Etchings of Landscapes and Mythology

A collection of etchings featuring celestial themes and landscapes, depicting mythological scenes and serene outdoor settings with dramatic skies and figures.

Fear, Odilon Redon, 1866 print Rock landscape with a rider on horseback. The horse is shining back from fear. France paper etching riding a horse, ass, or mule; rider, horseman. rocks. the (nude) human figure; 'Corpo humano' (Ripa) (+ fearing, being suspicious)

The Holy Family with Pole. Rodolphe Bresdin; French, 1825-1885. Date: 1858. Dimensions: 51 × 107 mm (image); 65 × 123 mm (plate); 155 × 225 mm (sheet). Etching on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Odysseus on the island of the Fenicians, Achille Parboni, After L. Corsi, After Peter Paul Rubens, 1800 - 1899 print View of the island of the Phoenicians. In the foreground Odysseus that is naked between the bushes. Two women left at a ridden. On the right a group of women at a waterfall. The women look shocked to Odysseus. There is a group of gods among the clouds. Italy paper etching landscapes. (story of) Ulysses. the (nude) human figure; 'Corpo humano' (Ripa)

Print, The Picnic, 1760; Print Maker: Johann Georg Wille (German, active France 1715-1808); France; engraving on paper; Paper: 12.6 × 17.2 cm (4 15/16 × 6 3/4 in.) Plate: 12 × 16 cm (4 3/4 × 6 5/16 in.); Bequest of George Campbell Cooper; 1896-3-240

Fear, Odilon Redon, 1866 print Rock landscape with a rider on horseback. The horse is shining back from fear. France paper etching riding a horse, ass, or mule; rider, horseman. rocks. the (nude) human figure; 'Corpo humano' (Ripa) (+ fearing, being suspicious)

William Bernard Cooke, 1778-1855, British, Bow and Arrow Castle, Isle of Portland, 1814-1826. Etching and engraving, first published state on thick, moderately textured, cream, laid paper.

Village near the Waterkant, Adriaen van der Kabel, 1648 - 1705 print Landscape with a view of the village on the water. In the foreground on the left, woman looking at lying man. On the waterfront a boy with a fishnet and drinking cows from the river in the background. paper etching landscapes

Joseph Mallord William Turner and Thomas Hodgetts, From Spenser's Fairy Queen, published 1811 From Spenser's Fairy Queen

Jumieges, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

James T. Willmore, 1800-1863, British, Okehampton, Devonshire, 1827-1838. Line engraving, engraver's proof, touched.

The collapse of houses and the surrounding of people and animals in Erichem, through the flood / l'Ecroulemen des Maisons et la Mort des Hommes (...); Four plates of the flood in 1809 dedicated to King Louis Napoleon. Swimming in the streets of Erichem, January 1809. On the right a family on the mess of a collapsed farmhouse. Left people and animals in the water. At the bottom of the titles in Dutch and French separated by a blank weapon. Part of a series of four plates of the flood of January 1809.

Print (France)

Richmond, Yorkshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, 3rd state on moderately thick, slgitly textured, cream, wove paper, Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm), Plate: 9 3/8 × 12 3/8 inches (23.8 × 31.4 cm), and Image: 6 9/16 × 9 1/4 inches (16.7 × 23.5 cm)

Kneeling woman at a well, c. 1800 - c. 1825 print This print is part of an album. paper etching / engraving well

Okehampton, Devonshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof, touched

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Placenza, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof

Lulworth Cove, Dorset, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1811-1812, Etching and line engraving, second state on moderatley thick, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm), Plate: 9 1/8 × 12 inches (23.2 × 30.5 cm), and Image: 5 3/4 × 8 5/8 inches (14.6 × 21.9 cm)

Flood ..

Hay trip at a city; Italian landscapes with ruins; Variae Antiquates Romanae. A sailing ship and a hay trip sail past a city wall. Within the city walls, a sitting woman and a man with a rod can be seen on a donkey.

