Figural Etchings and Portraits

Engravings and etchings presenting detailed portraits and scenes of figures in historical contexts, reflecting societal roles and artistic techniques of the time.

Antwerp, Seghers, Gerard, Diogenes with the lantern, verso lower left - stamped, The philosopher Diogenes of Sinope with the burning lantern., print, prints, height 241 mm, width 170 mm, South Netherlands, 1591 - 1651-03-18, print maker, printmaker, 1591 - 1651, paper, papier, etching, etchings

Leyden, Lucas van.

Smoking Boerin, Matthijs Pool, After Cornelis Dusart, 1696 - 1727 print A farmer's wife lights her pipe with a pair of tongs with a glowing coal. A spot poem in the context under the performance. Amsterdam paper etching / engraving farmers. pipe ~ tobacco. burning as process: coal

Lawyer with a document, Caspar Merian, after Hans Holbein (II), After Ambrosius Holbein, 1676 print paper etching / letterpress printing lawyer, attorney at law

Antwerp, Seghers, Gerard, Diogenes with the lantern, verso lower left - stamped, The philosopher Diogenes of Sinope with the burning lantern., print, prints, height 241 mm, width 170 mm, South Netherlands, 1591 - 1651-03-18, print maker, printmaker, 1591 - 1651, paper, papier, etching, etchings

Mazarin, Jules.

Johann Kasimir, Pfalzgraf von Simmern.

The Consequences of Alcoholism, anonymous, after Hendrick Goltzius, 1590 - 1610 print An old man sits with a poor house, a broken jug on a string around his neck, a walking stick in his hand, his arm resting on a basket, a simple meal on the floor by his feet. Under the show four lines of Dutch text, which warns of the consequences of 'Gulsicheyt and Abundantich Drincken', including 'Druypende Ooghen, Quade Maech, Unaware End of members'. Pendant of a print of a young drinker. Netherlands (possibly) paper engraving drunkard

Komensky, Jan Amos unknown artist dating: 1671/1733

. The Jewish hero king Judas de Makkabeër. Bust caught in a medallion with a cartouche with his name underneath. In the blades two lions and in the upper corners a rooster and a turkey. Print from a series of nine with heroes.

Portrait of Philipp Melanchton; Philippus Melanchton Natus Brittae in Palatinatu; Portraits of reformers. Full portrait of Philipp Melanchton, in the interior of a study room. Under the portrait His name and data in two lines in Latin. Below two columns with four rules each; Links in Latin and right in Dutch. Below the name and data of the person portrayed in two rules in Dutch.

In a room, the painter Gabriel Metsu is showing a painting to the viewer. He leans with his right arm on a stack of books and prints., Portrait of Gabriel Metsu, print maker: Elisabeth Barbara Schmetterling, (mentioned on object), Gabriël Metsu, Netherlands, 1814 - 1882, paper, etching, engraving, h 143 mm × w 102 mm

Portrait of Willem I, Prince of Orange. Portrait of Willem I. He stands behind a table with a dress and holds a command stove. There are helmet and the gloves of his armor on the table. His coat of arms lies on the ground. A battle in the background. In the undermaster his name.

Bol, Ferdinand.

Trompe l'oeil. Malarz francuski XVII/XVIII w., painter

Schmid-Schwarzenhorn, Johann Rudolf Freiherr Publisher: Aubry, Peter (2) Dating: 1651/166

Old woman sings, Cornelis van Dalen (I), Gerard van Honthorst, I. Houwens, 1612 - 1715

Portrait van Paus Eugenius IV, Anonymous, After Tobias Stimmer, 1549 - 1573 print Print is part of an album. paper historical persons. pope

