European City Venues

Vibrant paintings and watercolors depicting bustling city squares and street scenes across Europe, capturing life, architecture, and cultural festivities.

Dentist in the square of Santi Giovanni e Paolo in Venice, by Martino del Don, watercolour, Italy 19th Century.

View from the Castle Square towards Krakowskie Przedmieście. nieznany malarz polski, painter, Zaleski, Marcin (1796-1877), painter

Plaza Real and Procession, David Roberts, 1796-1864, British, 1835, Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/4 x 15in. (26 x 38.1cm) and Sheet: 10 1/8 × 15 inches (25.7 × 38.1 cm)

Dentist in the square of Santi Giovanni e Paolo in Venice, by Martino del Don, watercolour, Italy 19th Century.

Gaetano Gigante (1770-1840). Via Toledo from Spirito Santo (Holy Spirit) Square, 1837. Oil on canvas, 70.5x95 cm.

JOLI, ANTONIO. PINTOR ITALIANO. 1706-1778. "CALLE DE ATOCHA". AL DERECHA EL RETIRO Y A LA IZQUIERDA LA MURALLA DE MADRID Y LA PUERTA DE ATOCHA. PALACIO DE LIRIA. MADRID. MADRID PINTADO.

Pharaoh's Army Marching. Dated: c. 1865/1880. Dimensions: overall: 89 x 116.8 cm (35 1/16 x 46 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Erastus Salisbury Field.

Carnival in Corso Venezia in Milan, unknown author. Italy, 17th century.

The Count of Artois crossing the Pont-Au-Change to hear the Te-Deum in Notre Dame

GRABADO-BABILONIA. Location: PRIVATE COLLECTION. France.

Frost Fair on the Thames, with Old London Bridge in the distance, Unknown artist, seventeenth century, Formerly attributed to Jan Wyck, ca. 1645-1700, Dutch, active in Britain (from ca. 1664), 1684, Oil on canvas, Support (PTG): 25 1/4 x 30 1/4 inches (64.1 x 76.8 cm), audiences, bears, booths, exhibition, bridge (built work), buildings, bulls (animals), carriages, carts, churches, circle (plane figure), cityscape, costume, dog (animal), fair, flags, frost, frozen, genre subject, horses (animals), ice, market (event), men, monument, people, rings, river, selling, sleds, snow, spectators, stairs, stands, steeples, tents, tower (building division), walking, winter, England, Europe, Greater London, London, Thames, Tower of London, United Kingdom

View of Florence, 1673, by Lievin Cruyl (1640-1720), Italy 17th Century. Ink drawing.

View of Nevsky Prospect in Saint Petersburg by Erik Westerling, oil on canvas, 1847, 1819 circa 1857, Russia, St. Petersburg, State Russian Museum

The Disbanding of the 'Waardgelders' (Mercenaries in the Pay of the Town Government) by Prince Maurits on the Neude, Utrecht, 31 July 1618, Pauwels van Hillegaert, 1627 painting Prince Maurits' remarks of the Waardersgelders on the Neude in Utrecht, July 31, 1618. The prince is surrounded by waiting and officers in the foreground, left and right riders. In the middle of the square, the Waardgelders throw their weapons and armor in a big heap. canvas. oil paint (paint) disbanding of the troops Utrecht

Watercolor by Eduard Gurk from around 1835-1836 depicting the visit of the Kaiser to Teplitz-Schönau, showing figures, buildings, and landscape elements with pencil underdrawing and gloss highlights.

Einzug des Erbprinzen von Sachsen, Coburg und Gotha mit seiner Braut, 14. Mai 1842, Coburg, Oberfranken, Bayern, Deutschland, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903280

View from the Castle Square to Krakowskie Przedmie Romanowski, Filip (1794-1853), Zaleski, Marcin (1796-1877); 1. PO. 19th century (1801-00-00-1850-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

A Busy Boulevard. Victor Geruzez (Crafty) (ca. 1840-1906). Watercolour, gouache and pen and brown ink. Signed and dated 1877. 49.4 x 67.3cm

Port city view; Budewijns, Adriaen Fransz. (1644-1719); XVII century (1600-00-00-1699-00-00);Fiorentini, Piotr (1791-1858), Fiorentini, Piotr (1791-1858)-collections, Flemish painting, landscapes, ports, towers, buildings

Piazza San Marco. Artist: Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: 27 1/8 x 33 3/4 in. (68.9 x 85.7 cm). Date: late 1760s.The view is similar to that by Canaletto of the same location. The artist has signed the miniature canvas at lower right, a clever illusionistic device. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Michele Granieri (1736-1778). Turin, a market in Piazza San Carlo with the twin Churches St. Christina and St. Charles in the background.

