← Artworks

Etchings of Landscapes and Villages

A series of etchings showcasing rural landscapes, featuring figures, animals, and structures typical of historical village life.

Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800., View of Kronenberg near Frankfurt am Main, draughtsman: Ernst Willem Jan Bagelaar, 1801, paper, pen, brush, h 85 mm × w 110 mm
Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800., View of Kronenberg near Frankfurt am Main, draughtsman: Ernst Willem Jan Bagelaar, 1801, paper, pen, brush, h 85 mm × w 110 mm
206 assets in this story
Print made by William Byrne, 1743-1805, British, Wickham from the Marlow Road, 1803. Etching and line engraving.The Waterfalls of Coo. A man falls from the falls. The print is part of a series with landscapes in and near Spa, View of the Coo Waterfalls La Cascade du Coo, a trois lieues de Spa/ The cascade of Coo, nine miles from Spa Landscapes in and near Spa , print maker: Henri-Joseph Godin, (mentioned on object), intermediary draughtsman: Henri Wilkin, (mentioned on object), Luik, 1778 - 1782, paper, etching, engraving, h 207 mm × w 240 mmJagershuis on the estate of Paleis Soestdijk, Hendrik de Leth, 1725 - 1747 print The Jagershuis on the Soestdijk Palace Estate. Two hunters with a group of hunting dogs are in the foreground. The print is part of a series with sixteen faces on Soestdijk Palace and the associated estate. paper etching hunter. rural housing, e.g. country-house, villa, cottage. hunting dogs SoestdijkEdward Goodall, 1795-1870, British, An Old Oak, 1834. Line engraving, 1st state on moderately thick, slightly textured, cream, wove paper.The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17) March 29, 1809 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to detail pigs feeding at a trough, poultry pecking on a dung heap, and laborers chatting over wooden palings at the back. The emphatic rusticity echoes a mode popularized by George Morland, and the letter "P" in the upper margin indicates Turner's category of Pastoral landscape.. The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17) 382921View of the Glasblazerij on the Roeterseiland in Amsterdam, Abraham Zeeman, in Or Before 1726 print View of the Glasblazerij on the Roeterseiland, at the Nieuwe Achtergracht, in Amsterdam. Seen from the Weesperveld. In the foreground, wax is bleached and goats and pigs are being held. paper etching glass industry. bleaching (laundering) Roeterseiland. WeesperveldHornby Castle, from Tatham Church, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Line engraving and etching on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm), Plate: 11 × 16 7/8 inches (27.9 × 42.9 cm), Chine collé: 10 5/8 × 16 5/8 inches (27 × 42.2 cm), and Image: 7 1/2 × 10 5/8 inches (19.1 × 27 cm)Use of the hose surf syringes at a country house, approx. 1700; Image of the Klyne Geoctrolyered hose Fire and garden Squittens; useful and suitable for storage of country houses by Brand; And went to moisten by drought gardens, plantagien, and tired. Invented and came by Jan Vander Heide, and Jan Vander Heide de Jonge. General fire masters of the Stadt Amsterdam. Instruction for using the hose fire sprayers at a country house to express both the plants and fires to extinguish, approx. 1700. Presentation with caption of 5 rules in Dutch and French. Belongs to the top prayer at the fire eating book by Jan van der Heyden.Nymphenburg Bey München; Kobell, Wilhelm von (1766-1853), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937); 1918 (edition); 1818 (matrix) (1918-00-00-1918-00-00);Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, Ferme du Parc de Bellevue, Farm in the Parc de Bellevue near Meudon, Goats, sheep and cows are herded together on the path along the farm., print, prints, height 427 mm, width 273 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (techniek), Frans, 1790, printer. .Ludovico Mattioli, Lulius (July), late 17th century Lulius (July)Amsterdam, Groenewoud Jansz, Johannes, Leiden, Numan, Hermanus, Vinkeles, Reinier (I), Four Art Plates depicting the Rapenburg within the city of Leiden, as it appeared (on both sides) just before the fatal event on 12 January 1807, as well as the mutual ruins caused by that