Family Gatherings in Historical Scenes

Interiors showing groups engaged in dining and socializing, illustrating daily life and cultural customs, with a focus on clothing styles and family dynamics.

Willem V takes a seat on the Council of State for the first time, 1763, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Stadholder Willem V, Prince of Orange, takes a seat on the Council of State for the first time on 9 March 1763. Amsterdam paper etching / engraving national government The Hague

The step nut. A dining room with figures around a table. On the right a richly dressed woman and child. Opposite them three soberly dressed men. A man serves them. On the right in the background a child eating from a pan. On the left a servant with glasses. Scene from the Blijspel the stepmoman of Thomas Assselyn from 1684, in which the character Jochem will visit the poor family of his second woman. His own child has to express the pot, while his second wife and her family get the tastiest food.

De Stiefmoer, Jacob Houbraken, After Cornelis Troost, 1760 - 1780 print A dining room with figures around a table. On the right a richly decorated woman and child. Opposite them three sober dressed gentlemen. A man serves them. On the right in the background a child who eats from a pan. On the left a servant with glasses. Scene from the comedian De Stiefmoêr by Thomas Asselyn from 1684, in which the character Jochem gets the poor family of his second wife. His own child has to lick the pot, while his second wife and her family get the best food. Amsterdam paper engraving comedy. giving food. eating and drinking. dining-room

Elegant company in a departure, Bernard Picart (workshop or), After Bernard Picart, 1712 print A group of men and women dance in a departure. An older lady looks with a strict look at a gentleman who hands a letter to a lady. Amsterdam paper etching / engraving loose company. group dancing

La jolie fermiere. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Gustus / tasting / taste; The five senses. In a beautiful departure with ornamental fireplace, two elegant ladies are eating something. One of them holds a flat dish. A clerk is at the table and stir in a pulse. Two elegantly dressed men in the foreground. Left a monkey on a chain on the floor.

Interior with figures around a table, Pierre François Basan, after Jan Havicksz. Stone, c. 1773 - c. 1788 print Paris paper etching / engraving interior of the house. eating and drinking. bagpipe, musette

Consternation for the wounded Belton, Noah van der Meer (II), After Jacobus Buys, 1769 - 1779 print Belton is injured in a chair and his wife and son James support him. Charles is next door. In the background, Henriette embraces her father of fright for the wounded Belton. Theater scene from the school of morals, or the consequences of a dissolute life. Amsterdam paper etching / engraving infections and wounds. Alarm, Fright; 'Spavento', 'Terrore' (Ripa)

Willem V takes a seat on the Council of State for the first time, 1763, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Stadholder Willem V, Prince of Orange, takes a seat on the Council of State for the first time on 9 March 1763. Amsterdam paper etching / engraving national government The Hague

Winkel van Edme François Gersaint, Pierre Alexandre Aveline, After Jean Antoine Watteau, 1732 print France paper etching / engraving art trade, art shop. dress, gown: robe volante (+ women's clothes). coat (JUSTAUCORPS) (+ men's clothes). head-gear: tricorn (+ men's clothes). picture, painting. clothes, costume (+ women's clothes). clothes, costume (+ men's clothes)

Marriage A-la-Mode, Plate VI April1745 Simon Francis Ravenet, the elder French. Marriage A-la-Mode, Plate VI 406309

A man in sleeping clothes shows an open book to the man standing opposite him. The third man leans against the table on which a lit candle stands next to a book. Books lie on the ground. The scene is framed in an ornate frame. Marked top left and right: Pl. III - 1st Part Pag. 435. Three Men in a Room, print maker: Christian Friedrich Fritzsch, (mentioned on object), Daniel Nikolaus Chodowiecki, (mentioned on object), 1729 - 1774, paper, etching, h 159 mm × w 90 mm

Musicing company in a departure, Reinier Vinkeles (I), 1796 print Amsterdam paper etching / engraving small group of musicians, chamber orchestra, jazz band. listening to music. vocal music, singing

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Capture of the Utrecht pawn, 1786, verso - stamped, The capture of the Utrecht pawn J. Valburg in the house of mayor Haantjes in Wijk bij Duurstede, 29 May 1786., print, prints, Frederik Muller Historieplaten, height 156 mm, width 112 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1795, paper, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

Balthasar Gerards kills Willem I prince of orange with gunschoten on the stairs of the Prinsenhof in Delft.