Alejandro Ferrant y Fischermans (1843-1917). Spanish painter. Spanish Pavilion at the World Fair in Paris, 1879. History Museum. Madrid. Spain.

The Piazzetta, Venice. Date/Period: Mid-19th Century. Painting. Oil on board. Height: 146 mm (5.74 in); Width: 203 mm (7.99 in). Author: Edward Pritchett.

Parijs, Rigaud, Jacques, Vue du Chateau et d'une partie de la ville de Versailles, View of the city and Palace of Versailles, Paris, In the lower margin a line of French text., print, optic print, prints, optic prints, height 243 mm, width 475 mm, Publication (Event), Publicatie, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, watercolor (paint), waterverf, etching, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker

Galgewater in Leiden with ice entertainment, Karel Slabbaert, After 1639 - 1654 drawing paper. watercolor (paint). pencil brush canals, waters (in city). ice ~ freezing weather. winter sports Galwater

The Arch of Triumph of St. Mary in the Main Street of Madrid - 18th century - oil on canvas - 112X163 cm. Author: LORENZO QUIROS (1717-1789). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN. CARLOS III.

Nicolas-Edward Gabé (1814-1865). "Take the Pantheon, June 24, 1848", 1849. Oil on canvas. Paris, Carnavalet museum. 38616-1 Arrondissement, second republic, insurrection, Parisian monument, pantheon, socket, revolution of 1848 48, veme v 5th 5, oil on canvas

Entry of prince Michał Radziwiłł to Rome. Bloemen, Pieter van (1657-1720), painter, Codazzi, Niccolo Viviani (1642-1693), painter

Scene on a Canal, first half 1800s. Hippolyte Jean Baptiste Garnerey (French, 1787-1858). Watercolor heightened with white gouache; framing lines in black ink?; sheet: 18.1 x 14.4 cm (7 1/8 x 5 11/16 in.).

Watercolor by Johann Nepomuk Höchle depicting Emperor Franz I in Vienna on June 16, 1814, showing figures, urban buildings, and ceremonial procession, circa 1833.

Jean-Pierre Norblin de la Gourdaine (1745-1830). "Parade on the School Place". Drawing. Paris, Carnavalet museum. 24349-15 Plache, drawing, night, place de l'Ecole, street scene, parade

The Rapenburg in Leiden. The Rapenburg, Leiden, Three Days after the Explosion of a Powder Ship on 12 January 1807. Dating: 1807. Measurements: h 94.5 cm × w 125.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Carel Lodewijk Hansen.

The Entry of the French Ambassador into Venice in 1706, Luca Carlevarijs, 1706 - 1708 painting The reception of the French ambassador Henri Charles Arnauld de Venice in Venice in 1706. The arrival takes place on the Molo, the quay in front of the Dogenpaleis. Beyond the palace part of the Piazetta, in the distance the Canal Grande. canvas. oil paint (paint) Reception ~ Ambassador. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Venice

Joyful Entry of the Duke of Anjou in Antwerp on 19 February 1582. The Joyous Entry of the Duke of Anjou. The Joyous Entry of François, Duke of Anjou (1556-1584), into Antwerp with a Triumphal Arch on St. Jan's Bridge, 19 February 1582. Dating: 1582 - 1600. Place: Antwerp. Measurements: h 61.5 cm × w 82.5 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Monogrammist MHVH (mentioned on object).

EXECUTION DE CADOUDAL Armand de Polignac (1771-1847). "Cadoudal Running". Drawing.

