Ethereal Landscapes and Figures

Distinctive etchings portraying landscapes with solitary figures, evoking emotion through atmospheric scenes and varied techniques.

Encamping cancelled plate. Whistler, James McNeill (1834-1903). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Storm. Dated: 1861. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

In Spain. Odilon Redon; French, 1840-1916. Date: 1865. Dimensions: 200 × 110 mm (plate); 222 × 159 mm (sheet). Etching on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woman in the Kitchen Garden 1875-1885 France. Etching in black with plate tone on cream laid paper . Camille Pissarro

Two figures in an interior, possibly a classroom, George Hendrik Breitner, c. 1882 Page 59 from a sketchbook with 31 sheets made in The Hague and Rotterdam. The Hague paper. chalk writing-table, writing-desk. sitting figure. child

Study sheet with gold winds. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 272 mm × w 352 mm. Museum: Rijksmuseum, Amsterdam.

La Sainte Famille (The Holy Family). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 12 5/8 × 9 5/8 in. (32 × 24.4 cm)Sheet: 4 3/8 × 4 15/16 in. (11.1 × 12.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Henri de Toulouse Lautrec, Emilienne d'Alençon, 1896 Emilienne d'Alençon

Figure studies. Leaf 8 Verso from XXXI sketchbook with 10 sheets.

Encamping cancelled plate. Whistler, James McNeill (1834-1903). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A still life drawing by James Ensor depicts a bread loaf among other objects, showing composition, arrangement, and detail.

The lark, circa 1910, England, by Claude Shepperson.

James McNeill Whistler, Speke Shore, c 1875 Speke Shore

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 9 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Finch, Alfred William, work, Landscape exercise, pencil, drawing, 14.5 cm x 17.8 cm

Bust of Mademoiselle Lender, 1898. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Figure Composition Study 28, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm), figure study, genre subject

Battling scene with men on horseback (p.42 of the sketchbook). Jean-Baptiste Carpeaux (1827-1875). Battling scene with men on horseback (p.42 of the sketchbook). Drawing, 1870.

Goats and Clouds. Dated: 1919. Dimensions: image: 20 x 26.3 cm (7 7/8 x 10 3/8 in.) sheet: 30.5 x 44.1 cm (12 x 17 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Roche, Pierre (n.1855-D.1922-01-18), fisherman (main title), 1899. Gypsography, black and gray draw. Petit Palais, Museum of Fine Arts of the city of Paris.

Heuvellandschap, 1848 - 1888 Page 23 Recto from a sketchbook with 31 sheets. paper. chalk brush low hill country

Man on a donkey, on a rock along the water. .

Rhine, Rembrandt van, Netherlands, Renesse, Constantijn à, Woman with child and a beggar, verso lower left - stamped, A woman holding a child by the hand, next to her a beggar with a staff., print, prints, height 65 mm, width 69 mm, Northern Netherlands, 1626-09-18 - 1680-09-12, print maker, printmaker, 1636 - 1654, second quarter 17th century, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, 1606-07-15 - 1669-10-08

Sketchbook Folio, Rough Ocean with Towering Cliffs at Right; William Trost Richards (American, 1833-1905); USA; graphite on cream wove paper, bound; 13.5 x 9.3 cm (5 5/16 x 3 11/16 in.) Sheet: 18.9 x 11.7 cm (7 7/16 x 4 5/8 in.)

Jean Baptiste Camille Corot, The Lonely Tower (La Tour isolee), 1871 The Lonely Tower (La Tour isolee)

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

A Rocky Coast by Moonlight. Dated: late 1820s. Dimensions: overall: 23.5 x 34.1 cm (9 1/4 x 13 7/16 in.). Medium: brown wash with blotting and surface scraping on wove paper. Museum: National Gallery of Art, Washington DC. Author: William West or Samuel Jackson.

Jean-Baptiste-Camille Corot, The Farewell, 1871-72, charcoal on buff paper.

Eastern landscape with buildings, Marius Bauer, 1877 - 1932 print A landscape with dome -shaped buildings. To the left of the middle three figures with three trees. paper. Japanese paper (handmade paper) etching city-view, and landscape with man-made constructions

The Evening Gun, Print made by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, ca. 1825, Mezzotint ; engraver's proof d on medium, slightly textured, cream wove paper

The New Lake (Der Neue See). Dated: 1920/1921. Dimensions: plate: 12.7 x 18.4 cm (5 x 7 1/4 in.) sheet: 34.7 x 41.4 cm (13 11/16 x 16 5/16 in.). Medium: drypoint and roulette in black on heavy japan paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Seated farmers at the table in interior; Paysans Autour D'Une Table.

Sketch of an aquarium, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk aquarium

Netherlands, Renesse, Constantijn à, Wooded landscape with hut between the trees, verso top right - stamped, Trees and bushes around a hut., print, prints, verso middle - stamped, height 63 mm, width 92 mm, Noord-Nederlands, 1626-09-18 - 1680-09-12, print maker, printmaker, 1636 - 1656, second quarter 17th century, third quarter 17th century, paper, etching, etchings, drypoint, dry needle

Picking young woman. Page 33 From a sketchbook with 29 sheets.

