Figurative Drawings from the Past

Drawings capturing female figures in various poses, utilizing graphite and pencil to explore traditional female representations.

Artist: Auguste Rodin, French, 1840-1917, Nude Standing, RightProfile, Graphite and slight pink watercolor, sheet: 32.8 × 24.8 cm (12 15/16 × 9 3/4in.), French, 19thcentury, Works on Paper - Drawings andWatercolors

Drawing, Woman; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)

Woman, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a female figure wearing a bonnet., USA, 1880, figures, Drawing, Drawing

Giesenberg Edgar (1851-1892), Royal Opera in Berlin. () (Without Dat.): Wall decoration. Pencil on cardboard, 34.6 x 62.7 cm (including scan edges) Giesenberg Edgar (1851-1892): Königliche Oper, Berlin ()

Abklatsch of the chalk drawing on page 43 Verso, 1822 - 1880 Page 44 Recto from a sketchbook with 45 sheets. paper

Quast Ferdinand von (1807-1877), Drobeta Turnu Severin in Romania (without date): Perspective view of a tower ruin, floor plan (two leaves). Pencil on transparent, 34.9 x 28.6 cm (including scan edges) Quast Ferdinand von (1807-1877): Drobeta Turnu Severin

Quast Ferdinand von (1807-1877), sarcophagus, Mehallet El Kebur: Perspective view of the granits cable (re-drawing or drawing). Pencil on transparent, 34.6 x 27.5 cm (including scan edges)

Geometrical Figure (in Sketch Book With Drawings on Twenty-six Leaves) ca. 1855 Frederic, Lord Leighton British. Geometrical Figure (in Sketch Book With Drawings on Twenty-six Leaves) 418147

Drawing, Figures; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 10 × 17.4 cm (3 15/16 × 6 7/8 in.)

Artist: Auguste Rodin, French, 1840-1917, Nude Standing, RightProfile, Graphite and slight pink watercolor, sheet: 32.8 × 24.8 cm (12 15/16 × 9 3/4in.), French, 19thcentury, Works on Paper - Drawings andWatercolors

Man, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Partial sketch of a male figure., USA, n.d., figures, Drawing, Drawing

1884 pencil sketch by Ludwig Rösch showing an indistinct scene with general shapes and minimal detail.

Copper engraving by Jan Pietersz. Saenredam showing the punishment of Niobe, created in 1594.

Anne Rushout, ca. 1768-1849, British, Study of an Urn, 1824 to 1832. Graphite on moderately thick, slightly textured, cream wove paper.

Drawing, Woman and child; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.5 × 10.3 cm (6 7/8 × 4 1/16 in.)

Study for Portrait of a Man in an Arm Chair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands. Christian Josi (Dutch, died 1828); after Rembrandt van Rijn (Dutch, 1606-1669). Date: 1816-1826. Dimensions: 400 x 300 mm (sheet); 505 x 395 mm (secondary support). Chalk tracing or drawing on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Hair study, Camillo Procaccini, 1561 - 1578, draughtsman: Camillo Procaccini, 1561 - 1578, paper, pen, h 171 mm × w 106 mm

Drawing, Man; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.5 × 10.3 cm (6 7/8 × 4 1/16 in.)

Quast Ferdinand von (1807-1877), Book ornamatics: Evangeliar () (Without Dat.): Numerous sketches of floral ornamental details with goose. Pencil on tissue paper, 38.4 x 30.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Buchornamentik: Evangeliar ()

Quast Ferdinand von (1807-1877), crystal cross from the cathedral in Erfurt (without date): Sketch of Quast. Pencil on paper (outline notebook), 30.6 x 20.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Kristallkreuz aus dem Dom, Erfurt

Card 25 verso: sketch of a Jew's bust; Bryll, Ferdynand (1863 1922)

John Flaxman, Design for Monument or Metalwork Design for Monument or Metalwork

ROPS, Félicien (n.1833-07-07-D.1898-08-23), Mater Dolorosa, engraving published in the original print-Fourth delivery (October-December 1893) (main title), 1893. Water. Petit Palais, Museum of Fine Arts of the City of Paris.