Man beating his wife with a stick, Abraham Bosse, 1630 - 1632 print Paris paper etching / engraving hitting at something. dominating husband. the dominating partner

Seating of William V in the W.I.C., on his visit to Amsterdam in 1768, Simon Fokke, 1771, Design for a print., draughtsman: Simon Fokke, 1771, paper, pen, brush, h 277 mm × w 394 mm

Taste, Abraham Bosse, c. 1635 - c. 1636 print A lady and a gentleman sitting at a set table. A servant is wearing a bowl. In the middle behind a gobelin against the wall. paper etching / engraving taste, tasting (one of the five senses). taste, tasting (one of the five senses). laid table: table-ware, table-decoration, etc.. plants and herbs: artichoke. eating and drinking. dog. tapestry

Pantagruel enters the room where his father Gargantua is sitting at the table, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print The baby Pantagruel, a child of giants, still comes to his back on his back, where his father Gargantus and his friends are sitting. Illustration in the stories of François Rabalais about Pantagruel and Gargantua. In the margin there is a rule of text in French, marked at the bottom right: L. II. CH: 4. Amsterdam paper etching / engraving giants, colossi. evening meal, dinner, supper. cradle, crib. father and son(s) (family group)

'Mary Queen of Scots Compelled To Sign Her Abdication in Lochleven Castle, 1567', (1878). Artist: Thomas Brown.

Anthony Walker, 1726-1765, British, Marcus Curius Dentatus rejecting the Bribes of the Samnites. Engraving.

A Rake's Progress, Plate III: He Revels, William Hogarth, 1697-1764, British, 1735, Line Engraving, Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)

In 't year 1788. Stadholder Willem V, 1788.

Such the old ones sang, so the boy squeaks, 1638 - 1659 print Singing and making music. Mother with two children and grandparents around a richly set table, the children blow on whistling while the elderly sing. Behind is a man who plays on a bagpipe. Imagination of the saying 'Sun the old ones sang, the boy squeaks'. In the caption 4 rules in Latin. Southern Netherlands paper engraving proverbs, sayings, etc.. instrumental and vocal music together

Fashionable party playing the game of trictrac in an 18th century parlour. French game similar to backgammon. Woodblock engraving from Paul Lacroix' The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

It was shouted in the house; Rumor Erat in Casa; Nelri to Cornelis Troost. A group of drunk men is sitting at the dining table. A man stands on a chair and throws his glass in the air. Another sleeps with the head on the table. Part of the 'Nelri' series to Pastels from Cornelis Troost.

The Morning Toilet (La Petite Toilette), from Le Monument du Costume. Artist: After Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). Dimensions: plate: 16 1/8 x 12 9/16 in. (40.9 x 31.9 cm)sheet: 18 1/8 x 14 in. (46 x 35.5 cm). Etcher: Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma). Series/Portfolio: Le Monument du Costume. Date: 1745-97. Museum: Metropolitan Museum of Art, New York, USA.

Print made by unknown artist, eighteenth century, Lady Gorget raising Recruits for Cox Heath, 1781. Mezzotint on medium, slightly textured, cream laid paper.

Allegory at the Republic of the Seven United Netherlands, Jan Caspar Philips, 1739 print Depart with the Personified Eendracht on a throne that is decorated with the coat of arms of the Republic of the Seven United Netherlands. She is accompanied by figures that symbolize the prosperity she brings the Republic. In the foreground a putto with a map of the Republic. In the background a face on a harbor. Amsterdam paper etching / engraving Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa). Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues. Freedom, Liberty; 'Freedom' (Ripa). (Story of) Mercury (Hermes)

Plate from Livre de Scènes Comiques 1729-1732 France. Etching on paper . Gabriel Huquier

The Meeting of Edward V, and His Brother the Duke of York, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Johann Heinrich Ramberg, 1763-1840, German, active in Britain (1781-88), 1789, Engraving

Arlequin Mecontent de Son Peintre n.d. Claude Gillot French. Arlequin Mecontent de Son Peintre 338238

Shoemaker fits a woman a shoe, Abraham Bosse, 1632 - 1633 print In a sleeping room with a four -poster bed and gobelins and paintings on the wall on the left is a lady, dressed according to French fashion around 1630. In front of her there is a shoemaker on his knees. He has put his cloak and hat on a chair and fits a shoe with rosette at the woman's foot. Next to her on the coffin is the second shoe. The shoes are characteristic for the period around 1630. The heel was protected by a 'patin', which was wore over it when they went outside and that they removed indoors. The shoe had largely opened sides that were held together on top of the instep by two long straps whose attachment was masked by a large flower of fabric (rosette). paper etching clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). shoes, sandals (+ women's clothes). dress, gown (+ women's clothes). sleeves (+ women's clothes). head-gear: hat (+ men's clothes). neck-gear: collar (+ men's clothes). b

Consultation between the Prince and the Committee members of Overijssel, 1786. Consultation at Palace Het Loo between Prince Willem V and the committed the three most important cities of Overijssel to suspend the measures of the Prince against the cities of Hattem and Elburg, 4 September 1786. Design for a print.

