Family Scenes and Illness

Depictions of families surrounding a sick individual, biblical narratives, and artist initiation ceremonies in historical settings.

Two men and a woman in a candlelight departure, Reinier Vinkeles (I), 1775 print Amsterdam paper etching / engraving leading someone by the hand or wrist - AA - both arms or hands. picture, painting. candle

Family Wanting around sick man, Hyacinthe Louis Victor Jean Baptiste Aubry -Lecomte, After Pierre Prud'Hon, After Constance Mayer, 1822 - 1858 print paper. family, relationship, descent. patient, sick person

An 1810 etching by Jan Pieter de Frey illustrating the Archangel Raphael departing from Tobias's family, depicting biblical figures and narrative.

Reception of a new member of the Bentvueghels, ca. 1700, Matthijs Pool (Possible), After Matthijs Pool, after Dominicus van Wijnen, 1690 - 1710 print Reception and initiation of a new member of the Bentvueghels, ca. 1700. Members of the Bentvogels, the group of Dutch artists in Rome, dressed as baccians with a priest who points to the new member with a stick. In the margin a fourteen -line poem, in two columns, in Dutch. Amsterdam paper engraving / etching painter in non-work situation. (professional) organization of artists. initiation (~ membership of a society) Rome

The Old Age.

Copper engraving and etching by Jean Baptiste Michel depicting boors playing cards, created in 1778, illustrating social leisure and card-playing in the 18th century.

"The grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other." from the Little Miseries of Human Life 1843 J. J. Grandville. "The grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other." from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Auguste Barbant (French, born Paris 1838). Prints

Izba or Russian house unknown, lithography: from Lasteyrie Charles

Etching and copper engraving by Heinrich Guttenberg depicting an old man and a smoker, created in the 18th century, illustrating portraiture and daily life representation.

The Empress Josephine.

Two men and a woman in a candlelight departure, Reinier Vinkeles (I), 1775 print Amsterdam paper etching / engraving leading someone by the hand or wrist - AA - both arms or hands. picture, painting. candle

Etching by Georg Friedrich Schmidt from 1770 depicting the biblical story of Lot and his daughters, showing figures, gestures, and narrative composition.

Pierre François Basan engraved and etched around 1751 a scene of a Dutch teacher, showing a young woman reading a book with interior details.

Telemachus brings the shaft from Hippias to Phalantus. Telemachus brings the injured phalantus, located in a bed in a tent, the axis of his deceased brother Hippias. Telemachus, on the left, wears the urn in his hands. A tent camp is visible in the background. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. III.

Interior with two women, one of which plays a lute, Pierre Peeters, c. 1875 - In or Before 1913 print paper drypoint one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo

Mr Czyto networks from Capo d'szstria; Valério, Théodore (1819-1878), Bry, Edme Auguste Marc (1805-1880; couples ; 1843 (1843-00-00-1843-00-00);

Copper engraving and etching by Géraud Vidal from 1762-1801 depicting a merchant attending to grooming, shown with furniture and personal items.

Plus que ça de giberne! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Drunkenman knocks over a set table, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving drunkard. dog. picture, painting. breaking something (household accident)

A woman with a child at a prison, A woman holds a child in front of bars of a prison while a guard watches in the background. Behind the woman is a boy, prison, jail, Johann Wilhelm Kaiser (I) (mentioned on object), 1856, paper, etching, h 253 mm × w 161 mm

Etching and copper engraving by René Gaillard from 1742-1790 depicting 'The Moder of Modes,' illustrating fashionable figures and clothing in 18th-century style.

"Copper engraving and etching by Belmond showing the historical figure Cimon, emphasizing human figures, classical style, and detailed composition from 1700 to 1734."

Woman with a letter kneeling for a man, Reinier Vinkeles (I), 1802 print Amsterdam paper etching / engraving kneeling figure. letter, envelope. candle

Fall under the cross; Želisko, Vendelín (1802-1868), Führich, Joseph von (1800-1876); 1830 (1801-00-00-1900-00-00), 1836 (1836-00-00-1836-00-00);

Women at Waterput, Friedrich Rehberg, 1793 print paper etching utilitarian, public pump or water fountain. carrying something on the head or on the shoulders Castellammare di Stabia

Etching by Maria Anna Angelika Catharina Kauffmann depicting Paul Aemelius, showing figure, attire, and composition, created in 1783.

