European Silk Textile Fragments

Historic silk textiles featuring intricate animal and floral patterns, showcasing rich graphic qualities from various European cultures.

Piece ca. 1500 Italian. Piece 222380

Jacquard Coverlet (Detail). Dated: c. 1941. Dimensions: overall: 30.3 x 21.7 cm (11 15/16 x 8 9/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Alois E. Ulrich.

Drawing, Design for a Fan, Closed; Unknown; pen and black ink, brush and wash, watercolor, white gouache on cream laid paper, lined; 32.4 x 11.8 cm (12 3/4 x 4 5/8 in.)

Design for the bract of the bound edition of 'Art and Society', Gerrit Willem Dijsselhof, 1893 print A bract with a swarm of birds for a background with plant motifs. paper ornament derived from animal forms. groups of birds. ornament derived from plant forms

Frieze, Block printed and flocked on paper, Acanthus scrolls, on framework of reverse scrolls, in light yellow-orange and green on a dark red-orange flock field. Across top, leaf and tongue motif; across bottom, spiral ribbon motif., England, ca. 1860, Wallcoverings, Frieze

Two designs for decorative borders in strapwork and rinceaux 1830-97 Jules-Edmond-Charles Lachaise French. Two designs for decorative borders in strapwork and rinceaux 385102

Stencil 19th century Japan. Stencil 69261

Stencil 19th century Japan. Stencil 69248

Tile field, six ornament tiles, floral decor, purple on white, flower basket worn or crowned by an angel, tiled field wall tile tile sculpture ceramic earthenware glaze, Bellevue Rotterdam Hillegersberg-Schiebroek Hillegersberg Zuid Kleiweg Originating from Huize Bellevue on the Kleiweg stood.

Medieval ornament

Runner, 19th century, 61 x 20 3/8in. (154.9 x 51.8cm), Velvet, linen, China, 19th century

Piece 1740-50 French. Piece 216882

Panel. England or France. Date: 1697-1717. Dimensions: 188 × 102.7 cm (74 × 40 3/8 in.)Repeat: 66.4-66.6 × 25.6 cm (26 1/8-26 1/4 × 10 1/8 in.). Silk and gilt-metal-strip-wrapped silk, satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Piece. Culture: Italian. Dimensions: L. 28 x W. 32 1/2 inches (71.1 x 82.6 cm). Date: 17th-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Piece 18th century Flemish, Brussels. Piece 220652

Embroidered curtain. Culture: American. Dimensions: 65 1/2 x 65 1/2 in. (166.4 x 166.4 cm). Date: ca. 1765. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile23. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Leaf with spreading pattern of flowers, leaves and fruits, anonymous, c. 1705 - c. 1745 brocade paper Leaf with spreading pattern of tendrils with flowers, leaves and fruits, on a point stock. Used as a cover for a publication from 1724. paper. paint (coating) relief printing ornament derived from plant forms

Panel. Culture: Italian. Dimensions: L. 33 x W. 30 inches83.8 x 76.2 cm. Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Arabesques : mosquée de Thelay Abou-Rézyq : détails du mimbar (XVe. siècle) : 2. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Minbars, Decoration and ornament, Islamic

Stencil 19th century Japan. Stencil 69245

Fragment (Japan)

Woven Coverlet. Dated: c. 1937. Dimensions: overall: 35.6 x 27.8 cm (14 x 10 15/16 in.) Original IAD Object: 75" wide; 88" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Magnus S. Fossum.

Stencil 19th century Japan. Stencil 69421

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile22. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Border, Medium: linen Technique: raised needle lace, Border of bold Gros Point de Venise pattern. Connected by picotées, outlined in cordonnet and interspersed by portes and gaze quadrillée., Venice, Italy, 18th century, lace, Border

Sheet with overall vine and dot pattern 1750-1816 Adriaan Rogge. Sheet with overall vine and dot pattern. Adriaan Rogge (Dutch, Zaandam 1732-1816 Zaandam). 1750-1816. Relief print (wood or metal). Prints

Border, Block-printed, Laurel branches running toward left, enclosing circles in which heads, facing left, alternate with trophies. Simple beading at top and bottom. White and gray on brown field., England, ca. 1860, Wallcoverings, Border

Tab with spam pattern of fantasy motive, Anonymous, c. 1700 - c. 1850 Leaf with spreading pattern of fantasy motif of round element with three protrusions on a point stock. Half of a cover. paper. block printing (relief printing process) fantasy ornament

Textile Panel Emile-Jacques Ruhlmann (French, 1879-1933). , ca. 1923. Damask, silk, 103 x 105 1/2 in. (261.6 x 268 cm). ca. 1923

Sample of printed IInen Unknown, Wiener Werkstätte

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on yellow paper; Mount: 19.6 x 12.1 cm (7 11/16 x 4 3/4 in.); 1943-33-1-4

Judah', a collection of ballads by the non-Jewish poet Börries von Münchhausen 1874 - 1945. Illustrated by Ephraim Moses Lilien (1874-1925), art nouveau illustrator and printmaker, noted for his art on Jewish themes. He is sometimes called the "first Zionist artist. Münchhausen's relationship to Judaism remained ambivalent: Munchhausen did not consider the "Jewish race" inferior, but merely wanted to prevent a "mixture" with the non-Jewish Germans.

