Festive and Historical Celebrations

Prints illustrating grand events and battles, showcasing dramatic scenes filled with activity, architecture, and historical references.

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Battle of Dahlen, 1568, Battle of Dahlen or Daalheim. Mentioned on the print as 22 July 1568, in reality on 25 April. In the foreground two farmers watching the battle, in the distance the town of Dahlen. With 8-line caption in German. Numbered: 15., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1570, third quarter 16th century, paper, papier, etching, etchings

Papal party on the test battery in Rome in 1534; La festa di Testaccio Fatta in Roma. Papal party on the Testaccio in Rome in 1534. In the arena on the testaccio, bullfighting are held with carnival.

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Battle of Dahlen, 1568, Battle of Dahlen or Daalheim. Mentioned on the print as 22 July 1568, in reality on 25 April. In the foreground two farmers watching the battle, in the distance the town of Dahlen. With 8-line caption in German. Numbered: 15., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1570, third quarter 16th century, paper, papier, etching, etchings

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Il Mondo Festeggiant, Carrousel represented in Florence. Entrance of the Prince of Tuscany representing Hercules. Second piece. (A. de Vesme 71; Dutuit 200) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Face on bowl; Orbis habitabilis oppida et vestitus; The inhabited wahereelds and dragets. View of the city Come in frame, cartouche with garlands above.

Print made by Joseph Smith, active 1697-1732, British, The South West Prospect of Ludlow Town & Castle, 1719. Etching on medium, slightly textured, cream laid paper.

Middelburg proceeds to the prince, 1574, 1574 - 1576 print After the siege, Middelburg proceeds to the prince, 9 February 1574. Arrival and intervening of the army of the Prince of Orange. Left above the retreat of the Spanish troops under Mondragon. With caption of 12 lines in German. Numbered: 21. Cologne paper etching capture of city (after the siege) Middelburg

Watergeuzen take Den Briel, 1572, 1572 - 1574 print Watergeuzen take on the Briel, April 1, 1572. The water geuzen land, pull up and conquer led by Lumey den Briel. With caption of 8 lines in German. Numbered: 2. Cologne paper etching capture of city (after the siege) Brielle

Etching depicting a river landscape with the mythological figures Mercury and Psyche, created by Pieter Bruegel the Elder around 1595.

View of Tutecorijn, 1670 - 1672 print Face in a nutshell on Tutecorijn (Tuticorin) in South India. paper etching Tuticorin

View of Zaandam, Hendrik de Leth, 1725 - 1731 print Amsterdam paper etching / engraving city-view in general; 'veduta'

Joris Hoefnagel illustrated the Alhambra near Granada using gray-brown ink, olive green, blue, pale red, and Krapp karmin in 1564.

Panorama of Grodna, from: Georg Braun, Franz Hogenbergh States World vol. 2, Kolonia 1575, mg. 48 unknown

Face on Rome; The art of rendering navigable rivers, in various ways, with other new inventions, and other secrets. View of Rome. In The Middle of A Banderole with Text and Coat of Arms. Numbered Upper Left and Top Right: 22.

View ofPassaw. Artist: Unknown

View of Nuremberg (leaf 3), Dirk Eversen Lons, 1666 print View of the German city of Nuremberg with different churches, towers and a lock. Outside the city walls a shepherd with his herd and on either side of the river walkers. All over a (halved) portrait of Albrecht Dürer. paper etching city-view, and landscape with man-made constructions. church (exterior). castle. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Nuremberg

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Battle of Jemmingen, 1568, July 21, 1568. The army of Louis of Nassau is defeated by Alva at the village of Jemmingen. Some save themselves by jumping into the water of the river Ems. With an 8-line caption in German. Numbered lower left: 58. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 210 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, etching, etchings

Bottom left the coat of arms of the Duke of Savoy and the city arms, View of Susa Segusium prima ab Alpibus cotiis civitas , print maker: anonymous, publisher: Johannes Willemszoon Blaeu, (rejected attribution), publisher: erven Johannes Blaeu, Amsterdam, 1682, paper, etching, engraving, h 487 mm × w 607 mm