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Baptiste Patas French. On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 359958

A copper engraving and etching by Christian Wilhelm Ernst Dietrich depicting a group of musicians, created in 1764. The work emphasizes musical performance, instruments, and composition.

Man and his job, The Weber, Peter Johann Nepomuk Geiger -, Drawer, Brems, Lithographer, Matthias Rudolph Toma -, Printer, publisher

Copper engraving and etching by Marie Madelaine Igonnet depicting a young woman at a window and a young man watching a sleeping girl, produced mid-17th to 18th century.

To life-z-to death ... / 6 (title registered (letter)) | Paris. (Title of all)

Exit of the debtor / n ° 12.

Boys peeping at nature , Artists, Sculpture. William Hogarth (1697-1764). Prints

Man and wife lean over the edge of a balcony, Corneille Seghers, 1824 - 1869 print paper etching / drypoint balcony. leaning forward

Hamlet and the Queen, plate 10 from Hamlet 1834 France. Lithograph in black on off-white China paper laid down on white wove paper . Eugène Delacroix

A fly drowns in a glass of wine. The mosquito flies in the flame of the candle. A man sits at the table in the background.

Etching and copper engraving by Étienne Fessard titled 'The Music', created in 1756, depicting musicians and musical instruments in composition.

Moritz von Schwind's 1833 steel engraving and etching depicts Emperor Maximilian I and Maria von Burgund, capturing historical figures in a book illustration format.

Mephistopheles Appearing to Faust Made 1828 France. Lithograph in black on ivory wove paper . Eugène Delacroix

Etching by Giuseppe Longhi, created in 1806, depicting the beheading of John the Baptist, illustrating religious narrative and human figures in early 19th-century style.

Young man gives Demon an impossible assignment, Achille Devéria, 1823 print Paris paper. pact with the devil, selling one's soul to the devil. bedroom. lovers brought together by a third person

L'Abreuvoir, final state. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Lynch, Albert (1851-1912), painter, Clément, Albert (Paryż ; zakład graficzny, wydawnictwo ; fl. ca 1860-1900), printer

..Ah! mame Adophe! mame Adophe…. Artist: Paul Gavarni, French, 1804-1866

"Leftovers" from the Little Miseries of Human Life 1843 J. J. Grandville. "Leftovers" from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Quichon (French, 19th century). Prints

Webson and Dr. Braun next to the bust of Wilhelmine Arend, Daniel Nikolaus Chodowiecki, 1781 print paper etching Literature. chest, bust - AA - female human figure. index finger forwards, pointing, indicating

This 1799 etching and aquatint by Francisco José de Goya y Lucientes depicts a scene from 'The Whims', showing figures, gestures, and satirical expression in a narrative composition.

The statement Godefroy Engelmann (1788-1839). The statement. With a well, a sighing makes his statement to a girl. Engraving. Paris, museum of romantic life.

Thomas Wentworth, first count of Stafford, beheaded in London, 1641, Jan Luyken, 1698 print Decapitation of Thomas Wentworth, first count of Stafford, in London on May 22, 1641. Important adviser to King Charles I. sentenced to death by parliament. paper etching on the scaffold or place of execution. violent death by beheading London

Woman pushes the door to stop penetrating man, Edme Jean Pigal, 1836 print Paris paper adult man. adult woman. closing, shutting the door

Akworfort reproduction: Daniel Chodowiecki (1726-1801), Cabinet d un Peintre (1771), from: Catalog of the exhibition of old Polish engravings from the collections of Dominik Witke-Je Ewskiego, Warsaw 1914; Society for the Care of Monuments of the past in Warsaw; 1914 (not after 9.05.1914) (1900-00-00-1915-00-00);

Two scenes from Gellert's fables, Daniel Nikolaus Chodowiecki, 1776 print On the left, a young woman is apparently dead sick in bed. When the tailor takes a new dress, the woman suddenly feels good enough to adjust it. On the right an atheist can be converted on his deathbed by his maid. Numbered: 5 and 8. paper etching Literature. sick-bed. dress, gown. deathbed. conversion and belief. maid ~ house personnel

Drawing, Penelope Recognizes Ulysses; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink over traces of graphite on cream laid paper; 25 x 24.3 cm (9 13/16 x 9 9/16 in.)

