Festive Scenes in Art

Dynamic sketches reflecting social gatherings, music, and dance, characterized by lively expressions and period costumes.

The baptism of Christ, draughtsman: anonymous, Netherlands, c. 1600 - c. 1699, paper, brush, h 198 mm × w 304 mm

Drawing; Felice Giani (Italian, 1758-1823)

Design for a painting, Design for a hall piece: Dorinda gives back Silvio his dog, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, pen, h 390 mm × w 253 mm

The Duchess of Kent's State Carriage. Dimensions: overall (approximate): 24.3 x 39.3 cm (9 9/16 x 15 1/2 in.). Medium: watercolor over graphite. Museum: National Gallery of Art, Washington DC. Author: Constantin Guys.

Antonia Lavauguyon, peasant meal scene, 1794, watercolor on cardboard, museum of the real academy of fine arts of San Fernando, Madrid.

Dr. Syntax Soliloquising. Date/Period: Between 1812 and 1820. Painting. Watercolor. Height: 124 mm (4.88 in); Width: 203 mm (7.99 in). Author: Thomas Rowlandson.

Ruiter procession of the six princes of the Oranje-Nassau house. The six Princes of the Oranje-Nassau house in parrot on horseback with their consequence, from left to right: Maurits, Philip Willem, Frederik Hendrik, Willem Lodewijk, Ernst Casimir and Jan Ernst I. in Undermarge Latin names of the portrayed and cartouche with Latin fresh.

Francesco I d'Este Takes Particular Care to Ensure that Justice is Observed, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Takes Particular Care to Ensure that Justice is Observed, fro

Francesco I d'Este Takes Particular Care to Ensure that Justice is Observed, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the

Scene with conquistadors, 1860-1865, drawing, 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

The baptism of Christ. Draughtsman: Gerard ter Borch (I). Dating: 1617 - c. 1623. Place: Zwolle. Measurements: h 200 mm × w 307 mm. Museum: Rijksmuseum, Amsterdam.

Planet ballet. Image of the Saturn, dance of the beggars

Benjamin West, 1738-1820, American, active in Britain (from 1763), A Christening in Chevening Church, Kent, undated. Graphite and white chalk on medium, slightly textured, blue laid paper.

Design for a Fountain, Charles-François Hutin, French, 1715 - 1776, Pen and ink, brush and gray watercolor, black chalk, graphite on paper, Horizontal format design for a fountain. The figure of Galatea is shown sitting in a shell, leaning upon her left arm. Three mermen and a naiad support the shell. Another naiad offers pearls and other gifts to Galatea. At left is a dolphin with a child sitting on it and carrying a a lighted torch. At right, merman leaning upon a dolphin blows a horn shell he holds with his left hand, and a swimming naiad. The background is formed at right by a slightly sketched relief. Above are three sections of an iron railing., France, ca. 1776, architecture, Drawing, Drawing

Try your luck , Carnival games, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Virtue and the Temple of Wisdom, Jurriaan Andriessen, 1752 - 1819, Two allusive representations: Virtue and the Temple of Wisdom., draughtsman: Jurriaan Andriessen, 1752 - 1819, paper, pen, brush, h 167 mm × w 192 mm

Giovanni Francesco Penni's feather drawing depicts an unidentified scene from papal history, showing figures, gestures, and architectural background.

GOYA Y LUCIENTES, Francisco de (1746-1828). The Moors who had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open. 1815-1816. Preparatory drawing for plate 3 of 'The Art of Bullfighting'. Sanguine. Romanticism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Nessus and Dejanira in Four Poses, and the Dying Nessus. Dated: 1830s. Dimensions: sheet: 31.7 × 49.1 cm (12 1/2 × 19 5/16 in.). Medium: pen and brown ink with brown wash, heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: HIPPOLYTE LALAISSE.

Maarten van Heemskkk (1498-1574), Israel is shared between OMRI and Tibni, 1568

The Clemency of Augustus (Corneille, Cinna, V, 3) (recto); Knight Restraining a Female Figure (verso) ca. 1787-88 François André Vincent French. The Clemency of Augustus (Corneille, Cinna, V, 3) (recto); Knight Restraining a Female Figure (verso) 339825

Alexander the Great is embraced and kissed by his father, Leonaert Bramer, c. 1655 - c. 1665 Alexander the Great has taken off the horse Bucephalus and is embraced and kissed by his father, Philippus II. Numbered at the top right: 6. Drawing is part of an album. paper. ink pen / brush Alexander the Great has taken off the horse Bucephalus and is embraced and kissed by his father, Philippus II. Numbered at the top right: 6. Drawing is part of an album. paper. ink pen / brush

Thomas Stothard, 1755-1834, British, One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses", ca. 1784. Pen and gray ink, gray wash, and white gouache on medium, slightly textured, cream wove paper.

