Family Life and Domestic Scenes

Prints illustrating domestic life, including family interactions and occupations, reflecting societal norms and everyday activities.

by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher, uitgever" Paris, Beauvarlet, Jacques, Assen, Jan van, France, Le jardinier, Interior with seated figures and vegetable baskets, Paris, verso - stamped, print, prints, height 481 mm, width 374 mm, 1731-09-25 - 1797-12-07, print maker, printmaker, 1741 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by

Mother takes her child porridge in the presence of her husband and older children, Jan Luyken, 1712 print Amsterdam paper etching feeding a baby. kitchen. family, relationship, descent

Hatter; Professions. .

Netherlands, Swart van Groningen, Jan, The rich man and Lazarus, verso lower left - stamped, Right part of a print with Lazarus and the rich man: the rich man at the table., print, prints, LV.15, recto upper left - woodcut, height 325 mm, width 239 mm, Northern Netherlands, 1500 - 1562, print maker, printmaker, 1510 - 1562, first quarter 16th century, second quarter 16th century, paper, woodcut

Georg Pencz, To Feed the Hungry To Feed the Hungry

Painter with a model in his studio. In a small studio the painter works towards a posing man in a historic role. His oriental clothing, but especially his attributes, the passer and the globe, make him recognizable as the smiling philosopher democritus.

Shaving the Zot, Johann Theodor de Bry, after Pieter van der Heyden, After Anonymous, 1596 print In a departure, on the left in front of the fire, a woman sits on the lap of a man who hugs her. She holds a glass of wine in one hand, the other puts in his stock market. De Waardin keeps the notch. In the foreground, a man, who is referred to by his narrow stuff as crazy or crazy, is shaved by a barber. "Shaving the fool" was a common ritual in the 16th century at Narren parties: the shaving of criminals, vagabonds and crazy people, so that they were recognizable as such. Emblem no. 33 in Emblemata Saecularia, 1596 and no. 12 in the second edition of 1611 paper engraving Existence and Modes of Existence (+ emblematical representation of concept). shaving (pretending to cure simpletons). counting, calculating. inn, coffee-house, public house, etc.

by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher, uitgever" Paris, Beauvarlet, Jacques, Assen, Jan van, France, Le jardinier, Interior with seated figures and vegetable baskets, Paris, verso - stamped, print, prints, height 481 mm, width 374 mm, 1731-09-25 - 1797-12-07, print maker, printmaker, 1741 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by

A man plays the fiddle at a tavern table as another sings and others listen. Engraving by J. Heudelot, late 18th century, after A. van Ostade.

Richard Dickinson, an eccentric from Scarborough, who imagines himself a king with his pet monkey. Etching.

Figures at a table on which a loaf of bread and a knife can be seen, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

Two smokers at a table. Behind them a farmer, Two smokers at a table, print maker: Nicolaes van Haeften, (mentioned on object), Nicolaes van Haeften, (mentioned on object), Paris, 1695, paper, etching, h 172 mm × w 122 mm

Shaving the Zot. In a room there is a woman on the shot of a man who embraces her for the fireplace. In one hand she holds a glass of wine, the other puts them in his exhibition. The Waardin keeps the notch. In the foreground a man, which is referred to as crazy or crazy by his firing staff, is shaved by a barber. Under the show a two-legged fresh in French and Dutch. "Shaving the Zot" was a usual ritual in the 16th century at Narren Festivals: the shaving of criminals, vagabondes and madmen, so that they were recognizable as such.

Facade of a Uitdragerswinkel, Jan Caspar Philips, 1735 print The seller of a carrier shop is in conversation with a customer. The wares, displayed in the shop window and on the street, consist of dishes, toys, a spider wheel, tools, a money box and a painting and a violin on the right. A sign with the title in Dutch hangs above the door. In the background a square with a fountain near a city gate. Amsterdam paper etching / engraving shop, store. title-page

Pijprokende man, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving pipe ~ tobacco. adult man

Amsterdam, Luyken, Jan, The widow of Zarephath fills the miraculous jar with oil, On the advice of Elisha, the widow fills borrowed jars with oil, verso - stamped, print, prints, height 74 mm, width 85 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings

Interior with peasant family, print maker: Leendert Brasser, Adriaen van Ostade, Netherlands, 1727 - 1793, paper, etching, h 112 mm × w 104 mm

A man of a hundred years is Death's target. Etching.