terrible eruption, Restoration work on the Rapenburg after the disaster, 1807, verso - stamped, View from the Nieuwsteegbrug of the restoration work in the devastated area after the gunpowder disaster on the Rapenburg (Steenschuur) in Leiden on 12 January 1807. On the left in the foreground the house of alderman JW van Noort, in the background in the middle the Saaihal., print, prints, enten, Frederik Muller Historieplaten, height 452 mm, width 532 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, engraving, engraving (printing process), 1744 - 1820-03-09, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisherCapt. Thomas Hastings, 1778-1854, British, Rydal Church, February 1836, 1836. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.The Pantheon, from the terrace of the Luxembourg Gardens, 1893, by James McNeill Whistler (1834-1903). Lithograph, image size 18.2 x 16 cmApril. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Van de Velde II.Pond in the gardens of Paleis Het Loo, Jan van Call (I), 1694 - 1697 print Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. Amsterdam paper etching garden pond. French or architectonic garden; formal garden Palace Het LooFrancis Seymour Haden, 1818-1910, British, Brentford Ferry, 1864. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.November. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Van de Velde II.Landscape with River and Boats. Artist: Auguste Bouquet (French, Abbeville 1810-1846 Lucca, Italy); Émile Lessore (French, 1805-1876). Dimensions: Sheet: 9 13/16 × 13 13/16 in. (25 × 35.1 cm)Image: 6 15/16 in. × 9 in. (17.6 × 22.8 cm). Date: 1837. Museum: Metropolitan Museum of Art, New York, USA. Author: Auguste Bouquet. Émile Lessore.Thomas Hearne, 1744-1817, British, The Bayswater Turnpike, undated. Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper.Panoramic view from the King's Table at Rhenen. Draughtsman: Daniël Schellinks. Dating: 1637 - 1701. Measurements: h 464 mm × w 742 mm. Museum: Rijksmuseum, Amsterdam.Exhibition of Horticultural Society of MarseilleThe White Horse. Imitator of John Constable (British, 1776-1837). Watercolor; sheet: 26.2 x 36.1 cm (10 5/16 x 14 3/16 in.).Image of Abcoude and New Demo Lock. Leaf with 2 performances of the Lock of Abcoude and the Nieuwersluis in Loenen. Under every image a caption. Numbered at the top right: No. 27.Gezigt outside Utegt / over the Swarte Water. 1737.View of Delft from the frozen Schie, Jacques -Philippe Le Bas, 1717 - 1783 print print maker: Parispublisher: Amsterdampublisher: Paris paper etching / engraving city-view, and landscape with man-made constructions. skates (winter sports) DelftPlate 32, from "World in Miniature" Thomas Rowlandson British Publisher Rudolph Ackermann, London British 1816 One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A countryside scene with a carriage entering through a gate at left. A hefty man seated beneath a tree at right, watching the birds in front of him as a woman feeds them. At left, a sign reads, "4 miles and 3 quaters sic from Shoreditch." Beneath the tree at right, a sign reads, "Two pounds reward whereas some malicious and unknown persons have distroyed my fences and stole my poultry." View more. Plate 32, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (British, active 1794-1832). PrintsView of Naesse castle and De Coninck's Column from the East. Artist: Erik Pauelsen (Danish, Bygom 1749-1790 Copenhagen). Dimensions: sheet: 5 3/4 x 8 1/16 in. (14.6 x 20.5 cm). Date: ca. 1780-84. Museum: Metropolitan Museum of Art, New York, USA.Street view in Harderwijk, draughtsman: Cornelis Springer, 1864, paper, brush, h 405 mm × w 337 mmDesign for wallpaper painting. Draughtsman: Jurriaan Andriessen. Dating: 1752 - 1819. Measurements: h 267 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.1861 Exhibition of Painting. Route Waben Berck, Pas de Calais, vintage engraved illustration. Magasin Pittoresque 1861.Benjamin Thomas Pouncey, active 1772-1799, British, An Iron Work at Downton, Herefordshire, 1798.James Moore, 1762-1799, British, Cawdor Castle, Scotland, 1792. Graphite and watercolor on medium, slightly textured, beige, wove paper.In a Wood, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A clearing is