The separation of Marie-Antoinette of Austria, with his family (IT)

The Villagers Are Happy That Pastor Sembach Will Stay With Them Illustration No. 7 (from 8) to the story The call to the city Calling to the City, Posted in: W.G. Becker's paperback for sociable pleasure. 11 year. 1801. Leipzig near Roch and Comp Chodowiecki, Daniel Nikolaus (1726 1801)

Shakspeare. Measure for measure, act II, scene I : Angelo's house : Escalus, a justice, Elbow, Froth, clown, officers, etc. , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Measure for measure. Thomas Pennant Barton Collection

Bedroom interior with ragotin in a box, Gabriel Huquier, Jean -Baptiste Oudry, 1705 - 1772 print publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). hiding, hiding oneself

Frontispiece to "The Humours of Oxford" November 1, 1807 After William Hogarth British. Frontispiece to "The Humours of Oxford" 399176

The Concert. François Dequevauviller (French, 1745-1807); after Nicolas Lavreince (Swedish, 1737-1807). Date: 1784. Dimensions: 404 × 499 mm (plate); 410 × 508 mm (sheet). Etching and engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: François Dequevauviller.

Interior with drinking couple; The false sham likes discovered. Two men in an interior at a young and an older woman while drunk. Judicial men next to a fireplace. Scene from the Blijspel 'The discovered sham love' by David Lingelbach (1687).

William Hogarth, An Election Entertainment, 1755 An Election Entertainment

Children are taught, Johann Jacob Haid (Possible), 1714 - 1767 print With caption in German and French. Augsburg paper etching education. teacher and pupil

Print made by Guillaume Philippe Benoist, 1725-ca. 1770, French, Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming, 1745. Etching with stipple engraving on medium, slightly textured, cream laid paper.

Margaretha Coppier verbergt soldaten van de prins in haar woning te Antwerpen, 1574.Margaretha Coppier (also known as Margaretha van Cafes) hides soldiers from the Prince of Orange in her home during a prince attempt to conquer the city per list, 1574. She says soldiers who do a house search.

. The widow of Wolter Jan Gerrit Baron Bentinck with her both children in a living room at the actual of her husband, died 23/24 November 1781.

Belshazzar's Feast. Dated: c. 1598. Dimensions: plate: 35.9 x 40.3 cm (14 1/8 x 15 7/8 in.) sheet: 36.2 x 41.2 cm (14 1/4 x 16 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Muller.

Saloninterieur with tricks -playing company, Dominique Sornique (Possibly), After Charles Joseph Dominique Eisen, 1730 - 1783 print print maker: Franceprint maker: Parisafter painting by: France paper etching / engraving backgammon, tric-trac. drawing-room, 'salon'. picture within picture

A Harlot's Progress, Plate 1 Her arrival in London. 1732. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Interior with man who asks a woman's hand, Jean Jacques Flipart, after Jean-Baptiste Greuze, 1770 print Paris paper etching / engraving interior of the house. requesting the bride's parents' permission

Doornenkroning, Alexis François Girard, After Anthony Van Dyck, 1797 - 1870 print paper etching the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Gerard Jean Baptiste Scotin, 1671-1716, Marriage A-La-Mode, Plate I: The Contract, 1745. Engraving.

Don Quixote receives the Knighthood in the inn, Charles Nicolas Cochin (I), After Charles-Antoine Coypel, 1724 print print maker: Francepublisher: Paris paper etching / engraving Don Quixote. becoming a knight, knighting. hotel, hostelry, inn

Mordecai reveals the plot Lairesse, Gérard de, 1640-1711. still image. Art reproductions. 1908 - 1909. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Interiors, Biblical events, Castles & palaces, boudoirs, Esther, Queen of Persia, Mordecai (Biblical figure)

Aveux extraordinar. A love couple is in a conservatory. Both cry, the woman kneels on the floor and looks forward to her lover. Title illustration for part 5 of a book about the Perils of Love.

