Equine and Bullfighting Art

Dynamic sketches featuring horses in motion, bullfighting scenes, and racing, emphasizing movement and energy in ink and graphite.

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse voorbeelden, Paard op een heuvel, verso - stamped, print, prints, height 79 mm, width 94 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Artist: Federico Barocci, Italian, 1528-1612, Saint Francis Receiving theStigmata, ca.1581, Etching and engraving, Sheet: 23.2 × 15.3 cm (9 1/8 ×6in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

La Course (TheRace). Artist: Théodore Géricault, French, 1791-1824

Aquatint from La Tauromáquia series, 1816, depicting the bullfighter Moro Gazul performing the first regulated bullfight according to artistic rules.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse voorbeelden, Paard op een heuvel, verso - stamped, print, prints, height 79 mm, width 94 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Goya Carlos V lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid) Francisco de Goya, Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Spanish, 1746 - 1828, in or before 1816, etching, burnished aquatint, drypoint and burin first edition impression, Rosenwald Collection

tilling, Narcís Puget Viñas, charcoal drawing, Puget museum, Can LLaudis noble house, Dalt Vila, Ibiza, Balearic Islands, Spain.

Pencil and watercolor sketches by Friedrich Gauermann including horse studies, fishermen in Trieste, and a view of Mürzhofen in Styria, 1838.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Travel to the promised country presentation for a cartoon on the flight of Metternich in March , Carl Anton Goebel also Göbel -, drawer

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Copper engraving and etching by Grégoire Huret between 1626 and 1670 showing Kings Ludwig IX and Ludwig XIII traveling from France to Jerusalem, with figures, landscapes, and architectural features.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Draft horse at the Seine in Paris, Pieter Dupont, 1898 print A four -in -hand behind the horse. In the background the Seine, with the Left possibly the Grand Palais. Paris paper etching horse. city-view, and landscape with man-made constructions His. Paris

Conqueror Going to Start, James Seymour, 1702-1752, British, undated, Graphite and pen and brown ink on medium, slightly textured, beige, laid paper, Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm), figure study, horse (animal), horse racing, jockey, man, race (event), sporting art

Jacques Callot, Study of Four Horsemen, French, 1592-1635, 1628 or before, red chalk on laid paper

Eugène Delacroix (French, 1798-1863), Encounter of the Moorish Horsemen (Rencontre de Cavaliers Maures), 1834, etching and drypoint

Men's value of the celebrated Pajuera in the (Beach) of Zaragoza /The Courage of the Famous Pajuelera in the Arena in Zaragoza; Board No. 22, Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Sawrey Gilpin, 1733-1807, British, Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms", between 1768 and 1769. Graphite, pen and black ink on medium, moderately textured, beige, laid paper.

Portrait of the Count-Duke of Olivarez. Nicolaas Henneman (British, 1813 - 1893)

Two Horsemen. Artist: Anonymous, Italian, 17th century. Dimensions: 7-9/16 x 5-1/2 in. (19.2 x 13.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cassius: O look Titinius” Act V, scene iii, Julius Caesar. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Two riders sketches (dummy title)

Chalk and brush drawing by Pirro Ligorio showing a kneeler offering a package to a naked man on horseback above a lying dead man, with a figure on a donkey in the background, executed in white grown and brownish red primed ground.

The Jockey. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1899. Dimensions: 516 × 361 mm. Lithograph on grayish-ivory laid China paper. Origin: France. Museum: The Chicago Art Institute, USA.

Dordrecht, Hoolaart, Jacob, Horse, print, prints, height 29 mm, width 26 mm, 1713-01-29 - 1789-04-02, print maker, printmaker, 1728 - 1789, paper, papier, etching, etchings

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Three men on horseback, verso - stamped, print, prints, height 62 mm, width 61 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

Roche, Pierre (n.1855-D.1922-01-18), Le Poulain (main title), 1920. Gypsography, black, green and brown draw .. Petit Palais, Museum of Fine Arts of the city of Paris .

