Figurative Studies

A collection of charcoal and chalk studies featuring nude figures and dynamic poses, showcasing expressive lines and a focus on form.

TOULOUSE-LAUTREC, Henri de (1864-1901). Trapeze artist getting dressed. 1890. Post-Impressionism. Drawing. FRANCE. MIDI-PYRƒNƒES. TARN. Albi. Toulouse-Lautrec Museum.

Seated Nude Michelle Puleo (b.1967 American)

Figure study for King Arthurs Round Table, from The Quest of the Holy Grail (a series of fifteen paintings for the Boston Public Library, completed in 1901). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Landscape. Page 46 From a sketchbook with 26 sheets.

Chalk study by Julius Schmid of a dancer, with white highlights added to the drawing.

Francisco Bayeu / 'The Virgin'. 1790. White chalk, Pencil on green paper. Museum: Museo del Prado, Madrid, España.

TOULOUSE-LAUTREC, Henri de (1864-1901). Trapeze artist getting dressed. 1890. Post-Impressionism. Drawing. FRANCE. MIDI-PYRƒNƒES. TARN. Albi. Toulouse-Lautrec Museum.

Drawing, Study for a standing woman, Vintage Festival,” Mendelssohn Glee Club, New York, NY; Robert Frederick Blum (American, 1857-1903); USA; pastel crayon, graphite on tracing paper mounted to board; 33.4 × 21.8 cm (13 1/8 × 8 9/16 in.)

Study of Angel's Hand for 'Mercy's Dream', Daniel Huntington, American, 1816-1906, Graphite, white chalk on cream wove paper, Study of a raised left hand pointing upward., USA, 1841, figures, Drawing, Drawing

Head of a Woman. Date: November 1884-September 1885, Nuenen. Dimensions: 12.4 cm x 7.5 cm. Museum: Van Gogh Museum, Amsterdam.

Increases of a man, Anonymous, 1630 - 1649 drawing With letters that indicate the different parts. Up to the top left: Fig. 7. Lib. 8. Low Countries prepared paper. ink pen intestines

'A series of 13 postcards: "Hitler as an Artist". Freude'. Russia, Moscow, 1993. Dimensions: 14,9x10 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Nude Study of an Old Man. Georges Seurat (French, 1859 - 1891)

Sketch sheet with a naked woman. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 330 mm × w 199 mm. Museum: Rijksmuseum, Amsterdam.

Sir William Blake Richmond, Studies for The Wise and Foolish Virgins (recto) Studies for The Wise and Foolish Virgins recto

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 18.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

PINTURA - RETRATO. Author: ALVARO DELGADO RAMOS (1922-2016).

Portrait of Dancer Loie Fuller during a performance, Henri de Toulouse-Lautrec, 1893 print Paris paper portrait of dancer. female dancer

License. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 1020 x 690 mm (image); 1047 x 752 mm (sheet). Color lithograph with traces of black crayon on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dancing woman with cymbals, draughtsman: Pietro da Cortona, (circle of), 1640, paper, pen, brush, h 462 mm × w 195 mm

Jean-Baptiste Carpeaux (1827-1975). "Confidence". Oil on canvas, around 1873. Museum of Fine Arts of the City of Paris, Petit Palais. 70009-9 Complete, confidence, woman, man, intimacy, 19th XIXth 19th 19th 19th 19th century, couple, oil on canvas

Pablo Ruiz Picasso (1881-1973). Venus and Cupid (after Lucas Cranach, the Elder). Paris, May 25, 1949. Lithography.

Youthful couple.

Satyr. Draughtsman: Constant (signed by artist). Dating: 1987. Measurements: h 620 mm × w 413 mm. Museum: Rijksmuseum, Amsterdam.

Strange Juggler Pl. V (M. 58) Portfolio: Hołd Goi Redon, Odilon (1840 1916)

DALI, SALVADOR. PINTOR ESPA¿OL.FIGUERAS 1904-1989. ILUSTRACION "EL BESO" PARA LA OBRA, EL CANTAR DE LOS CANTARES. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

The Passenger in Cabin 54--Cruise. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 606 × 442 mm (image); 634 × 469 mm (sheet). Color lithograph on tan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Crouching Nude in Shoes and Black Stockings, Back View. Artist: Egon Schiele (Austrian, Tulln 1890-1918 Vienna). Dimensions: 19 in. × 12 3/4 in. (48.3 × 32.4 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

PINTURA. Author: ANTONIO SUAREZ (1923-2013). Location: PRIVATE COLLECTION. MADRID. SPAIN.

1st Exhibition of the Humorists (2nd Version). Jean Louis Forain (French, 1852-1931); Printed by Eugene Verneau & Henri Chachoin. Date: 1911. Dimensions: 1085 × 805 mm (sheet). Color lithograph on cream wove paper laid down on linen. Origin: France. Museum: The Chicago Art Institute, USA.

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

Adverse Glory. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 90 × 45 mm (image); 122 × 60 mm (plate); 353 × 245 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Figure study for The RoyalExchange. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Upper body of a man with rope over his shoulder. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 325 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Paris. (Louvre). Victoire de Samothraque , Sculpture, Antiquities, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Arthur B Davies, Orchard of Bounties, 1919 1920 Orchard of Bounties

Sketch sheet with portrait of Jan Toorop. .

Untitled. Date/Period: 1883 - 1911. Drawing. Coal and crayon on paper Coal and crayon on paper. Height: 36.50 mm (1.43 in); Width: 45.80 mm (1.80 in). Author: Carl Fredrik Hill.

Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

The Bread Carrier, fourth quarter 19th century or first quarter 20th century. Théophile Alexandre Steinlen (Swiss, 1859-1923). