Etchings of Landscapes and Villages

A series of etchings showcasing rural landscapes, featuring figures, animals, and structures typical of historical village life.

Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800., View of Kronenberg near Frankfurt am Main, draughtsman: Ernst Willem Jan Bagelaar, 1801, paper, pen, brush, h 85 mm × w 110 mm

View of Overveen, Jan Vincentz. van der Vinne, c. 1717 - In or after 1779 print Houses and an inn on a road in Overveen. In the foreground different figures and animals. Largely cut here, but numbered at the bottom right: 12. paper etching village square, place (+ city(-scape) with figures, staffage). hotel, hostelry, inn Overveen

Waterloo, Antonie, work, Man in a cloak and a dog, (1000 - 2000), etching, graphic, 10.9 cm x 15, 5 cm

Sheepshearers in a landscape, the summer season, Pieter Nolpe, Frederik de Wit, 1640 - 1706

Robert Wallis, 1794-1878, British, Margate, Kent, 1827-1838. Etching and engraving, with scraping out and touched with graphite (Engraver's Proof).

William Byrne, 1743-1805, British, Newbury from Speen Hill, 1803-1810. Line engraving, published state (India).

Ariccia. Reinhart, Johann Christian (1761-1847), graphic artist

Landscape No. 15 from "Liber Veritatis". Medium: mezzotint and etching in brown. Museum: National Gallery of Art, Washington DC. Author: Richard Earlom after Claude Lorrain.

On the Canal in Vienna. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 4 1/2 x 6 3/4 in. sheet: 4 3/4 x 7 1/8 in.. Date: 1819. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard.

William Finden, 1787-1852, British, Jerusalem with the Walls, 1835-1836. Line engraving, engraver's proof.

Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800., View of Kronenberg near Frankfurt am Main, draughtsman: Ernst Willem Jan Bagelaar, 1801, paper, pen, brush, h 85 mm × w 110 mm

At Crossington in Leicestershire 1795-1805 England. Brush and brown wash, over graphite, on gray wove paper, tipped on cream card . F. Smith

Loofhuttenfeest (Soekot).Tabernuts are built on a field for the city gate to celebrate the party. In the cabins they are on the meal.

Frederick Christian Lewis the Elder, 1779-1856, British, View of Temple Fountain & Cave, c.1818. Aquatint.

Romagna. Via d'Imola sul Santerno, 1801 - 1900, Lithographs, 10 1/4 x 13 3/4 in. (26 x 35 cm), Paper / Sheet 10 1/4 x 13 3/4 in. (26 x 35 cm), Cream wove

Shepherd Playing the Flute. Richard Earlom (British, 1743-1822); after Claude Lorrain (French, 1600-1682). Date: 1774. Dimensions: 191 × 258 mm (image); 207 × 259 mm (plate); 213 × 265 mm (sheet). Mezzotint in brown on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Landscape with Vissers, David van der Kellen (1804-1879), 1814 - 1878 print Two fishermen in a rowing boat have thrown their nets in a ditch. On the country road a cart and two figures. Farm in the background. paper etching / drypoint fisherman. four-wheeled vehicle drawn by one animal. farm or solitary house in landscape

Bridge and Cows, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1807, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), bridge (built work), cow, house, landscape, peasant, trees, water

A View of the Casade etc. at West Wycomb, William Woollett, 1735-1785, British, after William Hannan, died 1775, British, 1757, Engraving on thick, moderately textured, cream, laid paper, Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm), Plate: 14 1/4 × 20 5/8 inches (36.2 × 52.4 cm), and Image: 13 × 19 7/8 inches (33 × 50.5 cm)

Artist: François Vivarès, French, 1709-1780, After: Francesco Zuccarelli, Italian, 1702-1788, Fording, Etching and engraving, image: 25.9 × 35.1 cm (10 3/16 × 13 13/16in.), French, 18thcentury, Works on Paper -Prints

Print made by George Cooke, 1781-1834, British, Gledhow, 1820. Etching and line engraving on medium, slightly textured, cream wove paper.

View of a village near Moonlight, Jacques Aliamet, After Aert van der Neer, 1757 print print maker: Franceafter painting by: Netherlandspublisher: Paris paper etching / engraving moonrise. prospect of village, silhouette of village. family group, especially parents with their child(ren). sailing-ship, sailing-boat. river

River view with boats, H. van Dreven, 1700 - 1800, draughtsman: H. van Dreven, 1700 - 1800, paper, pen, brush, h 120 mm × w 147 mm

The Temple of Jupiter in the Island of Aegina, Etched by Samuel Middiman, ca. 1750-1831, British, Engraved by John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper, Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm), Plate: 20 3/8 × 26 1/2 inches (51.8 × 67.3 cm), and Image: 15 × 22 3/4 inches (38.1 × 57.8 cm)

Hyde Park : The Serpentine prints, etchings, works on paper

The last Stuyver by Houten.