Landing on the island of Principle, 1598, 1646 print Landing on the island of Principle to stock change. With three sloops, the Dutch go ashore to negotiate with the Portuguese, December 11, 1598. Part of the illustrations in the report of the journey around the world by Olivier van Noort in 1598-1601. No. 1. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Principe

View of the city and the port of Lisbon, Dirk Stoop, 1662 print In front of the city of Lisbon are ships in front of anchor. The city extends on the bank. In the air the crowned coat of arms of Queen Catharina of Braganza of England above a cartouche with banners. Lisbon paper etching city-view in general; 'veduta'. sailing-ship, sailing-boat. ornament ~ cartouche. coat of arms (symbol of sovereignty) Lisbon

Hogenberg, French, Germany, Series 6: Dutch Events, 1571-1576 (copies), Fort Rammekens taken, 1573, Fort Rammekens in Zeeland taken by water beggars under the command of Charles and Louis de Boisot, 5 August 1573. With a 2-line caption in German and the date. Unnumbered. The print is part of an album., print, picture, news print, album sheet, prints, pictures, Frederik Muller Historieplaten, height 240 mm, width 310 mm, print maker, printmaker, 1573 - 1575, third quarter 16th century, fourth quarter 16th century, paper, papier, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Faces on Ansbach and Coburg, Wenceslaus Hollar, 1694 print Two faces on a plate. paper etching city-view, and landscape with man-made constructions. coat of arms (as symbol of the state, etc.) (+ city; municipal) Ansbach. Coburg

Watchtower on a river, Jan van de Velde (II), 1639 - 1641 print A watchtower on a river with a village behind it. On the water two boats with rods and in the foreground a group with two dogs. A mill in the background. Fourteenth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching landscape with tower or castle. village. river. angling. windmill in landscape

Failed attack on Nijmegen, 1589, 1613 - 1615 print Failed attack on Nijmegen, 10 August 1589. Martin Schenck is drowning in the Waal. Episode from the Cologne War. With caption of 4 lines in Latin. Numbered 199. Printed on the back with text in Latin. Northern Netherlands paper etching drowning, shipwrecked person Nijmegen. Waal

Northern Netherlands, Decker, Coenraet, The siege of Woerde, Siege of Woerden, 1576, The siege of Woerden by the Spaniards, 8 September 1575 to 25 August 1576. Bird's-eye view landscape with troops near Kamerik in the foreground, Woerden in the distance. In the caption the legend 1-16 in Dutch., print, history print, prints, Frederik Muller History Plates, height 270 mm, width 350 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1701 - 1703, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process)

Play around the fountain, Pieter van der Borcht (i), c. 1635 - c. 1640 print Hofentuin with fountain in the foreground. Pairing in the garden. Various men and women play with the water of the fountain in the foreground. They wet each other. Antwerp paper etching garden. garden of Love, court of Love, 'fíªte galante'. dog. French or architectonic garden; formal garden. garden fountain

Sheet 6, Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata, Bos, Jacobus, fl. 1549-1577, Ligorio, Pirro, ca. 1510-1583, Engraving, 15--, The 12 constituent sheets have been joined in pairs with a vertical overlap to form 6 sheets, each measuring 52 x 76 cm. and hinged in at the centerfold. If arranged in 3 horizontal rows of 2 each, the 6 double sheets would form an impression ca. 130 x 144 cm.: aerial view of Rome, 16th century. Relief shown pictorially; oriented with east at top.

View of Huy, Anonymous, After Hendrick van Cleve, 1585 print View of the city of Huy (or Huy). In the foreground the Maas and a few boats. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage) How

View of the Zijlpoort in Haarlem: May; Maius; The twelve months; Duodecim Anni Mensium. View of the Zijlpoort in Haarlem, for which a more pleasant boat is mated, representing the month of a pleasure. On the right in the foreground an elegantly dressed rider with two dogs and a man with a stick over the shoulder. A walking couple in the middle. At the bottom of the astrological symbol of the zodiac sign of twins. Print from a series of twelve.

