Figurative Drawings of Animals and Humans

Sketches depicting humans with animals such as horses and mules, showcasing anatomical studies and interactions in a simple style.

Juvenile with half exposed upper body behind a mule, draughtsman: anonymous, Netherlands, c. 1600 - c. 1699, paper, h 288 mm × w 175 mm

James Seymour, 1702-1752, British, Flying Childers and Grooms, undated. Graphite on medium, moderately textured, blued white, laid paper.

Juvenile with half exposed upper body behind a mule, draughtsman: anonymous, Netherlands, c. 1600 - c. 1699, paper, h 288 mm × w 175 mm

Copper engraving by Israhel van Meckenem from the last third of the 15th century depicting a bird labeled 'upper'.

Young woman with plateau, monogrammist FP (Italy; 16th century), c. 1500 - c. 1599 print A current young woman to the left. She holds a plateau in her hands. Italy paper etching ointment

Amsterdam, Ploos van Amstel, Cornelis, Mieris, Frans van, Brouwer, Sitting dog, verso cardboard and verso print - stamped, at the bottom of the letter A., print, prints, height 80 mm, width 128 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1777 - 1777, paper, print drawing, etching, etchings, crayon method, through printing, intermediary draughtsman, after drawing by, 1726-01-04 - 1798-12-20, supervision

Three Ossen, Jacobus Cornelis Gaal, after Pieter Gaal, 1854 print Netherlands paper etching bull

. .

Le puits et le pendule (2nd plate) , Punishment & torture, Poe, Edgar Allan, 1809-1849. Pit and the pendulum, Alphonse Legros (1837-1911)

Three studies of a foot, Agostino Carracci (attributed to), 1567 - 1602 drawing paper. ink pen

Rider. .

Leiden, Janson, Johannes, Cow's head, verso top left - stamped, to the left., print, prints, height 83 mm, width 99 mm, 1729-04-17 - 1784-08-01, print maker, printmaker, 1761 - 1784, paper, papier, etching, etchings, aquatint

The Lyon and the Kid, from Ogilby's Aesopics ca. 1668 Francis Barlow British England's first native book illustrator and professional etcher, Francis Barlow is best remembered for his accomplished depictions of animals and birds. This design relates to an etching, one of a group of fifty commissioned by the enterprising publisher John Ogilby to illustrate fables in the manner of Aesop. In the related story, the humble goat remains safely on a hill and resists the enticements of the kingly lion, who secretly wishes to eat him. The moral of the tale suits the tumultuous politics of the period: "Better be Captain in the smallest Fort, Than be commanded in a Princes Court.". The Lyon and the Kid, from Ogilby's Aesopics 352244

Bliżej Kultury Matejko, Jan (1838 1893)

Distraught Man Running towards a Woman Succouring a Fallen Man, Jan Victors (attributed to), c. 1635 - c. 1640 drawing Amsterdam paper. ink pen lying figure. kneeling figure - AA - female human figure. running

Pencil drawing representing death, showing human figure, posture, and surrounding context, conveying the scene neutrally.

Armor Design for a Horse. Artist: Anonymous, Italian, 17th century. Dimensions: Sheet: 8 11/16 x 10 1/16 in. (22 x 25.5 cm). Date: 17th century (first half).Design for a protective armor for a horse. Depicted is only the head piece over the actual horse's head (seen from the side, facing left). The headpiece is shaped like a dolphin and covers most of the horse's head. Museum: Metropolitan Museum of Art, New York, USA.

L'Amour-harpiste. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, Plate 16 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) ca. 1645-50 Stefano della Bella Italian. Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, Plate 16 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) 397808

Gaal, Pieter, Netherlands, Jacobus Cornelis, Reclining goat, to the left, verso - stamped, print, prints, height 55 mm, width 80 mm, 1796 - 1866-12-20, print maker, printmaker, 1851 - 1851, paper, papier, etching, etchings, Noord-Nederlands, 1769-07-19 - 1819-01-18, intermediary draughtsman

Paul Klee, Zwei Männer, einander in höherer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank, 1903 Zwei Männer, einander in höherer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank

Francisco de Goya, Fiero monstruo! (Fierce Monster!), 1810 1820 Fiero monstruo! (Fierce Monster!)