Spectacle Maker (From 'Abbildung der gemein-nutzlichen Haupt-Stande') by Weigel, Christoph, the Elder (1654-1725)/ Russian State Library, Moscow/ 1698/ Germany/ Copper engraving/ Baroque/ Genre

Heineken, Christian Heinrich .

Old painter Frayal, freshrich (1832 1891), Nient manmar wel dresss, Augustn, August, 1826 1910), LRIED).

The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm" Vermis Sericus ca. 1595 Karel van Mallery Netherlandish Sixth plate from the series Vermis Sericus, engraved by Karel van Mallery, after Jan van der Straet, called Stradanus, and published by Philips Galle around 1595. Illustration of a factory where silk-reeling takes place. In the background on the left, women outside of the factory gather up cocoons of silk from the ground to be transported inside. In the factory women reel threads of silk from the cocoons. In the foreground on the right a women adds logs to the fire below the silk-reeler.. The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm" Vermis Sericus 659745

Taste; Gustus; The five senses. A man sits on a bench to smoke a pipe. Opposite the man a person holds a large gift jug with drink under the chin. The print is part of a series of six prints with the five senses.

Monkeys weigh and count money; Monkey game in the world; 't Aapen play in the world. Monkeys as bankers, right weighs a monkey's taxes on a scale. Part of a series consisting of a title print with 16 unnumbered plates from approx. 1720 in which monkeys like people figurine in all kinds of scenes from daily life. Each print with a two-legged fresh in the caption.

Koopman in Zijn Bewaker; The Bassa and the Merchant.Some Men Use The Meal Together. Illustration of Fabel CLX, Bassa and the Merchant.

Bookbinder behind his work table. .

Interior of an inn with man putting pipe and man with glass in his hand; The smoker and the drinker. Copy to the print of Adriaen van Ostade, the performance is displayed on a slightly smaller format

Woman puts a glowing cabbage into the cover, Jan Luyken, 1711 print Amsterdam paper etching chimney. container of ceramics: jar, jug, pot, vase

The invention of the letter printing by Laurens Jansz. Coster in Haarlem, ca. 1440; Typographia Harlemi Primum Inventa Cira Annum 1440. The invention of the printing print by Laurens Jansz. Coster in Haarlem, ca. 1440. Interior of the book printing, printing press and putting letters.

Saint Augustine, 1 of 4 plates from the series The Four Fathers of theChurch. Engraver: Hieronymus Wierix, Flemish, 1553-1619 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johannes Baptista Vrints, Flemish, 1552-1612

Willem V is taking a seat for the first time in the Council of State, 1763; Willem V, at Hooge Meeting, initiated, to cuisine, under the oath of secrecy, sitting. Stadtholder Willem V, Prince van Oranje, Takes A Seat in the Council of State for the first time on 9 March 1763.

From Tandarts, Abraham Delfos, After Gerard Dou, 1741 - 1820 drawing pencil. paper. chalk brush (barber as) dentist. quack extracting teeth or molars

Interior of a peasant inn with smoking and drinking figures, Cornelis Dusart (possibly), after Adriaen van Ostade, 1670 - 1704, draughtsman: Cornelis Dusart, (possibly), intermediary draughtsman: Adriaen van Ostade, 1670 - 1704, prepared paper, pen, brush, h 228 mm × w 203 mm

Three women at a wall clock, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Welby, Henry .

Man writes from right to left on a slate on the wall; The Schryf-Ley.