Parts of the Strand and Covent Garden, unknown artist, after Ralph Aggas, 1540-1621, 1809, Engraving

Esfahan: general view, with travellers in the foreground Date: circa 1700

Margaretha van Parma conducted by Alva, 1568; Series 5: Dutch events, 1566-1570. Margaretha van Parma distracted by Alva Brussels, 30 August 1568. procession with Alva and land vehicles leaves the city, in the background the walled city. With caption of 8 rules in German. Numbered: 10.

View of Tata, Gaspar Bouttats, 1686 print View of the Tata fort. In the foreground, outside the city walls, a fight between Hungarian and Ottoman soldiers. A cartouche with the name of the city above the cityscape. The print has a Dutch caption with references to buildings on the print. Antwerp paper etching prospect of city, town panorama, silhouette of city Tata

The caption t'Gerecht buyten Haerlem places this landscape with gallows near Haarlem, Landscape with gallows near Haarlem Landscapes (series title), print maker: Esaias van de Velde, (mentioned on object), Esaias van de Velde, print maker: anonymous, Haarlem, 1615 - 1616 and/or 1645, paper, etching, engraving, h 88 mm × w 174 mm

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Die Stat und das Schloss Hoy im Luttger lande, Capture of Huy, 1595, Capture of Huy in the Prince-Bishopric of Liège by the Dutch army, 5 February 1595. Horsemen of the Dutch army ride over the bridge over the Maas into the city. With a 12-line caption in German. Numbered lower left: 303. The print is part of an album., print, prent, nieuwsprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 219 mm, width 292 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1595 - 1597, paper, papier, etching, etsen

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Bergqvara, Brokinn, View of Bergkvara Castle and Brokind Castle, The print is part of an album., print, album sheet, prints, height 266 mm, width 338 mm, 1655 - 1727-05-18, print maker, printmaker, 1707 - 1707, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Hofentuin with Susanna in Bad, Pieter van der Borcht (I), c. 1600 - c. 1601 A court garden. Susanna can be identified in the foreground, who wants to take a bath in a closed part of the garden. Her maids have closed the gate of the garden and are on their way to pick up balm and oils. (Daniël 13: 17-18). Two judges, who arrested the naked Susanna, appear and try to grab her (Daniel 13: 20-24). The residents flow out from the house in the background to see what is going on (Daniel 13:26). Two peacocks (symbol for pride) and two rabbits (symbol for lust) are also depicted. The print is part of an album. Antwerp paper etching A court garden. Susanna can be identified in the foreground, who wants to take a bath in a closed part of the garden. Her maids have closed the gate of the garden and are on their way to pick up balm and oils. (Daniël 13: 17-18). Two judges, who arrested the naked Susanna, appear and try to grab her (Daniel 13: 20-24). The residents flow out from the house in the bac

Etcher: Frans Hogenberg, Flemish, 1535-1590, After: Sebastian Münster, German, 1488-1552, Publisher: Georg Braun, 1541-1622, Topographical View of Marburg, from Civitates Orbis Terrarum I26, first Latin edition of volume I was published in1572, Etching, image: 17.3 × 48 cm (6 13/16 × 18 7/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Map of Venice, Anonymous, 1603 - 1655 print Map of Venice with buildings with buildings. At the top right of the coat of arms of the city with the winged lion of Saint Marcus. Bottom left two trumpet -blowing putti that stop a cloth with an assignment. print maker: Italypublisher: Venice paper engraving maps of cities. cupids: 'amores', 'amoretti', 'putti' Venice

View of 's -Hertogenbosch, Anonymous, 1612 - 1648 print View of 's-Hertogenbosch. A banderole with the title at the top in the middle. At the top left the weapon of Brabant. At the top right the city coat of arms. Latin text in cartouche right. Numbered in the bottom right: 9. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial) the Bosch