Plate 9 for J.G. Muller's 'Siegfried von Lindenberg'

Royal masquerade, Somerset House , Masquerades. William Hogarth (1697-1764). Prints

Widow Bentinck with her children at the corpse of her pumping station, 1781, Barent de Bakker, after Hermanus Petrus Schouten, 1782 print The widow of Wolter Jan Gerrit Baron Bentinck with her two children in a living room at the corpse of her husband, died November 23/24 1781. Northern Netherlands paper etching burial rites. widow

Plate Three, from A Rake's Progress. William Hogarth; English, 1697-1764. Date: 1735. Dimensions: 315 × 390 mm (image); 360 × 408 mm (plate); 490 × 602 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Louis XVI, on January , said goodbye to his family, Josef Rabl, Copper Engraver

Women on maternity visit, Abraham Bosse, 1634 - 1635 print Paris paper etching / engraving visiting the new mother, lying-in visit. bedroom. bed

The abolition of slavery proclaims to the convention Nicolas Andr� Soniau (1754-1837). The abolition of slavery proclaimed to the Convention. 1794. Feather, Lavis de Bister with slight gouache enhancements.

The Puiterveense Helleveeg behind Tap, Pieter Tanjé, After Cornelis Troost, 1752 - 1761 print The dressed thieves Jan de Rolder and Piet Pothuis raise the glass in the ticking room, where Swaantje is raving behind the tap cabinet against her husband Fobert. She is so busy with that that she does not realize that she is being robbed. In the side room on the right there are the heart of pivoting and saartje van lights dressed as Mennonites. Scene from the second company of the play De Puiterveense Helleveeg, or Swaantje at the Tap, by Abraham Alewijn. Amsterdam paper etching / engraving inn, coffee-house, public house, etc.. drinking. satire on marriage. comedy

Men with different professions, Anonymous, After Otto van Veen, 1612 print Four men practice different professions in a city. Left front, an artist paints a winged monster with a women's head and a lion body. Under the monster are the first two words of the Latin saying: Pictoribus Atque Poetis Quidlibet Audendi Semper Fuit Aequa Potestas. Next to him, a poet writes with a laurel wreath at a table. Behind the poet, a doctor looks in a urinal. A farrier is working in the distance. Verso a text leaf. Antwerp paper engraving / letterpress printing painter at work, in his studio - CC - out of doors. author, poet writing. physician, doctor. farrier, shoeing-smith

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), Eerste Gehoorgeeving aan den Afgezetant Van Berckel in America, Reception of the first Dutch ambassador in the American Senate, 1783, Northern Netherlands, verso - stamped, Reception of the first Dutch ambassador Pieter Johan van Berckel in the American Senate in Princetown, October 31, 1783., print, prent, prints, prenten, Frederik Muller Historieplaten, height 182 mm, width 112 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1788 - 1790, paper, papier, etching, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

A Midnight Modern Conversation 1732-1733 United Kingdom. One of Hogarthís most sought-after and most frequently copied compositions, A Midnight Modern Conversation features a raucous, smoke-filled scene in which drunken participants stumble, fall asleep, and lose their wigs. This impression of the print incorporates painterly nuances in an application of both red and black ink, a color choice resulting in a mock history painting.. Etching and engraving selectively printed in black and red on ivory laid paper . William Hogarth

The party in the house of the rich man, Crispijn van de Passe (II), c. 1630 - c. 1640 print The party in the house of the rich man, with dancing, lover and music -making young men and women in a rich interior. On the right a woman playing on a harpsichord and a man with violin. Print from a series of four with the parable of the rich man and the poor Lazarus. paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). instrumental and vocal music together. young versus old age; young and old. more than one couple dancing. ball, formal dance. lovers; courting, flirting. courting

Moroccan envoy by hearing at the States General, 1770, Reinier Vinkeles (I), After Jacobus Buys, in or after 1789 print The Moroccan envoy by hearing at the States General, September 6, 1770. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving The Hague

A wool manufacturer paying wages to his employees, 18th century. Mr Jones sits at a desk with ledgers and cash, as weavers line up to be paid. How happy it is that there are rich men in the world. Copperplate engraving by William Blake after an illustration by Daniel Nikolaus Chodowiecki from Mary Wollstonecraft's translation of Christian Gotthilf Salzmann's Elements of Morality, London, 1791.