Horse and rider, from behind, Harmen ter Borch, 1648, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 2-Jan-1648, paper, brush, h 210 mm × w 92 mm

Copper engraving by Israhel van Meckenem from the last third of the 15th century depicting birds labeled 'under'.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Phaeton. Twenty-first number of a series of 52 pieces. (A. de Vesme 499; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

unknown, Meulen, Adam Frans van der, Huchtenburg, Jan van, Fallen horses, Two fallen horses lying behind each other, verso - stamped, On the left the head and leg of a horse. Behind it the second horse seen from the back., print, prints, height 202 mm, width 337 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, engraving, engraving (printing process), South Netherlandish, French, 1632-01-11 - 1690-10-15, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Donkey in a landscape with a mill, verso - stamped, print, prints, height 70 mm, width 94 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

. .

General OS, Paulus Potter (Rejected Attribution), After Paulus Potter, 1645 - 1706 print print maker: Netherlandspublisher: Amsterdam paper etching ox

Studie van een paard zwaaiend met zijn staart, van achteren. Staande werkpaarden (series title). Draughtsman: Moses ter Borch. Dating: 1660. Place: Zwolle. Measurements: h 142 mm × w 107 mm. Museum: Rijksmuseum, Amsterdam.

Romulus and Remus 1652 Wenceslaus Hollar Bohemian Romulus and Remus suckling milk from a wolf, standing to right with its right hind leg on a rock. From a series of six plates, etched by Hollar after drawings by Giulio Romano from the collection of Nicolas Lanier, designs for stucco medallions at the Palazzo Te in Mantua.. Romulus and Remus 360730

Cup of a ram, anonymous, 1630 - 1700 print Head of a horizontal ram, three figures in the background. paper etching ram

Copper engraving by an anonymous artist, circa 1440-1450, depicting Tier-Ass C with human and animal figures, showing composition and engraving techniques.

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Four-legged animals, Goats and cows near a round tower with an obelisk, verso lower left - stamped, print, prints, height 148 mm, width 140 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, etchings, engraving, engraving (printing process), drypoint, dry needle, Publication (Event), Publication, - 1660, publisher, uitgever, 1645 - 1660

Sater en ram in gevecht.A Sater and a ram in a fight. In the background left a grave monument and a building on the right.

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

Un bœuf allant à gauche. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Black chalk drawing by Bartolomeo Altomonte around 1720 depicting Hercules wrestling the Cretan bull with detailed musculature and dynamic stance.

Roos, Johann Heinrich, Sheep, goats and cows, Reclining cow, goat and standing ram, verso - stamped, print, prints, height 187 mm, width 158 mm, German, 1631-10-27 - 1685-10-03, print maker, printmaker, 1668 - 1670, paper, papier, etching, etchings

A Sheep Grazing. Jean François Millet (French, 1814-1875); printed by Auguste Deltre (French, 1822-1907); signed by Charles Émile Jacque (French, 1813-1894). Date: 1849. Dimensions: 48 × 119 mm (image/plate); 194 × 270 mm (sheet). Etching, drypoint and roulette on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Ramskop, to the left. Draughtsman: Abraham Delfos. Dating: c. 1741 - c. 1820. Measurements: h 86 mm × w 101 mm. Museum: Rijksmuseum, Amsterdam.

Bovidation study, seen from back Ren� Marjolin (1812-1895). Bovidation study, seen from back. Graphite pencil. Paris, museum of romantic life.

Stone govern, Jan MANKs, In or Employed 1914 drawing cardboard. ink. chalk. pencil pen goat

Lying oval with a dog that bites a rabbit, c. 1600 - c. 1699 print From series of 12 magazines. Germany (possibly) paper

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Study of a Skull, Facing Right, draughtsman: Cornelis Visscher (II), c. 1654 - c. 1658, paper, h 95 mm × w 113 mm

Drie liggende geiten.Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli).