The Prince Regent and the Moneylenders, Henry William Bunbury, 1750-1811, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 13 1/8 inches (20.6 × 33.3 cm)

Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso) 1796-1797 France. This large, bold drawing is a preparatory study for the painting The Intervention of the Sabine Women. In the legendary origin story of ancient Rome, the cityís founder Romulus and his men sought to establish families by abducting the neighboring Sabine women and forcing them to become their wives. When the vengeful Sabines declared war on the Romans, Romulusís wife and the other Sabine women threw themselves and their infants between the two armies and successfully stopped a war.The subject allowed Jacques-Louis David, who conceived of it while in prison for his activities during the French Revolution, to deliver a powerful postrevolutionary message of political and familial reconciliation.. Black chalk and pen and black ink, with touches of white chalk (recto) and black chalk, with touches of red and white chalk (verso) on cream laid paper, pieced . Jacques L

Cartoon for cotton printing: Scenes from Moliere's 'Le Medecin Malgre Lui', Pen and ink, gray wash, and white heightening on brown paper (mounted), Four vignettes on a patterned ground for the design of a textile illustrate Moliere's comedy, 'Le Medecin Malgre Lui' (The Doctor in Spite of Himself). The scenes shown include: upper left, Sganarelle surprised in a woods by Valére and Lucas (Act I, Scene 6); upper right, Sganarelle, in physician's dress, tells Géronte of his daughter, Lucinda's illness (Act II, Scene 6); lower left: Sganarelle engages Géronte in conversation, while Lucinda escapes with her lover, Leandre (Act III, Scene 7); lower right, Sganarelle is interruped from beating his wife by Robert (Act I, Scene I). The scenes are set against a diamond-patterned ground, with shaded squares at the intersections., France, ca. 1810-1820, Drawing, Drawing

Market square with announcer on a barrel. Artist: Gerard ter Borch (II). Draughtsman: Moses ter Borch (possibly). Draughtsman: Gerard ter Borch (II). Dating: 1661. Place: Zwolle. Measurements: h 210 mm × w 292 mm. Museum: Rijksmuseum, Amsterdam.

English ordinary , Eating & drinking, Quarreling, Fighting. Thomas Rowlandson (1756-1827). Prints and Drawings

Planet ballet. Image of the Saturn, dance of the beggars

Rearing Horse, Near a Stable, plate one from Series of Horses 1651 Netherlands. Son of a glass painter, Stoop probably traveled to Italy between 1635 and 1645, and later to the courts of Spain and England. He made only nineteen prints, and was best known as a painter of horses.. Etching on ivory laid paper . Dirck Stoop

Islamic Galace slaves get food, Cornelis de Wael (workshop of), Cornelis de Wael, 1647 print A cook stirs in a kettle and hand out food to a group of Islamic Galace slaves, the cook itself also belongs to this group. A number of them are eating on the ground. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. On the right two sailors in conversation with a papero (Moellah and representative of the Islamic to slave). Knee paper etching / engraving harbour. seaman. slavery; serfs and the enslaved. kitchen-utensils: cauldron

Die Aussœhnungang der Sabiner mit den Rœmern. The rape of the Sabine.. Rubens, Peter Paul, 1577-1640. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Campaigns & battles, Kidnappings

Drawing, Juno, Mercury, and the Slain Argus; Attributed to Jan Luyken (Dutch, 1649 - 1712); Italy; red chalk, pen and ink, brush and bistre wash on paper; 17 x 11.6 cm (6 11/16 x 4 9/16 in.)

Three characters on a beach Eug�ne Boudin (1824-1898). Three characters on a beach. Pencil, watercolor and gouache on paper, around 1865-1870.

Ancient and modern Romans, on both sides; Gerson, Wojciech (1831-1901); 1860-1872 (1860-00-00-1872-00-00);

Published in le Charivari (23 June 1854) : The Cossacks for laughter (plate 61): The ogre and his little Tom Thumb, 1854. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 26.2 x 30.1 cm (10 5/16 x 11 7/8 in.); image: 20.7 x 26.5 cm (8 1/8 x 10 7/16 in.).

Karavaan in een woestijnlandschap.In the background a city, presumably biskra. Page 36 from a sketchbook with 31 sheets.

