St. Cloud, Route de Poste, Route du Marche: Scenes of Daily Life, Roads and Paths: Road to Poissy (Scènes de la vie quotidienne, Routes et Chemins: Route de Poissy), 1816. Carle Vernet (French, 1758-1836), Published by Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9.1 x 14 cm (3 9/16 x 5 1/2 in.); image: 8.3 x 11.5 cm (3 1/4 x 4 1/2 in.).

Sir John Floyd on Horseback 1800-14 Richard Westall British Westall did not visit India, but relied on visual information supplied by others to portray a British cavalry officer in the mountains of Mysore. With accurate details of uniform and visage, a dynamic pose, and a dramatic setting, he adapted to a smaller scale a Romantic portrait type recently devised by the artists friend Thomas Lawrence. Floyd had distinguished himself fighting the Mysore ruler Tipu Sultan in 1790-92 and 1799. This portrait was likely commissioned soon after the sitter returned to England in 1800, when Westalls reputation was at its height. An 1814 exhibition prompted a critic to note, "The honor which Great Britain has derived from the discovery of the art of painting in transparent water colours.. is in great degree to be ascribed to Mr. Westall.". Sir John Floyd on Horseback 401275

Here are well-mounted governments! .. and who make the beautiful work ... (IT)

Sixth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The sixth sledge in the parade. A sledge with the city -border of Leiden, pulled by a horse and followed by two city bods on foot. Part of a series of twelve plates (before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second centenary of the Leiden Relief (October 3, 1574) and the establishment of The University of Leiden (8 February 1575). Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports). personification of a city, town-patron(ess) Leiden

Holmes questioning a stable lad, and finding that a number of sheep in the paddock had gone lame, a piece of information that leads him to the murderer of Straker the trainer. From 'The Adventures of Sherlock Holmes' by Conan Doyle from 'The Strand Magazine' (London, 1892). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

Charles Courtry, The Coming Storm, after 1860, etching and drypoint with burin work on wove paper.

Beauharnais, Eugene de.

Head of an ox, front view Hanging from its ear is a palette with brushes and other painting utensils The ox is the symbol of the evangelist Luke, patron saint of painters, Title page for: Abraham Bloemaert, Teekenboek, part 2 The drawing book of Abraham Bloemaert , print maker: Frederick Bloemaert, (mentioned on object), intermediary draughtsman: Abraham Bloemaert, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Utrecht, publisher: Amsterdam, c. 1679 - c. 1701, paper, engraving, h 210 mm × w 170 mm

Belfedee-allee te Weimar, Conld Rowerends, 1889 print Weimar paper etching private soldier (+ cavalry, horsemen). lane, alley Belvedere

Carousel Horse. Dated: 1935/1942. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 44" long; 9" wide. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Howard Weld.

Saint Albans Steeplechase. Charles Hunt (English, 1803-1877); after James Pollard (English, 1797-1867). Date: 1837. Dimensions: . Aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Second Sleigh, Abraham Delfos, 1776, The second sleigh in the parade. A large sled with four musicians drawn by two horses and followed by two Romans with swords. Part of the series of fifteen drawings for the plates of the sledge procession on 24 January 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the foundation of the University of Leiden (8 February 1575)., draughtsman: Abraham Delfos, Northern Netherlands, 1776, paper, h 308 mm × w 515 mm

Flight to Egypt, Augustin Hirschvogel, 1548 print Vienna paper etching flight into Egypt and miracles during the journey

SKETCHES IN CHINA

THIRLBY HALL, DRAWN BY WILLIAM SMALL, 1883; In spite of all my entreaties she did ride down.

Katan'e na Maslianitse. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Two riders in Louis XV costume. John-Lewis Brown (1829-1892). Two riders in Louis XV costume. Graphite pencil.

Très hauts et très puissans moutards et moutardes légitimes. Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain, Bullfighting , Spain

Smart and Hunt, "Plenipotentiary", 1834, aquatint on paper.

