Figurative Etchings

Intricate etchings capturing human figures in various domestic and social settings, displaying movement and emotion in monochrome tones.

Girl sitting, seen from behind, print maker: Gerard Jan Bos, (mentioned on object), Antwerp, 1883, paper, etching, h 265 mm × w 200 mm

Maud Cassel (Mrs. Ashley) , Debutantes

Maid with burning candle, Pierre Louis Dubourcq, 1839 print Netherlands paper etching / drypoint maid ~ house personnel. chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)

Francisco de Goya y Lucientes / '¿Que alboroto es este'. 1814 - 1815. Etching, Aquatint, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

Francisco de Goya (1746-1828), they will not (9), 1810-1820

The Sleeping Model. Albert Besnard; French, 1849-1934. Date: 1885. Dimensions: 176 × 236 mm (image); 208 × 261 mm (plate); 317 × 404 mm (sheet). Etching with drypoint, aquatint and roulette on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

L'arbre de salut , Bowing, Trees, Alphonse Legros (1837-1911)

Visitors on a terrace for an inn, Eugène François de Block, 1840 drawing paper. ink. pencil pen pavement, terrace in front of inn or restaurant

Henri Fantin-Latour, Evocation of Kundry, 1894, lithograph on chine collé.

Etienne after Honoré Daumier, Un Realiste trouve toujours un plus realiste qui l'admire, 1869 Un Realiste trouve toujours un plus realiste qui l'admire

Lovis Corinth, Tod und Greis (Death and the Old Man), 1921 Tod und Greis (Death and the Old Man)

Etching and drypoint 'Tête-à-tête (Plauderstunde)' by Edvard Munch on copper plate and Japanese paper, created in 1894, showing two figures conversing.

Eugène Delacroix, Study of a Woman, Viewed from the Back (Étude de femme vue de dos), 1833 Study of a Woman, Viewed from the Back (Étude de femme vue de dos)

Reading man with glasses on, Ernst Willem Jan Bagelaar, 1798 - 1837 print paper etching reading

Head of an old man looking down, facing Left, from the series of 'Small Heads in Oriental Headdress'. Artist: Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). Dimensions: Sheet: 4 1/8 × 3 1/8 in. (10.5 × 8 cm). Date: ca. 1645-1650. Museum: Metropolitan Museum of Art, New York, USA.

Russian man with walking stick and Moscow in the background, Louis van Engelen (attributed to), 1866 - 1910 print paper etching adult man. city-view, and landscape with man-made constructions Moskou. Kremlin

Rembrandt van Rijn, Negress Lying Down, 1658 Negress Lying Down

Rembrandt van Rijn, The Artist Drawing from the Model, c 1639 The Artist Drawing from the Model

Francisco de Goya y Lucientes / 'Monk Guzzling from a Large Bowl'. 1824 - 1828. Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Two women at a vine; Composition with two women's heads. Early work. Two women, one of which holds a cat. Left of them a vine. On the right in the background the sun behind a cloud.

Two Girls on a Swing, Winslow Homer, American, 1836-1910, Graphite on off-white paper, Vertical rear view of two girls sitting in a swing, hung from the branch of a tree., USA, 1879, figures, Drawing, Drawing

Saly, Jacques Francois Joseph, France, Lalive de Jully, Ange Laurent de, marquis de Rémoville, Recueil de caricatures dessinées Par J. Saly et Gravées par AL De Lalive DJ, Caricatures after J. Saly, Caricature of a boy sewing his stocking, verso - stamped, print, prints, height 274 mm, width 194 mm, 1725 - 1779-03-18, print maker, 1745 - 1779, paper, etching, Work conception, French, 1717-06-20 - 1776-05-04

Reading by Lamplight 1859 James McNeill Whistler American. Reading by Lamplight 372497

Francisco de Goya (Spanish, 1746-1828). Ni mas ni menos. (Neither more nor less.), 1796-1797. From Los Caprichos, no. 41. Etching, burnished aquatint, drypoint, and burin. Plate: 196 mm x 149 mm (7.72 in. x 5.87 in.). Second state.