Clair-obscur woodcut by Niccolò Boldrini depicting a rider jumping on horseback, using two plates (brown), circa 1560-1570, showing dynamic movement.

Juerken, the jester of the violets, on horseback, 1561. Juerken, the jester of the violets, on horseback, accompanied by two other narren, 1561. Plate VII in a folder with 35 numbered plates, most to the illustrations in the original Edition of the Landjuweel van Antwerpen in 1561.

Bliżej Kultury Michałowski, Piotr (1800 1855)

Soldier who holds his skewers upright in front of him high above the ground (no. 5), ca. 1600, 1608 A soldier, to the right, who holds a skewer (lance) with both hands upright in front of him (no. 5), ca. 1600. This is the first action for the straight to the ground of The skewer. Plate 5 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal bruck, of all t Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, who holds a skewer (lance) with both hands upright in front of him (no. 5), ca. 1600. This is the first action for the straight to the ground of The skewer. Plate 5 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal bruck, of all t Part of the illus

Stefano Della Bella, Negro Feeding a Horse, probably 1662 Negro Feeding a Horse

Ornament met jachttrofeëen en het hoofd van Diana; Ornamenten en grotesken; Ornament o grottesche.Ornament with two hunting dogs, a deer head, a pipeline, two arches, two arrows, two spears and the head of Diana.

Old man with long jacket, Frederick Bloemaert, after Abraham Bloemaert, after 1635 - 1669 print An old man, depicted sideways, with spacious clothing on. Utrecht paper engraving old man

Rearing horse, study for an equestrian monument for Francesco Sforza, 1490, by Leonardo da Vinci (1452-1519), metal point on prepared paper, 15.1x18.8 cm.

Detail of Horse's Head, Enlarged to Triple Size, Norman Royal Guard, No. 1. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1813-1823. Dimensions: 190 × 135 mm (image); 428 × 295 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Figure of Fantastic Human-like Creature with Long Tail (recto); Fragment of a Letter or Document (verso). Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 4-15/16 x 6-11/16 in. (12.5 x 17.0 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing representing grief, focusing on human posture, facial expression, and emotional depiction.

Sujet libre.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine, Sex

Drawing (Italy); Giuseppe Bernardino Bison (Italian, 1762 - 1844)

'Man prostrated in prayer', 1765-1770, (1928). Artist: Giovanni Battista Tiepolo.

Spotted cow left, Anthony Oberman, 1796 - 1845.

Horse with rig. Draughtsman: George Hendrik Breitner. Dating: 1909. Place: Amsterdam. Measurements: h 125 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

Rollington Campbell, Weather Vane, c 1936 Weather Vane

Early drawing book by Josef von Führich for Joseph Führich in Cratzau, started February 2, 1806, featuring pencil studies of figures, objects, and compositional exercises.

Ko in the support; Thoma, Hans (1839-1924); 1860-1900 (1860-00-00-1900-00-00);

Known head of Louis XVI on a pork body (TF)

Otras Leyes por El Pueblo (Other Laws for the People), Francisco de Goya y Lucientes, Spanish, 1746 - 1828, Loys Delteil, French, 1869-1927, François Liénard, French, active late 19th century, Aquatint and etching on paper, A large elephant stands at right, facing left, partially outlined against an oval area of light. In the shadows, at the lower left, stands a group of four men, one holding up an open book, another a collar of bells. Printed by Francois Liénard, in the French magazine L’Art,” 1877, Vol. II, p. 40. Prepared in ca. 1815 for the Los Proverbios (Proverbs) series but not printed/published until later., Spain, France, 1877, animals, Print, Print

Benjamin West, The Disobedient Prophet, 1793 The Disobedient Prophet

A Marble Horse on the Quirinal Hill recto. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Raphael.