Quast Ferdinand von (1807-1877), painting in the choir of a church in Sinai (without dat.): View with color information from Quast (post-or through to Léon de Laborde, Voyage de l'Arabie Petrée EN 1828 (voyage to arabia petraea )). Pencil on transparent, 35 x 28.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Gemälde im Chor einer Kirche im Sinai

Copper engraving and etching by Virgil Solis the Elder from 1529-1562 depicting scenes from the Old Testament, showing biblical figures, gestures, attire, and architectural or natural settings in early modern European prints.

Klingholz Fritz (1861-1921), weather flags (August 31, 1908): 3 views. Pencil on paper, 33.6 x 21.8 cm (including scan edges) Klingholz Fritz (1861-1921): Wetterfahnen

Pencil figure study by Josef Danhauser from 1844 showing a human figure with focus on anatomy, posture, and proportions.

Study on a childrens act, Ornament draft, Gustav Klimt -, artist

Drawing, James McNeill Whistler; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 16.8 × 11 cm (6 5/8 × 4 5/16 in.)

Knoblauch Eduard (1801-1865), Babelsberg Castle, Potsdam (without dat.): View. Ink and pencil on transparent, 22.6 x 32.5 cm (including scan edges) Knoblauch Eduard (1801-1865): Schloss Babelsberg, Potsdam

Study, Abklatsch of a chalk drawing, George Hendrik Breitner, 1912 Page 5 from a sketchbook with 16 sheets. Amsterdam paper

The Explorer. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 171 × 88 mm (image/plate); 364 × 235 mm (sheet). Drypoint from a zinc plate in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), belt buckle (main title), 1899. Graphite and Gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Caricature of a Man Wearing a Broad-Brimmed Hat 1818-1819 France. Graphite on cream laid paper, perimeter mounted on cream wove paper . Jean Louis André Théodore Géricault

Deraisme, Pierre -Georges (n.1859 - D.1932), pendant grues (main title), 1905. Graphite, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Artworks produced by the Cranach workshop, showing figures and compositions in Renaissance style, reflecting collaborative production techniques.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Pencil watercolored on paper, 25.6 x 39.8 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Lotus Petals Floating in aStream. Artist: Suzuki Kiitsu, Japanese, 1796-1858

Bull Gustav (1807-1880), sketchbook: vegetable ornaments, some building sketches: sketch. Pencil on paper, 20.8 x 25.3 cm (including scan edges)

Francisco Bayeu / 'Bishop'. 1779. White chalk, Black chalk on blue paper. Museum: Museo del Prado, Madrid, España.

Drawing sketch book: Horse hitch and red stamp Sale Corot (page 26) Camille-Jean-Baptiste Corot (1796-1875). Drawings Sketch Book: Horse Hitch and Red Stamp Sale Corot (page 26). Pencil.

Reliquary. Leaf 24 Verso from a sketchbook with 37 sheets.

Etching by Giacinto Gimignani created around 1649 depicting the mythological episode of the robbery of the Sabine women. The print shows human figures in dynamic composition with architectural and landscape elements.

Enckell, Magnus, work, Sketch book, (1000 - 2010), drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral decor (main title), 1913, rhodoïd. Petit Palais, Museum of Fine Arts of the City of Paris.

Järnefelt, Eero, work, Sketch book, (1930 - 1937), technique text: pencil and pastel, drawing, 36.5 cm x 28.5 cm, Järnefelt, Eero, (1930 - 1937), pencil and pastel, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Pierrot. Siedlecki, Franciszek (1867-1934), graphic artist

Woman's headdress, Medium: raw silk, metal Technique: withdrawn element work and embroidery on plain weave, Long cream-colored panel with wide embroidered border at each end and long warp fringe. Border shows two rows of triangles separated by wide zigzags of drawn work in silk and metal threads., Mytilene, Greece, late 18th-early 19th century, costume & accessories, Woman's headdress

Landscape with homes, Louis le nain, 1861 - 1939 print paper etching landscapes (+ landscape with figures, staffage). city-view, and landscape with man-made constructions. housing

Scheppig Carl (1803-1885), S. Miniato al Monte in Florence. Ornaments. () (20.11.1832): Details. Pencil on paper, 20.9 x 14.5 cm (including scan edges) Scheppig Carl (1803-1885): S. Miniato al Monte, Florenz. Ornamente ()

Koppen, Johannes Taventrate, 1840 - 1880 drawing paper. ink pen caricatures (human types)

Two figure studies. Page 37 From sketchbook XXXII with 92 pages.