Evening, Frans van den Wijngaerde, after David Teniers (II), 1636 - 1679 print Imagination of the evening: Three farmers by a fireplace in an inn. One of them pees the wall. Antwerp paper etching pipe ~ tobacco. farmers. urination

Printing-Room At A Line-Engraver's Abraham Bosse (Tours, France, 1602 - 1676) 1642 Printing, Engraver

Church Father Hieronymus, Antonie Wierix (II), After Maerten de Vos, 1585 print The H. Hieronymus is working in his study. He looks at an open Bible and writes in a book. There are a crucifix and a skull on the table. The lion is on the ground. In the margin a twelve -line caption, in two columns, in Latin. Antwerp paper engraving St. Jerome as Doctor of the Latin Church in his study with book, pen and ink; lion and cardinal's hat beside him. the four Latin (Western) Fathers of the Church together: Ambrose (usually as bishop), Jerome (usually as cardinal), Augustine (usually as bishop), Gregory the Great (usually as pope)

At the lawyer, David van der Kellen (1827-1895), 1837 - 1882 print In a departure there is a richly dressed lawyer in front of the fireplace near a desk, for which a gesturing man stands with a hat. With the man is a boy who looks in the direction of the viewer and has a ham and sausage with him. The man may ask the lawyer, who makes it clear to the man with a hand gesture that council costs money. In the background there is a bookcase with two busts on it and behind a fence the silhouette of a figure at a desk is visible. paper etching / drypoint lawyer, attorney at law. sausage. ham

Woman at a Window, Reading a Letter. Dated: c. 1813. Dimensions: plate: 8.3 x 4 cm (3 1/4 x 1 9/16 in.) page size: 44.5 x 29.9 cm (17 1/2 x 11 3/4 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Sir David Wilkie.

Surgeon De Ch surgeon (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, barber, surgeon, Caspar Luyken, Amsterdam, 1694, paper, etching, h 141 mm × w 80 mm

Plateel Baker, Pieter Yver, 1735 - 1739 print The plateel baker, a baker of glazed pottery, works on his workbench. Amsterdam paper etching potter, ceramist

Shoemaker in shop for his house and a customer, Anonymous, After Adriaen van Ostade, 1671 - 1745 print A shoemaker is in a small store in front of his house, a customer awaits a stool on the repair of a shoe. There is a sleeping dog on the low roof of the store. Copy to a print by Adriaen van Ostade mat some adjustments and mirror -traffic. paper etching shoe-maker, cobbler

This circa 1485 copper engraving by Tarocchimeister depicts an artist, highlighting figure posture, tools, and compositional detail typical of Renaissance engraving.

A school teacher and three students at a table. On the wall hangs a print., Schoolmaster, print maker: Jacob Hoolaart, (mentioned on object), Adriaen van Ostade, (mentioned on object), Dordrecht, 1723 - 1789, paper, h 113 mm × w 93 mm

The Holy Hieronymus in his study room. The Holy Hieronymus is in a study room to read a table by a window. In the foreground are a lion and a dog.

Jozef flee the wife of Potifar, Robert de Baudous, 1591 - 1659 print In a bedroom, Potifar's wife sits on a bed and stops the fleeing Joseph. Joseph extracts her but leaves his cloak behind. In the background you can see how Potifar's wife shows Joseph's cloak to her husband. Northern Netherlands paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib). Potiphar's wife before her husband: she accuses Joseph of trying to violate her, using the cloak as evidence

Soap bubbles, Edmond Fierlants, c. 1855 - c. 1860.

Spinster in an interior, Jan van Halbeeck, 1600 - 1630 print A woman in an interior with a spider wheel and a basket with full coils. There is a cat under her chair, there is a dog in front of her feet. On the left a look at a few houses. Paris paper engraving / etching spinning (manufacture of yarn). spinning-wheel. wool (material ~ textile industry). container made of plant material other than wood: basket. dog. cat

The Schoolmaster 1610-85 Adriaen van Ostade Dutch. The Schoolmaster 396238

The Rich Man and Death Made 1651 Bohemia. Etching on ivory wove paper . Wenceslaus Hollar

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Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 7) 1721-26 William Hogarth British. Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 7) 396553

FotoReProducty engraving soap bubbles.