Drawing, Design for a Console Table; Designed by Giuseppe Valadier (Italian, 1762-1839); Italy; pen and ink, brush and wash on paper

One of Miscellaneous Sketches in Wrapper, Luigi Balugani, 1737-1770, Italian, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 7 7/8 x 11 7/8 inches (20 x 30.2 cm), Animalia (kingdom), measuring

Egyptian relief sculpture: A monkey, Willem de Famars Testas, 1844 - 1896 drawing paper. ink. pencil pen piece of sculpture, reproduction of a piece of sculpture (+ Egyptian art). monkeys, apes Egypt

Head of a looking up, Anne Claude Philippe Caylus, After Anthony Van Dyck, 1735 print Numbered at the top right: 29. France paper etching head (human). beard

Bliżej Kultury Michałowski, Piotr (1800 1855)

swainson drawing

Brogi, Giacomo, 133 - Pisa, Sculpture of a hippogryph in the Camposanto in Pisa, photograph, photo, photos, Pisa - Campo Santo. Ipogrifo., height mm, width mm, 1822-04-06 - 1881-11-29, photographer, 1860 - 1881, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, Publication (Event), Publication, publisher

Crapaud bronze., Buhot, Félix Hilaire (1847-1898), 1883, Decorative arts, Japan, Toads, Inkwells, Etching and aquatint; printed on paper painted yellow and spattered with gold; state noted with standard reference number

Blackwork Design for Goldsmithwork with a Hunter and Animals. Artist: Mathais Beitler (German, Ansbach, active ca. 1582-1616). Dimensions: Sheet: 1 7/8 × 2 1/8 in. (4.7 × 5.4 cm). Date: 1612.Ornamental panel, divided into three registers. In the top register, at left, a hunter with a gun walks right. In the bottom register, a lion attacks an animal from a tree stump. From a series of six plates. Museum: Metropolitan Museum of Art, New York, USA. Author: Mathais Beitler.

Haarlem, Enschede, Izaak, Ostade, Isaac van, Vinne, Isaac Vincentsz. van der, Olyke Schrobber, Funny figure, in the caption in the overview print this figure bears the name: Olyke Schrobber. Part of the booklet: XXXVI. nice figures, invented by Izaak van Ostade tot Haarlem 1731-1732., print, engraving, popular print, books, height 49 mm, width 42 mm, height 195 mm, width 155 mm, Northern Netherlands, 1665-10-24 - 1740-04-15, print maker, printmaker, 1731 - 1732, paper, papier, houtcut, Work conception, 1621-06-02 - 1649-10-16, after a design by, Publication (Event), Publication, publisher

Bliżej Kultury Michałowski, Piotr (1800 1855)

Antique's book de re militia by Roberto Valturio, 1483. Compendium of military theories from antiquity. Antique's book de re militia by Roberto Valturio, 1483. Compendium of military theories from antiquity.

Man seated near a wheelbarrow with hay, print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1828, paper, etching, h 93 mm × w 142 mm

Equestrian Combat with Lance; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Padua (or), Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

Leew Met Montshenofd; L martichora / i Martigora; Dien en fabelwezens; New collection of the cooks of the curious deli ..

Stag Statuette. Dated: 1935/1942. Dimensions: overall: 29.5 x 36.8 cm (11 5/8 x 14 1/2 in.) Original IAD Object: 11" high; 11" long; 5 3/4" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Caseau.

Northern Netherlands, The Elephant Hansken, 1641, Hansken the Elephant, middle - engraved, in the middle with a flag in its trunk, next to her a trumpet player. Around this representation 16 small scenes numbered 1-16 in which the elephant performs various tricks, performed during the fair in Amsterdam in November 1641. Below each scene a line in Dutch and a line in French. Below the central representation a verse of 8 lines., print, picture, prints, pictures, Frederik Muller History plates, Hansken the Olyphant is my name, In many countries I have great fame, I am also the greatest beast in all countries, Many arts I can do with my hands, With a small hook I am forced and governed, What I have learned from my master, Therefore buy this print to look at, you know and will not regret it., height 295 mm, width 383 mm, print maker, printmaker, 1650 - 1650, paper, engraving, engraving (printing process)