Parade in front of the Anichkov Palace on 26 February 1870 by Zichy, Mihaly (1827-1906)/ State Hermitage, St. Petersburg/ 1870/ Hungary/ Watercolour, Gouache on Paper/ Academic art/ 54x87/ Architecture, Interior,Genre,History

Galgewater in Leiden with ice entertainment, Karel Slabbaert, 1629 - 1654, draughtsman: Karel Slabbaert, 1629 - 1654, paper, brush, h 236 mm × w 313 mm

DEMENAGEMENTS Louis Leopold Boilly (1761-1845). "The removals", circa 1840. Oil on canvas. Paris, Cognacq-Jay Museum.

BARRON Y CARRILLO, MANUEL. PINTOR ESPAÑOL . SEVILLA 1814 - 1884. " EL GUADALQUIVIR EN SEVILLA " , DETALLE OLEO 1862. MUSEO BELLAS ARTES . LA HABANA. SEVILLA PINTADO.

ITaly, Veneto, Venice, Last day of carnival on San Marco Square, close-up

Parijs, Rigaud, Jacques, Diverces vuës du Chateau Royal de Marli, View of the front of the Château de Marly, Paris, In the bottom margin two lines of French text., print, optic print, prints, optic prints, height 249 mm, width 477 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, Borstel, Frans, 1681 - 1754, print maker, printmaker

Italy - 19th century - Arrival of the Lombard-Veneto delegation in Turin to communicate the success of the Plebiscite for Italian unity, 1866. Watercolour print.

Coronation of the Doge on Staircase of the Giants 1760, Guardi, Francesco, 1760.

THE FAIR OF SEVILLA ("LA FERIA DE SEVILLA")- 1855 - OIL ON CANVAS - 56X81 CM. Author: JOAQUIN DOMINGUEZ BECQUER (1819-1879). Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

A Theatre of Actors on the Grand Place. School of the Southern Netherlands, early 18th century

Street pranks of Paris Street pranks of Paris ". Anonymous painting.

DIONIS BAIXERAS I VERDAGUER. PINTOR ESPAÑOL. 1862 - 1943. ALEGORIA DE LA EXPOSICION DE BARCELONA EN 1888. MUSEO DE ARTE MODERNO. BARCELONA.

Edward Millington Synge, 1860-1913, British, St. Marks, Venice, No. 1, 1906. Etching.

View of Vienna from the Belvedere, by Bellotto Bernardo, 1759 - 1760, 18th Century, oil on canvas. Austria, Wien, Kunsthistorisches Museum. Detail. Schwarzenberg Palace Garden small figures city Vienna church roofs.

Giuseppe Zocchi (1711-1767), Il Palio di Siena run in honor of Francis I and Maria Theresa of Austria on April 3rd, 1739. Seen from Piazza del Campo.

CALDERON DE LA BARCA, PEDRO ESCRITOR ESPAÑOL. MADRID 1600-1681 " TRASLADO DE LOS RESTOS DE CALDERON AL PANTEON DE LOS HOMBRES ILUSTRES " OLEO DE ANTONIO PEREZ RUBIO . MUSEO MUNICIPAL. MADRID. Author: ANTONIO PEREZ RUBIO (1822-1888).

Gardens in Vienna, Austria, early 19th century engraving (Beethoven and Schubert are shown meeting in lower left corner)

QUIROS , LORENZO DE . PINTOR ESPAÑOL . CACERES 1717 - 1789. " ORNATO DE LA PLAZA MAYOR. ENTRADA DE CARLOS III EN MADRID ". MUSEO MUNICIPAL . MADRID. MADRID PINTADO.

'"Ceremonial Reception of Nicholas II in Paris"'. Russia, ca.1896-1897. Dimensions: 180x200 cm. Museum: State Hermitage, St. Petersburg. Author: GEORGES BECKER.

Pierre-Antoine Demachy (1723-1807). "The demolition of the Church of Saints-Innocents in 1787". Oil on canvas. Paris, Carnavalet museum. 27028-6 Arrondissement Ier I 1st 1, arrondissement IIeme II 2nd 2, Construction, Demolir, Demolition, Echelle, Church, Church of Saints-Innocents, Ruins, Saints-Innocents, Oil on canvas

The Tower and Mint from Great Tower Hill, plate two from Original Views of London as It Is. Thomas Shotter Boys (English, 1803-1874); designed by Charles Ollier (English, 1788-1859). Date: 1842. Dimensions: 195 × 430 mm. Hand-colored lithograph on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Depicts the inauguration of Franzens Monument in Graz on a peep box leaf in watercolor, showing monument, figures, crowd, buildings, trees, and square with deck white, gold highlights, and gloss with pencil traces.

