European Silk Textile Fragments

Historic silk textiles featuring intricate animal and floral patterns, showcasing rich graphic qualities from various European cultures.

Piece ca. 1500 Italian. Piece 222380

Kloskant scarf with semicircular arches, anonymous, c. 1850 - c. 1875 Black bobbin scarf: Chantilly side. A long rectangle shows a closed, two -sided symmetrical decor on a tamelik coarse mazen network. The straight, hardly scalloped outer edge due to fine rosettes is accompanied by a wavy list of stretched S-Voluten with Akanthus leaves. This list has ended on two sides by a tight semicircle arch, covered with leafy phables. In the middle is a wreath of anemones (), Of which loose branches and garlands depend. There are wingerd leaves in the corners. France (possibly) silk bobbin lace Black bobbin scarf: Chantilly side. A long rectangle shows a closed, two -sided symmetrical decor on a tamelik coarse mazen network. The straight, hardly scalloped outer edge due to fine rosettes is accompanied by a wavy list of stretched S-Voluten with Akanthus leaves. This list has ended on two sides by a tight semicircle arch, covered with leafy phables. In the middle is a wreath of anemones (), Of wh

Napkin van Wit Linnamast ,, 1708 - 1709 White Linen Damas napkin with the conquest of Lille and the inscription "Princeps Evgenius Insvlas Debellavit 1708". Flanders linen (material) damask White Linen Damas napkin with the conquest of Lille and the inscription "Princeps Evgenius Insvlas Debellavit 1708". Flanders linen (material) damask

Piece 18th-19th century Japan. Piece 67101

Piece. Culture: French. Dimensions: 6 3/4 x 19 inches (17.1 x 48.3 cm). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Picture (Needlework) Made 1701-1800 England. Linen, plain weave; embroidered with silk and wool .

Piece 17th century Italian or Spanish. Piece 216892

Woven Wool Coverlet. Dated: c. 1937. Dimensions: overall: 30.2 x 22.6 cm (11 7/8 x 8 7/8 in.) Original IAD Object: 96" long; 72" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William P. Shearwood.

Cover. Culture: French or British. Dimensions: L. 60 x W. 49 inches (152.4 x 124.5 cm). Date: first half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Kasel aus Brokat.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Gustav garlic (1833-1916): Erxleben Castle. Remodeling I

Lappet 18th century Flemish, Brussels. Lappet 226440

Panel (Furnishing Fabric). After Kate Greenaway (American, 1846-1901); Engraved and printed by Edmund Evans (American, 1826-1905); United States. Date: 1880-1890. Dimensions: 65.4 x 203.2 cm (25 3/4 x 80 in.). Cotton, plain weave; roller printed. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Panel with mythological scenes ca. 1790 French, probably Lyon The top vignette in this panel of furnishing silk shows the abduction of the Roman goddess of spring, Proserpine, by Pluto, ruler of the underworld; the bottom illustrates one of the labors of the Roman demigod Hercules- he is slaying the multi-headed Hydra, while the serpent tries to kill him with its poisonous breath. This design was also woven in pale blue.. Panel with mythological scenes 227309

Napkin with scenes from the history of Pyramus and Thisbe, Quirijn Jansz. Damast (Possible), c. 1650 - c. 1674 Linnamast napkin with scenes from the history of Pyramus and Thisbe. Midfield: The symmetrically doubled pattern shows four scenes: 1 meeting of Pyramus and Thisbe at the hole in the wall. A stone wall is visible against a background of Renaissance houses, on either side of which the two are loved ones; she in suspended overlay, sévigné hairstyle with hanging veil, and half sleeve; he in Rhingrave and low long wig .. 2 Thisbe sits with the back to the fountain; In the middle of a group of trees. 3 A lion is lagging the veil of Thisbe, which she lost, with its bloody mouth. In the middle the fountain, from where this flees away. 4 In the middle is Pyramus, with boots with wide caps, and looks at the veil that he has picked up and recognizes. Standing and lying edges: fruit basket with symmetrical upright stem, which among other things: Carnation, Tulp, Narcis and Pomegranate. H

