Figural Sketch Studies

Sketches depicting various figures in conversation or action, highlighting the study of human anatomy and movement in art across different eras.

Death Giving Audience, 18th century, Giambattista Tiepolo (Giovanni Battista Tiepolo), Italian, (Venice), 1696-1770, 5 9/16 x 7 in. (14.13 x 17.78 cm) (plate), Etching, Italy, 18th century

Etching and aquatint by Francisco Goya from 'The Disasters of War', titled 'What Value', created 1810-1815 and first published in 1863, illustrating wartime struggles.

Jacques Callot (1592-1635). "The whims, the shepherd playing the flute. Thirty-seven number of the suite of 50 pieces engraved in Florence" (Lieure 250, Meaume 832). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-6 Etching, engraving

A Peasant Family Going to Market. Thomas Gainsborough (1727-1788). Black and white chalk, stump, grey and brown wash extensively heightened with white on brown paper. 41 x 53.3cm.

Paris, Cadart, Alfred, Delâtre, Auguste, France, Daubigny, Charles-François, Voyage en bateau, Series of landscapes and events around water, Avallant, Meal on a sloop, verso - stamped, print, prints, height 129 mm, width 180 mm, 1817 - 1878-02-19, print maker, printmaker, 1867 - 1867, paper, papier, chine collé, etching, etchings, drypoint, dry needle, engraving, engraving (printing process), French, 1822 - 1907-07-26, printer, Publication (Event), Publication, 1828 - 1875, publisher

Rijn, Rembrandt van, The Good Samaritan, verso center bottom, print, prints, Rembrandt.inventor et. Feecit. 1633, bottom center, verso bottom left, P. Mariette 1681, height 256 mm, width 203 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Winslow Homer, Fisher Girl with Net, 1882, graphite, gouache, and gray wash on gray laid paper.

The Flight Into Egypt Crossing A Brook, Rembrandt van Rijn, 1654 print Japanese paper (handmade paper) etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Drawing by Vincenz Georg Kininger depicting four Styrian forest workers, executed with feather, dated around 1820.

The Good Samaritan prints, drypoints, works on paper

Noli Me Tangere, 1600s. Anonymous. Red chalk, brush and brown chalk wash, brush and brown ink, with brush and red chalk wash and red paint, heightened with white gouache; sheet: 25.4 x 33.2 cm (10 x 13 1/16 in.).

Harvey, George (Sir), Miller, William, Annan, Thomas, Photographic reproduction of an engraving of Incident in the Life of Napoleon, after the painting by Sir George Harvey, photograph, photo, reproduction, page, photographs, photographically illustrated books, height 173 mm, width 248 mm, Scottish, 1829 - 1887-12-11, photographer, 1865 - 1870, photographic paper, albumen print, albumine print, Work conception, 1796-05-28 - 1882-01-20, after a print by, 1806-02 - 1876-01-22

Edwin Gill, active 1810, died 1868, Setters and Pheasant, undated. Graphite and watercolor on medium, smooth, cream, wove paper.

The death of unfortunate Pepe Iillo in the Plaza de Madrid /The Unfortunate Death of Pepe Iillo in the Madrid Arena; Board No. 33 from: Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

Seated Bedouin, Frederic Edwin Church, American, 1826-1900, Brush and oil on brown paper, Vertical drawing of a Bedouin figure seated upon a rug on the ground. His gun leans against his right shoulder., USA, probably February 1868, figures, Drawing, Drawing

Un Déjeuner Dans La Clairière. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Moses and the burning bush ca. 1544-47 Andrea Schiavone (Andrea Meldola) Italian. Moses and the burning bush 368133

Manet, Edouard, work, Les Petit cavaliers, after Velasguez, etching, graphic, 25 cm x 39 cm

Classic landscape with lying, standing and sitting nude figures and a temple ruins, Adolphe René Lefèvre, 1844 - 1868 drawing paper. pencil brush landscape with ruins. public baths - AA - in the open air

The Rising Moon. Samuel Palmer (British, 1805-1881). Etching;

Plate 11: a young horseman, seen from the front, leading another horse, from 'Diversi capricci'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/4 x 4 in. (8.3 x 10.1 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Diversi capricci'. Date: ca. 1644-47. Museum: Metropolitan Museum of Art, New York, USA.

'Two Hunters'. Italy, First half of the 18th century. Dimensions: 32x24 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI BATTISTA PIAZZETTA.

