European River Landscapes

Watercolor and oil paintings showcasing serene river scenes with boats, houses, and figures, capturing the beauty of nature and architecture.

The North-West Front, Cassiobury, with Hounds and Huntsmen. Joseph Mallord William Turner (1775-1851). Pencil and watercolour. 27.7 x 39cm.

Thomas Shotter Boys, 1803-1874, British, On the Seine, 1831. Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card.

The Earl of Rochester's House, New Park, Richmond, Surrey, unknown artist, eighteenth century, between 1700 and 1705, Oil on canvas, Support (PTG): 42 1/4 x 83 1/2 inches (107.3 x 212.1 cm), boats, country house, dogs (animals), grounds, horses (animals), house, landscape, men, park (grounds), river, road, sails, England, Greater London, Richmond, Surrey, Thames, United Kingdom

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), Hilly Scene with Village and Horseman, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Charles Rochussen, Rowing competition Royal Dutch Yacht Club, painting footage linen oil paint, Unfinished painting rowing competitions on the Meuse at the Koninklijke Nederlandsche Yachtclub Rotterdam topography contest sport rowing

The Old Swan Inn, with a View of Putney bridge beyond. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. 25.4 x 43.2cm.

Noon, 1769 Paul Sandby, Landscape, 18th Century, Watercolour, Gouache, Frame, Rural, Countryside, Agriculture, Works on Paper

The North-West Front, Cassiobury, with Hounds and Huntsmen. Joseph Mallord William Turner (1775-1851). Pencil and watercolour. 27.7 x 39cm.

A colored woodcut from 1898 by Auguste Lepère titled 'The Tuileries Basin', depicting the garden basin with water, surrounding landscape, and architectural elements.

Chandernagore, West Bengal, Samuel Davis, 1757-1819, British, undated, Watercolor, pen and black ink, gray wash and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm), architectural subject

Public merrymaking in Ostankino by Russian master Museum Palace Theatre Ostankino, Moscow 1840s Oil on canvas 67,5x81,5 Russia Russian Painting of 19th cen. Genre Painting

Thomas Sandby RA, 1721-1798, British, The Grotto, Virginia Water, ca. 1754. Watercolor over ink and graphite on medium, slightly textured, cream laid paper.

View of London from Greenwich Park, Engraved by Joseph Constantine Stadler, active 1780-1812, British, after Joseph Farington, 1747-1821, British, 1796, Hand-colored aquatint, Sheet: 13 3/8 x 22 1/16in. (34 x 56cm)

PAISAJE CON MONJES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The gardens of the Villa d'Este Jean-Honor� Fragonard (1732-1806). "A park in the Italian - the gardens of the villa d'Este, gardens of the vicinity of Rome". Lavis de bister on black stone traits. Museum of Fine Arts of the city of Paris, small palace.

Thomas Rowlandson, A Funeral Procession, 1805 1810 A Funeral Procession

Postkutsche, The Elephant and Castle an der Brighton Road, 1826, England, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4913496

Summery land scene with pleasure boats and other entertainment at a country house by the water, Summery land scene with pleasure boats, draughtsman: Cornelis Pronk, (mentioned on object), 1748, paper, pen, brush, h 170 mm × w 223 mm

Figures in a Garden 1784 Jean Démosthène Dugourc French. Figures in a Garden 336974

International Exposition of 1876 held at Philadelphia, Pennslvania, USA, 1876. Artist: Unknown

Parijs, Rigaud, Jacques, Veue d'une aile du Chateau de Fontainebleau, prise de la Cour des Fontaines a Paris, View of the Cour de la Fontaine of the Palais de Fontainebleau, Paris, On the left a covered rowing boat with a number of figures sails on the water., print, prent, opticaprent, prints, prenten, opticaprenten, height 228 mm, width 470 mm, Publication (Event), Publicatie, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, karton, watercolor (paint), waterverf, etching, etchings, brush, Borstel, French, 1681 - 1754, print maker, printmaker

Antwerp, Anvers, Antwerpen, Jan Wildens, 1656

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

View of the currency Pierre-Antoine Demachy (1723-1807). View of the currency (point of view taken from the bridge nine).