Amazone et cavalier. Edgar Degas (1834-1917). Counterproof on paper. 31.5 x 25.1cm

Prancing horse before an Italian harbor view, Gerard ter Borch (I), after Antonio Tempesta, c. 1615, Prancing horse, seen from behind, before an Italian harbor view., draughtsman: Gerard ter Borch (I), Antonio Tempesta, (free after), Zwolle, (possibly), c. 1615, paper, brush, h 117 mm × w 160 mm

Francisco de Goya y Lucientes (1746-1828). Spanish painter. La Tauromaquia (Bullfighting). The most skilled student of Falzes, covered, teases the bull with his dodges. Number 14. Etching. San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Charles Samuel Keene, 1823-1891, British, Sketchbook Drawing, between 1846 and 1852. Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper.

aguadoras sobre los burros, Narcís Puget Viñas, dibujo al carboncillo,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

Turbaned Soldier on Horseback, Anonymous, Rembrandt van Rijn, After 1632 print paper etching riding a horse, ass, or mule; rider, horseman

Stefano della Bella depicted a Polish rider galloping to the left using feather around 1633/34.

Reproduction of a painting: Wojciech Kossak (1856-1942), Rustan; from: `Tygodnik Ilustrowany` 1898, 2, no. 741. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Paris, Duchange, Gaspard, Amsterdam, Picart, Bernard, Le Brun, Charles, La Galerie de monsieur le Président Lambert representing the apotheosis of Hercules, Apotheosis of Hercules, verso - stamped, Accompanied by Minerva, Hercules ascends to Olympus in a chariot drawn by four horses. On the clouds sit Victoria, with a laurel wreath for the hero, and Fame, who blows the trumpet of praise. Print is part of a series of prints, which together represent the painted ceiling with the Apotheosis of Hercules in the Hôtel Lambert in Paris., print, prints, height 320 mm, width 596 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1719 - 1719, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), French, 1619-02-24 - 1690-02-12, after, after painting by, intermediary draughtsman, after drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, 1662-04 - 1757-01-06

Leiden, Gebhard & Co, JH, Hazenberg Corns Zoon, J., The Hague, Blommers, P. (Lithographic printing house of), Netherlands, Jonge, Jan Karel Jacob de, Last, Carel Christiaan Antony, Procession of Frederik Hendrik into 's Hertogenbosch in 1629: costumed representation by the HH students of the Leiden University on 11 June 1850, Masquerade of the Leiden students, 1850 (plate 8), Historical costumed procession of the students of the Leiden University on 11 June 1850. The procession depicts the entry of Frederik Hendrik into 's Bosch in 1629. Eighth plate with the groups numbered 72-77. Part of the series of thirteen sheets pasted together., text sheet, books, Frederik Muller Historieplaten, height 285 mm, width 750 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1850 - 1850, paper, papier, lithografie (techniek), 1828-06-17 - 1880-03-15, intermediary draughtsman, after a drawing by, printer, drukker, Publication (Event), Publicatie, publisher

Metal Weather Vane. Dated: c. 1940. Dimensions: overall: 27.8 x 37.8 cm (10 15/16 x 14 7/8 in.) Original IAD Object: 15" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frances Cohen.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)2. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 204 x 312 mm (image); 245 x 355 mm (plate); 320 x 445 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 11.5 cm x 14 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study for one of the 'Chevaux de Marly' ca. 1740 Guillaume Coustou the Elder French This study is related to the Chevaux de Marly (Horses of Marly), one of the most famous large-scale marble sculptures of the period, commissioned by the king in 1739. The statues were moved inside the Louvre in 1985 and replaced with the cement copies that now flank the entrance to the Tuileries Gardens in Paris. Surviving correspondence between French officials details how two drawings by Coustou with profiles of the blocks were sent to Rome in 1740 to aid in the purchase of appropriate pieces of Carrara marble. This sheet, more of a diagram than a premire pensée, may have been one of those drawings.It is also possible that the drawing is connected to the installation or movement of the statue.. Study for one of the 'Chevaux de Marly' 371557

A Stop in the Park, 1800s. Constantin Guys (French, 1805-1892). Pen and black ink and brush and gray wash over graphite; sheet: 21.1 x 25.6 cm (8 5/16 x 10 1/16 in.); secondary support: 29 x 35.2 cm (11 7/16 x 13 7/8 in.).

Drawing, Sketches in Barnyard, Oxen and Farmer with Rake; Daniel Huntington (American, 1816-1906); USA; graphite on paper; 25.3 × 35.4 cm (9 15/16 × 13 15/16 in.); Bequest of Erskine Hewitt; 1942-50-443

Pencil drawing by Carl Schindler depicting dead horses, soldiers, and two figures with a horse in the background, dated 1838-1842.