Gabriel Ferrier (1847-1914). "Equality, sketch for the ceiling of the town hall of the 6th arrondissement". Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Allegory, arrondissement of 6th 6th, decoration, drawing, equalitis, sketch, town hall, ceiling, project

Kyōjo chō ni tawamururu | Library of Congress

Murillo - Seville. Unknown maker, Spanish

Jacob and the Angel. Artist: Johann Jacob Eybelwieser (Austrian, Vienna (), ca. 1667-1744 Breslau). Dimensions: 8-1/8 x 11-5/8 in. (20.5 x 29.5 cm). Date: late 17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by Carl Müller depicting a guardian angel interacting with a figure on a scooter, showing human and supernatural figures and posture.

Moses and Tobias and the angel. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1655. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Personification of December; verso: study of a naked pilgrim in a hat and with a stick. Thoma, Hans (1839-1924), draughtsman, cartoonist

Saint Eustace. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, circa 1501. Prints; engravings. Engraving

Polish clothing from the 11th, 12th and 13th centuries: the times of Boles and the Brave, Kazimierz and the renovation, Konrad Mazowiecki, and Henry the Bearded; Gerson, Wojciech (1831-1901); 1860-1872 (1860-00-00-1872-00-00);

Apollo and King Midas with donkey ears (in box with 43 drawings), Louis Fabritius Dubourg, 1703 - 1775 drawing paper. ink. pencil pen / brush contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears

William Blake, Group of Men Seated in a Circle (recto), c 1780 1785 Group of Men Seated in a Circle recto

Fragment, Jacques Bellange, (French, 1575-1616), Medium: cotton Technique: printed by engraved plate or roller on plain weave, A fragment shows two musicians, a man and a boy, on the left. The man plays a hurdy-gurdy. Two dancing figures, a man and woman, are on the right. Lower part of the fragment is pieced with a scrap of toile showing dogs and human feet., France, 18th century, printed, dyed & painted textiles, Fragment

Bauer, Marius, La multitude emplissait d'une allégresse grave les rues, verso - stamped, A woman is carried through the street in a sedan chair by four men. Around the chair is a crowd of people, including two horsemen, figures riding an elephant, a veiled woman and a beggar. In the background a temple., print, prints, height 281 mm, width 222 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1894 - 1894, paper, papier, etching, etchings, plaattoon

Group of Figures, with Owl on a Pole. Attributed to Guercino; Italian 1591-1666. Date: 1611-1666. Dimensions: 184 x 269 mm. Pen and brown ink on ivory laid paper, laid down on tan wove card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Last Supper. Dated: probably 19th century. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: After Leonardo da Vinci.

A Dutch Academy. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 18.7 x 28.6cm.

Guido Reni, l'Aurore (palais Rospigliosi) d'après la gravure. James Anderson (British, 1813 - 1877)

Design for a painting, The Return of the Lost Son, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 330 mm × w 210 mm

Sarcophagus and allegorical figures. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Johann Wilhelm Baur, Silvio and Dorinda, 1640 Silvio and Dorinda

Copy of La Roue (The Wheel), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 14 19th century Anonymous. Copy of La Roue (The Wheel), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 14. Les Misères et les Mal-Heures de la Guerre. Anonymous. 19th century. Wood engraving. Prints

Thomas Rowlandson, 1756-1827, British, The Waggoner's Rest, between 1800 and 1805. Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper.

Figure studies by Thomas Ender depicting farmers near the Felbertauern at the Ammerthal hut, created in pencil and watercolor between 1830 and 1850.

Artist: François André Vincent, French, 1746-1816, An ArtistSketching, Red chalk, Sheet: 27.94 × 29.21 cm (11 × 11 1/2 in.); Framed: 52.07 × 52.07 × 3.493 cm (20 1/2 × 20 1/2 × 1 3/8in.), Made in France, French, 18thcentury, Works on Paper - Drawings andWatercolors

Engraving titled 'Manière de battre le ris, et de quelle façon les femmes portent l'eau en Égypte,' created by Frederik Ludvig Norden in 1780. The artwork showcases scenes from Egypt including depictions of rice cultivation, women carrying water, and various agricultural activities involving cattle and bulls. The dimensions of the engraving are 27 x 45 cm. This piece is published in London by Lockyer Davis and is part of the description and travel literature on Egypt

Campania Caserta Caserta Palazzo Reale40. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Beheading of St Maurilius, by Karcher Giovanni, 1553, 16th Century, arazzo tessuto a Ferrara. Italy, Emilia Romagna, Ferrara, Cathedral Museum. Detail. Foreshortened view colonnade buildings tower streamlined roofs soldiers figure shield lance: spear mantle: cloak helmets drapery: draping white creamy dark: brown shades red yellow green light blue: azure.