Portrait of the sculptor Lambertus Zijl, draughtsman: Jan Veth, 1874 - 1925, paper, h 332 mm × w 234 mm

Francisco de Goya y Lucientes / 'Bayan en ora buena. Álbum C, 57'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

Edouard Manet (1832-1883), Jeanne (Spring), 1882

The Clemenceau case (you) | The trip to Italy, board 8. (you)

Two Women Bathing (Les deux baigneuses). Dated: 1895. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Mr. and Mrs. Fürstenberg. Anders Zorn; Swedish, 1860-1920. Date: 1895. Dimensions: 199 x 277 mm (image/plate); 271 x 342 mm (sheet). Etching on tan wove paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

La veillée au marché , Alphonse Legros (1837-1911)

Blanche Dillaye, Untitled (Alleyway with View of a Harbor), American, 1851 - 1932, c. 1885, etching

Death at the Guillotine, Johannes Josephus Aarts, 1881 - 1934 print Death sitting for a guillotine. He smokes a pipe. There are four severed heads at his feet. A city in the background. paper Death as man. violent death ~ beheading by guillotine. head of a beheaded person

Omnibus 1892 Anders Zorn Swedish After the painting now in the Isabella Stewart Gardner Museum, Boston.. Omnibus. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1892. Etching; third state of three. Prints

Victimes d'incendie par des chemineaux , Alphonse Legros (1837-1911)

Vallotton, Félix Edouard (n.1865-12-28-D.1925-12-29), Le Hat Green (Main title), 1896. Color lithography. Petit Palais, Museum of Fine Arts of the City of Paris.

Guitar player next to a barrel, cithern, mandolin, guitar, balalaika, Johannes Adrianus Schultz (mentioned on object), Netherlands, 1830 - 1863, paper, pencil, etching, h 147 mm × w 128 mm

The Circumcision in theStable. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Mes filles me ressemblent: elles naiment pas le lapin.. Artist: Paul Gavarni, French, 1804-1866

Francisco de Goya y Lucientes / 'Be Vd. que expresión, pues no lo cree el marido. Álbum C, 19'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

Simberg, Hugo, work, Miettäisä, 1897, etching on zinc plate, graphics, plate width 12.2 cm, plate height 17.3 cm, leaf width 22.6 cm, leaf height 35 cm, Photo no. 26473, 03.1992, photographer: Jouko Könönen, photo type: laakadia v/k,

Etchings of Venice: Net Makers, 1881. Otto H. Bacher (American, 1856-1909). Etching;

Albert Besnard, On the Lookout (Aux aguets), 1900 On the Lookout (Aux aguets)

Read Norblin, Jan Piotr (1745 1830)

Roland Holst, Richard Nicolaüs, Huizer girls at a pond, verso - handwritten, Behind the girls a tree with bare branches. In the background three grazing sheep and two houses., print, prints, verso - stamped, Nederl. Etsclub 1895, height 290 mm, width 230 mm, 1868 - 1938, print maker, printmaker, 1895 - 1895, paper, papier, lithograph (technique)

Etching and aquatint by Francisco Goya from 1812-1815, part of 'The Disasters of War,' showing people abandoned and without assistance during conflict.

Mof and stola of fur, Wenceslaus Hollar, 1645 print paper etching muff (+ fur used for clothes). clothing for the upper part of the body (STOLA) (+ fur used for clothes)

The slaughter of two horses, Pieter Dupont, 1880 - 1911 drawing paper. chalk horse. butcher, slaughterman. barn

L'archéologue , Alphonse Legros (1837-1911)

Vicke. Artist: Anders Zorn, Swedish, 1860-1920

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1936. Dimensions: 315 x 410 mm (image/plate); 340 x 445 mm (sheet). Aquatint and sugar lift etching with scraping and engraving on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Young man in an interior strictly his tie, Willem Linnig (I), 1829 - 1885 print paper etching / drypoint dressing oneself, getting dressed

An etching and roulette dated 1842 depicting a man in a cave, illuminated by candles. The work is noted for its extent and is identified with a standard reference number

Scene from the comedy Krispijn Medicijn. Draughtsman: Cornelis Troost. Dating: 1706 - 1750. Measurements: h 389 mm × w 318 mm. Museum: Rijksmuseum, Amsterdam.