Bernadotte.. David, Jacques Louis (1748-1825). Hunt, Charles Havens. Prints. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Charles XIV John, King of Sweden and Norway, 1763-1844

Shooting set of six: 6. Packing up, James Pollard, 1792-1867, British, after James Pollard, 1792-1867, British, 1822, Aquatint, hand-colored, Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)

Engraving depicting a female bareback rider performing at Franconi's in the Capucine Gardens. Dated 19th century

No shoe need now be ever cast, the Putnam nail will hold them fast. No shoe need now be ever cast, the Putnam nail will hold them fast

No. 4. / There Erte Todden. (Ten)

Euxton, with John White Up, at Heaton Park Buxton' with John White up Inscribed, lower right: "Melton Mobray" Signed and dated, lower right: "J. Ferneley | 1829.", John Ferneley, 1782-1860, British

Sébastopol. Adrien Alban Tournachon (French, 1825 - 1903)

Design for 4 seat Phaeton, no top, no. 976. Artist: Channing Britton (American, active second half 19th century). Dimensions: sheet: 6 3/16 x 8 3/4 in. (15.7 x 22.2 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1850-70.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewst

Bernabo Visconti (1323-1385), Lord of Milan, Italian soldier and statesman. He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton. From the monument to him in the church of Saint-Jean in Concha. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from "Historical Costumes from the 12th to 15th Centuries," Levy Fils, Paris, 1861.

The woman in the war , No, VI, Kutscherin, in the background Ferris, Ladislaus Tuszynski -, artist

Juliusz Kossak (1824-1899), Pulling the harrow; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Styfi, Jan (1839-1921), woodcutter

The Bulls of Bordeaux: The Famous American, Mariano Ceballos, 1825. Francisco de Goya (Spanish, 1746-1828). Lithograph;

Briséis. Adrien Alban Tournachon (French, 1825 - 1903)

Print, Hurlingham - The Pavilion; Print Maker: H. Jamyn Brooks; engraving, brush and watercolor on paper, mounted; 53 × 82.9 cm (20 7/8 × 32 5/8 in.)

The Jacobite's Journal, Samuel Ireland, English, ca. 1744-1800, William Hogarth, English, 1697 - 1764, Woodcut on paper, With an arched upper part. A donkey led by a monk carries a man and a woman. The man holds a wine glass in his left hand, raises his hat with his right hand and shouts 'Huzza'; the woman holds a sword and a pack of cards marked 'Harrington'. In background, silhouette of London. Illustration for Ireland, 'Graphic Illustrations' I, 149., England, 1794, Print, Print

Saltarelle, winner of the Derby in 1874, illustration from L'Illustration, Journal Universel, No 1632, Volume LXIII, June 6, 1874.

Guillaume Philippe Benoist, 1725-ca. 1770, French, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

Lovely; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 17 × 22.3 cm (6 11,16 × 8 3,4 in.)

Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell Signed and dated, lower left: "J Pollard 1818", James Pollard, 1792-1867, British

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Currier & Ives, "Luke Blackburn", 1880, color lithograph on paper.

Haarlem, Erven F. Bohn, Amsterdam, Tresling & Comp., Netherlands, Craeyvanger, Reinier, Bos, Gerardus Johannes, Historical Procession, held in Amsterdam, May 12, 1874, Historical Procession in Amsterdam, The procession consists of three rows of historical figures representing different time periods. The procession is divided into eight groups and three floats., print, prints, height 295 mm, width 1100 mm, 1825-04-09 - 1898-05-13, print maker, printmaker, 1822 - 1880, paper, color lithography (process), Dutch, 1812-02-29 - 1880-01-10, Work conception, after own design by, printer, Publication (Event), Publication, publisher

The Leaders' Lithograph .

A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824, Thomas Sutherland, ca. 1785-1838, British, after Henry Thomas Alken, 1785-1851, British, 1824, Aquatint, colored by hand

James Pollard, 1792-1867, British, Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell, 1818. Oil on canvas.

Absalon; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 17.5 × 22.2 cm (6 7,8 × 8 3,4 in.)

Images of the common Volks in Vienna, Fleischhacker, Le Boucher,

An engraving depicting an under-sprung step-piece barouche, shown at the Great Exhibition. Dated 19th century

Photos Series Theater Alt-Berlin, Friedrich Wilhelm III. and Blucher victorious returning home in 1814 / Bilderserie Theater Alt-Berlin, Friedrich Wilhelm III. und Blücher als Sieger heimkehrend, 1814, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei.

'Clorane', 1911. Artist: Unknown.

Lafleur. Adrien Alban Tournachon (French, 1825 - 1903)

Draisine, 19th century illustration

Dame D'Honneur; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 16.5 × 22.3 cm (6 1,2 × 8 3,4 in.)

Finery; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 16.6 × 22.2 cm (6 9,16 × 8 3,4 in.)

The Godolphin Arabian. Date/Period: Late 18th century. Painting. Oil on canvas. Height: 965 mm (37.99 in); Width: 1,219 mm (47.99 in). Author: Daniel Quigley.

In the Royen OS. / 1639

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