Edelfelt, Albert, work, Sketch book, drawing, 14.5 cm x 8 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Lalique, René-Jules (n.1860-04-06-D.1945-05-05), ring (main title), 1900. Graphite, ink, watercolor and gouache on transparent vellum bfk rives. Petit Palais, Museum of Fine Arts of the City of Paris.

Ornamental decoration with leaves, P. Baretti, 1766 print PLACK PLENT with ornamental decoration with leaves. Print is part of an album. paper engraving / etching ornaments ~ art

Edelfelt, Albert, work, Sketch book, drawing, 17 cm x 10.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

A pencil and color chalk self-portrait by Egon Schiele from 1909 on drawing paper, showing the artist wearing a headband and focusing on facial features and expression.

Pencil drawing by Emerich Alexius Swoboda around 1871 focusing on a side view of a figure.

Quast Ferdinand von (1807-1877), Christian tombstones in Sour El Ghozlane in Algeria (without dat.): Two leaves with four views of ornamental details Christian iconography (fish, grapes etc.), left sheet according to Charles Texier and Richard P. Pencil on transparent, 35.2 x 28.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Christliche Grabsteine, Sour el Ghozlane

Man, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Weaks at Weefsgeouw, Jan Brandes, 1779 - 1785 drawing Javanese woman sitting on a loom with jars (with dyes) And a box with sewingii. Also various spider wheels. In the background two women standing on a loom. Batavia paper. pencil weaving Batavia

SCHAPPERITY, Daniel Nikolaus Chodowiecki, 1784 print Numbered at the top right: 12. paper etching Good and Bad Behaviour, Moral Qualities

Vignette with sitting woman, Gerrit Willem Dijsselhof, 1876 - 1924 drawing pencil vignette

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.2 x 29.1 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Picture frame. Draughtsman: anonymous. Dating: 1809 - 1814. Place: Southern Netherlands. Measurements: h 430 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Studies, 1819 - 1849 Page 16 Verso from a sketchbook with 36 sheets. paper. watercolor (paint) brush

Waimakariri, Bealey., 1866 , by Nicholas Chevalier. Gift of Mrs Caroline Chevalier, the artist's widow, England, 1912.

The title of the title "La Grande Dame"; Jasi Ski, Feliks Stanis AW (1862-1901), Grasset, Eugéne (1845-1917); 1892 (1892-00-00-1892-00-00);La Grande Dame (magazine - Paris - 1893-1896) - illustration, Wellsz, Leopold (1882-1972) - collection, French (culture), French graphics, Polish graphics, Poland (culture), sunflowers, purchase (provenance)

Study for graphics "Diploma of the music tournament of March 1917"; Care, Ignacy (1865-1941); 1917 (1916-00-00-1917-00-00);Artists, diplomas, music, Poland (culture), diploma projects, Polish drawings

Fragment of green tile, from the end of the 15th century (glazed in green, decoration in shallow relief using a motif of Gothic arches) - product of the Sunderland factory of Iłża, from the collection of the Society for the Care for Historic Monuments in . Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Seated farmer with jug, Cornelis Ploos van Amstel, after Adriaen van Ostade, 1763 - 1768 print A farmer sits on a chair with a glass in one hand and a jug in the other hand. Amsterdam paper etching jar, jug (used as drinking-vessel). sitting figure

Sagot's Gallery, 1898. Georges Alfred Bottini (French, 1874-1907). Color proof of the Remarque Woman with Cat; sheet: 39.2 x 24 cm (15 7/16 x 9 7/16 in.); image: 10.7 x 6.7 cm (4 3/16 x 2 5/8 in.). The last decades of the 19th century was the golden era of French color lithography. Jules Cheret (1836-1932) popularized the technique to make colorful posters which, by 1884, were also exhibited as a legitimate art form. In 1891 Cheret began to design posters without lettering to frame and hang on wallsstill an unusual idea since prints were usually stored in portfolios. The explosion in color lithography was also encouraged by the use of zinc plates, which were lighter, cheaper, and more pliable than traditional lithographic stones. Also important was the formation of artist's organizations like the Société des artistes lithographie (Society of Lithographic Artists) and the Société de l'estampe originale (Society of Original Prints), which stimulated original printmaking. By the 1890s a

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1905. Graphite, ink on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Luigi Balugani, 1737-1770, Italian, Alepidea Peduncularis, undated. Graphite on moderately thick, moderately textured, cream laid paper.