The House in Moonlight, 1909. Henri Le Sidaner (French, 1862-1939), Gazette des Beaux Arts. Lithograph printed in green; sheet: 27.5 x 18.6 cm (10 13/16 x 7 5/16 in.); image: 22.6 x 16.1 cm (8 7/8 x 6 5/16 in.).

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

The tomb of Julia Alpinula. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Angler (Le pecheur a la ligne). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sketch of a Sea View withBoat. Artist: Jean-François Millet, French, 1814-1875

Standing figure in a landscape with trees and a mill, 1848 - 1888 Leaf 38 Recto from a sketchbook with 53 sheets. paper. chalk landscapes (+ landscape with figures, staffage)

Adhba the Camel (Adhba die Kamelin). Dated: 1919. Dimensions: plate: 13.3 x 8.7 cm (5 1/4 x 3 7/16 in.) sheet: 23.2 x 14.4 cm (9 1/8 x 5 11/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

The Towing-Path. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The poor fisherman. .

The meadow road prints, drypoints, works on paper

Odilon Redon, Cavalier Galopant (Galloping Horseman), 1866 Cavalier Galopant (Galloping Horseman)

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in1901), Pen and ink, Cream laid, 29.2 × 22.5 cm (11 1/2 × 8 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Le Bûcheron. Charles Nègre (French, 1820 - 1880)

Ziegenhirtin; Liebermann, Max (1847-1935), Felsing, Wilhelm (Ca 1850-1943), Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House, printing house; 1797-1965); 1891 (1891-00-00-1891-00-00);The Netherlands, Katwijk Aan Zee (Netherlands), Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, German graphics, goats, modernism (style), shepherds, landscapes, characters, pastoral scenes, genre scenes, dunes , Animals

Rowing boat on Wal, Joseph Israëls, 1834 - 1911 drawing paper. chalk rowing-boat, canoe, etc.

The Fair. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 236 x 158 mm (image); 287 x 232 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with a walker, draughtsman: Anton Mauve, 1848 - 1888, paper, h 167 mm × w 112 mm

Bather III (Baigneuse de Dos). Dated: 1896. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Anders Zorn.

Head of a man, 1848 - 1888 Leaf 33 Recto from a sketchbook with 33 sheets. paper. chalk head (human) (+ male human being (not to be used where -A- is prescribed))

The Gower Family. George Romney; English, 1734-1802. Date: 1777. Dimensions: 144 × 120 mm. Recto: Brush and brown ink, over black chalk, on ivory laid paper, edge mounted to cream card; verso: Graphite on ivory laid paper edge mounted to cream card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Souvenir of the Environs of Monaco (Souvenir des environs de Monaco). Dated: 1860. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in1901), Pen and ink, Wove, 20.3 × 25.5 cm (8 × 10 1/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Edgar Degas, On Stage I, 1876 On Stage I

Plate with Sketches, c. 1855. Jean-François Millet (French, 1814-1875). Etching;

Paysans se Reposant (Peasants Resting) 19th century Rodolphe Bresdin French. Paysans se Reposant (Peasants Resting). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 19th century. Etching. Prints

The Glade. Date/Period: Ca. 1750. Landscape. Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper. Height: 279 mm (10.98 in); Width: 362 mm (14.25 in). Author: ALEXANDER COZENS.

Pissarro, Camille Jacob, France, Le Pont de Chemin de Fer à Pontoise, Railway bridge in Pontoise, verso middle - stamped, Railway bridge with a train over the river Oise at Pontoise., print, prints, no 1- 2nd etat, recto bottom left - pencil, height 127 mm, width 246 mm, height 255 mm, width 356 mm, French, 1830-07-10 - 1903-11-12, print maker, printmaker, 1882 - 1882, fourth quarter 19th century, fourth quarter of the 19th century, paper, papier, drypoint, dry needle, aquatint, Work conception, after own design by

Bather Standing Among Grasses at the Shore ca. 1894 Camille Pissarro French. Bather Standing Among Grasses at the Shore 358733

Face in the port of Hamburg. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1907. Measurements: h 126 mm × w 301 mm. Museum: Rijksmuseum, Amsterdam.

Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from Les Caprices 17th century Anonymous. Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from Les Caprices. Les Caprices. Anonymous. 17th century. Etching. Prints

In den Dünen, pl.5; Liebermann, Max (1847-1935), Cassirer, Bruno und Paul (Berlin; Publisher; 1898-1901), Angrer, Ludwig (London, Berlin, Vienna; Publisher; Fl. 1849-1930); 1898 (edition); 1896 (p Yta) (1896-00-00-1896-00-00);The Netherlands, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection , Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, peasants, modernism (style), dunes, wanderers

'View of the Grotto under the Saltern on the Island of Gozo'. Series of Preparatory Drawings for the Engraved Edition "Picturesque Journey around the Islands of Sicily, Malta and Lipari" (Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. ). France, Late 1770s. Dimensions: 14x38 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

Study. Leaf 6 Recto from sketchbook XXXI with 10 sheets.