Claude Joseph Vernet, Quayside Figures and a Length of Rope Attached to a Bollard Quayside Figures and a Length of Rope Attached to a Bollard

'Theatrical Improvisations on Various Subjects'. Series of drawings "ourt life in Gatchina in 1859". Hungary-Russia, 1859. Dimensions: 51,5x35 cm. Museum: State Hermitage, St. Petersburg. Author: MIHALY VON ZICHY.

Thomas Rowlandson, 1756-1827, British, Comforts of Bath: The Bath, 1798. Watercolor, with pen, in gray ink, black ink, and graphite on moderately thick, slightly textured, blued white, wove paper.

Young, John, Paye, Richard Morton, The distressed Girl, print, prent, prints, prenten, height mm, width mm, Engels, 1755 - 1825-03-07, print maker, prentmaker, 1765 - 1825, paper, papier, mezzotint, Engels - 1821-12, after, naar schildervan, Publicatie (Event), Publiek, publisher

Joshua Cristall, 1768-1847, British, Country Folk Gathered Around a Cooking Pot, undated. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Seven Sketches of Pairs of Boxers 1818-1819 France. Graphite with pen and brown ink, on cream laid paper, perimeter mounted on cream wove paper . Jean Louis André Théodore Géricault

Sketch on Indian Reservation, Montana, 19th century, Walter Shirlaw, American, 1838 - 1909, 4 x 7 1/2 in. (10.16 x 19.05 cm), Graphite, United States, 19th century

Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion, Sir James Thornhill, 1675-1734, British, undated, Pen and brown ink with brown wash over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 6 3/4 x 14 3/8 inches (17.1 x 36.5 cm), allegory, architectural subject, armor, arts, bird, books, breastplate (body armor), cornucopias (motifs), crowns (costume components), grain (seed), grapes, harps (chordophones), helmet, music, palette, pencils, religion, scepters, shield (armor), spears (weapons), temples, Weapons and Ammunition

Allegory of Painting and Drawing. Gerard van Nijmegen (Dutch, 1735 - 1808)

Tea party. Boucher, François (French, 1703-1770) (designed after) painter Dumons, Jean-Joseph (French, 1687-1779) (author of design, after Boucher) painter c. 1755-1780 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. In landscape, chinese man seated at table leans towards lady & converses with her; the couple seated & attended by servant holding parasol above them as child stands ready to serve tea (L); bird on percher hung from pagoda-like wooden shack (R), above 2 children, one drinking from bowl near basket of flowers in foreground Borders missing. This scene is the central part of the complete composition, & is based on a sketch by François Boucher, but not one of those used for the rest of the Beauvais tapestry series. The complete composition also includes, to the left, an attendant pouring tea near a kiln & a child laying on ground, & to the far right, a shopper with a shepherd. Jean-Joseph Dumons had painted in 174

The shepherdess, by Francesco Paolo Michetti (1851-1929), drawing.

Rag Fair, Petticoat Lane , Fairs, Markets, Street vendors, Clothing & dress. Thomas Rowlandson (1756-1827). Prints and Drawings

Winter Scenes. Snow Storm - A Contrast.. New York Stereoscopic Company

Trompe-l'Oeil Exercise: Prints on a Table Top. Artist: Pietro Jacopo Palmieri (Italian, Bologna 1737-1804 Turin). Dimensions: 16 1/4 x 22 1/16 in. (41.3 x 56 cm). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA.

The Prodigal Son Returned to his Father Amos Doolittle (American, 1754-1832). The Prodigal Son Returned to his Father, December 1, 1814. Etching, hand colored on wove paper, Sheet: 14 1/2 x 10 15/16 in. (36.8 x 27.8 cm). American Art December 1, 1814

Netherlands, Daiwaille and Veldhuijzen, Craeyvanger, Reinier, Veldhuijzen, Pieter, Men with hat, verso - stamped, Study sheet with two men with hat., print, prints, height 245 mm, width 340 mm, Dutch, 1806-04-01 - 1841-05-25, print maker, printmaker, 1831 - 1832, paper, papier, lithografie (techniek), Work conception, 1812-02-29 - 1880-01-10, after a design by, printer, drukker

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