States-General of the Republic of the Seven United Netherlands, Middelburg, Venne, Jan Pietersz. van de, Adriaen Pietersz. van de, Delft, Delff, Willem Jacobsz., Portrait of Maurits, Prince of Orange, standing in an interior with a commander's baton in his right hand. On the right a view, possibly the interior of the Knight's Hall. Below the portrait name and titles in Latin. Attached to the print is a document dated 8 April 1625, in which Jacob Goossens Sondergelt is ordered to proceed with his garrison from Heusden to the Crèvecoeur fort. The letter bears the signature and seal of the Prince of Orange., print, prent, prints, height 415 mm, width 306 mm, 1580-09-15 - 1638-04-11, print maker, printmaker, 1618 - 1618, first quarter 17th century, paper, engraving, engraving (printing process), Northern Netherlands, 1589 - 1662-11-12, after, after painting by, Publication (Event), Publication, Northern Netherlands - 1625, publisher, granter of privilege

Portrait of Ulrich Varnbuler n.d. Albrecht Dürer German. Portrait of Ulrich Varnbuler 387577

Portrait of Nicolaas Hoefnagel, Anonymous, 1770 - 1771 print Portrait of the writer Nicolaas François Hoefnagel, author of Neerlandsch Echo (1770) and De Nederlandsche Behener (1771). The writer sitting behind a writing table. In the caption a verse of eight lines. Northern Netherlands paper etching / engraving writer, poet, author

Smoking farmer with pipe, Matthijs Pool, Willem de Broen, 1696 - 1727

Portrait of Frére Jaques the Beaulieu as HEREMIET. Portrait of Frére Jaques de Beaulieu performing a number of bladder stone surgery during two visits to Amsterdam. He is shown in a cave, his nickname was the HEREMIET. In his hand he holds an instrument that he used for his operations. His name and appeal in Dutch and French under the portrait.

Lucas the evangelist, seated, holding a book. An ox stands at his right side. Under the representation the text 'S. Lvcas. evan,'. This print is part of a series of four representations of the evangelists, each with the name of the evangelist concerned as a caption., Evangelist Luke The four evangelists (title series), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Amsterdam, 1593 - 1597 and/or 1596 - 1652, paper, engraving, h 196 mm × w 146 mm

Copper engraving by Egbert van Panderen depicting Saint Philip, produced between 1595 and 1637, illustrating Flemish religious iconography and detailed figure representation.

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Theoderich I., King of the Westgoten.

Taste, Caspar Luyken, Anonymous, Christoph Weigel, 1698 - 1702

Erasmus of Rotterdam Stecher: Dürer, Albrecht

Joachim von Siena.

Glootsch, johish Friedrich.

Untitled

Meginhard von Hersfeld.

October, Caspar Luyken, 1698 - 1702 print The month of October. In the foreground, a worthy looks at a glass cup in his hand. Beside him, barrels are being kissed. Grapes are picked in the background and wine is made. The print has a German caption of four lines for the month of October. Nuremberg paper etching / engraving Scorpio (zodiacal sign of October). October; 'Ottobre' (Ripa). landscape symbolizing October. October and its 'labours'. wooden container: barrel, cask, bucket. hotel, hostelry, inn. vintage, grape harvest. wine-vault, 'cave'

Portrait of Duke Pepijn van Brabant, Lucas van Leyden (attributed to), 1513 - 1517 print Leaf from book. Duke Pepijn van Brabant with banderol without text. Leiden paper historical persons

Findan, Heiliger.

Hans Sebald Beham (1500-1550). "The seven liberal arts: Astrology, n ° 7. (Hollstein (Volume 3, page 76); Bartsch 127)". Chisel. 1550. Museum of Fine Arts of the City of Paris, Petit Palais. 123049-30 Chisel, 16th 16th XVI 16th 16th 16 Center

Young man with a skull, Lucas van Leyden, 1517 - 1521 print The young man wears a hat with ostriches and holds a skull, half hidden in his cloak. Low Countries paper engraving Head-Gear: Hat (+ Men's Clothes). Head-Gear: Hat (+ feathers used for clothes). Coat (+ Men's Clothes). (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa)