William Morris Hunt, Stranded, 1875 Stranded

Young Woman with Six Goats. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 6 1/8 x 7 5/8 in. sheet: 9 3/8 x 12 1/2 in.. Date: 1815. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard.

Coventry, Warwickshire, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Corfe Castle, Dorsetshire, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Etching and engraving, 1st published state on moderately thick, moderately textured, cream, laid paper, Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm)

Moeris and Galatea, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), plate etched between 1880 and 1883; impression printed in 1924, Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper, Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm), Plate: 5 1/4 x 7 3/8 inches (13.4 x 18.8 cm), and Image: 4 x 6 inches (10.1 x 15.2 cm), animal art, cattle, cliffs, cows, creeper, figures, goats, lake, landscape, light, literary theme, ocean, oxen, pool, reeds, river, rocks (landforms), sea, sheep, stream, sun, water

Coventry, Warwickshire, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Totnes, on the Dart, Print made by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Mezzotint

Figures around a Nieuwsblad on the banks of the Seine, Franz Edmund Weirotter, 1761 - 1762 print Numbered below: 1. Paris paper etching sailing-ship, sailing-boat. ruin of a building ~ architecture. newspaper, news-sheet. river Seine

Ruines de Chateau d'Arlay, Print made by Richard Parkes Bonington, 1802-1828, British, Printed by Godefroy Engelmann, 1788-1839, French, 1827, Lithograph on moderately thick, smooth, cream wove paper with gray chine collé, Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm), Sheet: 8 5/8 x 11 1/8 inches (21.9 x 28.3 cm), and Image: 7 3/4 x 10 1/4 inches (19.7 x 26 cm), architectural subject, castle, chteau, costume, donkey, farming, genre subject, grapes, harvest, hats, labor, landscape, mountains, peasants, picking, ruins, skirts, stripes, trees, vines, women, working, Bletterans, Chteau d'Arlay, Europe, France, Franche-Comté, Jura

On subiaco; Reinhart, Johann Christian (1761-1847); 1793 (1793-00-00-1793-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Subiaco (Italy), Italy (State), Landscapes, landscapes, mountain landscapes, dogs, cartoonist, artist, artist, character, relay, water

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Albert Christoph Dies, Tempj della Sibilla e Vesta a Tivoli, 1798 Tempj della Sibilla e Vesta a Tivoli

Sirocco Waiit, Marius Bauer, 1896 print Cartoon on Italian losses in the Battle of Adowa on March 1, 1896 during the war with Ethiopia (Abyssinia). Centrally, the Italian king Umberto I almost loses his crown in the wind, on the right is defeated on the ground the Italian Prime Minister Franceso Crispi. On the left in the clouds the victorious Ethiopian Negus. The Hague paper winds. king. political caricatures and satires Ethiopië. Italyly

Caldron Snout, Teesdale, Durham, Print made by William Le Petit, early 1800s, after Thomas Allom, 1804-1872, British, Published by Fisher, Son & Co., active 1821-1848, British, 1834, Line engraving on medium, slightly textured, cream wove paper

Man, wife and child for an opening in a rock wall, Franz Edmund Weirotter, 1766 - 1767 print Numbered bottom left (in mirror image): 9. Vienna paper etching cave, grotto. family group, especially parents with their child(ren). 'en route', traveller under way

Edward Francis Finden, 1791-1857, British, Joppa, 1835-1836. Line engraving, engravers' proof.

Intake of Brielle, 1572; BRIELE, due to the water giants, in the year 1572. The water giants of Lumey found fire and ram the city gate of Brielle, April 1, 1572. In the foreground two dromers and a vendel soldiers. In the background ships in the water.

Traeth Mawr in the Road to Caernarvan from Fistiniog. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 237 × 314 mm (plate); 320 × 463 mm (sheet). Aquatint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print, Un Rocher dans les Communaux de Rix (Ain); France; etching in dark brown ink on cream paper; 18.3 × 30.8 cm (7 3/16 × 12 1/8 in.); Bequest of George Campbell Cooper; 1896-3-381

J. C. Varrall, active 1815-1827, Merrick Abbey, Swaledale, 1822. Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream, wove paper.