Three horse skulls, draughtsman: Simon Andreas Krausz, 1770 - 1825, paper, pen, h 132 mm × w 229 mm

Tiger in Repose. Artist: Antoine-Louis Barye (French, Paris 1796-1875 Paris). Dimensions: 10 3/4 × 14 in. (27.3 × 35.6 cm). Date: ca. 1850-65.This tiger, relaxed yet alert, is based on animals that Barye saw at the menagerie of the Jardin des Plantes in Paris, where he often drew from the 1820s onward, sometimes in the company of Delacroix. Barye was celebrated primarily as a sculptor of animal subjects, which he rendered with compelling physiognomic accuracy. He was also a prolific watercolorist, but he only made around one hundred paintings, which he seems to have kept for himself. There is a version of this composition in the Wadsworth Atheneum, Hartford. Museum: Metropolitan Museum of Art, New York, USA.

Rolling Tiger (Tigre se roulant) Antoine-Louis Barye (French, 1795-1875). Rolling Tiger (Tigre se roulant), ca. 1840. Watercolor and opaque watercolor on wove paper, sheet: 9 5/16 × 11 5/16 in. (23.7 × 28.7 cm). The sculptor, painter, and printmaker Antoine-Louis Barye specialized in naturalistic depictions of fierce beasts, which appealed to the Romantic tastes of mid-nineteenth-century French audiences. This watercolor is based on his visits to the menagerie in the Jardin des Plantes in Paris, and may be an elaborated version of a study made on the spot. The particular texture of this work indicates that it might be a transfer watercolor,” a kind of print process created by pressing a still-wet watercolor against a blank sheet of damp paper to make another impression. European Art ca. 1840

La Rousette d'Aumerique (Nietoperz Wielki), W: Draw at the pen by Huet fils. Designer of the Cabinet of Natural History 1810 Has, nicolas (ca 1770 1830)

Dood Van from Burymeester Van Torrejon; Misfortunes acadeted in the laying of the Plaza de Madrid, and death of the mayor of Torrejon; Bullfighting; Stierenvechten.The First Five Rows of the Stands in The Madrid Arena. The Bull, Standing On The Gallery, Has Has Impaled The Major of Torrejon To His Horns. A Group of People Try to Flue Away in A Panic.

Study of Three Skulls (recto), Architectural Study (verso); Unknown maker, Southern German; Germany, Europe; about 1530; Pen and black ink, brush with gray wash, heightened with white gouache, on green prepared paper (recto); pen and black ink (verso); 14.9 x 23.2 cm (5 7/8 x 9 1/8 in.)

Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1/8 in.)

Combat with Sword; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Padua (or), Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

More worked than previous state, Ox head, to the left, print maker: Pieter Janson, 1780 - 1851, paper, h 121 mm × w 95 mm

Geit (Capra hircus). Geijte / Capra / Chevre (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 194 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Antwerp, Galle, Cornelis (II), Dürer, Albrecht, Hollar, Wenceslaus, Standing lion, verso - stamped, print, prints, height 106 mm, width 153 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1649 - 1649, paper, papier, etching, etchings, German, 1471-05-24 - 1528-04-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, South Netherlandish, 1615 - 1678-10-18, publisher

Detail of a woodcut poster promoting an Acrobat show in Berne, Switzerland. Dated 1840

Animalia Qvadrvpedia et Reptilia (Terra): Plate XXV. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Monkey Mask, from Divers Masques. Artist: François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Sheet: 2 5/8 × 1 9/16 in. (6.7 × 4 cm). Publisher: Published by Jacques Van Merlen (Flemish, Antwerp 1616-1682 Paris). Series/Portfolio: Divers Masques. Date: ca. 1635-45.From a series of nineteen plates with grotesque masks dedicated to Jean de Leins, goldsmith to the Queen of England and published by Jacques van Merlen in Paris. The plates are not numbered and appear in various orders. Museum: Metropolitan Museum of Art, New York, USA.

of 2