shown, and a ditch covered partly by a roof. A woman, laundering., France, ca. 1850, Drawing, DrawingGothic Church Behind an Oak Grove with Tombs. Karl Friedrich Schinkel; German, 1781-1841. Date: 1810. Dimensions: 482 x 342 mm (image/plate); 523 x 382 mm (sheet). Lithograph in black, with white heightening, on brown wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.Bitford, Warwickshire, Print made by Samuel Ireland, active 1760-died 1800, British, 1795, Aquatint on medium, slightly textured, cream wove paperNetherlands, Plügger, Jacob, The Willemsluis, in the New Canal through North Holland, Willemsluis in the North Holland Canal, 1824, verso - stamped, View of the Willem I Lock in the North Holland Canal near Amsterdam, print, prints, Frederik Muller History Plates, height 108 mm, width 174 mm, Dutch, 1795-12-06 - 1871-02-10, print maker, printmaker, 1823 - 1824, paper, papier, etching, etchings, engraving, engraving (printing process)Samuel Fleet Homestead Frances Flora Palmer (American, 1812-1876). Samuel Fleet Homestead, ca. 1850s. Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., 18 3/8 x 27 1/4 in. (46.7 x 69.2 cm). Frances Fanny” Palmer was a professional artist who worked for the famous printmaking firm of Currier & Ives for twenty years. Although watercolor was considered a polite accomplishment for genteel women—what an 1856 writer referred to as a husband-catcher”—it was rare for a woman to have an artistic career in the mid-nineteenth century. This picture of a handsome Neoclassical mansion on Fulton Street in Brooklyn demonstrates Palmer’s deft control of the watercolor medium and her eye for anecdotal detail. American Art ca. 1850sJohn Thomas Smith, 1766-1833, British, Vale of Health - Hampstead, 1830. Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper.Veduta del Boschetto d'Arcadia dalla parte del Tempio. Artist: Ennemond Alexandre Petitot (French, Lyons 1727-1801 Parma). Dimensions: sheet: 11 1/4 x 16 3/8 in. (28.6 x 41.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.Funeral monument to Johan Maurits at Kleve, died December 20, 1679, completed in 1678. It is surrounded by a number of figures. In the lower margin a line of German text, Funeral monument for Johan Maurits, Count of Nassau-Siegen, 1678., print maker: G. Zanders, (mentioned on object), G. Zanders, (mentioned on object), printer: Jean Baptiste Ambroise Marcellin Jobard, (mentioned on object), Cleves, 1825 - 1832, paper, h 321 mm × w 470 mmVues de France et d'Italie (binder's title) 17th century Israel Silvestre French. Vues de France et d'Italie (binder's title) 354618Capt. Thomas Hastings, 1778-1854, British, Canterbury Cathedral, 1807. Graphite on medium, slightly textured, cream wove paper.Spotlight on the ring of Circus Carré, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk circus ring (+ the public ~ festive activities). names of organizations, companies, trade unions, etc. Circus CarréDe Weesperpoort, Amsterdam. Draughtsman: Reinier Vinkeles (I). Dating: 1768. Measurements: h 128 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.Face at Soutelande, draughtsman: Jan Bulthuis, 1792, paper, pen, brush, h 80 mm × w 104 mmThe Huijs ten Vleuten, Aende Suijd East Zyde.January, with a company on ice, Hendrick Hondius (I), after Jan Wildens, 1614 print Winter landscape with ice cream and some farmhouses. On the ice, on the right, it is skating. Left in the foreground a store where cake () Is sold. At the back left a church. Below (between excudit and cum) the Borax bus as a Hondius personal signature. Under the show a text in Latin. Print from a series of the twelve months. paper engraving January and its 'labours'. skates (winter sports). landscape symbolizing January (+ with scenes showing human occupations ~ seasons and months)'t Hof Terweij at OutregtDe uittocht der remonstranten. Regtspleging van Oldenbarnevelt (series title). Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.Slot Ter Lee. Draughtsman: Jan de Beijer. Dating: 1713 - 1780. Measurements: h 98 mm × w 162 mm. Museum: Rijksmuseum, Amsterdam.Eenhoorns Sluis (De Eenhoorns Sluys). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: called Zeeman Reinier Nooms.View of the Prince. Poniatowsky's garden to Lichtenstein. Vue du Jardin de S. A. S. De Prince Poniatowsky A Lichtenstein.View of the Lower Rhine from the Bellevue hotel in Arnhem, Hendrik Wilhelmus Last (attributed to), 1827 - 1873 print In the foreground, guests of the hotel enjoy themselves. A rowing, sailing and steamboat sail on the water. The sun goes down on the horizon. paper river (+ landscape with figures, staffage). rowing-boat, canoe, etc.. steamship, motorship. sailing-ship, sailing-boat. sunsetNew York in1834. Artist: Raoul Varin, American, 1865-1943View of Chamorro natives working in the gardens of the Spanish Governor's Palace, Agagna, Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's "Voyage autour du monde," 1824.Egypt and Nubia, Volume I: Wady Maharraka, Nubia, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 37.9 x 42.9 cm (14 15/16 x 16 7/8 in.); image: 25.2 x 34.8 cm (9 15/16 x 13 11/16 in.).Circular Pleasure Railway Nathaniel Currier American 1838-48 View more. Circular Pleasure Railway. Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). 1838-48. Hand-colored lithograph. PrintsPrévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), the Tuileries after the fire of 1871 (dummy title), 1871. drawing with the lead mine, rehabes of watercolor. Carnavalet museum, history of Paris.Vaituskio. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonistDesign for a Wall Decoration in a Hall: View of a Garden with a Statue, Fountain and Urns, Dionys van Nijmegen (possibly), 1715 - 1798 drawing Design for a painting. paper. deck paint. pencil. watercolor (paint) brush gardenPanorama vanaf Collis Minervalis. Vue générale prise du haut du Collis Minervalis (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 355 mm × w 1006 mm. Museum: Rijksmuseum, Amsterdam."The Reception of Captain Cook in Hapaee". From Watercolours illustrating Captain Cook's last voyage ca. 1773-1784 by John Webber. Webber was appointed topographical artist and sailed with Cook on the third voyage7. FEBRUARY. Loose arsenal looting: this event is one of those whom the aristocracy (...) (IT)A watercolor over pencil draft by Franz Xaver Rektorzik showing a column and figure-decorated facade intended as a garden ornament.John Varley, 1778-1842, British, London from the Thames, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.Marco Polo (c. 1254-1324). Venetian merchant and aventurer. He traveled from Europe to Asia (1271-1295), remaining in China for seventeen of those years. Statue of Marco Polo, presented by the government of the celestial empire at the Geographical Exhibition in Venice 1881, Italy. Engraving by Bernardo Rico (1825-1894). La Ilustracion Espan~ola y Americana, 1881. DIBUJOS PARA LA ESCENOGRAFIA DE PERSEO Y ANDROMEDA DE CALDERON DE LA BARCA- MS TYP 258 H. Author: BACHO DEL BIANCO (1604-1657). Location: HARVARD-HOUGHTON LIBRARY. MASSACHUSETTS-CAMBRIDGE. PEGASO. PERSEO-MITOLOGIA GRIEGA. GORGONA-MITOLOGIA GRIEGA. MEDUSA-MITOLOGIA GRIEGA.Klinger, Max, work, Cupid, Death and the Afterlife, 1879-1881, aquatint, graphics, plate width 42.5 cm, plate height 19 cm, leaf width 63 cm, leaf height 45 cmBritish Institution Exhibition - "The Frozen Mill" - painted by C. Branwhite, 1850. Engraving of a painting in a London exhibition: '...one of Mr. Branwhite’s "frost" pictures: it is entitled "The Frozen Mill", and shows us an ice-bound wheel and stream, the bare-boughed trees and distant country relieved with mantlings of snow, and forming altogether a very striking scene, which the artist has admirably painted'. From "Illustrated London News", 1850.Baltimore Taken Near WhetstonePoint. Artist: William James Bennett, American, 1787-1844Lithograph after drawing by G. Pezold, mid 19th century Laufen an der Salzach, Upper Bavaria, Bavaria, Germany, EuropeBalthasar Moncornet, French (c. 1600-1668), The Flight into Egypt, engravingPainting by John Constable; 1776-1837; "Salisbury Cathedral"; English School; Oil on Canvas;Watercolor by Ludwig Mohn depicting a bathing scene, executed with top color techniques.Ice entertainment on a frozen canal, Cornelis Pronk, 1748 drawing paper. watercolor (paint). ink. pencil pen / brush river. skates (winter sports). frost, freezing weatherA Snowy Morning. Fanny F. Palmer (American, born England, 1812-1876); published