Village on a river, Jan van de Velde (II), 1639 - 1641 print Boats on the water near a village on a river. A stone bridge between two banks. On the left, an elegant company in a boat is rowed by two figures. 32nd print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching rowing-boat, canoe, etc.. bridge in city across river, canal, etc.. river. city-view in general; 'veduta'. canals, waters (in city). landscape with tower or castle

The Land of Cockaigne. Dated: 1564. Dimensions: plate: 40.7 x 53.6 cm (16 x 21 1/8 in.) sheet: 43.2 x 65.3 cm (17 x 25 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Niccolò Nelli.

Hooghe, Romeyn de, Haarlem, Glorification of the Teutonic Order, in particular of the Alden Biesen Land Commandery, View of Saint-André Castle, View of Saint-André Castle near Liège. At the top of the representation a banderole with Latin text and a coat of arms. This print is part of an extensive presentation, composed of 20 separate plates, of the history and works of the Teutonic Order (middle) surrounded by representations of the Alden Biesen land commandery (bottom) and the associated commanderies (left and right)., print, prints, height 173 mm, width 245 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1700 - 1700, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

View of the city of Emden. In the foreground, outside the city walls, the sea. A sailing ship attempts to moor on shore while a rowing boat braves the sea. Above the cityscape a cartouche with the name of the city and its coat of arms. The print has a Dutch and French caption, Gezicht op Emden Steden en vestigingen in de Republiek der Nederlanden Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen , print maker: Gaspar Bouttats, (mentioned on object), intermediary draughtsman: Jan Peeters, (mentioned on object), publisher: Gaspar Bouttats, (mentioned on object), Antwerp, 1679, paper, etching, letterpress printing, h 175 mm × w 364 mm

Nîmes surprised by the Huguenots, 1569; Series 3: French religious wars, 1559-1573. Nîmes surprised by the Huguenots, November 15, 1569. Protestant troops take into the city. With caption of 8 rules in German. Left below numbered: 69. The print is part of an album.

View of Brussels, 1726; Bruxelles, Ville de Brabant; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Brussels, in the foreground a group of travelers on horseback. Plate No. 275 in Part XII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Failed attack on Nijmegen, 1589, 10 August 1589. Martin Schenck drowns in the Waal. Episode from the Cologne War. With a caption of 8 lines in German and 3 lines in French. Numbered lower left: 258 ... part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 287 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1589 - 1591, paper, papier, etching, etchings

Simeon and Levi kill the Sichemites and take Dina home, 1653 - 1654 print Left Simeon and Levi take their sister Dina home after they have taken revenge in Sichem who had done their sister (Gen. 34:25). The print is part of an album. paper etching Old Testament. Simeon and Levi kill all the Shechemites and bring Dinah home, while the other brothers plunder the city

Walls of Babylon Babylonis Muri (title on object) From the Seven Wonders of the World (series title) The eight wonders of the world (series title) The Great Figuer-Bibel (...) (series title), The walls of Babylon, built in circles. Rear left a large building with tower. In the foreground Queen Semiramis as a horsewoman. Armed with bow and arrow, she is fighting a lion. In the background the hanging gardens of Babylon: a botanical and architectural work of art. Below the show a verse in Latin. This print is part of an album, hanging gardens of Semiramis at Babylon (Wonder of the World), Semiramis on the lion hunt, sometimes with her husband Ninus, Babylon, Philips Galle (mentioned on object), 1572 and/or 1646, paper, engraving, h 210 mm × w 262 mm

Venetian print of the seventeenth century. engraving. Voga Longa. rowing competition .

GRANADA. VISTA DE LA CIUDAD Y DE LA ALHAMBRA. GRABADO DE CIVITATIS ORBIS TERRARUM, 1572.