Portraits of Hugo Jacobsz., Jan Massijs and Lucas Cornelisz. Kunst, Jan L'Admiral, 1764 print Three numbered artist portraits. Portrait of Hugo Jacobsz. (No. 1), Jan Massijs (no. 2) and Lucas Cornelisz. Art (no. 3). Print at the bottom right marked: I. paper etching

Wijngaerde, Frans van den, Schut, Cornelis (I), Varie capricci, Title page for a series of children's games, verso lower left - stamped, A putto sits on a painter's stool and works on a painting on an easel. The painting shows the title of the series plus a putto's head., print, engraving, title print, prints, height 93 mm, width 69 mm, Zuid-Nederlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1636 - 1679, paper, papier, etching, engraving (printing process), Publication (Event), Publicatie, 1614-07-08 - 1679-03-17, publisher

Paracoussi, King of the Platta Indians.

A Connoisseur Admiring a Dark Night Piece November 12, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types.This etching satirizes Francis Grose, the antiquarian, and amateur draftsman and

St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596

Sixtus V Pont Max min con creatus ano Dni 1585 die 24 aprilis aetatis sue anni LXVI, 1589. Pensieri, Battista. 1589 A seated portrait of Pope Sixtus V is surrounded by 16 images of his public works and two representations of his familial coat of arms. The year and the date in April of the Pope's consecration, as well as the year of production appear to have been added to the print after the plate was initially executed. With Pecci-Blunt's collector's marks, in black ink, on the verso. Imprint: Rome. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a b

Scholasticus is considering a reasoning, Caspar Merian, After Hans Holbein (II), After Ambrosius Holbein, 1676 print paper etching / letterpress printing scholar in his study

Portrayed van Hans Worrenbergh, Anonymous, 1683 - 1684 print The Swiss dwarf Hans Worrenbergh at the age of 36. He leans on his stick. In the margin his name, titles, age and his length. Amsterdam paper little people

Eyck, Jan van.

A 16th-century copper engraving by Sebald Beham showing Sol, the Sun, with detailed figure work, symbolic elements, and fine line engraving.

Scholar in his study, Jacob van Meurs, 1630 - 1659 print A scholar surrounded by opened books in his study. A globe on the table. At the bottom of the margin five four -line verses in Dutch. Hoorn (North Holland) paper engraving / letterpress printing scholar in his study. book - MM - book open. globe

H. Paulus reading in a book, Zacharias Dolendo, After Jacques de Gheyn (II), c. 1596 print Leiden paper engraving St. Paul writing his epistles

Sitting old man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 41.

Erasmus of Rotterdam, 1526, Albrecht Dürer, German, 1471-1528, 9 11/16 x 7 1/2 in. (24.61 x 19.05 cm) (sheet)19 3/4 × 15 3/4 × 1 1/8 in. (50.17 × 40.01 × 2.86 cm) (outer frame), Engraving, Germany, 16th century

Portrait van Ulrich Varnbüler, Albrecht Dürer, 1615 - 1625 print Portrait of Ulrich Varnbüler (1471-CA. 1544), used to the right, with a large hat on. At the top a inscription with the name of the portrayed person. To the right next to Varnbüler's face a cartouche with the announcement that Albrecht Dürer made this portrait to honor Varnbüler. Print Maker: Nuremberg Printer: Amsterdam paper historical persons. head-gear: hat (+ men's clothes)

The consequences of drinkingism. An old man is sitting at a shabby cottage, a broken jug to a string around his neck, a walking stick in hand, his arm resting on a basket, a simple meal on the ground at his feet. Under the show four lines of Dutch text, in which the consequences of 'Gulsichyt and Plentyich Drivken' are warned, including 'drunken stirring, quade maech, after-round members'. Pendant of a print of a young drinker.

Hirschvogel, Augustin .

Luitspeler, Ludwig Büsinck, 1630 print paper lute, and special forms of lute, e.g.: theorbo

Portrait van Jacob Dornkrell from Eberhertz, Johann Friedlein, 1687 print Lüneburg paper engraving historical persons. study; 'studiolo'; library. bookshelves. armorial bearing, heraldry. (feigned) picture curtain. writer, poet, author

Portrait of August Herzog zu Braunschweig-Lüneburg

Alan of Lille.