Robert Brandard, 1805-1862, British, Dunstanborough Castle, Northumberland, 1827-1838. Line engraving, first published state.

Auvergne, Eglise de Saint-Nectaire, Auvergne, Voyages pittoresques et romantiques dans l'ancienne France, Engelmann, G. (Godefroy), 1788-1839, Isabey, Eugène, 1803-1886, Nodier, Charles, 1780-1844, Lithography, 1829

Robert Wallis, 1794-1878, British, Trematon Castle, Cornwall, 1827-1838. Open etching.

Johann Christian Reinhart, Avanzo del Teatro a Albano, 1792 Avanzo del Teatro a Albano

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Morning of Life, 1860-1861. Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper.

The Lonely Tower, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1879, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm), Plate: 7 1/2 x 10 inches (19.1 x 25.4 cm), and Image: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm), architectural subject, cart, cow, hill, labor, landscape, literary theme, masonry, moon, night, owl, ox, path, science, sheep, shepherds, stars, tower (building division), trees, wall, England, Europe, Stonehenge, United Kingdom, Wiltshire

Untitled. Artist: Isaac Major, German, 1576-after 1642

Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli ca. 1784-1836 Francesco Novelli. Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli. After Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). ca. 1784-1836. Etching. Prints

Jonxis, Jan Lodewijk, Netherlands, Vletter, Johannes de, Breach of the Waal dike at the Loendersche Bosch. in Louwmaand 1809, Breach of the Waal dike at Loenen, 1809, verso - stamped, Breach of the Waal dike at the forest near Loenen during the flood of January 1809. Along the bank high ice floes. In the foreground and background people seek shelter. See the pendant., print, prints, Frederik Muller Historieplaten, height 490 mm, width 610 mm, Noord-Nederlands, 1770-03-04 - 1828-09-05, print maker, printmaker, 1809 - 1809, paper, papier, aquatint, etching, etchings, Nederlands, 1789-04-09 - 1867-02-15, intermediary draughtsman

Copper engraving and etching by Pierre Laurent depicting a mill with a woman fishing nearby, showing rural activity and landscape elements, created between 1759 and 1809.

William Miller, 1796-1882, British, Dunstaffnage, 1836. Etching and engraving, first published state.

Print made by Robert Wallis, 1794-1878, British, St. Maurice, 1827. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

William Tell's Chapel (vignette), Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé, Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm), Plate: 10 1/8 × 5 5/8 inches (25.7 × 14.3 cm), Chine collé: 10 7/8 × 5 3/8 inches (27.6 × 13.7 cm), and Image: 2 7/8 × 3 1/2 inches (7.3 × 8.9 cm)

Fall of the Tees, John Landseer, 1769-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Line engraving and etching, engraver's proof on medium, moderately textured, cream, wove paper, Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm), Plate: 11 9/16 × 17 9/16 inches (29.4 × 44.6 cm), and Image: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)

Ooy castle threatened by the water, 1820; Hazardous state of the castle of Den Ooij, on January 23, 1820. The ruin of the Ooy Castle threatened by the water during flood on January 23, 1820. Trees and household goods dragged through the water, left a shit with people saved for the floods . Part of a group of illustrations from a book about the flood of 1820.