Vestpand van een ongesneden vest, linkerzijde, ongesneden, met potlood getekend op een paneel crèmekleurige ripszijde, het florale motief is slechts op twee plaatsen uitgevoerd; in veelkleurige zijde, zilveren lovers en zilveren canetille.Vestpand left side, with pencil drawn on a panel cream-colored rips silk. The floral motif is only carried out in two places; In multicolored silk, silver lovers and silver canetille. Model: The vest is placed with the front of the building to the red striped side. Long model with sloping corner and round neck. Opening board and zip valve. Self side with four red lines. Decoration: along the edge a border with a stacked leaf and floral pattern between which a flower garland. This motif is also repeated on and below the zip valve. Furthermore, a spreamotherapy of small flowers and leaves. Once the report (11 cm long) of the floral pattern embroidered in the top right goal of the panel. The central motif on the zip valve has begun, but kidney completed.

Enckell, Magnus, work, Sketch book, (1000 - 2010), drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Study, possibly a figure study. Page 43 from a sketchbook with 83 sheets.

Copper engraving by Matthias Beytler around 1600 depicting grotesque figures and ornamental motifs, showing decorative composition and artistic detail.

A chalk drawing by Cecil van Haanen depicting a seated woman, showing posture, clothing, and form on the paper.

Two noses, George Hendrik Breitner, 1884 - 1886 Page 74 from a sketchbook with 67 sheets made in Drenthe. Drenthe paper. chalk parts of the face: nose

Copper engraving ornamental frieze by Theodor de Bry, created between 1548 and 1598, showing decorative repeating motifs.

Piece 18th-19th century Japan. Piece 66509

Nuremberg. Drunned and a fragment of the ceiling; Lesser, Aleksander (1814-1884); 1835-1884 (1835-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Nuremberg (Germany), architecture, wooden architecture, foreign architecture, gift (provenance), ceilings, poles

Diebitsch Carl von (1819-1869), Brunnen, Berlin. () (Without Dat.): View of a 2-shell fountain with putten, lion heads and crowning figure. Pencil on cardboard, 58 x 62.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Brunnen, Berlin ()

Gypsum Models for Facade Decorations at the Court Lefuel of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Edelfelt, Albert, work, Sketch book, drawing, 13 cm x 20.5 cm, Edelfelt, Albert, timing: untimed, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Famous faces on Japan, Katsura Seiyo, 1839 book Part three (of three); yellow cover; DEKLAGE (collapsed), title page; 34 sheets, numbered: three pages, introduction; one page, table of contents; 1-15, landscapes in different seasons; 1-17 and wrap (loose), text. paper color woodcut

A black ink drawing by Moritz von Schwind around 1865 showing a portrait of a girl, highlighting facial features and expression.

Abklatsch of a chalk drawing. Abklatsch of a drawing, presumably from a landscape with trees, which is no longer present in the sketchbook. Leaf 11 Recto from a sketchbook with 19 sheets.

Deraisme, Pierre -Georges (n.1859 - D.1932), pendant (main title), 1897. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Four figure studies, c. 1915 - 1934 Page 28 Recto from sketchbook XVIII with 35 sheets. The Hague paper. pencil postures of the human figure

Deraisme, Pierre -Georges (n.1859 - D.1932), gusset watches (main title), 1900. Graphite, ink and gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Study of a floating angel ..

A tilted man with a cylinder on the main, child bust, studies of R K; Scholtz, Julius (1825-1893); 1847 (1847-00-00-1847-00-00);

Textile with Phoenixes amid Lotuses and Tree Peonies. Culture: Central Asia or Dadu. Dimensions: 26 x 27 1/2 in. (66 x 69.8 cm). Date: 13th century. Museum: Metropolitan Museum of Art, New York, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), gusset watches (main title), 1900. Graphite, ink and gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Barocci, Federico (1535 1612)

Study sheet with eyes, nose and mouth. Page 3 from a sketchbook with 31 magazines manufactured in The Hague and Rotterdam.

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 890 x 620 mm (plate); 1,048 x 751 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

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