Robert Polhill Bevan, 1865-1925, British, The Ploughing Team, 1905 or 1906. Charcoal on medium, smooth, cream, wove paper.

Peter III of Aragon (c. 1239-1285). King of Aragon, King of Valencia (as Peter I) and Count of Barcelona (as Peter II). Engraving. Museo Militar, 1883.

GOYA Y LUCIENTES, Francisco de (1746-1828). Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa. 1816. Plate 22 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

The Donkey, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 266 x 205 mm (image); 370 x 278 mm (sheet). Aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Sketch - Stable interior John Henry Walker () (1831-1899)

Untitled. Victor Adam; French, 1801-1866. Date: 1851. Dimensions: 108 × 168 mm (image); 176 × 252 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Victor Jean Adam.

Schjerfbeck, Helene, work, Sketch book, 1879-1880, drawing, 13.7 cm x 21, 8 cm, Schjerfbeck, Helene, part: Riding soldier, kumpu, timing: 1879-1880, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Cavalier on Horseback. Jules Jacquet; French, 1841-1913. Date: 1874. Dimensions: 346 × 219 mm. Pen and brown ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hubbell McBride, Printed Chintz, c 1939 Printed Chintz

Fritz Hegenbarts etching with aquatint circa 1890 depicts forward movement with figures, gestures, and compositional lines suggesting progression.

Finch, Alfred William, work, Halkoorma in port, pencil, drawing, 24.5 cm x 31.5 cm

Muscovite Rider Rodolphe Bresdin French. Muscovite Rider 343500

Järnefelt, Eero, work, Sketch book, 1894-96, pencil, marker, watercolor and crayon, drawing, 23.5 cm x 31 cm, Järnefelt, Eero, 1894-96, pencil, marker, watercolor and crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Sketch sheet with flying horse and seagulls. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 210 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

Fourth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The fourth sledge in the parade. A sled in which the personification of freedom, with Willem van Oranje and a knight, pulled by a horse and followed by nobles on horseback. Part of a series of twelve plates from the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575) . Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure) Leiden

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various scratches, horse head and man bust. Seventh issue of a suite of 22 pieces. (A. de Vesme 396; Dutuit 121) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

A picador is unhorsed and falls under the bull. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, published 1816. Prints; etchings. Etching, burnished aquatint, and drypoint

The Hague, Netherlands Society of Fine Arts, Netherlands, Bentinck, Carel Frederik Curtenius, Horse gets a drink, The horse is in the stable and is wearing a saddle and bridle. Next to it stands a knight holding up a trough of water. He has taken off his helmet and gloves and laid them down next to him. There is straw in the stable and a birdcage hangs there., print, prints, height 330 mm, width 254 mm, 1814-07-20 - 1849-04-09, print maker, printmaker, 1840 - 1843, paper, papier, chine collé, lithografie (techniek), printer, drukker

Corpse of Willem IV, 1752, plate 3, 1752 - 1755 Four groups of Gardes on horseback. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 3. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft Four groups of Gardes on horseback. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 3. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Three figures from Michelangelo's Last Judgment, Anonymous, After Michelangelo, 1586 drawing prepared paper. Last Judgement

Lion's attack (IFF 13 p.225) (registered title)

James Seymour, 1702-1752, British, A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider, undated. Red chalk, with graphite; verso: graphite on medium, slightly textured, beige, laid paper.

Bliżej Kultury Michałowski, Piotr (1800 1855)

Pirate and Outlaw, Zeitter, Johan Christian

A Couple Riding on A Horse-Drawn Carriage, James Howe (Stirling, Scotland, 1780 - 1839) 1825-1839

The Sforza Monument', c1488-1493. Top: study, c1488-1490, by Leonardo da Vinci, from the collection of the Royal Library, Windsor Castle, Windsor, England; bottom right: 'Two Sketches of Moulds for Casting a Prancing Horse', from the Codex Atlanticus, centre: 'Horse within a Mould', bottom left: 'The Mould Packed for Transport', 1491-1493, from the collection of the Royal Library, Windsor Castle, Windsor, England.

Possibly Henry Thomas Alken, 1785-1851, British, Drawing Covert, undated. Graphite and watercolor on medium, slightly textured, cream, wove paper.