Jean-Jacques Champin (1796-1860) "Place de la Bastille and the barricade of the entrance to the Faubourg Saint-Antoine on June 25, 1848". Paris, Carnavalet museum. 24316-4 48, barricade, burn, July column, entrance, faubourg Saint-Antoine, smoke, canvas oil, 4th IV 4th 4 arrondissement, medallion, place Bastille, revolution 1848, troop

Etienne Bouhot (1780-1862). "The garden and the Tuileries Palace seen from the Quai d'Orsay (from the garden of the old hotel in Lépine)". Oil on canvas, 1813. Paris, Carnavalet museum. 27030-2 Seine river, 1st 1 arrondissement, garden, tuileries palace, first empire, panorama, quai, city

Stadtholder Maurice with his Bodyguard and Entourage at the Frozen Hofvijver in The Hague, Adam van Breen, 1618

The Campo di SS Giovanni e Paolo, 1745, Venice, Italy, after a grpainting by Bernardo Bellotto, Historic, digitally restored reproduction from an 18th or 19th century original.

The Church at Dixmude, West Flanders, David Roberts, 1796-1864, British, ca. 1863, Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper, Sheet: 11 x 14 1/4in. (27.9 x 36.2cm) and Sheet: 11 1/8 × 14 3/8 inches (28.3 × 36.5 cm), architectural subject

ISABEL II EN SEVILLA 1862 - REYES PRESIDIENDO UNA CORRIDA DE TOROS. Author: ANONYMOUS. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904). FRANCISCO DE ASIS (1822-1902).

Jenaro Perez Villaamil (1807-1854). Spanish painter. The Cathedral of Saint Jacques le Mineur, Liege, 1846. Detail. Museum of Fine Arts. A Corua, Galicia, Spain.

Summer Apartment, Second Antechamber, Bönnsche Ball Piece The painting: Masked Ball at the Bonn Court Theatre (Rousseau. 1754)

fine arts, Adam, Albrecht (1786 - 1862), painting, Marienplatz in Munich, oil on canvas, 1839, Stadtmuseum, Munich,

Circassian Cavalry Awaiting their Commanding Officer at the Door of a Byzantine Monument; Memory of the Orient. Alberto Pasini; Italian, 1826-1899. Date: 1880. Dimensions: 25 1/2 × 21 1/2 in. (64.7 × 54.6 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Workers leaving the Maison Paquin, in the Rue de La Paix, with Place Vendomen in the background, 1906, by Jean Beraud (1849-1935). Detail.

CARRERA DE CABALLOS BERBERIS 1821. Author: BARTOLOMEO PINELLI (1781-1835). Location: MUSEO DE ROMA. Rome. ITALIA.

Pote of the Polish -Lithuanian Commonwealth, from the series "History of civilization in Poland"; Matejko, Jan (1838-1893); 1889 (1889-00-00-1889-00-00);Henryk Walezy (King of Poland - 1551-1589), Henryk Walezy (Polish King - 1551-1589) - iconography, Kamionek (Warsaw - district), Warsaw (Masovian Voivodeship), tents, banners, purchase (provenance)

Sepia and watercolor drawing by Bartolomeo Pinelli depicting a circus scene with a masked Pulcinella figure rising with a Montgolfiere at night, surrounded by spectators, executed in pen and watercolor, 1808.

The Market and The Fountain of the Innocents in Paris, France 19th Century. Engraving.

interior of the Lonja, Joan Bauza Mas, 1901, oil on canvas, Museu de Mallorca, Palma, Majorca, Spain.

The Ballsouper 1878. (Adolph Menzel Breslau 1815-1905 Berlin)

Place of the People, Rome, Italy 1847, watercolour by Nikanor Grigoryevich Chernetsov (1805 - 1879). Russian landscape painter.