Delilah caresses the sleeping Samson as she sets her barber to work. Engraving by J.B. de Poilly after F. Verdier, 1698.

Dance in the inn, Adriaen van Ostade, 1650-1654

John Chapman, active ca. 1792-1823, British, Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II. Engraving and stipple engraving.

Meeting of the States General, 1639 Seventeen members of the States General meet at a rectangular table. A clerk notes the decisions in a book. On the wall a wall carpet with a hunting scene and the portraits of Frederik Hendrik and his wife Amalia van Solms. On the left a painting of a knight. At the bottom two lines of text in French. The print is part of a book about Maria de 'Medici to the Netherlands to request the mediation between her and her son Louis XIII. London paper etching Seventeen members of the States General meet at a rectangular table. A clerk notes the decisions in a book. On the wall a wall carpet with a hunting scene and the portraits of Frederik Hendrik and his wife Amalia van Solms. On the left a painting of a knight. At the bottom two lines of text in French. The print is part of a book about Maria de 'Medici to the Netherlands to request the mediation between her and her son Louis XIII. London paper etching

The Villagers Are Happy That Pastor Sembach Will Stay With Them Illustration No. 7 (from 8) to the story The call to the city Calling to the City, Posted in: W.G. Becker's paperback for sociable pleasure. 11 year. 1801. Leipzig near Roch and Comp Chodowiecki, Daniel Nikolaus (1726 1801)

Completion of the negotiations for the marriage between Ferdinand VI and Maria Barbara from Portugal; 't Huwlyk Sluyten of Philippus Prince of Asturine, with the Princes Maria Barbara, Dogter van de Koning of Portugal; den 11 oct. 1725. Sit in a room and are some high-ranking people around a table. Two men shake each other's hand, which seems to be a confirmation of the intended marriage between Ferdinand VI and Maria Barbara from Portugal. On the right comes into a servant with a stuffed glass tray inside. Bottom left a three-legged text in Dutch with an explanation of the performance and to the right a similar explanation in Latin.

Monkeys in an inn, Leonard Schenk (Possible), 1720 - 1767 print Different monkeys have fun in an inn. Drink the monkeys in the back and smoke pipe, while the monkeys play in front of tric-trac. Part of a series consisting of a title print and records in which monkeys figure as people in all kinds of scenes from daily life. The print has a two -way verse in Dutch. Amsterdam paper etching animals acting as human beings. monkeys, apes. backgammon, tric-trac. inn, coffee-house, public house, etc.. pipe ~ tobacco

Print made by Guillaume Philippe Benoist, 1725-ca. 1770, French, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

The Humrous Farce of Jobson and Nell, Print made by unknown artist, after Francis Hayman, 1707/8-1776, British, ca. 1743, Engraving, Plate: 6 3/4 × 10 1/2 inches (17.2 × 26.7 cm)

The Bride Taken Home 1633 Abraham Bosse French. The Bride Taken Home 387802

The birth of Henri of Navarre (Henry IV King of France). Line engraving by J.B. Pfitzer after L. Lafitte.

Frank van Borselen gets his death sentence, 1433; Frank van Borsselen reads his death fee.After His Secret Marriage with Jacoba from Bavaria, Frank van Borselen is imprisoned by Philip the Good at the Castle Rupelmonde. Here He Has Been Handed About During a Board Game With The Final Guardian's Death Sentence, 1433.

Italy, Bandinelli, Baccio, Veneziano, Agostino, Academy of sculptor Baccio Bandinelli, verso - stamped, Students are drawing in the workshop of Baccio Bandinelli. The Florentine sculptor held one of the earliest drawing academies in the Cortile del Belvedere in the Vatican. Students are sitting around a table, copying a modello by candlelight. On the right, Bandinelli is sitting with another modello in his hands. In the room are several models and vases, which, like the figures, cast strong shadows on the walls., print, prent, prints, height 274 mm, width 295 mm, Italian, 1490 - 1536, print maker, printmaker, 1531 - 1531, second quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07

Cok, Jan Matthias, Bol, Ferdinand, Northern Netherlands, Vinkeles, Reinier (I), The regents of the Leper House, 1649, Group portrait of the regents of the Leper House, painted by Ferdinand Bol in 1649. A meeting of the regents is interrupted by the house father who is sick child leads in., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 163 mm, width 203 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1769 - 1769, third quarter 18th century, paper, etching, etchings, 1616-06 - 1680-07-24, after, after painting by, 1720 - 1771-06-18, intermediary draughtsman

A rake, Tom Rakewell, is measured for new clothes while a servant is hanging the room in black to show mourning. Engraving by T. Cook after W. Hogarth.