Paris, Rigaud, Jacques, Vuë générale de la ville de Paris, take the height of the Observatory, View of the city of Paris seen from the Observatory, print, optic print, prints, optic prints, height 225 mm, width 474 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, printmaker

Carnival Parade in Piazza San Marco in Honour of the Conti Del Nord, Guardi, Francesco (1712-1793)

Parijs, Rigaud, Jacques, Vue du Chateau de Versailles, View of the Palace of Versailles seen from the garden, Paris, In the lower margin a line of French text., print, optic print, prints, optical prints, height 243 mm, width 471 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, cardboard, watercolor (paint), watercolour, etching, brush, French, 1681 - 1754, print maker, printmaker

La Noria (España). Date/Period: 1840-1870 - 1840-1881. Painting. Height: 188 mm (7.40 in); Width: 245 mm (9.64 in). Author: Prilidiano Pueyrredon.

A Procession at the Foot of the Palatine Hill in Rome. Knip assembled this exceptionally large, ambitious composition with the help of at least three studies he had drawn in situ. He certainly consulted his sketchbooks for the scores of human figures. Knip probably made this drawing either on commission or for sale on the art market. For reasons that are not clear, he never finished it.

Alderley, New Lodge, June 19th, Maria Leycester, 1798-1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5 cm)

France, Paris, Daumont, Jean-François, 69th. Optical view representing the Porte St Bernard entrant dans Paris, View of the Porte Saint-Bernard and the Pont de la Tournelle over the River Seine in Paris, Piles of goods lie on the waterfront and rowing boats with figures sail on the water. Numbered in the title: 69., print, optic print, prints, optic prints, height 280 mm, width 438 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, brush, Borstel, cutting, Snij, perforating, perforateren, print maker, prentmaker

Frozen city canal with skaters, draughtsman: Cornelis van Noorde, 1769, paper, brush, pen, h 173 mm × w 241 mm

Thomas Girtin, 1775-1802, British, Sandsend, Yorkshire, 1802. Watercolor over graphite on moderately textured, laid paper, mounted on very thick, cartridge paper.

John Martin, 1789-1854, British, Kensington Gardens, 1815. Oil on canvas.

Alexis Nicolas Perignon I, The Potager of the Hôtel de Valentinois in Passy, c 1780 The Potager of the Hôtel de Valentinois in Passy

View of Place Dauphine in Paris, 1685 - 1695 print View of Place Dauphine in Paris. Some stalls on the square. Carriage and figures in the foreground. Print is part of an album. print maker: Northern Netherlandsafter design by: Parispublisher: AmsterdamThe Hague paper etching / engraving village square, place Place Dauphine

Stage design for the ballet Sleeping Beauty by P. Tchaikovsky by Shishkov, Matvei Andreyevich (1832-1897) State Central A. Bakhrushin Theatre Museum, Moscow 1889 Pencil, watercolour and white colour on paper 23,2x39,5 Russia Theatrical scenic paint

Atelier Van Nijmegen, Design for wallpaper, palace garden with fountain, in the foreground peacock, design drawing drawing material paper ink watercolor, drawn Design for wallpaper. View through sculpture garden behind fencing park landscape with shaved hedge pond sculptures in the foreground peacock. Pen washed in brown with colors. watermark: Amsterdam Imperial Crown living interior design

View of Pirna with the Fortress of Sonnenstein. Bernardo Bellotto; Italian, 1721-1780. Date: 1755-1765. Dimensions: 19 3/8 × 31 1/4 in. (49.3 × 79.5 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

David Roberts, 1796-1864, British, The Royal Palace, Madrid, 1832, 1832. Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper.

GRABADO-JARDINES DE VAUXHALL. Location: PRIVATE COLLECTION. France.