Portraits of Joachim Wtewael, Zacharias Dolendo and Hendrik de Keyser I, Three numbered artist's portraits. Portrait of Joachim Wtewael (no. 1), Zacharias Dolendo (no. 2) and Hendrik de Keyser I (no. 3). Print marked lower center: UU, Joachim Wtewael, Zacharias Dolendo, Hendrik de Keyser (I), Jan l'Admiral (mentioned on object), 1764, paper, etching, h 154 mm × w 104 mm

Violin player, Jean Baptiste Fosseyeux, After Christian Wilhelm Ernst Dietrich, 1777 - 1778 print paper etching violin, fiddle. armorial bearing, heraldry

Portrait of Nicolaas Grevinkhoven or Vincent Anthonissoon van Drielenburgh, Pieter Serwouters, 1618 print Portrait of the Remonstrant pastor Nicolaas Grevinkhoven or of the lawyer and counter-remonstrant spirit driver Vincent Anthonissoon van Drielenburgh at the age of 33. He sits at a table with his hand on a sheet of paper described with a reference to a Bible. On the table an open book, with a reference to different Bible texts, a clock on the wall, also with Bible references. A Bible text in the round random frame. Other portrait than that on the first is. Amsterdam paper engraving clock. book - MM - book open

Lommessem, Hubert.

Floram Marchand, a man who regurgitated water transformed into several colours and into separate vessels. Line engraving.

Karl X. Gustav, King of Sweden Publisher: Riegel, Christophmal: Klöcker, Davidstecher: Dandruff, Peter Ludwig Vanverlaysort: Nuremberg

Carpaccio, Vittore.

Ramon Llull (ca. 1232-1316). Religious, philosopher, poet, mystic, theologian and missionary from Majorca. The alchemist Raymond Lulle. Portrait after an engraving by Jean de Vries in the 16th century. Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.

Sebald Beham, Peasant at Market (left) Peasant at Market left

Portrait of Filippo Buonaccorsi, sitting in his study On his desk are scissors, envelopes and a knife, among other things In the center above a coat of arms In the corners above two geese, Portrait of Filippo Buonaccorsi Portraits of famous Italians with coat of arms in lower margin , print maker: Francesco Allegrini, (mentioned on object), Nunziato Baldocci, (mentioned on object), Italy, 1765, paper, engraving, h 310 mm × w 200 mm

Clue, Philipp.

Bocciardo, Clement.

Zieger, Johann Stecher: Fleischmann, August Christian

Vegetable women, Jan Stolker, After Quiringh Gerritsz. Van Brekelenkam, 1734 - 1785 print An old woman is sitting by her vegetable window. There are carrots, a cabbage, onions and garlic. Northern Netherlands paper (non-fruit) products of plants or trees: onion. vegetables (with NAME). old woman

Lifted, Ludovico.

Portret van Pierre de Renol de Vertelame, Jean Picquet, After Daniel Dumonstier, 1625 - 1655 print paper engraving / etching historical persons

Interior with a young woman playing a virginal. The lid of the instrument is painted with a depiction of a couple in a landscape, on the lid is a monkey. Behind the virginal are a boy and a girl. On the right, a view through to a man standing in the doorway. From the ceiling hangs a birdcage. In the lower left margin, a coat of arms on a branch with leaves., The virginal player, print maker: Willem Steelink (II), after: Jan Miense Molenaer, 1866 - 1928, paper, etching, engraving, h 198 mm × w 164 mm

Diederik van Sonoy, Governor of Noord-Holland; Dirk by Sonoy Governor of Noord Holland.Diederik by Sonoy, Governor of Noord-Holland. Standing in the Foreground for a Curtain, Battles in the background.

. Three numbered artists' portraits. Portrait of Joachim WTewael (No. 1), Zacharias Dolendo (No. 2) and Hendrik de Keyser I (no. 3). In the middle of the center labeled: UU.