The village of Terheijden, Aert Schouman, 1744 drawing paper. letters:. watercolor (paint). ink pen / brush prospect of village, silhouette of village. dunes (sea not visible); in the dunes Terheijden

The Bridge in Middle Distance, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), architectural subject, bridge (built work), country (rural landscape), landscape, musician, river, trees

View of the Hofstede Sparenhout in Haarlem, Jan Vincentz. van der Vinne, After Laurens Vincentz. van der Vinne, 1688 - 1690 print View of the Hofstede Sparenhout in Haarlem. Two sailing ships and a rowing boat with four figures on the water. Numbered in the bottom right: 8. Haarlem paper etching landscapes (+ landscape with figures, staffage). outskirts of village (+ city(-scape) with figures, staffage). sailing-ship, sailing-boat Hofstede saving wood

Untitled (Portsmouth, N.H.). Etcher: Unknown

Overschie, The Netherlands, Paul van Liender, Pierre Fouquet Jr., 1758

Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, Junction of Severn and Wye, 1811. Etching, aquatint, and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

. Landscape with an obelisk and a garden wall. In the foreground three women and a child along a stream.

Black chalk and gray brush drawing by Aurèle Augustin Coppens showing a game in the old park in Brussels, executed on gray-tinted paper with brownish spots and vertical fold traces.

Richmond Terrace, Surrey, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (early)

The Hague, Elandts, Cornelis, Views of The Hague and surroundings, T' Huys te Rys-wyck, View of Huis ter Nieuburch in Rijswijk, verso - stamped, seen from the northeast. In the foreground a man with birds of prey (possibly falcons) on a stick, a man and a servant with a horse and trees on the right. The image is framed by a border with oak leaf motifs and a banderole with the title on it., print, prent, prints, prenten, height 229 mm, width 281 mm, Dutch, 1641 - 1687-03-03, print maker, printmaker, 1681 - 1728, paper, papier, etching, etsen

Print made by George Cooke, 1781-1834, British, Gledhow, 1816. Etching and line engraving on medium, slightly textured, cream wove paper.

Mercury and Argus, Claes Moeyaert, 1612 - 1655 print In a landscape, Mercury plays his shepherd whistle, where Argus falls asleep. In the foreground between the cattle Io, which had turned into a white cow by Jupiter. On the left a ruin. Amsterdam paper etching Mercury lulls Argus into sleep by making music. landscape with ruins

Johann Philipp Veith's 1793 drawing depicts a farmhouse at the forest edge with a staff figure, executed in brown brush over pencil with black edging and framed in the style of a French passport.

. View of houses on a country road, on which a shepherd with his herd and left figures under a tree. Left above the houses comes from the clouds. A church tower in the background. In the air the three constellations: Libra (left), Scorpio (center) and Sagittarius (right). Imagination of the autumn season, third print of a series of four.

Landscape with face on castle, Albert Flamen, 1648 - 1672 print Landscape with tall trees and in the background a large estate with a castle. On the path between the trees a man with three horses and a cow. There is a woman on one of the horses. print maker: Parisafter own design by: ParisFrance paper etching landscape with tower or castle

Winter, from a series of the fourseasons. Artist: Jan van de Velde II, Dutch, 1593-1641

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Square in the village Pillars, draughtsman: Hermanus Petrus Schouten, 1757 - 1822, paper, brush, h 178 mm × w 278 mm

Print made by W. R. Smith, active 1819-1851, Dido and Aeneas; The Morning of the Chase, 1842. Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper with cream chine-collé.

Man in a rowing boat, Anthonie van den Bos, 1778 - 1838 print paper etching / drypoint rowing-boat, canoe, etc. (+ one person ~ traffic and transport)

Johnson's Willow, James S. Storer, 1771-1853, British, And Henry S. Storer, 1795-1837, British, after unknown artist, ( Hewitt, J. ), undated, Engraving, Sheet: 6 1/2 x 4 1/8in. (16.5 x 10.5cm)

Woman for a farm on the water, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print Utrecht paper etching / drypoint farm or solitary house in landscape. river. containers

Goyen, Jan van, Netherlands, Cappelle, Jan van de, Village view with woman and child in the village street, verso - stamped, print, prints, height 155 mm, width 175 mm, Northern Netherlands, 1624 - 1679-12-22, print maker, printmaker, 1640 - 1679, paper, papier, etching, etchings, Dutch, 1596-01-13 - 1656-04-27, Work conception

Liber Studiorum: The Straw Yard. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

Cassiobury, Hertfordshire, The Seat of the Earl of Essex, Robert Havell, 1769-1832, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, First published state, printed in colors, finished by hand

Etching by André Laurent depicting a bowling game, created between 1735 and 1747, showing figures engaged in recreational activity in an 18th-century setting.