Insertion 16th century Italian, Genoa. Insertion 220942

Square; cotton; Bequest of Erskine Hewitt; 1938-57-1469

Pompeian ornament

DECORACION DE TECHO DE LA CASA VICENS CON VIGAS DE MADERA POLICROMADA ADORNADOS CON TEMAS FLORALES DE PAPIER MACHE - 1883-1888. Author: ANTONIO GAUDI. Location: CASA VICENS. Barcelona. SPAIN.

Pillow Cover, 1700s - 1800s. Greece, Cyclades Islands, Naxos, 18th-19th century. Embroidery: silk on linen tabby ground; overall: 105.4 x 48.3 cm (41 1/2 x 19 in.).

Insertion 16th century Italian, Venice. Insertion 221109

Border, Block-printed and flocked on paper, Design consists of a loosely intertwined cable of a flocked ribbon and foliage against a flocked background band. The upper and lower edgings are string moldings of beaded ornamentation; printed in greens, gold, metallic gold, ochre, brown and gray., H# 86, France, 1870-1900, Wallcoverings, Border

Millefleurs ground with two armorial medallions. unknown c. 1530 Tapestry Dimensions: H 9'5" x W 20' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from R. Heilbronner (with 1/2 interest) 2/24/1920; sold to J. L. John Long Severance 6/23/1923.

Embroidered Skirt Panel, 1800s. France, 19th century. Embroidery on satin; silk and beads; overall: 96.2 x 156.2 cm (37 7/8 x 61 1/2 in.).

Designs for Printed Cotton Textiles 1840 Anonymous, Alsatian, 19th century Alsatian. Designs for Printed Cotton Textiles. Anonymous, Alsatian, 19th century. 1840. Gouache. Drawings

Panel, 20th century, 91 3/4 x 23 3/4 in. (233.05 x 60.33 cm) (uneven), Cotton, raw silk, Mali, 20th century

Pluviale.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Sidewall, Cole and Son, Ltd., Block-printed, Closely set serpentine arrangement of flowers, leaves and stems. In the Indian style. Tones of gray on white ground. Reprinted from woodblocks of the 1820s., London, England, 1815-25, Wallcoverings, Sidewall

Panel (Design 706). Designed by Frank Lloyd Wright (American, 1867-1959); Produced by F. Schumacher & Co., founded 1889; United States, New York, New York. Date: 1959. Dimensions: 67 x 94 cm (26 1/4 x 37 in.). Cotton, plain weave; screen printed. Origin: New York City. Museum: The Chicago Art Institute, Chicago, USA.

Hanging, 19th century, 45 3/4 x 59 1/2 in. (116.21 x 151.1 cm), Silk, metallic threads; ikat, Indonesia, 19th century

Lower parlour, exposed original painting

Courtesan on Parade 1758-1768 Japan. Color woodblock print; hashira-e, benizuri-e . Suzuki Harunobu

Kente Cloth, 20th century, 119 3/4 x 75 1/2 in. (304.17 x 191.8 cm), Cotton, 20th century

Tile 1620-40 Dutch. Tile 196178

Fanière Brothers, Pins (main title). Graphite, gouache on beige paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Printed Piece. Culture: American. Dimensions: 9 x 24 1/2 in. (22.9 x 62.2 cm). Date: ca. 1876. Museum: Metropolitan Museum of Art, New York, USA.

Border, Block-printed, Ocher and metallic gold scrolling foliage, intertwined with swag of green flowers., possibly France, ca. 1850, Wallcoverings, Border

Rank badge, Medium: silk Technique: plain weave with discontinuous wefts (tapestry or k'ossu), Half of a rank badge with parts of two white birds against a cloud background, in shades of blue, orange, yellow and white on a gold ground., China, 15th-16th century, woven textiles, Rank badge

Assyrian and Persian Ornament

What Wreath for Lamia What for Lycius What for the Sage. Will Hicock Low; American, 1853-1932. Date: 1880-1893. Dimensions: 105 x 376 mm. Black, gray and white gouache on cream card (discolored to tan). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Will Hicock Low.

Textile, Medium: wool, linen Technique: tapestry, Length of tapestry band. Pattern consists of vertical arrangement of figures on orange center band at right angles to the warp. Figures of a standing man in a tunic waving an object with left hand raised alternate with an equestrian figure. All figures are greatly foreshortened, 'squashed down' and misshapen. Horses are alternately pink and green. Outer borders of band red with tapestry woven undyed spirals at edges against the red ground., Egypt, 6th-8th century, woven textiles, Textile

Side.