Round frame showing a winter scene in the city during the month of February. Outside the city people are skating on the canals. Above center the constellation of fish. The print is part of a twelve part series on the twelve months, February Febrvarivs The twelve months (series title), print maker: Adriaen Collaert, Hans Bol, publisher: Hans van Luyck, Antwerp, 1578 - 1582, paper, engraving, h 142 mm, w 145 mm

Battle of the Arosbaai on Madura, 1599. Battle at the Arosbaai on Madura, early February 1599. Fighting on the country, burning houses. In the bay the four ships: the Zeelandia, the founded of Utrecht, the Amsterdam and the Geldria. Part of the illustrations in the travel report of the second Schipvaart to the East Indies under Jacob Cornelisz. Van Nes and Wijbrant Van Warwyck in 1598-1600. No 11.

bekend, Amsterdam, Visscher, Claes Jansz. (II), Noordelijke Nederlanden, Scheyndel, Gillis van (I), Funeral procession of Prince Maurits in 1625, part top left, unknown, Northern Netherlands, The funeral procession of Prince Maurits in Delft on 16 September 1625. Large representation of the ceremony, consisting of 4 sheets to be mounted, a title and accompanying text sheets (numbered 1-12). This is the sheet at the top left, with buildings on the Grote Markt in Delft, the coat of arms of Holland in the sky and the mausoleum of William of Orange., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 211 mm, width 505 mm, Noord-Nederlands, 1595 - 1660-12-24, print maker, prentmaker, 1625 - 1625, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, etching, etsen, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher, uitgever, verlener, verlener van privilege

Cartoon on the English pretendent Charles Edward Stuart, 1745, 1745 - 1746 print Cartoon on the second Jacobitic uprising in 1745. Square with the building of the Admiralty, St James's Palace and Westminster Abbey for which the carriage of the young improvent Karel Eduard Stuart drawn by running horses, murmur in the French King Louis XV and preceded by the Pope And a Jesuit with a banner of the Inquisition. The carriage followed by an army of Scots. In the background scenes of the Catholic persecution of Protestants. A partial solar eclipse in the air. At the bottom of a medallion with the portrait of Karel Eduard Stuart with foolish hood with two five -Registered verses in German on either side. print maker: Germanyafter design by: England paper etching political caricatures and satires. regular clerics, e.g. Jesuits, Redemptorists. solar eclipse St James's Palace. Westminster Abbey

Kasteel Weerestein, Johannes Leupenius, 1668 print View of Kasteel Weerestein on the Vecht in Nieuwersluis. The print is part of a six -part series with performances from aan de Vecht and Amstel located castles and inns. paper etching castle. river Nieuwersluis. Vecht

Perrissin, Jean, Keulen, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Massacre of the Protestants at Tours, 1562, July 1562. Massacre by soldiers outside the city walls, on the bridge and in the water. With 8-line caption in German. Numbered lower left: 29. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 205 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1567 - 1571, paper, etching, etchings, Work conception, French, 1538 - 1611

PRINT MAURICS in 1625, part top left, Gillis van Scheyndel (I), 1625 - 1626 print The funeral procession of Prince Maurits in Delft on September 16, 1625. Large representation of the ceremony, consisting of 4 magazines to be mounted, a title and associated text sheets (numbered 1-12). This is the magazine at the top left, with buildings on the Grote Markt in Delft, in the air the Wapen van Holland and the stump grave of Willem van Oranje. Amsterdam paper etching cortege, funeral procession Market. Delft

Veüe du Campo Vacine. Dated: 1640-1660. Dimensions: plate: 5.9 × 11.5 cm (2 5/16 × 4 1/2 in.) sheet: 21.1 × 33 cm (8 5/16 × 13 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Israël Silvestre.