The Genius of Music, 1881. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Beggar with a stick, anonymous, 1631 print Beggar with a hat and walking with a stick. Netherlands paper etching Begin

Clowns Wojtkiewicz, Witold (1879 1909)

Francisco de Goya (1746-1828), the farmhouse (she, who will marry, never miss the opportunity to forthcoming about this), 1815-1824

Sick man is provided by three figures, Andreas Bernardus de Quertmont (attributed to), 1798 print paper etching / drypoint physician, doctor. patient, sick person

Jacob and Benjamin, Christina Chalon, After Rembrandt van Rijn, 1758 - 1808 print Jacob sits in a chair and holds his youngest son Benjamin Teder at his head. Benjamin has an apple in his hand. According to the Old Testament, Benjamin was Jacobs's favorite son. print maker: Leidenafter print by: Amsterdam paper etching Jacob sends his ten sons to Egypt to buy corn, keeping the youngest, Benjamin, at home

The Hospital, Frank Brangwyn, 1916-1917,

Woman with child on a couch against a facade, Charles Emile Jacque (attributed to), 1843 print France paper etching / drypoint mother and child(ren), woman and child(ren) (family group)

The last sip of the chalice Albert Morand. The last sip of the chalice. Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

Les chanteurs.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Guitars, Singing

The Lost Angel Then Opened Black Wings, from Night. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 256 × 214 mm (image); 259 × 216 mm (chine); 445 × 315 mm (sheet). Lithograph in black on ivory China paper collé, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Kitchen 1858 United States. Etching in black on cream laid paper . James McNeill Whistler

Muff and stola van fur; Muffled. .

Love Amongst the Ruins. From the portfolio: The Work of E. Burne-Jones., 1894, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Workman in the cotton factory. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 557 mm × w 426 mm. Museum: Rijksmuseum, Amsterdam.

Interior with a woman at a table, Hendrik Valkenburg, 1836 - 1896, Interior with a mourning woman at a table in front of a bedstead. Verso: sketches of men and women., draughtsman: Hendrik Valkenburg, 1836 - 1896, paper, h 165 mm × w 190 mm

Study No. 4: Waiting, 1924. John Copley (British, 1875-1950). Lithograph;

Lithography 'Sleepless Night' by Henri de Toulouse-Lautrec, created in 1893, depicting a nocturnal scene with figures and interior details.

Portrait of smiling man with beard and hat, Bernardus Johannes Blommers, 1855 - 1892 print Portrait or bust of smiling man with beard and painting hat. Netherlands paper etching / drypoint portrait, self-portrait of artist. laughing

Simberg, Hugo, printmaker Juho Karjalainen, work, Flower nurse, reprint 1908, print 1986/87, line etching, graphics, 16 cm x 8 cm

Camille Pissarro, Market at Pontoise (Marche a Pontoise), c 1895 Market at Pontoise (Marche a Pontoise)

The Woman with Figs. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 269 × 445 mm (image/plate); 454 × 608 mm (sheet). Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper). Origin: France. Museum: The Chicago Art Institute, USA.