Field of forty -eight tiles, Anonymous, c. 1660 - c. 1700 Field of 48 tiles (8 x 6) each with a blue -painted landscape with building, figure or bird. In the corners, a spider. Netherlands earthenware. tin glaze majolica Field of 48 tiles (8 x 6) each with a blue -painted landscape with building, figure or bird. In the corners, a spider. Netherlands earthenware. tin glaze majolica

Langwerpig kleed van kloskant met zeilschepen en een man naast een vuurtoren.Elongated rug of natural colosside, very coarse side in the technique of duchesse-lace. Pattern of two sailing ships and a steamboat at sea. In the middle is a man on a deck next to a lighthouse. Swimming in the sea fish and birds fly in the air. Very coarse square braid soil.

Ornament met kind, sater en krijgsman.Design for a dull sheath. At the bottom is a boy that bears a plateau on top of his head on which a Sater squats. At the top is a warrior with a shield and a sword over his shoulder.

Panel. Italy. Date: 1675-1725. Dimensions: 62.8 x 219.7 cm (24 3/4 x 86 1/2 in.). Silk, weft ribbed plain weave with supplementary facing weft of gilt metal strips; embroidered in silk chenille, silk, linen, and gilt metal strip wrapped silk in couching and padded couching; four panels joined; backed with linen, plain weave. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Byzantine ornament

Renaissance ornament

Fragment (Japan)

Sleeve Band 19th century China. Sleeve Band 68707

Vase with landscape scenes late 17th century China This idyllic landscape enjoyed by scholar-gentlemen directly recalls contemporaneous court paintings that evoke tenth- and eleventh-century traditions.. Vase with landscape scenes. China. late 17th century. Porcelain painted under the glaze with cobalt blue (Jiangxi Province; Jingdezhen ware). Qing dynasty (1644-1911), Kangxi period (1662-1722). Ceramics

Panel. Italy, possibly Venice. Date: 1425-1475. Dimensions: 110.5 x 25.4 cm (43 1/2 x 10 in.)Warp repeat: 72.2 cm (28 3/8 in.). Silk and gilt-metal-strip wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts bound by main warps in weft-float faced 1:4 'Z' twill interlacings and supplementary pile warps forming cut, voided velvet. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Border and sidewall. Date/Period: 1860-90. Border and sidewall. Block-printed and flocked on continuous paper. Author: UNKNOWN.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile01. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Coverlet. Dated: c. 1940. Dimensions: overall: 35.6 x 24.5 cm (14 x 9 5/8 in.) Original IAD Object: 72" square. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Panel from the Palace of Westminster. Culture: British. Designer: Designed by Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate). Dimensions: Overall (confirmed): 23 5/8 × 11 1/2 × 9/16 in. (60 × 29.2 × 1.4 cm). Date: ca. 1847. Museum: Metropolitan Museum of Art, New York, USA.

Three Feathers. Hippolyte Bayard (French, 1801 - 1887)

Arabian ornament

Lengths With Chef, La Fête Flamand; Designed by Jean-Baptiste Huët (1745 - 1811); Manufactured by Oberkampf & Cie. (France); France; plain weave cotton; a. Warp: 185cm (73in.). Weft: 94cm. (37in.) Both selvedges present. b. Warp: 176cm (69 1/2in.) Weft: 31.5cm (12 1/2in.) All edges cut c. Warp: 178.5cm (70 1/2in.). Weft: 26cm (11in.). Pattern: Height of repeat: 99cm (39in.)

Number 25, Reinier Willem Petrus de Vries (1874-1953), 1904 drawing paper. India ink (ink). pencil. deck paint pen / brush

CDK MORIYUKI

Lazio Roma Rome S. Giovanni a Porta Latina5. Hutzel, Max 1960-1990 Medieval: Architecture, sculptural relief, fresco painting, mosaics. Post-medieval: Restored apse Antiquities: Architectural fragments, sculpture Object Notes: No precise dates known of foundation, church probably originates from 5th century, with refurbishings of 7th century. Campanile of classical Roman style originates from 12th century; frescoes date from end of 12th century. Hutzel photo campaign undated. See also Marburger Index, no. 354. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, c

Number 33, Reinier Willem Petrus de Vries (1874-1953), 1904 drawing paper. India ink (ink). pencil. deck paint pen / brush

Frieze, Block-printed, Red, pink, white and yellow roses in tight garland, wound with blue ribbon,tied in bows. yellow ground, with bead edge on black, forming circles at each repeat, which are filled with hydrangea in grisaille. Used around spandrels in grand foyer of the Vienna Opera House, 1869, rebuilt (and reprinted) 1955., Vienna, Austria, 1862, Wallcoverings, Frieze

May with the sign of Gemini. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni. Dating: 1791. Measurements: h 285.5 cm × w 23 cm × d 3.2 cm. Museum: Rijksmuseum, Amsterdam.

c.1910 Sheet Music, Hawaiian village scene with red border

'Stuart', c1935. Artist: Unknown.

Light blue-ground Ryūkyūan robe (ryūso) decorated with cranes, pine trees, and cherry blossoms, 19th century, Unknown Ryukyuan, 52 1/4 × 48 in. (132.72 × 121.92 cm), Cloth: ramie; bingata (stencil resist with applied pigments), Japan, 19th century

Design for vignette in the commemorative book for Queen Wilhelmina from 1923: Indie. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 93 mm × w 426 mm. Museum: Rijksmuseum, Amsterdam.

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