Picart, Bernard, View of an estate, verso - stamped, print, prints, height 35 mm, width 82 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings

Burial monument in landscape, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. ink pen / brush

Views of Huizen and Bussum The village of Huizen in Gooiland seen from Table Mountain 1739/ The village of Bussum in Gooiland 1739 , print maker: Hendrik Spilman, (mentioned on object), intermediary draughtsman: Abraham de Haen (II), (mentioned on object), Haarlem, 1757, paper, etching, h 165 mm × w 105 mm

Print made by Robert Brandard, 1805-1862, British, Pirna and the Castle of Sonnenstein, 1828. Etching on medium, slightly textured, cream wove paper.

Charles Heath, 1785-1848, British, Kirkby Lonsdale Churchyard, 1821. Line engraving and etching on thick, slightly textured, cream, wove paper, with cream, chine colle.

Capt. Francis Grose, 1731-1791, British, View near Arwington Hall, Suffolk, 1767. Watercolor and pen and ink on medium, slightly textured, cream laid paper.

Haymakers. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 6 15/16 in. × 9 in. (17.6 × 22.8 cm)Plate: 9 5/16 × 11 7/8 in. (23.7 × 30.1 cm). Publisher: John Harris (British, ca. 1740-1812). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

St. Catharine's Hill near Guilford (Liber Studiorum, part VII) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Easling here added mezzotint to describe a peaceful road that recedes toward a ruined chapel on a hill, as trees at left cast late afternoon shadows and horses enter a farmyard. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.. St. Catharine's Hill near Guilford (Liber Studiorum, part VII). Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London).

No. 33. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Crossing near the Watermill. Jean Jacques de Boissieu (French, 1736-1810); after Jacob van Ruisdael (Dutch, 1628/29-1682). Date: 1807. Dimensions: 247 × 346 mm (image); 288 × 372 mm (plate); 300 × 385 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Jacques de Boissieu.

Isleworth (Liber Studiorum, part XIII, plate 63) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dawe here added mezzotint to describe a classical pavilion which he may relate to one at Syon Park. Turner lived at Sion (or Syon) Ferry House, Isleworth, on the Thames between 1805 and 1806, and this image derives from sketches he made along the river. Naturalistic observations of the English countrside are combined with idealized classical elements, and the scene bathed in a golden evening light. A bright reflected sail on the far shore recalls "White House, Chelsea," a famous watercolor by Turner's close f

unknown artist, Marlow, Bucks, 1805. Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper.

William Woollett, 1735-1785, British, A View...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb. Engraving.

Canterbury, Francis Jukes, 1747-1812, British, after Edward Dayes, 1763-1804, British, c. 1790, Aquatint, hand-colored, Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)

Francois Vivares, 1709-1780, French, The Lodge and Garden from the Great Lake, 1772. Hand colored engraving on thick, rough, cream, laid paper.

Landscape with the lost son at the pigs; Landscapes; Amenissimae Aliquot Requculae. The lost son eats at the pigs from a crib at a ruin (Luc. 15: 11-31). Seventh print of a series of sixty prints with landscapes, spread over five parts of each twelve prints.

Village face with Vijver, Cornelis Brouwer, After Allaert van Everdingen, 1782 print A village with a pond on the right in the foreground. In the background the sails and masts of ships. The print is loose in an album, see page 36. Amsterdam paper etching village. pond, pool

Autumn (Autumnus), with constellations, Jan van de Velde (II), Claes Jansz. Visscher (II)

View of the statue of Vondel in the Vondelpark, Johan Conrad Greive, c. 1847 - c. 1883 print The Vondelpark with the statue of Joost van den Vondel, designed by sculptor Louis Royer. Amsterdam paper etching Amsterdam. Vondelpark

Landscape with figures storing hay in a barn, a cart and horse lying down at left , Hay, Barns, Horses, Carts & wagons. Thomas Rowlandson (1756-1827). Prints and Drawings

Standing tiger.

The castle is hidden in a landscape by a pond. In front of it two cows, a boat with two figures and on the water a group of ducks. Slot Duurstede , print maker: anonymous, Johannes Franciscus Christ, (mentioned on object), printer: Hilmar Johannes Backer, (mentioned on object), Nijmegen, printer: Dordrecht, publisher: Nijmegen, 1822 - 1845, paper, h 115 mm × w 162 mm

The Vision of Columbus, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, moderately textured, cream, wove paper, with cream, chine colle, Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm), Plate: 11 1/2 × 5 15/16 inches (29.2 × 15.1 cm), Chine collé: 11 1/4 × 5 3/4 inches (28.6 × 14.6 cm), and Image: 3 × 3 3/8 inches (7.6 × 8.6 cm)