Munich, copperplate engraving by Martin Engelbrecht, 1720, Augsburg

Noordelijke Nederlanden, Siege of Breda and the reception of the French, 1793, Northern Netherlands, verso - stamped, Sheet with two representations. Above the siege of Breda by the French army, February 1793. Below the reception of the French in front of the town hall, February 21, 1793., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 187 mm, width 120 mm, print maker, prentmaker, 1793 - 1800, paper, papier, engraving, engraving (printing process)

VERDADERA REPRESENTACION OF LOS FESTIVOS JUEGOS DE FUEGO / EXACTAL REPRESENTATION OF THE FIRE OF ARGENING BY EXCEL.TH (TI)

Margaretha van Parma conducted by Alva, 1568; Series 5: Dutch events, 1566-1570. Margaretha van Parma driven by Alva Brussels, 30 August 1568. A procession with Alva and land vehicles leaves the city, in the background the walled city. With caption of 8 rules in German. Left below numbered: 54. The print is part of an album.

View of Naples (page 4), Jan van de Velde (II), 1618 print Right sheet of a Frisian of four sheets with a face on Naples, printed from four plates. paper etching prospect of city, town panorama, silhouette of city Naples

Great Ward, The conquest of Großwardein Oradea on June , Unknown

bekend, Amsterdam, Douci Pietersz, Adrianus, Delft, Boitet, Reinier, Den Haag, Giessen, Gerrit van, View of Scheveningen before the All Saints' Flood of 1570, unknown, The Hague, View of the village of Scheveningen hit by a flood by a tidal wave on All Saints' Day, November 1, 1570. 128 houses were destroyed and 3 people drowned. With a 4-line caption in Dutch., print, picture, history print, book illustration, prints, Frederik Muller History plates, View of the village of Scheveningen before it was hit by a storm surge on All Saints' Day, 1570. 128 houses were destroyed and three people drowned. In the foreground the sea and the beach. Behind that the village, situated between the dunes, with the church in the middle. In the background The Hague. With a four-line caption in Dutch., height 365 mm, width 513 mm, print maker, printmaker, 1730 - 1736, paper, papier, etching, etsen, 1693 - 1750, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher, uitge

Vermeyen, Jan Cornelisz., Cologne, Hogenberg, Frans, Kurtze observes how Emperor Charles V. in Africa came to his aid, the King of Thunis, who had been defeated by the Barbarians, with warlike courage, and was well behaved, you can see him in this following figure, finely orderly, next to another, Series 1: Journey of Charles V to Tunis, 1535, Arrival of the fleet at Goleta, Jan Cornelisz, Arrival of the imperial fleet of galleys and sailing ships at Goleta, 1535. On the left the fort Goleta, in the distance Tunis. Below the representation a German text: Here you are, who Carolus der V. ... happily anlendett. The print is part of an album., print, history print, album page, prints, Frederik Muller History plates, height 245 mm, width 347 mm, Dutch, German, 1540 - 1590, print maker, 1574 - 1578, paper, etching, Work conception, Northern Dutch, 1500 - 1559

Perrissin, Jean, Cologne, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Massacre of the Protestants at Tours, 1562, July 1562. Massacre by soldiers outside the city walls, on the bridge and in the water. With 8-line caption in German. Numbered: 13., print, picture, historical print, album page, prints, pictures, Frederik Muller Historieplaten, height 206 mm, width 277 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1565 - 1573, third quarter 16th century, paper, papier, etching, etchings, Work conception, French, 1538 - 1611

Two cityscapes, 1696 Faces on two cities on the water. Page 42 Recto from a sketchbook with 91 sheets. paper. pencil. watercolor (paint) brush city-view, and landscape with man-made constructions. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Panorama van Münster, Pieter Nolpe, After Johannes van Alphen, 1648 - 1653 print View of the walled city of Münster. The monasteries and churches are numbered. In the foreground in the landscape, a carriage drawn by horses, walkers, two nuns, a farmer with his cattle and completely in the foreground men at two pack sling. In the middle of a cartouche the name of the city, with the city weapons on the right and left. At the bottom of the margin three eight -line verses in Dutch, Latin and French and a legend with the names of the churches and monasteries in German. Amsterdam paper etching / engraving prospect of city, town panorama, silhouette of city Münster

Woodcut shows a scenic shot of St. Marks square in Venice, Italy. 15th century ships are moored on the waterfront. Dated 1502.