by Currier and Ives (American, 1857-1907). Date: 1864. Dimensions: 295 x 417 mm (image); 357 x 458 mm (sheet). Lithograph, with hand-coloring on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Fanny F. Palmer.Ice enjoyment on a frozen voyage, draughtsman: Cornelis Pronk, (mentioned on object), 1748, paper, pen, brush, h 172 mm × w 221 mmLaburnums and Battersea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1889-1890. Dimensions: 342 × 221 mm (image/plate); 421 × 272 mm (sheet). Etching and drypoint in brown, with selective wiping of plate tone, on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Cotton Garden, Westminster, John Thomas Smith, 1766-1833, British, after John Thomas Smith, 1766-1833, British, 1804, EtchingAmsterdam, Allart, Johannes, Buys, Jacobus, Bogerts, Cornelis, Vinkeles, Reinier (I), Springen der kleine kerk te Amersfoort, Explosie in de kerk van Amersfoort, 1787, verso - stamped, Gunpowder explosion and fire in the Lieve-Vrouwekapel in Amersfoort, August 2, 1787. The church is destroyed, only the tower, the Onze-Lieve-Vrouwetoren or Lange Jan, remains standing. Marked at the top: XVIII.D.Pl.X., print, book illustration, prints, pictures, Frederik Muller Historieplaten, height 127 mm, width 100 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1792 - 1792, paper, papier, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Netherlands, publisherJohn Thomas Smith, 1766-1833, British, Cotton Garden, Westminster, 1804. Etching.View of a avenue in the vicinity of the Dammtor in Hamburg, Anonymous, After Jacques de Foisse, 1783 print Hamburg paper. watercolor (paint) etching / brush avenue, boulevard, promenade, esplanade Dammtor. HamburgLynton, England. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 299 x 218 mm (image/plate); 303 x 219 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.Gift from / Jozef Hoevenaar WZ "Pencil Verso r.o.Edward Blore, 1789-1879, British, Design for a Park Gateway, undated. Watercolor, gouache, graphite, etched lines, with black ink, and pen in brown ink on medium, slightly textured, cream, wove paper, mounted on moderately thick, moderately textured, cream, wove paper.The Tuileries Gardens, with the Arc de Triomphe in the Distance, 1858, William Wyld, (1806-1889/British), Watercolor on PaperA pencil and watercolor drawing by Carl Pischinger from 1841 depicting a shepherd with goats and cows, showing pastoral landscape and terrain features.Caesar's Tower, Warwick Castle. Artist: William Callow (British, Greenwich 1812-1908 Great Missenden, Buckinghamshire). Dimensions: sheet: 14 1/4 x 10 1/4 in. (36.2 x 26 cm). Date: ca. 1850. Museum: Metropolitan Museum of Art, New York, USA.White Lion Inn. Ponder's End, Middlesex, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. White Lion Inn. Ponder's End, Middlesex, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. PrintsWelsh Fair, John Preston Neale, 1771/80-1847, British, 1813, Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm), buildings, cart, cityscape, fair, genre subject, horses (animals), merchants, oxen, people, stalls (trading spaces), street, Europe, United Kingdom, WalesPASCUAL i RODES, Ivo (1883-1949). Farming Celebration. 1939. Work of the Olot School. Contemporary Art. Oil on canvas.The Snow Storm Artist's working dates 1857-1907 United States. Lithograph, with hand-coloring on ivory wove paper . Currier & Ives (Publisher)Old Bruton Church, Williamsburg, Virginia, in the Time of Lord Dunmore. Artist: Alfred Wordsworth Thompson (1840-1896). Dimensions: 18 x 27 1/8 in. (45.7 x 68.9 cm). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA. Author: Alfred Wordsworth Thompson.Verkiai. Palace Courtyard. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Sadovnikov, Vasilij Semënovič (1800-1879), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisherAfter Winslow Homer, The Nooning, published 1873 The NooningAfter Winslow Homer, The Nooning, published 1873 The NooningFace in Carnation Java, Charles William Meredith van de Velde, 1838 - 1898 drawing paper. deck paint. pencil. watercolor (paint). gouache (paint) brush NewSamuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 5. Pheasant Shooting, 1796. Aquatint, hand-colored with aquatinted border.