The Whittington Stone by Moonlight, Robert Bremmel Schnebbelie, active 1803-1849, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 13 inches (18.7 × 33 cm)

A gouache painting depicting Napoleon's move-in at Schönbrunn, showing figures, carriages, palace, and surrounding courtyard, dated 1809.

Nicolas-Jean-Baptiste Raguenet (1715-1893). "The Enclosure of the Chartreux". Oil on canvas. Paris, Carnavalet museum. 31578-1 Chartreux, enclosures, monastery, religious order, landscape, Vieme VI 6th 6 arrondissement, mill

Rev. William Warren Porter, 1776-1804, British, Pangbourne, Berkshire, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Print, Peep-show, Vue de l'Ecluse d'Amstel Regardant Par le Dehors d'Amsterdam; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook paper; 24.3 × 41.9 cm (9 9/16 × 16 1/2 in.)

The Kalvermarkt, The Hague. Dating: 1805 - 1808. Measurements: h 45 cm × w 61.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jean François Valois.

Sunset and Moonrise. Joseph Mallord William Turner; English, 1775-1851. Date: 1822-1842. Dimensions: 294 × 455 mm. Watercolor and gouache over traces of graphite, on ivory wove paper, laid down on board. Origin: England. Museum: The Chicago Art Institute, USA.

View of Erbach near Bonn, Germany 18th Century.

Caernarvon (Castle) Eagle Tower, Isaac Weld, 1774-1856, Irish, ca. 1809, Pen in black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige, wove paper, Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)

View of the Palais du Luxembourg in Paris seen from the garden, Jacques Rigaud, 1729 print Walking in the garden and sitting groups of figures. Paris paper. cardboard. watercolor (paint) etching / brush palace. garden. garden fountain. ornamental plants Luxembourg Palace

'Oxford', c1903, (1938). Artist: Richard Henry Wright.

Travellers on Horseback Approaching a Village with a Spire. Date/Period: Between 1765 and 1770. Drawing. Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card. Height: 219 mm (8.62 in); Width: 311 mm (12.24 in). Author: Thomas Gainsborough.

Mortlake Terrace, JMW Turner, 1827, National Gallery of Art, Washington DC, USA, North America

Solitude at Strawberry Hill 1817-1827 England. Pen and brown ink, with brush and watercolor, on cream wove paper, laid down on board . Thomas Rowlandson

The heumphabrack , lemari au, etty, Johann andreas , Artaria , Artaria , Artarisory, Publishishing House

View of the Villa Borghese Pinciana and the Villa Borghese gardens in Rome, 1758 - 1803 print View of the Villa Borghese Pinciana and the Villa Borghese gardens in Rome. In the foreground a group of women dancing around an image of Pan. Different figures on the square in front of the villa. Title in French under the show. paper etching villa. park. group dancing Villa Borghese. Villa Borghese Pinciana

attributed to Thomas Girtin, 1775-1802, British, Dover, undated. Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper.

'A Bleaching Grounds near Haarlem'. Holland, 1675-1680. Dimensions: 94,5x121 cm. Museum: State Hermitage, St. Petersburg. Author: Jan van Kessel III.

View of the Binnen -Amstel and the Diaconieweeshuis in Amsterdam, Anonymous, 1700 - 1799 print paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage). orphanage. rowing-boat, canoe, etc. Diaconieweeshuis. Inner-amstel

A Day in the Park by Eugene Charvot, watercolour painting, (1847-1924), USA, Florida, Jacksonville, The Cummer Museum of Art and Gardens

Ponte Piccolo From Interesting Views In Turkey 1836 World History/Middle East(- ) Illustration Newberry Library, Chicago, Illinois, USA

Paul Sandby RA, 1731-1809, British, An Encampment in St. James Park, ca. 1780. Watercolor, graphite, and pen and brown ink on medium, slighlty textured, cream wove paper.

