Expressions of Mortality

Prints that explore themes of death and surrealism, capturing emotional and expressive imagery through various artistic styles.

Witches' Ride. Ernst Barlach (Germany, 1870-1938)Paul Cassirer Verlag (Germany, Berlin)Pan-Presse (Berlin). Germany, 1922, published 1923. Prints; woodcuts. Woodcut on Japan paper

Linocut print by Christian Rohlfs depicting Death, created around 1919. The image shows a figure representing mortality with symbolic and expressive elements.

He has fallen down by dogs; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Female figures with man on the back of Vogel, Johannes Josephus Aarts, 1881 - 1934 print A naked man flies on the back of a bird. He raises his arms to heaven. He is viewed from above by different women dressed in dresses. There is a cat in their midst. Clouds and flowers float in the sky. Japanese paper (handmade paper) counterproof flying on or with the aid of animal(s). birds. flowers. cat. surrealia, surrealistic representations

Lithographic print by Max Beckmann titled 'Furnished', created in 1920 on Japanese paper, depicting an interior furnished scene.

Kol Da Hola Ola; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Homme et femme; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); 1896-1899 (Klocek) (1896-00-00-1908-00-00);Partage Plus, Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, Japanism (style), women, modernism (style), men, Poland (Polish ( culture), purchase (provenance)

Witches' Ride. Ernst Barlach (Germany, 1870-1938)Paul Cassirer Verlag (Germany, Berlin)Pan-Presse (Berlin). Germany, 1922, published 1923. Prints; woodcuts. Woodcut on Japan paper

Man with Cow andGoat. Artist: Heinrich Campendonk, German, 1889-1957

Two fantasy figures at three women. .

Elizabeth Smith, The Hill Wife, 1930 The Hill Wife

Pablo Picasso / 'Le Danseur', 1965, Engraving on linoleum, 63 x 52,3 cm. Museum: PRIVATE COLLECTION.

Sketch sheet with portrait of Jan Toorop. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 195 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

Spaziergänger. Lyonel Feininger; American, 1871-1956. Date: 1921. Dimensions: 370 x 294 mm (image); 480 x 334 mm (sheet). Woodcut on white Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Bath 1880-1885 France. Monotype in black ink on cream laid paper . Hilaire Germain Edgar Degas

Relieving Tension. This image depicts artwork of American personnel relaxing before an invasion in the Mediterranean, drawn by Coast Guard Combat Artist John S. Gretzer.

Mother with child. Draughtsman: Isaac Israels. Dating: 1875 - 1934. Measurements: h 162 mm × w 105 mm. Museum: Rijksmuseum, Amsterdam.

Untitled. Jackson Pollock; American, 1912-1956. Date: 1944-1945. Dimensions: 296 x 250 mm (plate/image); 507 x 344 mm (sheet). Engraving and drypoint printed in warm black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Blind Singer Ca. 1824-28 (published second half of the 19th century) Goya (Francisco de Goya y Lucientes) Spanish This is one of four etchings closely related to drawings Goya made in Bordeaux. Here, a blind man sits in the foreground playing the guitar and singing. The contorted faces of his audience can hardly be made out in the background, because the aquatint has been darkened by cross-hatching in etching. Goya had explored the subject of a blind musician and his audience in a design for a tapestry, reproduced in an early etching on view in the first gallery of this exhibition. But the attractive passersby of that scene have been replaced here by demonic faces emerging from a dark background.. Blind Singer. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Ca. 1824-28 (published second half of the 19th century). Etching, aquatint, drypoint, burin on laid paper. Prints

Père Ubu, Songster, from Reincarnations du Père Ubu. Georges Rouault (French, 1871-1958); edited by Ambroise Vollard (French, 1835-1939). Date: 1928. Dimensions: 310 × 200 mm (image); 430 × 330 (sheet). Etching with etched line, marked with stipple, burnisher and roulette, on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Don Quixote and De Windmolens, Kornelis Jacobus Huineman, 1938 print Left in the foreground Don Quixote that raises his lance in the air. In the background the windmills he sees for giants. paper etching Don Quixote. helved weapons, polearms (for striking, hacking, thrusting): lance. windmill in landscape

Veld en Huis, Gustave De Smet, 1918 print paper rural housing, e.g. country-house, villa, cottage