Russia, Moscow, Tretyakov Gallery Moscow, Vorobiev Maxim (1787-1855), Imatra, 1830s, Brush pen and ink pencil on paper

The Homeward Star, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), etching begun ca. 1880; impression printed in 1924, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm), Plate: 5 1/4 x 7 3/8 inches (13.3 x 18.8 cm), and Image: 4 x 5 15/16 inches (10.1 x 15.1 cm), apples, astronomy, bench, birds, buildings, bushes, cattle, chestnut, chimney (architectural element), cows, cup, drinking, eating, figures, food, fruit, gathering, goats, hats, landscape, light, literary theme, meal, men, moon, mountains, night, oxen, people, science, sheep, sky, smoke, star, table, town, village, west, woman

The Little French Colony at Akaroa, 1845. Charles Meryon; French, 1821-1868. Date: 1865. Dimensions: 87 × 153 mm (image); 108 × 153 mm (plate); 144 × 168 mm (sheet). Etching on grayish ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sledde Bridge, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 280 × 380 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Robert Wallis, 1794-1878, British, Virginia Water No. 11, 1828-1837. Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream chine colle.

Etching and copper engraving by Pedro Pascual Moles in 1774 depicts crocodile fishing, combining natural subject matter with 18th-century European engraving.

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 248 × 198 mm (image/chine); 453 × 348 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Edward Goodall, 1795-1870, British, Tantallon Castle, 1822. Line engraving and etching on medium, slightly textured, beige, wove paper.

Print made by Sir Frank Short, 1857-1945, British, Falls of the Rhine, Schaffhausen, 1896. Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper.

Landscape with Large Roman Ruins. Dated: c. 1638. Dimensions: plate: 34.5 x 45.2 cm (13 9/16 x 17 13/16 in.) sheet: 36.6 x 47.7 cm (14 7/16 x 18 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Schelte Adams Bolswert after Sir Peter Paul Rubens.

Kremenets. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Dijolé D. Quijote: sancho amigo, la noche se nos va entrando... Dated: c. 1855. Dimensions: image: 21.8 x 30.4 cm (8 9/16 x 11 15/16 in.) sheet: 38.9 x 40.4 cm (15 5/16 x 15 7/8 in.). Medium: color lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Célestin Nanteuil.

Two women and two men at the Pyramid and Ruins, Cathérine Elise Cousinet, After Giovanni Paolo Pannini, 1762 print print maker: Francepublisher: Parispublisher: Paris paper etching / engraving pyramid (marking grave). ruin of a dwelling, house, castle, etc.

Charles François Daubigny, Saint Jerome, c1840 Saint Jerome

Jacques Firmin Beauvarlet, The Arrival of the Messenger, after 1769, etching and engraving on laid paper.

Aurelian Walls, Pyramid of Cestius, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, slighlty textured, cream, wove paper, Sheet: 17 5/16 × 11 15/16 inches (44 × 30.3 cm), Plate: 9 1/4 × 6 15/16 inches (23.5 × 17.6 cm), and Image: 2 5/8 × 3 3/4 inches (6.7 × 9.5 cm)

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Procession of shepherds with animals in a landscape, verso - stamped, A landscape with a woman with child on horseback and a camel in the foreground. They walk up a hill behind a procession of shepherds with goats, cows and horses., print, prints, height 130 mm, width 135 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

La Grenouille et la Boeuf, plate 96 from "Fable de la Fontaine" 1864 Théophile Chauvel. La Grenouille et la Boeuf, plate 96 from "Fable de la Fontaine". Théophile Chauvel (French, Paris 1831-1909 Paris). 1864. Etching. Cadart & Luquet. Prints

Etched by Joseph Mallord William Turner, 1775-1851, British, Tenth Plague of Egypt, 1816. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Paysage.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

View of the Gulf of Tarente Vue pres du Golfe de Tarente , print maker: Jacques Aliamet, (mentioned on object), after: Nicolaes Pietersz. Berchem, (mentioned on object), publisher: Jacques Aliamet, (mentioned on object), print maker: France, after: Netherlands, publisher: Paris, 1750 - 1788, paper, etching, engraving, h 204 mm × w 265 mm

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, showing similar war devastation in different regions, including soldiers, civilians, and destroyed structures.