Herbergscène, Wallerant Vaillant, After David Teniers (II), 1658 - 1706 print In an inn, some men have a conversation around a table. In the background, others enjoy themselves. Amsterdam paper inn, coffee-house, public house, etc.. pipe ~ tobacco. conversation, dialogue; conversation piece

Man left his study to see outside heaven, Jan Luyken, 1689 print Amsterdam paper etching / letterpress printing study; 'studiolo'; library. contemplating the firmament

Young couple and an old woman with money box (Unequal love), Anonymous, Jan Saenredam, Hendrick Goltzius, 1589 - 1607

Etching by Rembrandt van Rijn, 1639, depicting Jan Averagebograpert, called the Gold Wingers, emphasizing facial features, attire, and posture.

Mssier Lilon, Print made by Giuseppe Maria Mitelli, 1634-1718, Italian, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 15 3/4 × 10 13/16 inches (40 × 27.5 cm) and Image: 15 1/16 × 10 5/8 inches (38.3 × 27 cm)

A family of four peasants gathered before the fireplace ca. 1640-70 Jacques Dassonville. A family of four peasants gathered before the fireplace. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching; second state of two. Martinus van den Enden (Flemish, 1605-1673). Prints

The FlemishSurgeon. Artist: Francisco del Pedro, Italian, 1749-1806 After: David Teniers the Younger, Flemish, 1610-1690

Smoker (copy). Artist: After Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 3 9/16 × 2 3/8 in. (9.1 × 6 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

The Peddlar, 1741. Christian Wilhelm Ernst Dietrich (German, 1712-1774). Etching;

La Cruche Vide (Bartsch 15) Adriaen van Ostade (1610-1685). The empty jug (Bartsch 15). Floor and dry tip, circa 1653. Museum of Fine Arts in the city of Paris, small palace.

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Folkema, Jacob, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, L'Alegre, Maitre d'Hiver et le Garçon Marchant pour rien, Elementarius Winter Vorst and Gaaw-knapius Al-beschaarder, Sultan feuer dampff Erbherr auff Wursthauszen Ober aufseher uber die Grosz Mogolischen kuchen Camin, December. Christmonat, Two dwarfs for the month of December (Winter month). A man smokes a pipe and a boy pours him a cup of coffee. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate for the month of December with attributes of the slaughter with at the bottom the slaughter of a wild boar. Part of part III (a series of the twelve months) in the second Dutch bound edition of 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, engraving,

In the foreground the personification of state science (Politia). She is holding a text board with a list of commandments and warnings. Around her are political and legal writings. In the background a church room with a minister () on a pulpit. The print has a Latin caption and is part of a series of prints on human activities, Politia State Science, Human activities (title series)., print maker: Philips Galle, Frans Floris (I), (possibly), Marten van Cleve (I), (possibly), Antwerp, 1574 - 1575, paper, engraving, h 206 mm × w 245 mm

Thanks to the file, farmers and soldiers live peacefully, 1609; Boerenverdriet. Thanks to the file (the trêves), farmers and soldiers can now live together peacefully, 1609. Farmers and soldiers entertain themselves with drinking, dancing and making music on the terrace for an inn. With a caption of 3 verses of 2 lines in Dutch. Part of the series of 4 prints about the battle between farmers and soldiers during the war.

La Cruche Vide (Bartsch 15) Adriaen van Ostade (1610-1685). The empty jug (Bartsch 15). Floor and dry tip, circa 1653. Museum of Fine Arts in the city of Paris, small palace.

Skeleton of Death stealing gold coins and treasure from a Miser in his vault with barred windows. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

Parable of the unjust steward, Antonie Wierix (II), After Bernardino Passeri, 1593 print The steward of a rich man must account for his management of his property. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the steward who is to be dismissed, has the debtors of his lord change their debts (Luke 16:1-8)

FotoreProduction van de engraving Les Bulles de Soap Door Hieronymus Wierix, Edmond proud, after Hieronymus Wierix, c. 1855 - in or before 1860 photograph paper albumen print workshop-interior. bubble-blowing (children's games and plays)

Heroism of a woman, in St. Mithier, against the Vendeëers in 1794, Reinier Vinkeles (I), After Casenawe, 1794 - 1796 print Amsterdam paper etching / engraving projectiles, explosives, etc.: gunpowder. wooden container: barrel, cask, bucket. dog. cradle, crib

Alchemist De Scheider (title on object) The Menselyk Bedryf (series title), handicraft, craftsman at work, alchemist at work, Jan Luyken, Amsterdam, 1694, paper, etching, h 141 mm × w 81 mm

Augustinus of Hippo, holy.

