Expressive Etchings

Various etchings portraying emotional and contemplative moments, using contrasting light and shadow for dramatic effect.

Death with two men and a woman, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed as a man, with a headscarf around his head. To his right a woman in dress. Among them a squat and a lying man. paper personifications of Death; 'Morte' (Ripa). head-gear (with NAME)

Centaur and a woman. Kowalski, Leon (1870-1937), graphic artist

The Shamefaced one, plate 54 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Woman and dragon. Rembowski, Jan (1879-1923), graphic artist

TESS OF THE D'URBERVILLES

Olympia. Artist: Édouard Manet, French, 1832-1883

À un diner d'athées. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1886. Prints; etchings. Etching

François Nicolas figure (1825-1901). "A large black circle was running". Albumin paper. 1868. Paris, house of Victor Hugo.

Voilà le moment (passé minuit) o le calme et la paix règnent véritablement dans les heureux ménages. Vaut mieux tard que jamais. Dated: November 22, 1840. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Summer Evening (Soiree d'ete). Dated: 1882. Dimensions: plate: 23.2 x 39.7 cm (9 1/8 x 15 5/8 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT.

Study by an anonymous artist of a sleeping woman with a bare upper body, executed in black chalk with white highlights on beige paper between 1700 and 1780.

Draperiestudie, Simon Andreas Krausz, 1770 - 1825 drawing paper. pencil brush Drapery, Draped Garment, 'Course'

Illustration at poem from Paul Verlaine dense bundle sagese; Essaie De Bois Gravé Pour Sagesse; L'Epreuve.illustration at Poem from Paul Verlaine Dense Bundle. Naked Woman and Slare Woman With Vired Next To Bed With Lying Figure.

NAPOLEON III. AFTER HIS DEATH, 1873

Splash girl , Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 x 5 13/16 in. (20.3 x 14.8 cm)Sheet: 11 9/16 x 8 3/16 in. (29.4 x 20.8 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

TRAHISON / THE KISS OF JUDAS

'All will fall', 1799 Artist: Francisco Goya. Plate 19 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Nightmare." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-14 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Print, The Buddha: "I was led unto the schools. I knew more than the teachers."; Odilon Redon (1840 - 1916); France; lithograph, black ink on india paper

The Hammock. James Tissot; French, 1836-1902. Date: 1880. Dimensions: 279 × 183 mm (image/plate); 300 × 199 mm (sheet). Etching and drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Un CataplasmePartage.. Artist: Paul Gavarni, French, 1804-1866

Costume Grison 1887, by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Man sitting with pen in hand and opened book and beside him naked woman as muse or inspiration; Inspiration; L'Epreuve. A man, possibly an artist or writer, is sitting at a table with a sloped book for a lamp. In his hand he holds a pen or something similar. Next to him is a naked woman as muse or inspiration, she beats her arm around his shoulders and in her other hand she holds a palm branch.

Apocalypse de Saint-Jean Odilon Redon (French, 1840-1916). Apocalypse de Saint-Jean, 1899. Lithograph on China paper laid down, 11 1/2 x 8 1/4 in. (29.2 x 20.9 cm). European Art 1899

Réveil , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), Abbas Beati Martini (book V, chapter I) (dummy title), 1888. House of Victor Hugo-Hauteville House.

Disgrace (Plate 9) (Schande) from the series Eine Liebe, Opus X. Dimensions: 68.5 cm x 51.6 cm, 45.7 cm x 31.3 cm, 41.5 cm x 26.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAX KLINGER.

Odilon Redon, Le Buddha, 1895 Le Buddha

World War One: a large snake, symbolic of a gas attack, strikes at a sleeping soldier. Colour halftone after a crayon drawing by L. Raemaekers.

Voilà le moment (passé minuit) où le calme et la paix règnent.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1840. Prints; lithographs. Lithograph

Passing Song. Date: before 1902. oil on wood. Museum: Smithsonian American Art Museum.

Desdemona's Death-Song. Dated: 1878/1880. Dimensions: overall (frame size): 127 x 101.6 cm (50 x 40 in.). Medium: black chalk over traces of red chalk on two joined sheets of blue-green paper. Museum: National Gallery of Art, Washington DC. Author: Dante Gabriel Rossetti.

Singing old woman; Every singing is a broken one.

Girl in Narrow Cove , Seas, Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

Earlom, Richard, inventor: Thomas Gainsborough, work, Shepherd and dog, (1000 - 2000), mezzotinto, graphics, plate width 27, 3 cm, leaf width 27.5 cm, leaf height 38.8 cm

Lilith, Adam's first wife. Ernst Barlach (Germany, 1870-1938)Paul Cassirer Verlag (Germany, Berlin)Pan-Presse (Berlin). Germany, 1922, published 1923. Prints; woodcuts. Woodcut on Japan paper

Daphnis in Chloë, Aristide Maillol, 1937 print paper Chloe. Daphnis (in Greek mythology a shepherd who invented pastoral poetry

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Various representations, Richly dressed lady, other lady in background, verso - stamped, print, prints, height 82 mm, width 100 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Albert Besnard, The Haul (Le coup de filet), 1900 The Haul (Le coup de filet)

Kneeling woman who collects objects in a hive. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1901. Measurements: h 89 mm × w 81 mm. Museum: Rijksmuseum, Amsterdam.