Carousel Horse's Head. Dated: c. 1939. Dimensions: overall: 43.4 x 48.5 cm (17 1/16 x 19 1/8 in.) Original IAD Object: 16" long; 14" high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Gerard Barnett.

Highgate Hill , Horses, Carriages & coaches. Thomas Rowlandson (1756-1827). Prints and Drawings

A Spanish man dressed as a nobleman, on horseback and fighting a bull in an arena. On the stand a small group of spectators. Numbered upper right: 13., Bullfighter in an arena Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 247 mm × w 355 mm

Brown ink and wash drawing with deck white and sulfur yellow by Adam Frans van der Meulen showing a cavalry battle near a river during the Passage of the Rhine, executed on folded brown paper with multiple creases.

Teaches "at the cock bold" 18 dock of slimming, 1st arrondissement Jean-Jules Dufour (1889-1945), French painter. Teaches at the cock bold 18 dock of slimming. Fountain ink from China on cream paper. Paris (IER ARR.), 1910.

Muilezel, Johann Georg Hertel (I), after Jean-Baptiste Oudry, 1705 - 1775 print Publishing number: 222. Numbered in the bottom left: 1. Augsburg paper etching / engraving mule

Militaire a cheval (Soldier on Horseback), c. 1860. Isidore Pils (French, 1813/15-1875). Black and white chalk on beige laid paper ; overall: 34.8 x 25.5 cm (13 11/16 x 10 1/16 in.).

Picture reproduction: Juliusz Kossak (1824-1899), hunting for a fox, from: "Juljusz Kossak: 260 drawings in the text, 8 St. Witkiewicz ", p. 131; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815-1882, British, undated, Graphite, brown chalk and white chalk on medium, slightly textured, brown wove paper, Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm), horse (animal), man, religious and mythological subject, walking

Caricature of a Man Holding a Tricorne, Seen from Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 3/4 x 4 13/16 in. (19.7 x 12.2 cm). Date: 1760 (). Museum: Metropolitan Museum of Art, New York, USA.

Horses' Heads. Artist: attributed to Francesco Allegrini (Italian, Cantiano () 1615/20-after 1679 Gubbio ()). Dimensions: 2-3/4 x 3-3/4 in. (7.0 x 9.5 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA.

Chalkware Horse. Dated: 1935/1942. Dimensions: overall: 35.5 x 30.1 cm (14 x 11 7/8 in.) Original IAD Object: 9 5/8" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Carved depiction of a pig hunter in the Triumphal Procession of Emperor Maximilian I by Hans Burgkmair the Elder, on a wooden stick created between 1516 and 1518.

Storm. Artist: Anders Zorn (Swedish, Mora 1860-1920 Mora). Dimensions: Plate: 7 11/16 × 5 1/2 in. (19.6 × 13.9 cm)Sheet: 13 5/8 × 10 1/2 in. (34.6 × 26.6 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.

Calèche No. 1 Constantin Guys (French, 1805-1892). , n.d. Pencil and charcoal with India ink on wove paper, Sheet: 6 11/16 x 9 7/16 in. (17 x 24 cm). European Art n.d.

German 16th Century, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I Combats on Horseback (Jousts)(Volume II), c 1515 Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II)

Calche with one horse. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Tithing sled, Nicolaas van der Worm, after Abraham Delfos, 1776 print The tenth sledge in the parade. A sled with Asclepius (Aesculapius), pulled by a horse. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports). specific aspects, allegorical aspects of Aesculapius; Aesculapius as patron - triumph Leiden

Phaethon, son of Helios according to Greek mythology, rides the Sun chariot, illustration from a bas-relief by Gibson, from the magazine L'Illustration, Journal Universel, vol 33, no 834, February 19, 1859.

The Jockey (Le jockey). Dated: 1899. Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Plate VI. Paton, J. Noël (Joseph Noël), Sir, 1821-1901. Prints, Illustrations. 1844. Carl H. Pforzheimer Collection of Shelley and His Circle. Shelley, Percy Bysshe, 1792-1822. Prometheus unbound. Selections

The Gosden Head, Boston, 1932, mezzotint on paper.

Sculpture of a Griffioen in the Camposanto in Pisa, Italy, Giacomo Brogi (Attributed to), After Anonymous, 1860 - 1881 photograph This photo is part of an album. Pisa paper albumen print piece of sculpture, reproduction of a piece of sculpture. griffin (lion/eagle); 'Griffo' (Ripa) Campaign

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