Glass Blower. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.

Tavern scene by Andries Both showing five farmers in brown and gray-brown wash over black chalk.

Design for a painting, School, draughtsman: Jan Josef Horemans (I), , 1692 - 1759, paper, brush, h 238 mm × w 194 mm

Master Jan Borrain, Frans Huys, After Anonymous, After Jheronimus Bosch, After Cornelis Massijs, 1546 - 1562 print Jan bad head is voting a lute in a room. For him an old woman (wife long nose) with a stringless lute in the hands. A second woman stands behind him and puts the right hand on his shoulder. With the left she points to the doorway in which a woman with a piece in front of her eye and a stringless lute in the hands and a child appear on a hobby horse. Above the chimney, a print by Hans Sebald Beham with dancing farmers is attached. With the caption of 2 lines in Dutch: Master Jan Bad Hoo F t, wants to accelerate my lute ... (the lute accelerates or having the lute = having sexual intercourse). The lute repairer answers: ick and sal, vrou langneuse, is unquelt me, because ick must keep for mud muijlken, who had put her luijte oock seer geerne. (Moddermuilen = French kisses and Modermuijlken, apparently a pet name for the young woman who stands behind the lute repairer.) print

Copper engraving by Pieter Bruegel the Elder from 1563 depicting a lean kitchen, showing figures, interior, utensils, and food preparation.

Christoph Horch. Line engraving by Gericke.

Lantern maker, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. lantern

The Backgammon Players. Adriaen van Ostade (Holland, Haarlem, 1610-1685). Holland, 1682 (). Prints; etchings. Etching

Farmers interior with Tric -Trac (Backgammon) Players, Abraham Allard, After Adriaen van Ostade, 1725 - 1786 print Farmers interior with two men at a table playing tric-trac and a drinking man in an oval by the window. With inscription in Dutch. Amsterdam paper etching backgammon, tric-trac

Das Neüe Modelbuch. .Erster Theil ca. 1660 Designed by Rosina Helena Fürst German. Das Neüe Modelbuch. .Erster Theil. ca. 1660. Etching and woodcut. Books

17th century Dutch tavern scene, with many peasants drinking at wooden tables, jugs at their feet, tobacco pipe on table. Two men sit in front of a fireplace. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Le Savetier (Bartsch 27) Adriaen van Ostade (1610-1685). The Savetier (Bartsch 27). Forte, in 1671.

Man at the age of fifty; Ten ages of man. Departure with a couple at a table. The man raises the glass. At the table a servant with a wine jug and a fox. In the frame a peripheral in Latin. Fifth print from a series of ten with the ten ages of man.

Man looks into plates in a plate rack; The dish.

Learning in his study in his study, Philippe Louis Parizeau, After Louis Félix de la Rue, 1771 print A scholar in his study, sitting at a table and writing on a roll of paper. paper etching scholar in his study. handwriting, writing as activity

Empty Jug. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

A woman surrounded by bubbles is sitting in front of a table with temporal riches, while smoke rises out of a cup; representing vanity. Engraving by W.I. Swanenburgh after A. Bloemaert.

. In a room there is a richly dressed lawyer for the fireplace with a desk, for which a gesturing man is standing. At the man there is a boy who looks in the direction of the spectator and has a ham and sausage. The man may ask the lawyer who makes the man with a hand gesture clear that board costs money. In the background there is a bookcase with two busts and behind a fence, the silhouette of a figure is visible at a desk.

The Etcher's Press - The Printmaker's Shop Made 1642 France. Etching on ivory wove paper . Abraham Bosse

Figures at a Press, by Jan van de Velde and Petrus Scriverius, 1628, Dutch print, etching on paper. The purported invention of the printing press by Laurens Coster in Haarlem, ca. 1440. He is regarded by some in the Netherlands as having invented printing before Gutenberg. The claim is weak because there are no known works printed by Laurens (BSLOC_2016_3_205)

97. de Koopman; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

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