Old Knight Made 1896 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

What Is It (Che c'è). Dated: 1887. Dimensions: sheet: 73 × 52.5 cm (28 3/4 × 20 11/16 in.) plate: 60 × 39 cm (23 5/8 × 15 3/8 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Celestino Turletti, after Stefano Bruzzi.

Tantalus (Tantalo) Francisco de Goya y Lucientes (Spanish, 1746-1828). Tantalus (Tantalo), 1797-1798. Etching and aquatint on laid paper, Sheet (Uneven): 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

The whore's last shift. British Cartoon Prints Collection , This record contains unverified data from caption card, Caption card tracings: Women; Prostitutes; Cartoons, Br.; Pub. Ind.

A demon, in the form of a frog, seeks to persuade a married noblewoman to exchange her chastity for his gold. Date: 14th century

The prisoner Fernand Cormon (1845-1924). The prisoner. Fusain faded on paper.

Rijn, Rembrandt van, Self-portrait, looking sullen, verso central, print, prints, RHL, center left, height 39 mm, width 36 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1628 - 1632, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Death Body Of A Kabyle, Mariano José Maria Bernardo Fortuny Y Carbó, 1867 print A dead body lying on a rug and covered by a cloth. A gun on the body. Next to the body on the ground a burning candle. Rome paper etching candle. the corpse. firearms. carpet, rug

Entrance of the Serving Maid. Artist: Edwin Austin Abbey (American, Philadelphia, Pennsylvania 1852-1911 London). Dimensions: 10 1/16 x 14 1/8 in. (25.6 x 35.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Oil painting of 'On the Balcony' 1892, by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

A wood engraving by Gustave Doré, created in 1865, depicting a scene from the fairy tale 'Little Red Riding Hood.' The imagery includes the dialogue, 'Oh, Granny, your teeth are tremendous in size!'/'They're to eat you!' -- and he ate her!' The print features elements related to girls, wolves, beds, deception, and suspicion, measuring 23.5 x 26.5 cm

Japonism. Dimensions: 27.7 cm x 36.9 cm, 24.5 cm x 32 cm, 23.8 cm x 31.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRY SOMM.

Study for Inquisition, Illustration to Columbiad. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1805-1809. Dimensions: 529 × 446 mm. Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Francisco Goya (1746-1828). Caprices. Plaque 42. Thou who cannot. 18th century. Prado Museum. Madrid. Spain. 18th. C.

Women Carrying Faggots. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm). Date: ca. 1858.This extraordinary drawing in charcoal and gouache was once in the collection of the Dutch landscape painter Hendrick Mesdag (1831-1915), a collector of French artists of the Barbizon School. Millet was fascinated by the sight of peasants gathering, cutting, binding, and carrying faggots in the forest of Fontainebleau, his native landscape for much of his life. The Lehman sheet may relate to a painting of the same title now in the Hermitage, Saint Petersburg. Museum: Metropolitan Museum of Art, New York, USA.

Repose, Le Repos, Photogravure Print from the Original Painting by Henri Lehmann, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Photo production of a painting by Manfred and Astarte, Anonymous, After Emanuel Krescencensc Liška, c. 1882 - c. 1910 cabinet photograph maker: Germanypublisher: MünchenArnhem cardboard. photographic support albumen print spirit, ghost

Night scene with the mutilated bodies of the De Witt brothers at the gallows. Draughtsman: anonymous. Intermediary draughtsman: Willem Paets (possibly). Dating: 1672. Place: Northern Netherlands. Measurements: h 245 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

La gloire , Coffins, Flags, Mourning clothing & dress, War casualties, Grief, World War, 1914-1918. Théophile Alexandre Steinlen (1859-1923). Lithographs

L'Oliviérade. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1876. Prints; etchings. Etching and drypoint

The end of a sold love, painting by Cuno von Bodenhausen (1852-1931) was a German painter. Old 19th century engraved illustration from La Ilustración Artística 1882

Isabella Clara Eugenia, infante of Spain, Rubens, Peter Paul, Pontius, Paulus, Old woman and boy with candles, A boy takes the flame with his candle about the old woman's candle. In the margin a two-line caption in Latin., print, prints, height 145 mm, width 198 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1613 - 1658, paper, papier, etching, etchings, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, uitgever, 1566-08-12 - 1633-12-01, verlener van privilege

Escape Okietka; Bigos Skki, Leon (1871-1928); around 1910 (1890-00-00-1915-00-00);Sphinx (Warsaw-1908-1917)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, Władysław Łokietek (Polish King - Ca 1260-1333), Władysław Łokietek (Polish King - Ca 1260-1333) - iconography, Poland (culture), Polish drawings, escapes, vignettes (decorations), rulers, collection signs

Fieschi, Giuseppe.

Flemish farmer's wife in a hilly landscape, Lodewijk Schelfhout, 1926 print In the background a hilly landscape, presumably at the place Etikhove in the Belgian province of East Flanders. Left in the background a farm, two Hooischelven, a tree and a sheep. On the right in the background a mill and a plowing farmer with an ox. paper drypoint farmers. ploughing. ox. low hill country. windmill in landscape Etikhove

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

The Falconer Made 1797 England. Mezzotint on paper . Samuel William Reynolds, the elder

'The Trout', 1873. Artist: Gustave Courbet

Don Quixote sick in bed. Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

An alchemist with angel's wings and a skull cap, pouring fluid from a ladle into a crucible. Pencil drawing by J. Tenniel, 1898.

Young Cosette sweeping: 1862 drawing for Victor Hugo's Les Miserables. French illustrator Émile Bayard drew this sketch of Cosette for the first edition.

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