Boomgaard, Lodewijk Schelfhout, 1916 print In the foreground a tree and fields. In the background a settlement with a mill, church and houses. Netherlands paper drypoint trees. windmill in landscape

The Fall of Man, plate 14 from Day and Dream. Max Beckmann; German, 1884-1950. Date: 1946. Dimensions: 400 x 300 mm. Lithograph on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Les camelots de la Pensee, Le Bar du Journal, p.37. Artist: Maurice Delcourt, French, 1879-1916

Alone in this life of pitfalls and malice, plate five from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 578 × 419 mm (image/plate); 652 × 510 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Dog with a nest boy, Vicomte Arthur -Jean le Bailly d'inhuem, 1850 - 1899 print paper etching dog. interior of the house

Christian Kongstad Petersen (1862-1940), "Ivan Turgenjew: A noble nest", 31st March 1938

Na wieży, pl. 30, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

Sketch of woman with bunch of flowers. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 162 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

Boer, Else Berg, c. 1912 - in or before 1931 print Walking farmer with a fisherman in a boat and houses in the background; stylized. Japanese paper (handmade paper). printing ink farmers

Ets to Baudelaire and Verlaine ..

Feuer Clown I (Fire Clown), 1921, watercolor on paper, laid down on cardboard, overall: 21 x 17.5 cm (8 1/4 x 6 7/8 in.), Helfenstein 2000, no. 5312, Paul Klee (artist) Swiss, 1879 - 1940

Women, Animals, andFoliage. Artist: Paul Gauguin, French, 1848-1903

Two Heften van Krissen, Reijer Stolk, 1906 - 1945 print Both lifts are decorated with figures. paper parts of hacking and thrusting weapons: grip Indonesia

Jester and Harlequin. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Satan Sowing Tare (Satan semant l'ivraie). Dimensions: plate: 27.7 x 20.9 cm (10 7/8 x 8 1/4 in.) sheet: 37.6 x 26.4 cm (14 13/16 x 10 3/8 in.). Medium: aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Félicien Rops.

The Countess Brushes Her Hair (Esmérée) or Dancing Music ( Esmérée). Artist: Émile Bernard (French, Lille 1868-1941 Paris). Dimensions: Plate: 13 1/16 × 7 15/16 in. (33.2 × 20.2 cm)Sheet: 16 1/8 × 12 13/16 in. (41 × 32.5 cm). Date: 1892.Plate 8 of 8 from the series 'Les Cantilènes', the title of a group of poems by Jean Moréas. This plate illustrates the lines in Moréas' poem 'La comptesse se peigne (Esmérée)' in the chapter 'Airs et Récits". The poem tells of a girl from Klephte, Turkery. Her silken hair, mature eyes and 'burnished silver breasts' relecting the sun were admired by a young man, portrayed by Bernard on the right of the composition: ' C'est la belle aux yeux, C'est la belle aux yeux de mûre, C'est la belle aux yeux de mûre; La belle aux cheveux, La belle aux cheveux de mûre, Aux cheveux soyeux'". In the following poem 'Le Ruffian' , Moréan describes a handsome, well-dressed cavalier who was admired by the woman he met: 'Ainsi, beau comme un dieu, brave comme sa dague'.In

Head of a woman, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint head (human) - AA - female human figure

The Tall Man, plate five from Jahrmarkt. Max Beckmann (German, 1884-1950); printed by Franz Hanfstaengl (German); published by Verlag der Marées Gesellschaft, R. Piper and Company (German). Date: 1921. Dimensions: 305 x 205 mm (image/plate); 470 x 330 mm (sheet). Drypoint on cream Japan paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Ink mushrooms, Julie de Graag, 1915 print paper mushrooms

Street Scene with a Cripple and a Praying Man. Dated: 1921. Dimensions: sheet: 54 × 39.1 cm (21 1/4 × 15 3/8 in.). Medium: lithograph on laid cream paper. Museum: National Gallery of Art, Washington DC. Author: René Beeh.

Linocut self-portrait by Bohumil Kubista, depicting the artist with detailed facial features, expression, and stylized composition.

A 1915 colored woodcut by Otto Lange depicting a woman holding a rooster, highlighting color, figure, and composition.