Merry mill in Amsterdam, Isaac Israels, c. 1900 drawing Netherlands paper. merry-go-round, roundabout; chair o'plane Amsterdam

Paul Mallard. "Le Pont-Neuf and the Quai de Conti in 1830". Oil on canvas. Paris, Carnavalet museum. 27101-4 District I, boat, 1st 1, peniche, bridge-neuf, quai, seine, oil on canvas

'St Augustine's Parade, Bristol', c1810. Artist: Samuel Jackson

attributed to François Louis Thomas Francia, 1772-1839, French, active in Britain, Lock Gates, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

The 'Royal' Coach Outside the White Lion Inn, William Evans of Bristol, 1809-1858, British, ca. 1845, Watercolor, with pen, in brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm), Contemporary drawn border: 9 9/16 × 14 1/8 inches (24.3 × 35.9 cm), and Sheet: 9 1/8 × 13 9/16 inches (23.2 × 34.4 cm), buildings, coach (carriage), genre subject, horses (animals), inn, people, street

Windsor Castle from the Buckinghamshire Bank. Date/Period: Ca. 1705. Painting. Oil on panel. Height: 940 mm (37 in); Width: 1,727 mm (67.99 in). Author: UNKNOWN ARTIST.

Test op de Hohe Markt te Wenen, Imperial Francis Academy (Possibly), After Joseph Emanuel Fischer von Erlach, 1755 - 1779 print In the middle the Vermählungsbrunnen. Augsburg paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating square, place, circus, etc. (+ city(-scape) with figures, staffage). spring (fluids extracted from the earth) Marriage fountain. High market

Alnwick Castle by Turner, Joseph Mallord William (1775-1851) / Art Gallery of South Australia / c. 1829 / Great Britain / Watercolour on paper / Landscape / 28,2x42,2 / Romanticism

Staircase, painting under the reverse landing, Falkenlust Palace

Palace Gardens with Poor Lazarus in The Foreground, Hans Vredeman de Vries, 1550 - 1606 painting At the bottom of the stairs at the entrance of a palace, the poor Lazarus is begging, his swears are licked by dogs. There are various figures on the stairs. To the right of the palace an ornamental garden or park with an arbor, a fountain and peacocks. panel. oil paint (paint) the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). French or architectonic garden; formal garden. palace

Mural de la Saleta: Paisaje con castillo. Museum: CASA DE JUAN ARIAS DE SAAVED JADRAQUE ESPAÑA. Author: JOVELLANOS.

John Constable , Salisbury Cathedral from the Bishop´s Grounds, Exhibited 1823 , Oil paint on canvas, London, England.

Bathing Party. Artist: William P. Chappel (American, 1801-1878). Dimensions: 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm). Date: 1870s.These swimmers are likely cooling off at a sandy beach known as Dandy Point, north of the shipyards where Thirteenth Street met the East River. Comments about urban swimming in this period often refer to rowdy groups of naked male youths, but Chappel illustrates what one historian later described as mixed groups--"the men at one spot the women at another, changing good garments for old ones." Still, some boys must have indeed been raucous, as the council passed a law in 1803 outlawing "the practice of swimming or playing and sporting in the water . between 6 a.m. and 8 p.m." on Sundays. Museum: Metropolitan Museum of Art, New York, USA.

At Henley-in-Arden, Shakespeare - Homes & Haunts

Edward Lear, 1812-1888, British, Maharraka, 7:15 am, 14 February 1867 (462), 1867. Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper.

until Utregt

Die SOUNEGENGN LINE ALEEE TO ABDARTS , each of the Tilluls DIENAGARY , Artaries, Artaria SureRaria , Cervaishing, Publishing House

The entry of the Duchess of Orleans, Entre de la duchesse d'Orlans dans le jardin des Tuileries, ca, 1841, Eugene Louis Lami, 1800-1890, French, Oil on canvas, Musee du Louvre, Paris