Jean Baptiste Tilliard after Jean Honoré Fragonard, Le magnifique Le magnifique

1. The Contract Date: 1745

The Last Moments of Mozart. Armand Mathey (French, 1854-1931); after Mihály Munkácsy (Hungarian, 1844-1900); published by Charles Sedelmeyer (French, 19th century). Date: 1888. Dimensions: 435 × 570 mm (image); 470 × 629 mm (sheet). Etching and drypoint on ivory tissue paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Armand Mathey-Doret.

The talkative man addresses a man and points to a silent man On the wall hangs a clock, Silent man and the talker The snapper , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 240 mm × w 149 mm

Miseries Personal. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 in. × 15 1/16 in. (27.9 × 38.3 cm)Plate: 10 5/8 × 14 9/16 in. (27 × 37 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: June 12, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Drawing Room Scene (Preparation for aCeremony). Artist: Unknown

Northern Netherlands, Fokke, Simon, Prisoner before the Spanish Blood Council, 1567, A prisoner brought before the Council of Troubles, nicknamed the Blood Council, chaired by the Duke of Alva with the rod of justice in his hand, 1567. Executions in the background., print, picture, history print, prints, pictures, Frederik Muller History plates, height 83 mm, width 105 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1750, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings

Caroline van Brandenburg-Esbach in childbirth, Leonard Schenk, After Adolf van der Laan, 1727 print Caroline van Brandenburg-Esbach, the later queen of Great Britain, is located in childbirth. Next to her is her newborn daughter Louise van Hannover. Several court ladies are at her bed. Left front is her husband, the later King George II. Bottom left a five -line text in Dutch with an explanation of the performance and on the right a similar, four -line explanation in Latin. Amsterdam paper etching visiting the new mother, lying-in visit

HISTORIA DE ESPAÑA-ENTREVISTA DE CARLOS I Y EL PAPA PAULO III. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. POPE PAUL III. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire). PAPA PABLO III 1468/1549 (ALEJANDRO FARNESIO PAPA). PABLO III PAPA 1468/1549 (ALEJANDRO FARNESIO PAPA). FARNESIO ALEJANDRO PAPA.

Count Egmonts Jewels unknown

Marriage a la Mode: pl.1. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Louis Gerard Scotin after William Hogarth.

Ticket for Fielding's The Mock Doctor. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 5 13/16 x 5 11/16 in. (14.8 x 14.4 cm). Etcher: Formerly attirbuted to Joseph Sympson, Jr. (British, active 1727-36). Subject: Related to Henry Fielding (British, 1707-1754). Date: 1732. Museum: Metropolitan Museum of Art, New York, USA.

Stage in the palace; Zajkowski, Andrzej (1851-1914), Motty, Władysław Leon (1851-1894); 1870-1890 (1870-00-00-1890-00-00);

The Last Moments of Mozart. Artist: Armand Mathey-Doret (French, Besançon 1854-1931 Buffard); After Mihály Munkácsy (Hungarian, Mukachevo (Munkács) 1844-1900 Endenich). Dimensions: Plate: 20 1/8 × 26 1/4 in. (51.1 × 66.7 cm)Sheet: 21 5/8 x 29 5/8 in. (54.9 x 75.2 cm). Publisher: Published by Charles Sedelmeyer (French). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

Theodor Galle after Jan van der Straet, Silk Manufacture pl8, c 1580 1590 Silk Manufacture: pl.8

Drunk company laughs at a woman with mustache. In an interior there is a drunken company around a table. On a woman's face, the man with a writing feather, who shows a drawing of a woman with mustache, drawn a mustache. A man next to her grabs the woman and pulls a grimace. Other people crying laughing around the situation. The man to the left in the foreground keeps his puff so crooked that the drink flows out. On the wall there is a print of SOISSONS Saint Arnoldus as a patron saint of beer brewers.

Don Quixote destroys a puppet show with puppets, François de Poilly (II), After Charles-Antoine Coypel, c. 1723 print publisher: ParisFrance paper engraving / etching Don Quixote. puppet and marionette show

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