DIBUJO - 1985 -. Author: ALFONSO FRAILE (1930-1988). Location: SENADO-PINTURA. MADRID. SPAIN.

Female Nude Before a Cabinet. Dated: 1916. Dimensions: image: 18.2 x 14.2 cm (7 3/16 x 5 9/16 in.) sheet: 32 x 24.5 cm (12 5/8 x 9 5/8 in.). Medium: woodcut printed in black. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Philodendron in window frame, Wanda Gág, in or after 1946 print paper potted plants. closed window

Head of a woman, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint head (human) - AA - female human figure

Isabel Bishop, In the Bus, 1947/1950, etching and drypoint on wove paper.

Etching by Carl Anton Reichel titled 'Aventure', created in 1915, op. 114, depicting narrative scene with figures.

Esterka; Bart Omiejczyk, Edmund Ludwik (1885-1950); 1926 (1926-00-00-1926-00-00);

Man 't licht in d'oogen!!! (title on object). Draughtsman: Jan de Waardt (possibly). Dating: 1881 - 1899. Place: Netherlands. Measurements: h 223 mm × w 140 mm. Museum: Rijksmuseum, Amsterdam.

Frontispiece, from Les Réincarnations du Père Ubu. Georges Rouault (French, 1871-1958); edited by Ambroise Vollard (French, 1835-1939). Date: 1932. Dimensions: 300 × 198 mm (image/plate); 426 × 323 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Girls in a high hat; Makowski, Tadeusz (1882-1932); 1920 (1920-00-00-1920-00-00);

Ernst Ludwig Kirchner, Girl Dreaming, German, 1880-1938, 1918, woodcut in black on buff wove paper

Johannes de Boper, Lodewijk Schelfhout, 1915 print John the Baptist, walking on a path in a mountain landscape. paper drypoint series of scenes from the life of John the Baptist. walking. mountains

Franz Marc, Reconciliation (Versoehnung), 1912 Franz Marc, Reconciliation (Versoehnung), German, 1880 - 1916, 1912, woodcut in black on japan paper, Gift of Ruth Cole Kainen

Jager, Henri van der Stok, 1880 - 1932 print A black man with crown on the head is turned on one leg between bushes. In his left hand he holds a spear or an arrow. Netherlands paper hunter. Africans

Design for a vase with lion motif, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper brush container of ceramics: jar, jug, pot, vase. ornament derived from animal forms. beasts of prey, predatory animals: lion

Taurus, Tinus van Doorn, 1934 print Taurus in white contours against a black stock, top left a tree and a sun/moon. Japanese paper (handmade paper). printing ink bull

Blind Minotaur Led by Little Girl with Flowers, from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1934. Dimensions: 253 x 347 mm (image/plate); 338 x 446 mm (sheet). Drypoint with scraping and engraving on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Paul Gauguin, Te Atua (The Gods) Small Plate (recto), in or after 1895 Te Atua (The Gods) Small Plate recto

Attempt; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Figure. Max Ernst; American and French, born Germany, 1891-1976. Date: 1950. Dimensions: 236 x 178 mm (plate); 328 x 250 mm (sheet). Etching and aquatint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Auti te pape (Women at the River), from the Noa Noa Suite 1893-1894 France. Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper . Paul Gauguin

Three Women Made 1905 Czech Republic. Etching in black on paper . Emil Orlik

Fighting the dragon; Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);

Ernst Ludwig Kirchner, Head of Dr Robert Binswanger (the Student), 1917 1918 Head of Dr. Robert Binswanger (the Student)

Village Violinist. Anders Zorn; Swedish, 1860-1920. Date: 1903-1904. Dimensions: 159 x 119 mm (image/plate); 280 x 190 mm (sheet). Etching on white laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Untitled. Chaim Gross; American, born Austria, 1904-1991. Date: 1934. Dimensions: 477 x 304 mm. Brush and red and brown inks on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Personification of the rain above a landscape. A man looks down from the clouds. In addition and under him, raindrops fall.

Still life with apple, pipe and bottle. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 114 mm × w 84 mm. Museum: Rijksmuseum, Amsterdam.