La Musique amoureuse. Louis-Émile Durandelle (French, 1839 - 1917)

Jean Louis Forain, Bolo pacha, c 1914 1919 Bolo pacha

Children with a Poes, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint child. cat

Ferdinand Bol depicts the biblical figures Jacob and Rachel, drawn in brown ink with brown lavation, showing minor damage in the lower area, mid-1640s.

Grabado de "Máscara Real" ejecutada por los Gremios de la Ciudad de Barcelona a la llegada de Carlos III con la Reina y la Familia Real., Grabado calcográfico. Letra capital A.Año 1764. Author: FRANCESC TRAMULLES. PASQUAL PERE MOLES.

Study magazine with Houthakkers and Spellers, Jacob Ernst Marcus, 1810 print Study magazine with a lumberjack that binds branches together, a man with a spade over the shoulder, a kneeling timber cracker with two more figures behind him. Amsterdam paper etching woodcutting, woodcutter ~ forestry. forest worker. woodgathering, woodgatherer. agricultural implements: spade

Max Klinger, Intermezzi, Opus IV, Bl. 8: Simplicius am Grab des Einsiedlers (Simplicius at the Hermit's Grave), 1881, etching and aquatint on paper.

Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 3/8 in. × 4 in. (8.5 × 10.1 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Diversi capricci'. Date: ca. 1644-47. Museum: Metropolitan Museum of Art, New York, USA.

Jean Louis Forain, En esclavage dans le Nord, c 1914 1919 En esclavage dans le Nord

Joseph Stannard, 1797-1830, British, The Footbridge, c. 1824-1827. Etching, engraver's proof.

In the Rain: Mother and Children (Sous la pluie: La mere et les enfants). Dated: 1915. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

De stuff.

Etching by Francisco José de Goya y Lucientes from 1810 titled 'So Much and More', depicting figures and war-related activity.

There is corn in the sea!, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Brush and black ink and watercolor over black crayon; sheet: 37 x 53.1 cm (14 9/16 x 20 7/8 in.).

Ariadne, unknown artist, Copy after Alexander Runciman, 1736-1785, British, undated, Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm), cliff, religious and mythological subject, rocks (landforms), sea, woman

Etching by the French artist Jean-Francois Millet (4th October 1814 - 20th January 1875), work titled The diggers. Completed c1886

Centaur Holding Up a Youthful Satyr 1727-1804 Giovanni Domenico Tiepolo Italian. Centaur Holding Up a Youthful Satyr 339416

Jean-Louis Forain, En esclavage dans le Nord, French, 1852 - 1931, c. 1914-1919, black crayon and watercolor on wove paper

Four Musicians with Wind Instruments. Date/Period: 1638. Pen and brown ink, brown wash, some red and yellow-ochre chalk. Width: 135 mm. Height: 179 mm. Author: REMBRANDT HARMENSZOON VAN RIJN.

Troupeau desPorcs. Artist: Charles-Émile Jacque, French, 1813-1894

GOYA Y LUCIENTES, Francisco de (1746-1828). The Moors make a different play in the ring with their burnous. 1816. Plate 6 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Three figures at the table, Christian Wilhelm Ernst Dietrich, 1722 - 1774 print paper etching / drypoint city-view, and landscape with man-made constructions. family life. pump

Man Attending a Fire. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Flight Into Egypt 1859-1869 France. Black and brown ContÈ crayon, with pen and black ink and traces of black pastel, over gray washes, on cream wove paper, edge-mounted on laminated woodpulp board . Jean François Millet

James McNeill Whistler, Lobster Pots, c 1880 1881 Lobster-Pots

A Monday, Entry into Prés-Saint-Gervais Made 1893 France. Etching on cream laid paper . Louis Auguste Lepère

THE GREAT EARTHQUAKE IN JAPAN, VIEWS AT THE SCENES OF THE DISASTER

Au front de Vincennes. Bolo pacha. Dated: c. 1914/1919. Dimensions: overall: 37.3 x 53 cm (14 11/16 x 20 7/8 in.). Medium: brush and black ink and black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Along the Marne. Dated: probably 1918. Dimensions: overall: 36.8 x 52.2 cm (14 1/2 x 20 9/16 in.). Medium: black crayon and graphite touched with red and yellow crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Coast Scene, 19th century, (1924). Artist: Clarkson Stanfield

Drawing, Seated Shepherd; After François Boucher (French, 1703-1770); Made by Jean-Baptiste Marie Huet (French, 1745 - 1811); France; brush and water colors, pen and black ink on paper; 17 x 22 cm (6 11/16 x 8 11/16 in.)