Piece. Culture: French. Dimensions: L. 23 x W. 19 inches58.4 x 48.3 cm. Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Sample. Culture: French. Dimensions: L. 4 x W. 3 inches10.2 x 7.6 cm. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: 9 1/4 x 41 inches (23.5 x 104.1 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: L. 15 x W. 10 1/2 inches (38.1 x 26.7 cm). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Cover early 18th century French. Cover 461401

Brokat; Brokat.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Piece. Culture: French. Dimensions: L. 19 3/4 x W. 18 1/2 inches50.2 x 47.0 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Servet met Caritas, anonymous, 1627 Linnamast napkin with caritas as a standing woman with a child on each side. Midfield: The symmetrically doubled pattern shows the following scene: in the middle there is a female figure with a small lid, smooth sleeves with bragons and a close -fitting body and two skirts that stand out wide over a fardegaline; A swinging cord with exhibition (). She bends the head to the left, where she holds a child on her arm. On her right side is a child who is symmetrically repeated. The Caritas caption is held by climbing griffins. Left and right of the caritas an angel, above her a square with cross and two two -turned griffins. All over a Fleur de Lys and large flower branch. Standing and lying edges: asymmetrically arranged animals, such as a dog, deer, goat, boar, horse, camel, which are facing in the standing edges. No blocking edge. Corners: Roos. Zoom: double open zoom. Southern Netherlands (Possible) linen (material) damask Linnamast napkin with carita

Piece 1730-35 French. Piece 220365

Persischer Teppich.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Stencil 19th century Japan. Stencil 69257

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868). Textiles-Woven

Album

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Stencil of Arabesque Design Stencil of Arabesque Design, 1410-11. Ink, opaque watercolor, and gold on paper, 3 7/16 x 8 1/4 in. (8.8 x 21 cm). Arts of the Islamic World 1410-11

Piece Japan 18th-19th century

Fragment Made 1625-1675 Italy. .

Ruth Buker, Applique Quilt (Detail), 1935 1942 Applique Quilt (Detail)

Piece. Culture: French. Dimensions: L. 17 3/4 x W. 9 inches (45.1 x 22.9 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: 17 1/2 x 10 3/4 inches (44.5 x 27.3 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Leaf with lanes pattern of wound rod with slender alternating with flower branch with points on a interrupted lines stock, Anonymous, 1750 - 1900 Leaf with vertical job pattern of wound rod with a slender alternating with flower branch with points on a interrupted lines stock. With label with inscription: 'A.J. Duynaer van Twist ... Caesari .... ' Half of a cover. paper. block printing (relief printing process) ornament derived from plant forms

Fragment. Italy. Date: 1601-1635. Dimensions: 14.8 × 12.6 cm (5 7/8 × 5 in.). Silk, cut, uncut, voided velvet against satin weave foundation. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Sheet with four borders with a striped and abstract pattern 19th century Anonymous. Sheet with four borders with a striped and abstract pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Piece ca. 1735 Italian. Piece 223723

Millefleurs ground with vase, birds and lions. unknown c. 1500-1525 Tapestry Dimensions: H 9'10" x W 7'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Vase of foliage & flowers surrounded by 2 birds & 2 lions (L & R BRD) abstracted & elongated vine-scrolls; (UPR BRD) abstracted vine-scrolls Probably woven in Oudenaarde. Lower border missing. French & Co. stock sheet missing from archive, 34474-d Related Works: Panels in set: GCPA 0236830-0236835, 0184420

Handwoven Coverlet. Dated: 1936. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.) Original IAD Object: 72" wide; 91" long. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Howard H. Sherman.

Textile, Medium: cotton Technique: printed by engraved roller on plain weave, Bacchanalian scenes showing Dionysius (Bacchus) and Ariadne riding in a chariot drawn by panthers and goats in the center surrounded various scenes associated with the legend of Dionysius. In red on white., Rouen, France, ca. 1830, printed, dyed & painted textiles, Textile

Panel Made 1575-1600 Italy. Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in weft-float faced 1 3 twill interlacings .

Piece 17th century Japan. Piece 71694

Katagami, Ivy and Clouds; Japan; mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire)

Panel, 1600s. Spain, 17th century. Wood; overall: 83.8 x 61 cm (33 x 24 in.).