Richard Parkes Bonington (1802-1828). Venice, the column of San Marco, 1827. Oil on canvas, 45.7x37.5 cm.

Assembly of notables in Versailles in 1787.

Palazzo Giovanell by Jean-Victor Vincent Adam, oil on wood, 19th century, 1801-1867, Russia, Tula, State Art Museum, 14, 3x14, 2

Fountain of Pope Paul V Rome, Italy - George Wharton Edwards, circa 1928

Anonymous painting. 19th century. Spain. Prairie of Saint Isidore, c.1850. Municipal Museum. Madrid.

James I The Conqueror (1208-1276) Count of Barcelona and King of Aragon (1213-1276), Valencia (1239-1276) and Majorca (1229-1276). Cavalcade of James I the Conqueror in Zaragoa. Aragon. Spain. Severini Engraving in "The Spanish and American Illustration", 1872. Colored.

Piazza San Marco. watercolor. Date: 1839-1912. Museum: Smithsonian American Art Museum.

Escenas representativas de los actos que motivaron el alzamiento del dos de Mayo de 1808. Grabado de 1870.

Italy, 19th century. Naples, Piazzetta di Porto. Lithograph by Matteo Zampella.

Face in Nijmegen, Louis Chantal, 1847 drawing paper. deck paint. ink. chalk. pencil pen public road Nijmegen

Bernard Sickert, 1863-1932, British, born in Germany, Trooping the Colour, 1897. Oil on panel.

Carousel Arch, Paris, Wall decoration in the Rambouillet Castle. France 19th century.

Jan van Kessel II (1641-1680). Flemish painter. By the Heilige Wegs Poort in Amsterdam, 1680. National Gallery. Oslo. Norway.

David Roberts, 1796-1864, British, Saint Lo, ca. 1825. Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper.

Entry of Napoleon into Berlin, 27 October 1806 by Meynier, Charles (1768-1832) / Musee de l'Histoire de France, Chateau de Versailles / 1809-1810 / France / Oil on canvas / History / 330x493 / Neoclassicism

The Parliament Close and Public Characters of Edinburgh fifty years Since, John Le Conte, active 1850-1886, British, And unknown artist, ( Thomas Dobbie ), after Sir David Wilkie, 1785-1841, British, 1844, Colored aquatint and etching, Sheet: 17 1/8 x 23 3/4in. (43.5 x 60.3cm)

VERSALLES: PARQUE Y ESTANQUE DE NEPTUNO EN 1700 -OLEO/LIENZO. Author: IB MARTIN. Location: MUSEO PALACIO. Versailles. France.

Interior of Saint Peter's, Rome. Dated: c. 1754. Dimensions: overall: 154.5 x 197 cm (60 13/16 x 77 9/16 in.) framed: 179.1 x 222.3 x 8.3 cm (70 1/2 x 87 1/2 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Paolo Panini.

Widok Campo Santi Apostoli, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Creator: Canaletto (1697-1768) . Creators role: painter. Date: 1735-1800. Inventory number: Gr.Ob.Alb.11340 MNW., Historic, digitally restored reproduction from an 18th or 19th century original

Delegates in Kremlin by Mikhail Ivanovich Khmelko, oil on canvas, 1947, *1919, Russia, Moscow, State Museum- and exhibition Centre ROSIZO, 117x200

The exit of the show, at the Palace of the Industry Jean Beraud (1849-1936). "The exit of the show, at the Palace of Industry".

JULY FOURTEENTH, RUE DAUNOU, by Childe Hassam, 1910, American painting, oil on canvas. Hassam described this as '14th July from the balcony', which depicts the street below the Hotel lEmpire during Bastille Day celebrations (BSLOC_2017_9_22)

Whitehall: January 30th, 1649 Ernest Crofts (1847-1911 British) Oil on canvas

View of the Market of Les Halles: c1828. Giuseppe Canella I (1788-1847), Italian painter. Les Halles was for centuries the food market of Paris, but was moved out to Rungis in 1969.

Przeszo Przyszoci Steenwijk, Hendrick van (m; Ca 1580 1603)

Historic drawing, bullfight in Seville, 19th Century, Seville, Andalusia, Spain, Europe

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