Herman Eichens (-), is called. It is finished in 1871

Corinth from the Acropolis, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Etching and engraving, third state on medium, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm), Plate: 9 1/8 × 7 inches (23.2 × 17.8 cm), Chine collé: 8 7/8 × 6 7/16 inches (22.5 × 16.4 cm), and Image: 3 1/4 × 3 1/2 inches (8.3 × 8.9 cm)

Gray brush drawing by Johann Georg Wagner depicting traveling people with their herd in front of a ruin, showing figures, animals, and landscape composition.

Christ Summoning Peter and Andrew. Artist: Richard Earlom (British, London 1743-1822 London); After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 10 5/8 x 16 1/4 in. (27 x 41.2 cm)plate: 8 1/16 x 10 3/16 in. (20.5 x 25.8 cm). Publisher: Published by John Boydell (British, Shropshire 1720-1804 London). Series/Portfolio: Liber Veritatis, no. 165. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

Engraving depicting the mouth of Odin's Mine, Derbyshire. The workings in the lead mine, which was thought to have been in use since Roman times, penetrated more than a mile into the mountain. Dated 19th century

Artist: Aldenvang, German, After: Adam Elsheimer, German, active in Rome, 1578-1610, La Fuite en Égypte for Tableaux, Statues, Bas Reliefs et Camées, de la Galerie deFlorence, ca.1790s, Etching, sheet: 23.4 × 34.1 cm (9 3/16 × 13 7/16in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1831. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Greek god Pan pursues the Arcadian nymph Syrinx who prays to be changed into a reed ; she is, and Pan makes his pipes out of her...

Tantallon Castle, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Line engraving and etching on medium, slightly textured, beige, wove paper, Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm) and Image: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm)

Early Morning. Samuel Palmer; English, 1805-1881. Date: 1880. Dimensions: 118 × 175 mm (image); 170 × 230 mm (plate); 336 × 470 mm (sheet). Etching in black on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Sketchbook Folio, Boats Sheltered by Rocks on Shore near Choppy Sea; William Trost Richards (American, 1833-1905); USA; graphite on cream wove paper, bound; 9 x 15.6 cm (3 9/16 x 6 1/8 in.) Sheet: 11.7 x 18.9 cm (4 5/8 x 7 7/16 in.)

The Rothe Thurmthor Bastei , on October , Bachmann-Hohmann, Lithographer, Ludwig Christian Förster -, Printer, Gustav Veith, publisher

The Landing of Columbus, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm), Plate: 11 7/16 × 6 inches (29.1 × 15.2 cm), Chine collé: 11 1/16 × 5 13/16 inches (28.1 × 14.8 cm), and Image: 2 3/4 × 3 3/4 inches (7 × 9.5 cm)

The Voyage of Life , Old Age. Cole, Thomas, 1801-1848. 1855. Smillie, James, 1807-1885. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Dartmouth Cove, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

James H. Kernot, active early 19th century, St. Catherine's Hill, near Guildford, Surrey, 1827-1838. Open etching.

Robert Wallis, 1794-1878, British, Colchester, Essex, 1827-1838. Line engraving, second published state.

The Tomb of Napoleon 1821-1900 Anonymous. The Tomb of Napoleon. Anonymous , British, 19th century. 1821-1900. Lithograph. Prints

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Zniszczenie Sodomy i Gomory Destruction of Sodom and Gomorrah; from: `Tygodnik Ilustrowany` 1875, no. 371 (February 6th), p. 85. Drzeworytnia Warszawska (Warszawa ; zakład graficzny ; 1871-?), printing house, Puc, Bronisław (fl. 1867-1891), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

A Clair-obscur woodcut from 1586 by Andrea Andreani depicting the biblical scene of Abraham sacrificing Isaak, printed using five pressure sticks on four plates across ten leaves in gray tones.

Charles Cousen, 1813-1889, British, Abingdon, 1859-1879. Steel engraving, engraver's proof.

Graville, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

The Voyage of Life , Old Age. Cole, Thomas, 1801-1848. 1855. Smillie, James, 1807-1885. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The return to life , Sleeping. George Bellows (1882-1925). Prints and Drawings

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