Albert Besnard, Vertigo (Le vertige), 1900 Vertigo (Le vertige)

Royal remains from the crypt in the Vilnius cathedral; Bułhak, Jan (1876-1950), Ruszczyc, Ferdynand (1870-1936); 5-6.xi. 1931 (1931-00-00-1931-00-00);

Man and wife in a boat at the Oever, Cornelis Saftleven (attributed to), 1617 - 1681 drawing paper. chalk sea and coastal fishery. sea and coastal fishery

Souvenir of Italy Jean-Baptiste-Camille Corot (French, 1796-1875). , 1866. Etching on laid paper, Image: 12 9/16 x 9 3/8 in. (31.9 x 23.8 cm). European Art 1866

A Nymph Bathing, Moonlight. Theodore Roussel; French, worked in England, 1847-1926. Date: 1890-1900. Dimensions: 121 × 92 mm (image/plate); 154 × 106 mm (sheet). Soft ground etching, aquatint, and drypoint in black on thin cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Landscape. Black stone on gray-blue paper.

Jean Baptiste Camille Corot, Boatman (Le Batelier), 1874 Boatman (Le Batelier)

Storm: Sundown , Sunrises & sunsets, Storms. Sir David Young Cameron (1865-1945). Prints

The Holy Trinity of the Castles in the Air Made 1913 United States. Etching in brownish ink on ivory laid paper . Joseph Pennell

Chemineau parmi des meules. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

Baiting the line II , Fishermen, Boats, Fishing. Charles H. Woodbury (1864-1940). Prints

Meeting in the Woods 1871 France. Transfer lithograph on cream China paper laid down on white wove paper . Jean Baptiste Camille Corot

The Cliff: Bay of Saint-Malo, 1886-1890. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint, aquatint, and roulette; sheet: 39.4 x 55.4 cm (15 1/2 x 21 13/16 in.); platemark: 29.9 x 40 cm (11 3/4 x 15 3/4 in.).

Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), The Cascade at Terni, undated. Black chalk and graphite on medium, moderately-textured, blued white laid paper.

Lying lion. Draughtsman: Jan van Essen. Dating: 1864 - 1936. Measurements: h 65 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Spring. Theodore Roussel; French, worked in England, 1847-1926. Date: 1906. Dimensions: 248 × 180 mm (image/plate); 256 × 178 mm (sheet). Soft ground etching in olive on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bathing girls in Narrow Cove , Cliffs, Swimmers, Bays Bodies of water. Charles H. Woodbury (1864-1940). Prints

The Garden at Night 1902 Norway. Etching, drypoint, and aquatint on paper . Edvard Munch

Four putti under a tree. Artist: Jacob de Wit. Draughtsman: Jurriaan Andriessen. Dating: 12-Sep-1798. Measurements: h 123 mm × w 106 mm. Museum: Rijksmuseum, Amsterdam.

Wet bather , Beaches, Swimmers. Charles H. Woodbury (1864-1940). Prints

Lowlands. Dated: 1918. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Timothy Cole after John Francis Murphy.

Don Quixote, James Ensor, 1870, drawing, between circa 1877 and circa 1880, Belgian Art

Pissarro, Camille Jacob, Le champ de choix, The turnip field, verso bottom center - stamped, A field with cabbages and some trees., print, prints, height 248 mm, width 169 mm, height 327 mm, width 249 mm, French, 1830-07-10 - 1903-11-12, print maker, printmaker, 1878 - 1880, fourth quarter 19th century, paper, soft varnish, Work conception, after own design by

Rainy Night 1880-1882 United States. Etching on cream China paper . Otto Henry Bacher

The Devil's Tower. Dated: 1833/1834. Dimensions: overall: 12.2 x 16.9 cm (4 13/16 x 6 5/8 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: John Sell Cotman.

St. Paul's. Joseph Pennell; American, 1857-1926. Date: 1894. Dimensions: 176 x 250 mm (image); 280 x 270 mm (sheet). Aquatint with sandpaper ground on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Rijn, Rembrandt van, Flameng, Léopold, The little bull, The bull ('Het stiertje'), verso - stamped, print, prints, height 81 mm, width 107 mm, 1831 - 1911-09-04, print maker, printmaker, 1859 - 1859, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Print made by Joseph Mallord William Turner, 1775-1851, British, Shields Lighthouse, 1820 to 1826. Mezzotint; trial proof a on Laid paper.

Locket night; Wojtkiewicz, Witold (1879-1909); 1903 (1903-00-00-1903-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, children, nocturnes, couples, genre scenes

Stacks of Wheat Made 1891 France. Of all the motifs that preoccupied Monet in his exploration of changing light effects, grain stacks are among the most iconic. He captured them at various times of the year and at different moments of the day. When these works were shown in an 1891 exhibition, they were widely praised by his peers. One critic, Octave Mirbeau, wrote that the works conveyed ìthe drama of the earth.î Since Monet rarely made drawings, this sheet may have been a potential illustration for Mirbeauís article. The softness of the chalk avoids harsh contours and, in turn, better mimics the artistís painting technique.. Black chalk on cream laid paper . Claude Monet

Drawing by Ferdinand Boberg. Västmanland, Nora Landsf. o Blg., Timansberg Nordic

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