Amsterdam, Someren, Joannes van, Meurs, Jacob van, Decker, Coenraet, The city of Coylang, View of the bay of Quilon with ships, verso - stamped, View of the bay of Quilon (Coylang) with ships, troops of soldiers on the shore., print, prent, prints, height 200 mm, width 293 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1676 - 1676, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1620 - 1680-05-20, publisher, uitgever, Publicatie

Jericho. Engraving. Liber Chronicarum by Hartmann Schedel, 1493.

Amsterdam, Janssonius van Waesberge, Johannes (II), Novelanus, Symon, Hogenberg, French, Luyken, Jan, Palma, Map of Palmanova, verso - stamped, print, picture, book illustration, prints, pictures, height 354 mm, width 463 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1598 - 1598, paper, etching, etchings, Dutch, German, 1540 - 1590, Southern Netherlands, Publication (Event), Publication, publisher

Schweinfurt im MIttelalter, Unterfranken, Bayern, Deutschland / Schweinfurt in the Middle Ages, Lower Franconia, Bavaria, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various designs for both peace and for war, the entrance to a fortress, title. First issue of a series of 6 pieces (A. de Vesme 264. Dutuit 75A) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Castle on a River, Pieter van der Borcht (I), After 1676 - 1726 print Castle on a river with a few figures in the foreground. Antwerp paper etching castle

Dahlberg, Erik Jönssen, Padtbrugge, Herman, Suecia Antiqua et Hodierna, Ekebyholm, Ekebyhoff, View of Ekebyholm Castle and Ekebyhov Castle, The print is part of an album., print, album sheet, prints, height 224 mm, width 352 mm, Northern Netherlands, 1656 - 1687-06-07, print maker, printmaker, 1686 - 1686, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Seaport on the Red Sea Date: 1719

Artist: Stefano Della Bella, Italian, 1610-1664, Veue dAmsterdam (View of Amsterdam), from the series Vues de ports de mar (Views of seaports), Etching, sheet: 8.5 × 14 cm (3 3/8 × 5 1/2 in.), Made in Italy, Italian, 17th century, Works on Paper - Prints

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Vadstena, View of Vadstena and its castle, The print is part of an album., print, album sheet, prints, height 206 mm, width 413 mm, 1655 - 1727-05-18, print maker, printmaker, 1706 - 1706, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

The Veerman Jan Pietersz. Coupling stick shows the ring of trisches in the negotiations for the city wall of the Briel, 1572. The Veerman's coupling stick negotiates on behalf of the water geese of Lumey at the city gate of Den Briel, 1 April 1572. Design for a print.

St Augustine, Florida. Copperplate engraving from Allain Manesson Mallet Description de l'Univers Frankfurt-am-Main, 1686.

Westphaliae. Metropolis monasterium alias Münster. Ehringhausen, Willy (1868-1933), graphic artist

. View of a castle with a slot yacht. Left in the foreground Some couples that have fun with the water. On the right in the foreground a falconry hunt. The print is part of a four-part series with landscapes.

A large renaissance water garden with angels in the clouds above. Etching.

unknown, The Hague, Hondius, Hendrick (I), Northern Netherlands, Frisius, Simon, Parable of the Good Samaritan, Samaritan tending the wounds of a wounded man, verso lower left - stamped, print, prints, height 180 mm, width 229 mm, 1575 - 1628, print maker, printmaker, 1597 - 1649, paper, papier, etching, etchings, Work conception, 1573-06-09 - 1650-10-25, after a design by, Publication (Event), Publication, publisher, uitgever, gever van privilege