Man is right at the door of a house, Paul Gavarni, 1835 print Paris paper. knocking at the door. 'en route', traveller under way

Les-Parents-Terribles series: Here is the little Dancer. Paul Gavarni; French, 1804-1866. Date: 1852. Dimensions: 192 × 162 mm (image); 359 × 268 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Appelles et Campastes (Histoire Ancienne, Pl. 36), 19th century, Honoré Daumier, French, 1808-1879, 9 9/16 x 7 15/16 in. (24.29 x 20.16 cm) (sheet), Lithograph, France, 19th century

Etching by Pierre Dupin created between 1720 and 1751 depicting a housewife.

Judith in Holofernes, Nicolas Pigné, After Bernard Picart, 1728 print paper engraving / etching Judith prays before killing Holofernes

Mr. and Madame de Chateaubriand.

Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis Iconibus, Alessandro Fabri, Italian, active late 16th century, Pietro Bertelli, Italian, ca. 1571-1621, Alessandro Fabri, Italian, active late 16th century, Engraving on laid paper, A woman is depicted in what appears to be Venetian commedia dell'arte costume, wearing a long dress with an elaborate collar and a pattern incorporating swirling forms. She is shown combing her long wavy hair, below which appears to be a large, round hat. She faces a square stool on the left with a framed picture showing a face on top and holds a round object in her lap. A dog sits on the floor beneath her, and an object that looks like a vase or some other kind of vessel appears at left. Rays of light are emanating from the top left corner; the woman faces left and looks upwards towards them., Italy, 1593, figures, Print, Print

A lithograph by Eugène Delacroix depicting 'Weisling Prisoner the Goouts', created between 1836 and 1843, showing figures in a dramatic theatrical scene.

King William I refers to the request for extradition of Merlin, 1829, Jean-Louis van Hemelryck, 1829 print The king takes the request of the French ambassador for the extradition of Merlin to France with the words 'La mer me l'A rendu ... your lewarde'. With four -line caption. Part of the series of 24 records with meetings with King Willem I, published under the title 'Les RenContres' in 1829-1830. Brussels paper ambassador

Marriage of Tobias and Sara, William Unger, after Jan Havicksz. Steen, 1847 - 1889 print Germany paper etching the marriage of Tobias and Sarah

Man points to a book and to heaven, Philippus Velijn, 1797 - 1836 print A sitting man at a table points with a finger on the book that lies in front of him and with another finger to heaven. There are four figures next to him. On the right in the foreground a globe, a mask and a roll of paper. Netherlands paper etching index finger forwards, pointing, indicating. mask

Mephistopheles Receiving the Student 1828 France. Lithograph in black on ivory wove paper . Eugène Delacroix

Mr. Claypole as he Appeared when his Master was out., Print made by George Cruikshank, 1792-1878, British, 1838, Etching on medium, slightly textured, cream wove paper

Chap. IX: Jasmin!...elle avait l'air si ingénu!! (Jasmine gave the impression of being an ingenue!) 1824 Victor Adam. Chap. IX: Jasmin!...elle avait l'air si ingénu!! (Jasmine gave the impression of being an ingenue!) 698503

Tobias heals the blind Tobit, Antoine de Marcenay de Ghuy, after Rembrandt van Rijn, 1755 print paper etching the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Reading man with a dog for a reader, Robert Brichet, After Joseph Franz Freiherr von Goez, 1783 print A man in a dressing gown and hat on the head, standing for a reader, to the left, reading a book. A mask hangs on the side of the reader. A dog sleeps at the man's feet. paper etching / engraving reading. lectern ~ reading. adult man. dog. mask

Two performances for Jakob und Sein Herr van Diderot, Daniel Nikolaus Chodowiecki, 1791 print Berlin paper etching Literature. sitting figure - AA - female human figure. staircase. index finger forwards, pointing, indicating. sick-bed

The Pantaloon.

Meno Haas (1752-1833); Franz Ludwig Catel (1778-1856), Illustration, 1801

Dressed monkey for a mirror, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A monkey, dressed in a jacket and with a sut -hat on the head, looks at itself in the mirror. A boy laughs the monkey out. There is a man in the doorway. Amsterdam paper etching monkeys, apes. reflection (in a mirror) (+ laughing at a person)

Copper engraving and etching by Jean Gabriel Caquet from 1769-1802 depicting a scene titled 'Innocence in Danger', showing figures in a tense interaction.

Offering the supplement to the Duchess of Parma, 1566, 1782 - 1784 print Offering the supplement by the covenant of the nobles to the governor, the Duchess of Parma, in the Palace in Brussels 5 April 1566. Hendrik van Brederode hands her the petition. Netherlands paper etching Palace on the Koudenberg

In a room there is a man with a wheelbarrow on which a tub. .