Aquarius, il.5 to the "old -fashioned legend"; Gory, Wiktoria (1902-1945); 1926 (1926-00-00-1926-00-00);Polish Artistic Society (Warsaw - 1899-1939) - collection

Ernst Ludwig Kirchner, Pianist and Singer, 1928 Pianist and Singer

Street in Istanbul, Marius Bauer, 1885 - 1925 print View on a street in Istanbul. A few figures walk on the street. Netherlands paper etching / drypoint street Istanbul

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 21." Nemrod standing was fucking the unaffordable peak. He was going and came, a great carpenter ". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101109-1 Years thirty 1930 30, aquatinte, move forward, drawing, etching, hero, illustration, mountain, litterian work, landscape, legendary character

Mrs. Hassam Knitting (large). Dated: 1918. Dimensions: image: 31.75 × 21.27 cm (12 1/2 × 8 3/8 in.) sheet: 44.77 × 29.21 cm (17 5/8 × 11 1/2 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Old woman surrounded by young women, Jan Toorop, 1895 print paper drypoint young versus old age; young and old. adolescent, young woman, maiden. old woman

Charcoal drawing of a ascetic persons on mount board Copyright: xSatishxParashar/DinodiaxPhotox

The assistance during the flood of 1926, symbolically presented, Jan Toorop, 1926 drawing This drawing was used for the cover of the program booklet that was printed at Drukkerij Ten Hagen () In The Hague at the end of January 1926. It concerns the program (declamation and singing) for the evening of January 30, 1926, held in Hotel De Witte Brug in The Hague for the benefit of the flood disaster affected. Toorop probably has not made and delivered the design. paper. pencil pen / brush historical events and situations. flood

Saint Joris.

Kool in a landscape, Arend Hendriks, 1911 - 1941 print Netherlands paper etching plants and herbs: cabbage. landscapes in the temperate zone

Man en vrouw naast gevleugelde figuur; In een veraf gelegen wereld.In the middle a figure with long hair and a beard and three pairs of spread wings. On the left is a man with a sik; On the right a woman. Both keep their hand stretched in the direction of the winged figure.

Emilia-Romagna Ferrara Ferrara S. Francesco72. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rest; W Sowicz, Wac Aw (1891-1942); around 1930 (1925-00-00-1935-00-00);Krystall, Bronisław (1887-1983) - collection, guitars, testamentary record (provenance)

Daphnis removes a cicade from Chloë's dress, Aristide Maillol, 1937 print paper insects: cicada. arm or hand held in front of the chest. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

A woman in front of the mirror; W Sowicz, Wac Aw (1891-1942); 1924 (1924-00-00-1924-00-00);

Reproduction painting Muse concert of the Chirico; Giorgio de Chirico No 24 Muse Deconcentree.

The embrace. .

Resurrection of Colijn, Chris Lebeau, 1920 - 1949 print Colijn's figure stands out from his coffin. In his right hand he holds a measure on which the text 'cutbacks', in his left hand a Bible and a petroleum lamp. At his feet a field of clenched fists. Dark clouds above his head. paper

Deliberation (Beratung). Dated: 1913. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Christian Rohlfs.

Nude Boy withFish. Artist: Heinrich Campendonk, German, 1889-1957

Oedipus, Jan Frank, 1895 - 1938 print A man with a stick is accompanied by a woman. transparent paper (story of) Oedipus

Vignette for book 'L'art Hollandais contemporain' by Paul Fierens. Untitled (Head of a man). Draughtsman: Leo Gestel. Dating: 1932 - 1933. Measurements: h 117 mm × w 107 mm. Museum: Rijksmuseum, Amsterdam.

Prancing horse, flower and head (sketch). Draughtsman: Leo Gestel (signed by artist). Dating: c. 1930 - in or before 1941. Measurements: h 277 mm × w 218 mm; h 210 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Girl and harpist among rose twigs, design for a programme. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Ernst Ludwig Kirchner, Goats and Clouds, 1919 Goats and Clouds

New Year Picture of Military Door God early 20th century Unidentified. New Year Picture of Military Door God. Unidentified artist(s), Chinese, early 20th century. China. early 20th century. Woodblock print; ink and color on paper. Republic period (1912-49). Prints

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 3." Suddenly it was growed with horrible wings ". Eat and aquatinte . 1935. Paris, house of Victor Hugo. 101108-15 Wing, years thirty 1930 30, aquatinte, horn, drawing, etching, illustration, litter work, character

Head of a woman, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint head (human) - AA - female human figure

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