Conquest of San Salvador in Brazil by Admiraal Jacob Willekes, 1624, 1624 print The conquest of San Salvador in Brazil by Admiraal Jacob Willekes for the WIC, 10 May 1624. View of the city and forts at the entrance of the bay from which the Dutch fleet is shot. Printed under the plate the legend 1-22 and A-B in 4 columns in German. Germany paper etching / letterpress printing battle (+ naval force). capture of city (after the siege) Salvador

De Schans near Jutphaas, destroyed by the French in 1672, Isaac Sorious, 1672 - 1676 print The destroyed ramp at Jutphaas. Eighth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672. paper etching / engraving devastated, ruined place or city (~ warfare) Jutphaas

Doornick, Marcus Willemsz., Sorious, Isaac, The XVII provinces, with the adjacent countries and cities, The 17 provinces with adjacent countries: Fireworks in The Hague, 1674, verso bottom center - stamped, Bonfires and fireworks set off in The Hague on March 14, 1674 in honor of the Peace of Westminster, concluded on February 19, 1674. On the left, Victory with laurel wreaths with the portraits of William III and his commanders, on the right, Faam with the portraits of admirals Tromp, De Ruyter, Banckert and Van Nes. In the center, allegorical figures symbolizing the peace between the Netherlands and England. The lower half of the print consists of a map of the seventeen provinces and the area to the east (up to Cologne) and south (up to Paris)., print, prent, prints, prenten, height 428 mm, width 562 mm, print maker, prentmaker, 1674 - 1674, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

View of Tholen, Anonymous, 1722 - 1728 print View of Tholen, seen from the water. At the top left a putto with the weapon of Zeeland, in the middle and banderol with the title and top right a putto with the weapon of Tholen. paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal) Tholen

Hedloff, Melchior.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. View of a city on a river ('rakizillov'); Three men perform measurements at the walls. Below some officers around a table on which a map and books lie. In the top right of the number 74 (= the number of the page in the book to which the illustration is placed).

Unknown (1650-1700), "SABA", (1647)

Landscape with gallows and face on camps, Wenceslaus Hollar, 1643 print London paper etching death penalty, execution. river Match

Combat à la Barrière, Entrée de son Altesse (Charles IV) representant leSoleil. Artist: Jacques Callot, French, 1592-1635

Peace at Orléans between Huguenots and Catholics, 1563, 1565 - 1573 print Peace at Orléans between Huguenoten and Catholics, March 13, 1563. The parties make peace on an island outside the city. With caption of 8 lines in German. Numbered: 20. Cologne paper etching signing of peace treaty, concluding the peace Orléans

View of Batavia, Anonymous, c. 1700 - c. 1799 drawing Face in a nutshell on Batavia, from the sea. Ships, including VOC sailing ships, in the foreground. paper. ink pen / brush island (in tropical and sub-tropical regions) Batavia

The fortress in Charleroi, conquered by the French or Munstersen, 1672; Twelve faces at fortresses and cities welcome by the French and the bishop of Munster in 1672; Image of unique cities and fortifications of the welcke different soo gewnen as surrendered to his sine majesteyt van Vranckerijk lodovicus XIV ende aen sijn spleighighijke den bishop of Munster Christophori Bernardus van Galen. Anno 1672. View of the fortress in Charleroi. In the foreground some soldiers. This print is part of a group of twelve prints, mostly elected and issued by Gaspar Bouttats, with faces on fortresses and cities conquered by the French and the bishop of Munster in 1672.

Bird's eye view of the parterre garden on the Zorgvliet estate, The Hague. On the center axis the Catshuis (24), a large fountain (28) and the Orangery, Parterret tuin op Zorgvliet Een der schoonste Gesigten van 't vermaarde perk van Sorgvliet Landgoed Zorgvliet, The Hague (series title), print maker: Johannes Jacobsz van den Aveele, (mentioned on object), Johannes Jacobsz van den Aveele, (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), print maker: Northern Netherlands, Northern Netherlands, publisher: Amsterdam, c. 1691 - in or before 1698, paper, etching, h 398 mm × w 485 mm

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