Portret van Jacopo Strada, 1660 print He wears a cape of fur and has a picture. It is at a table in an interior. There are tokens and images on the table. Above a cartouche. This print is part of an album. paper etching / engraving historical persons

Bildnis des Petrvs Lvdovicvs MoreAv de Mavpertvis

Voet, Alexander (II), Jordaens, Jacob (I), Southern Netherlands, Fatvo Ridemvr In Vno, Old jester with cat, verso lower left - stamped, An old jester with his cat in an open window., print, prints, height 436 mm, width 330 mm, 1635 - 1695, print maker, printmaker, 1662 - 1693, paper, engraving, engraving (printing process), 1593-05-19 - 1678-10-18, after, after painting by, Publication (Event), Publication, publisher

Greek hero Diomedes with the Palladium statue of Athena stolen from Troy. From an engraved cornelian gem in the collection of Marcello Venuti. Diomedes in Corneola apud March Marcellum de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Copper engraving by Sebald Beham depicting a market builder, showing a figure, tools, market structures, and attire.

Buste van A Man, Anonymous, After Jan Lievens, 1625 - 1674 print paper adult man

Portrait of Poet Giovanni Battista Marino. .

Diogenes at a portrait of André-Hercule de Fleury. A kneeling Diogenes, with a lantern in his hand and in the background, tons are, at a portrait of André-Hercule de Fleury in an oval ornamental medallion. Left in the foreground vegetables and a tree in the background.

Democritus laughs. The Greek philosopher Democritus is in his office with a globe and laughs.

A man with a book in his hands sits in a chair with a high back. Around him are curiosities including a suit of armor, shield and globe. The print was made for the Dutch-language Almanac Voor het Schoone en goede, Antiquair Het antiquaar. , print maker: Jan Baptist Tetar van Elven, (mentioned on object), after: Nicaise De Keyser, (mentioned on object), print maker: Netherlands, after: Antwerp, 1849, paper, steel engraving, h 126 mm × w 82 mm

Smoker for an open window, Jacob Hoolaart, after Adriaen van Ostade, 1723 - 1789 print A man with a pipe and a pulse in an open window. Dordrecht paper pipe ~ tobacco

A woman playing the barrel-organ; representing the sense of hearing. Mezzotint by A.H.J. Degmair after P.A. Wille.

Gobat, Georg.

Paracelsus publisher: Waldkirch, Konrad of

Democrite 1692 Antoine Coypel French. Democrite 385402

Print, Portrait of Johann A. Lisman; Italy; engraving on paper; 27.5 × 17.8 cm (10 13/16 in. × 7 in.); 1896-31-72

Smoker for an open window. A man with a pipe and a pulp in an open window.

Virgil, Heilig.

The cook. Facsimile after a drawing and engraving by Jost Amman in the 16th century. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Le Sultan ca. 1760-90 Louis Michel Halbou. Le Sultan. Louis Michel Halbou (French, 1730-1809 Paris). ca. 1760-90. Etching and engraving. François II Chéreau (French, Paris 1717-1755 Paris). Prints

Man for the Bastille in Paris; Histoire of the Bastilje or Inquisition of State in Vrankryk; Title page for: René Auguste Constantin de Renneville, History of the Bastilje or Inquisition of State in Vrankryk, 1717.A Man with Hat Plaque with Text Arret de Mort Stands for the Bastille Saint-Antoine in Paris. To The Left of Him is a Stone with the Book Title. When His Feet Are Buoys and a Roe. On the right is a standing man with a sitting man in conversation.

Portrait of unknown painter to his donkey. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 168 mm × w 109 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Ulrich Varnbüler. Portrait of Ulrich Varnbüler (1471-approx. 1544), turned to the right, with a big hat. At the top of a caption with the name of the portrayed. To the right next to Varnbülers face a cartouche with the announcement that Albrecht Dürer made this portrait to honor Varnbüler.

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