Girl with dog looking at her sandwich, Charles Verlat, 1834 - 1890 print paper. ETCHING / DRYPOINT / REDOUSSAGE dog. filled breads, rolls, e.g. sandwich, hamburger

La Vierge, L'Enfant et Saint Jean, state III. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Etching by Karl Russ, 1818, depicting Abraham with Hagar, and Tobias showing his son the tables of the law, illustrating biblical narrative and figures.

Londres, Décembre, 'Milords et Messieurs, le gouvernement... - (Le mari s'endort, la femme s'éveille).' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mélancolie ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Money Man, Henry Brown, After Gerbrand van den Eeckhout, 1850 print Paris paper miser. money-chest, treasure-chest, money-box

Corpent of a woman, Paul Legrand, After Aubry, 1823 print France paper etching crown (symbol of sovereignty) - BB - female ruler. kneeling before a ruler - BB - female ruler

Ochenta Caprichos: It is Time, 1793-1798. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

"Etching and aquatint by Francisco Goya from 1799 depicting a scene from Los Caprichos showing figures, gestures, and expressive symbolic elements."

Panurge amoureux de la `haulte dame`, Livre II, ch. XXI. Bracquemond, Félix (1833-1914), graphic artist, Lemerre, Alphonse (1838-1912), publisher, Salmon, Alfred (1825-ca 1894), printer of graphic prints

Monument for Isaac van Goudoever, 1793, François Joseph Pfeiffer (I), 1793 print Allegorical monument for Isaac van Goedoever, died September 11, 1793. Portrait of Goudoever in oak wreath on a broken column, on the right an allegorical female figure, the freedom or peace that holds her hand with sword in the fire. Left cannons, drum, banners and weapons. In the foreground the family crest and an open book with the handles of Amsterdam. Northern Netherlands paper Amsterdam

Etching and copper engraving by Jourdeville Jourd'Heuil, 1759-1781, depicting a young maid preparing choucroute, showing domestic interior, figure, and 18th-century European genre scene.

Musicing company, Bernard Baron, After Jean Antoine Watteau, 1706 - 1755 print print maker: Francepublisher: Parispublisher: Paris paper engraving / etching outdoor gathering, 'délices í la campagne'. making music; musician with instrument

Marlborough, George Spencer-Churchill, 4. Duke .

Copper engraving and etching by Francesco del Pedro depicting a Flemish surgeon, created between 1760 and 1806. The artwork illustrates medical practice in Flanders during the 18th century, showing surgical instruments, a physician, and patient interaction in a clinical setting.

Eugène Delacroix (1798-1863). The song of Ophélie (Delteil 114). Lithography. 1834. Museum of Fine Arts of the City of Paris, Petit Palais. Song, lithography

Etching and copper engraving by Levesque created between 1747 and 1812 depicting a scene titled Awakening.

Young fisherman beckons to the girl who stands with him, mother in the Bedstee in the background, Edgar Alfred Baes, 1847 - 1909 print paper etching / drypoint built-in bedstead (Dutch: 'bedstee'). love at first sight

The Willow Song, plate nine from Othello 1844 France. Etching, engraving, roulette, and drypoint on paper . Théodore Chassériau

Eugène Leroux, Pour M. Heue..., 1830s, lithograph on paper.

Milord Edouard in Saint-Preux, Jacques Louis Copia, after Pierre Prud'hon, 1808 print Paris paper etching / engraving literary characters and objects

Letter above, flanked by intertwining rinceau. Molière is seen asking the advice of his maid servant who holds a broom. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Francisco de Goya y Lucientes, Thanks to the bluepurple vetch., 1810-1820, etching and aquatint.

Telemachus confronts the apostate Acante, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Telemachus, standing in a tent and seen from his back, holds a ring in his left hand. On the left is Acante. There are five figures in front of them, presumably kings. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. Ii. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. ornament ~ festoon, garland

Candle -cut man, Cornelis Brouwer, after Jan Luyken, 1782 - 1787 print Interior with a sitting man who goes out a candle. At the stove a standing man who warms his hands, and someone else who heats up the fire. The print is loose in an album, see page 45. Amsterdam paper snuffers. heating stove. warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Madame la femme: une altesse qui na pas sa plus triomphante; mail lui faut plein son giron de secerts de polichinelle.. Artist: Paul Gavarni, French, 1804-1866

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