Horseman Waiting. Odilon Redon; French, 1840-1916. Date: 1866. Dimensions: 101 × 70 mm (image/sheet); 361 × 276 mm (sheet, mount). Etching on ivory wove paper, cut down within plate mark and mounted on ivory wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A copper engraving by an anonymous artist from the late 15th to first half of the 16th century depicting an astrologer, showing figure, desk, and celestial instruments.

'Flight into Egypt', before 1752, (1928). Artist: Giovanni Battista Tiepolo.

paisaje, Narcís Puget Viñas, dibujo al carboncillo,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, islas Baleares, España.

A MORNING CALL

Coal sketch by Franz von Pausinger from 1881 depicting Crown Prince Rudolf during an orientation trip, showing figures, landscape, and compositional details on paper.

Origen de los arpones ó banderillas' by Francisco Goya (1746-1828), created between 1815 and 1816 and issued in 1816. The artwork features themes related to bulls, bullfighters, and bullfighting in Spain. It is a first edition etching, aquatint, and engraving, noted with a standard reference number

Young Navigators, Jozef Israels (Groningen, Netherlands, 1824 - 1911)

Study sheet with sketches of three lying men.

Skaters on the ice, Anonymous, 1600 - 1650 print A group of two women and two men in the foreground on the ice. One of the women binds her skate, seen from behind. A third pair skates away. print maker: Netherlandspublisher: Leiden paper etching clothes covering the entire body. skates (winter sports)

Grot, c. 1841 - c. 1865 Page 5 from a sketchbook with 80 pages. paper. pencil. watercolor (paint) brush cave, grotto

Possible design for a print, Oval portrait of a queen, draughtsman: Jacques Kuyper, 1771 - 1808, paper, pen, brush, h 39 mm × w 32 mm

Lovis Corinth, The Banquet of Trimalchio plVII, 1919 The Banquet of Trimalchio: pl.VII

Dug wells, Paintings, 1904 postcards, 1904, Enyelges a kutnal, Am Brunnen

An 1877 etching and aquatint on Japan paper by Francisco Goya from The Proverbs series depicting local laws and town life, with detailed human figures and expressive composition.

Albert Besnard (Paul Albert Besnard, dit, 1849-1934). "Abundance encouraging work. Sketch for the town hall of the 19th arrondissement". Oil on canvas, 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 71434-26 Abundance, beef, encourage, child, sketch, town hall, work, 19th 19th 19th 19th 19th 19th 19 arrondissement, oil on canvas

Orpheus. Artist: Pierre Puvis de Chavannes, French, 1824-1898

Kneeling man carrying a jar fills in a ditch, Jacob Ernst Marcus, 1784 - 1826

Kidnapping of Europe; König, Leo von (1871-1944); 1929 (1929-00-00-1929-00-00);Europe (mitol.), Kidnapping of Europe (iconogr.), Zeus (mitol.), Bulls, German painting, mythological scenes

Gabriel Alexandre Decamps, Caravan Halted at an Oasis, 1840, watercolor over pencil on paper.

The dice game, painting by Dario Querci, from L'Illustrazione Italiana, Year XXIII, No 32, August 2, 1896.

Norbert Goeneutte at Work, Dieppe (Norbert Goeneutte à l'étude, Dieppe). Dimensions: 12.3 cm x 27 cm, 10.5 cm x 25.3 cm, 10.5 cm x 25.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: Henri Charles Guérard.

Stone age builders Date: circa 3000 BC

Berghem, Nicolas, work, Title page of the work - Paimen ja koira, (1000 - 2003), line etching, graphics, plate width 13 cm, plate height 10.3 cm

Paestum 1847-51 Jean-Léon Gérôme Gérôme followed his teacher Paul Delaroche to Italy in 1843, where he was captivated by the antique ruins of Pompeii and the region further south, including Paestum. When he made his successful debut at the Paris Salon of 1847, he was already at work developing this composition featuring the east façade of the Temple of Hera, based on drawings he made on-site. He continued working on the subject over the next five years. He showed a variation at the Salon of 1849 (absent the water buffalo), and yet another version at the Salon of 1852, where it earned praise from the Goncourt brothers. This ambitious, large-scale preparatory drawing most closely relates to the earliest known oil sketch of 1847 (private collection). It is highly refined in technique, but also shows evidence of the artists working method with perspectival lines, corrections, and suggestive ideas.. Paestum. Jean-Léon Gérôme (French, Vesoul 1824-1904 Paris). 1847-51. Black, red, and white

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