Napkin with the relievance of Belgrade. Napkin of Linnendamast with the relievance of Belgrade. Midfield: The asymmetrical pattern shows from bottom to top of four scenes: 1 four riders with a standard on which the double eagle, galloping over a battlefield, with the reports of enemy, two heads and the standard with the half moon. 2 cannons are aimed at a river with inscription: Danube on a city with inscription. There are a gun and tents aside. 3 A galloping horse, to the right, with rider wearing an allon wig and high cap boots. Behind the saddle a cover with double eagle. Left and right a frame with burning pekons. Above two angels with a trumpet and laurel wreath and a text band on which Viva Carolus. 4 crowned coat of arms of Charles VI, surrounded by the golden fleece chain and held by the double eagle with crown; In between a text band with Carolus Caesari. Landscape edges: within an oval: Prince Ugenio den Held de Turcken Velt. Standing edges: flower branches, interspersed by c

Piece. Culture: French. Dimensions: L. 12 x W. 10 1/2 inches30.5 x 26.7 cm. Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Wallpaper, pattern No.5082 J. Z. Zuber & Cie.. Wallpaper, pattern No.5082, ca. 1890-1900. Paper, 19 5/8 x 32 1/2 in. (49.8 x 82.6 cm). Decorative Arts ca. 1890-1900

Fragment (Japan)

Ornament Design with Fishes, 1552. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Loan silkedamast with a design of jobs with leafwork, semi-detached hexagons filled with flowers, lobed rectangle filled with birds and dragons and the like. Job Zijdedamast with a relatively large design of jobs with leafwork, two semi-detached hexagons filled with flowers, lobby re-angel filled with birds and dragons, leaves, raised leaf drinks, squares And a hexagon, in turn filled with a bird, rising leaf refines. All this in pink, green, red, blue, white, silver gray, purple and Écru on an orange fond. Oriental textile.

Geometric motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Within three conceptual rows that suggest bamboo stalks are sets of striped rectangles overlapping one another. This repeat is the stencil design., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Katagami stencil; take to suzume motif (bamboo and sparrows). unknown, author

Diebitsch Carl von (1819-1869), wall template (without date): Floral pattern as a template. Tempera on cardboard, 45.4 x 26.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Wandschablone

Hanging late 18th century. Hanging. late 18th century. Wool. Attributed to Turkey. Textiles-Embroidered

Tapestry Picture late 18th-early 19th century China. Tapestry Picture 67855

Bliżej Kultury unknown

Textile (France); cotton; Warp x Weft: 107.5 x 87 cm (42 5/16 x 34 1/4 in.) Repeat H: 99 cm (39 in.); Bequest of Elinor Merrell; 1995-50-125

Fragment Made 1701-1800 Japan. Plain compound twill, silk and gilt paper; 3 strips to m.m. .

Huit Études et compositions de fleurs (Eight Studies and Compositions of Flowers). Dated: 1862. Dimensions: page size: 53.8 x 35.7 cm (21 3/16 x 14 1/16 in.) overall size: 54.2 x 36.4 cm (21 5/16 x 14 5/16 in.). Medium: complete bound set of eight etchings on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Jules-Ferdinand Jacquemart.

Stencil with Pattern of Flowing Water, Waterwheels and Embankment Baskets 19th century Japan. Stencil with Pattern of Flowing Water, Waterwheels and Embankment Baskets. Japan. 19th century. Paper reinforced with silk. Edo period (1615-1868). Stencils

Edging 18th century Italian, Abruzzi. Edging 221150

Fragment of Woodblock Printed Cotton, c. 1770. France, Jouy, 18th century. Woodblock print on cotton and linen mixed; overall: 79.6 x 61.6 cm (31 5/16 x 24 1/4 in.).