The Shipyard 'St Jago'on Bickers Island, Amsterdam, Pieter Godfried Bertichen, 1823 painting The Scheepstimmerwerf 'St Jago' on the Bickers Island in Amsterdam. On the right the ship the 'Anna and Maria van Amsterdam'. Pendant of SK-C-1539. canvas. panel. oil paint (paint) shipyard, shipdock Bickerseiland

View of the Neva by Anonymous / Patrimoine comte Charles-Andre Colonna Walewski/ Gouache on paper/ Classicism/ 56x90/ Landscape

La Place de la Concorde, Paris. J. Ferrer y Palleja (active 1886). Oil on canvas. Signed and dated 1886. 38 x 55cm.

La Salle Claiming Louisiana for France. April 9, 1682. Dated: 1847/1848. Dimensions: overall: 37.8 x 56.4 cm (14 7/8 x 22 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

E. J. Stanley, active 1850, Windsor Castle, April 1850, 1850. Watercolor, black chalk, and gouache on medium, slightly textured, cream wove paper.

Salisbury Cathedral from Bishop's Grounds by John Constable (1776 - 1837); Oil on canvas; Circa 1825

Blomstedt, Väinö, work, Portrait of Hugo Simberg, technique text: soft ground etching, graphics, PORTRAIT, man, bust, beard, leaf width 26.5 cm, leaf height 34.5 cm, slab width 9 cm, slab height 11.5 cm

The Small Fish Market on the Corner of the Brouwersgracht and Singel, Amsterdam. View of the small fish market on the corner of the Brouwersgracht and the Singel in Amsterdam at the time a rain shower falls. In the middle the covered market, right on the bridge a man with a wheelbarrow and a man with an umbrella. In the background a drawbridge, a tower and the masts with sailing the ships in the harbor.

Reigate , Taverns Inns, Horses, Carriages & coaches, Streets. Thomas Rowlandson (1756-1827). Prints and Drawings

Decoration erected in the Plantage in Amsterdam at the Alliance party on June 19, 1795. Pyramid on a pedestal with a chassinet on which an allegorical representation of the destruction of the stadtholders as a Batavian and a Frenchman cut down the Orange tree. Part of a series of ten slides, Decoration in the Plantation, 1795 Ten slides of the decorations at the Alliance party in Amsterdam in 1795 (series title), print maker: A. Verkerk, publisher: Johannes Roelof Poster, print maker: Netherlands, publisher: Amsterdam, 1795, paper, etching, h 270 mm × w 219 mm

Court pond with Mauritshuis, draughtsman: Johannes Christiaan Karel Klinkenberg, 1862 - 1924, paper, brush, h 378 mm × w 528 mm

B.59 / XVIIIth Century: 1792 / Day August 10, 1792, Anyme Engraving (TF)

North Sea dike during storm surge, Germany, authentic reproduction of a school mural, historical, around 1900

Stage design by Mikhail Pavlovich Bobyshov, watercolor on paper, 1957, 1885-1964, Russia, Klin, State P. Tchaikovsky Memorial Museum,

Ralph Wheelocks Farm c.1822 Francis Alexander (1800-1880 American) National Gallery of Art, Washington, D.C., USA

fine arts, Wenng, Carl Heinrich (1787 - 1850), painting, pump room at Brunnthal, oil on canvas, circa 1830, Stadtmuseum, Munich,

VII, Message, The court museums, Franz Alt -, artist

Parijs, Rigaud, Jacques, Vuë de la cascade de Marli, View of the cascades in the garden of the Château de Marly, Paris, In the bottom margin two lines of French text., print, prent, opticaprent, prints, prenten, opticaprenten, height 242 mm, width 472 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, Borstel, Frans, 1681 - 1754, print maker, prentmaker

The Place of Music, Frank Myers Boggs, (1855-1926/American)

Hercules Brabazon Brabazon, 1821-1906, British, Paddington Station, undated. Watercolor, graphite and goauche on medium green slightly textured wove paper.

of 2