Woman Seated against a Wall, Child with His Head in Her Lap (Femme assis, muraille au fond, enfant la tete dans son giron). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Day (Le Jour), from the series, Dreams (Songes), plate VI. Artist: Odilon Redon (French, Bordeaux 1840-1916 Paris). Dimensions: image: 8 1/4 x 6 1/8 in. (21 x 15.6 cm)sheet: 17 5/8 x 12 7/16 in. (44.8 x 31.6 cm). Series/Portfolio: Dreams (Songes), pl. VI. Date: 1891.As a shy and lonely boy in his uncle's remote old house, Redon discovered that books, pictures, and music opened windows onto marvelous vistas. From his childhood on, he maintained an attachment to a world of fantasy and dreams that he often pictured in charcoal drawings and lithographs he called noirs, for both their essential substance and resonance were black. "One must respect black," he wrote. "Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the most beautiful color to the palette or prism.". Museum: Metropolitan Museum of Art, New York, USA.

Storm, 1891. Anders Zorn (Swedish, 1860-1920). Etching;

Awakening (Plate 8) (Erwachen) from the series Eine Liebe, Opus X. Dimensions: 68.5 cm x 51.4 cm, 45.5 cm x 31.8 cm, 40.4 cm x 28.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAX KLINGER.

The Flight into Egypt: Crossing a Brook. Dated: 1654. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Simberg, Hugo, work, Pyyki paukuttaja, afterprint () 1895-1896, etching on zinc plate, graphics, SCENE, work topic, laundry, woman, side view, knee shot, landscape, beach, clouds, plate width 12.4 cm, plate height 13.6 cm, leaf width 27.1 cm, leaf height 38.1 cm

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Women sewing with a girl. Completed in 1882.

Asleep Aboard the Bottin (Coucher a bord du Bottin). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

Francisco de Goya y Lucientes / 'Dure la alegria. Album C, 116'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Prisoners in irons; page 80 from the 'Images of Spain' album (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish One of the most striking drawings from the album, this work shows a frightened child being comforted by an adult, perhaps his father. Goya conceived a symmetrical composition divided into two distinct tonal levels, a dark and a light section. A shaded demarcation of the step at right and a triangle of light in the window above mirror each other. The geometric rigidity of the underground chamber makes a severe background that underscores the prisoners vulnerability. The edge of the step, the chain, and the two windows direct the eye and empathy to the pair standing shackled over a stain of pitch-black shadow.. Prisoners in irons; page 80 from the 'Images of Spain' album (F) 334044

At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau). Édouard Manet (French, 1832-1883); written by Edgar Allan Poe (American, 1809-1849); translated and produced by Stéphane Mallarmé (French, 1842-1898); printed by Lefman et Cie. (French, 19th century); published by Richard Lesclide (French, 1825-1892). Date: 1875. Dimensions: 387 × 315 mm (image); 551 × 390 mm (sheet). Transfer lithograph in black on gray China paper. Origin: France. Museum: The Chicago Art Institute, USA.

Odilon Redon, Le Jour (Day), 1891 Le Jour (Day)

Francisco de Goya y Lucientes / 'Dispierta ynocente. Album C, 112'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines on laid paper, continuous red paper. Museum: Museo del Prado, Madrid, España.

unknown, Antwerp, Rubens, Peter Paul, Pontius, Paulus, Old woman and boy with candles, verso lower left - stamped, A boy takes over the flame from the old woman's candle with his candle. In the margin a two-line caption in Latin., print, prent, prints, prenten, height 239 mm, width 193 mm, Zuid-Nederlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publicatie, publisher, uitgever van privilege

Woman Sewing. Dimensions: 46.3 cm x 38.2 cm, 75 cm x 67 cm. Museum: Rijksmuseum, Amsterdam. Author: THEODULE RIBOT.

National Holiday. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1894. Dimensions: 299 × 306 mm (image); 550 × 383 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Still life. Łopieński, Ignacy (1865-1941), graphic artist

In the Town Square, Kérigou.The 2 Tittle-Tattles (Sur la grand'place à Kérigou. Les 2 cancanière) from the series Au Cap de la Chèvre. Dimensions: 54.6 cm x 36 cm, 35.6 cm x 24.9 cm, 37.7 cm x 25 cm. Museum: Van Gogh Museum, Amsterdam. Author: LOUIS LEGRAND.

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