The Gelderse Poort in Asperen. Draughtsman: Jan de Beijer. Dating: 8-Aug-1750. Measurements: h 116 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery. John Hill (American, 1770-1850); after Joshua Shaw (American, born England, c. 1777-1860); published by Matthew Carey & Son (American, active 1795-1821). Date: 1818-1821. Dimensions: 244 x 343 mm (image); 300 x 389 mm (plate); 382 x 560 mm (sheet). Aquatint with etching and hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Village search Te Dokkumer Aan Dokkumer ee, Carel Frederik Bendorp (I), After Jan Bulthuis, 1786 - 1792 print paper etching village

Andreas Pic de Leopold (Lithographer) (The original work, according to inscriptions, attributed to Velázquez, Diego Rodríguez de Silva y); Juan Bautista Martínez del Mazo (After); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The calle de la Reina in Aranjuez'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Vincenz Georg Kiningers drawing depicts Gutenstein, executed with pen, bister wash, and white highlights in 1808.

Aartman, Nicolaes, Amsterdam, Schouten, Johannes, Boere Kermis Vreugd, Boerenkermis in het dorp, ca. 1750, verso - stamped, ca. 1750. On a stage a quack is presenting himself, on the right a game of skittles and dancing farmers in front of an inn., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 205 mm, width 296 mm, Dutch, 1716-09-04 - 1792-01-14, print maker, printmaker, 1740 - 1760, paper, papier, etching, etchings, Noord-Nederlands, 1713-12-05 - 1760-03-09, intermediary draughtsman

Mahatta. Dated: 1884/1885. Dimensions: sheet: 9.6 x 14.6 cm (3 3/4 x 5 3/4 in.). Medium: gray wash on wove paper. Museum: National Gallery of Art, Washington DC. Author: Edward Lear.

Parijs, Leviez, Charles, Pillement, Jean Baptiste, Recueil De Differents Panneaux Chinois, Fishing man, Paris, verso - stamped, A Chinese man sits fishing along the bank. In the background a landscape with bridges and a building., print, ornament print, prints, ornament prints, height 358 mm, width 251 mm, print maker, printmaker, 1755 - 1775, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26, after a design by, 1708 - 1778, seller

Three figures overlook a landscape with tin mine, anonymous, c. 1770 - c. 1820 print The middle man is drawing the landscape. On the right is probably a tin mine. England paper etching village. lake. draughtsman at work - CC - out of doors. mine Wales

Dorpstafeel, Alphons Charles Masson, After David Teniers, 1824 - 1898 print print maker: Franceprinter: Paris paper etching / engraving village

Landscape with the lost son at the pigs, Jan van de Velde (II), 1616 print The lost son eats from the pigs from a feeder in a ruin (Luke 15: 11-31). Seventh print of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. farm or solitary house in landscape. the prodigal son tends the swine and eats from their trough

Siege of Haarlem, 1572-1573 (center magazine), 1742 - 1779 print Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large show with a face on the city from the north, in print to a contemporary drawing in three magazines, of which this is the center leaf. At the bottom of the coat of arms of Haarlem. Under the show the titles and the legends 1-35 in Dutch and French. Haarlem paper etching Victory, position was Haarlem

Print made by John Horsburgh, 1791-1869, British, Bermerside, 1834. Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

A holiday in the city.

Etched by Joseph Mallord William Turner, 1775-1851, British, The Alcove, Isleworth, 1819. Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper.

Bosch face. Print from album with twelve early lithographs produced by Dewasm-Pletinckx in Brussels to J.C. Dish, E.J. Verbokhoven, B.J. Van Hove and other contemporary masters in original band.

Abcoude

3y"s etuh

Pen and brush drawing of the town of Rapperswil by Karl Kuntz, brown ink with wash over pencil, black edging line, circa 1792.

Artist: Ercole Bazzicaluva, Italian, c. 1610-after 1641, After: Jacques Callot, French, 1592-1635, Gathering for theHunt, Etching, sheet: 11.7 × 16.6 cm (4 5/8 × 6 9/16in.), Italian, 17thcentury, Works on Paper -Prints

Man at boat on a shore. Draughtsman: anonymous. Dating: c. 1700 - c. 1799. Place: Netherlands. Measurements: h 89 mm × w 118 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Amsterdam, Lourier, Brothers, Netherlands, View of the village of Waterloo, View of Waterloo, verso - stamped, View of the village of Waterloo. In the distance the St. Joseph's Church, in the foreground men are loading bundles of branches into a wagon. Scenery of the Battle of Waterloo on 18 June 1815. See also the pendant., print, prints, Frederik Muller Historieplaten, height 245 mm, width 360 mm, print maker, printmaker, 1815 - 1830, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, Nederlands, publisher

Victor Alexis (Lithographer) (After Poussin, Nicolas); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Landscape with Ruins'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

NewYork. Lithographer: Unknown

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