Byzantine ornament

Peonies floating on water, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Blossomed peonies, accompanied by their leaves, float on top of the water. Thin curving lines form a body of water which appears to be circulating in the current. Silk threads have been added to the support of the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Abruzzo Pescara Penne Cathedral. Hutzel, Max 1960-1990 Romanesque church on site of Roman ruins. Cathedral now has Renaissance side door, and 14th century bell tower. Facade reconstructed in 1955. Several views of the 12th century altar, reconstructed after WWII bombing, of the 13th century crucifix, and of gold statue of S. Massimo from 1762. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel 17th-18th century Italian or Spanish. Panel 226937

Coverlet. Dated: c. 1940. Dimensions: overall: 27.7 x 35.6 cm (10 7/8 x 14 in.) Original IAD Object: 72" wide; 84" long. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Purple paste paper with curved line and crisscross design 19th century Anonymous. Purple paste paper with curved line and crisscross design. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Piece 1800-1850 Chinese. Piece. Chinese. 1800-1850. woven. Made in China

Stencil 19th century Japan. Stencil 69306

Piece 18th-19th century Japan. Piece 66138

Pictorial print ca. 1770 French, possibly Jouy-en-Josas. Pictorial print 221841

Textile Cover. Date/Period: 801/900. Silk, metal thread and cotton. Width: 59 cm. Height: 88 cm. Author: UNKNOWN.

Album, Album of Prints: Fountains Designed by François Boucher; Designed by François Boucher (French, 1703-1770); Engraved by Gabriel Huquier (French, 1695-1772); bound volume of engraving on paper

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852-1932, R.C. Fisher and Co., New York, New York, USA, Brush and pink, white, and black wash, pen and black ink, graphite on white wove paper, White fluer-de-lys pattern on salmon-colored ground., USA, ca. 1900, tiles, Drawing, Drawing

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868). Textiles-Woven

Piece 18th-19th century Japan. Piece 66452

Piece 17th century Italian. Piece 224071

Sheet with a striped and dot pattern late 18th-mid-19th century Anonymous. Sheet with a striped and dot pattern. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Panel (Furnishing Fabric) Made 1690-1710 China. Silk, 7 1 satin damask weave; inscription embroidered with cotton in back and straight stitches .

Chef De Piece, Panurge dans I'ile des lanternes; Printed by Petitpierre & Compe. Nantes (France); France; cotton; Warp x Weft: 139.5 x 29 cm (54 15/16 x 11 7/16 in.)

Coverlet. Dated: c. 1939. Dimensions: overall: 58.7 x 45.6 cm (23 1/8 x 17 15/16 in.) Original IAD Object: 92" long; 82" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson.

Piece. Culture: French. Dimensions: L. 15 1/2 x W. 14 3/4 inches39.4 x 37.5 cm. Date: 1745-50. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall (England or United States); machine-printed and glazed; 47 x 27 cm (18 1/2 x 10 5/8 in.)

Piece. Culture: French. Dimensions: L. 9 3/4 x W. 9 3/4 inches (24.8 x 24.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Bedroom Ceiling; Francis Augustus Lathrop (American, 1849 - 1909); USA; pen and brown ink, brush and white gouache on board; 49.8 × 23.9 cm (19 5/8 × 9 7/16 in.); 1914-38-368

Sample of printed IInen Unknown, Wiener Werkstätte

Germany, Proger, Gilich Kilian, Frisians with leaf tendrils, Double volute of leaf tendrils, sprouting from a leaf in the middle, verso right - stamped, One of 5 leaves., print, ornamental print, prints, ornamental prints, height 19 mm, width 118 mm, print maker, printmaker, 1500 - 1600, 16th century, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Stencil 19th century Japan. Stencil 69259

Stencil 19th century Japan. Stencil 69247

Template with window pattern, anonymous, 1800 - 1909 Japanese template (Katagami) with a window pattern. Japan paper cutting ornament ~ geometric motifs

Wall paintings from the cathedral in Monreale, Sicily. Handcoloured lithograph by Schal after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1832.

Panel Made 1675-1700 Italy. Silk and gold gilt strip, warp-float faced twill weave with supplementary patterning wefts tied by supplementary binding warps and supplementary pile warps forming cut, uncut, and voided velvet .

Table napkin. Culture: French. Dimensions: L. 46 x W. 35 inches (116.8 x 88.9 cm). Date: ca. 1805. Museum: Metropolitan Museum of Art, New York, USA.

Ornamental composition with two children. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Border 18th century Italian, Milan. Border 227715

Piece. Culture: French. Dimensions: Overall: 19 x 18 1/8 in. (48.3 x 46 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

No. 20, 1904, 11 13/16 × 9 in. (30 × 22.86 cm) (sheet), Watercolor on paper, United States, 20th century

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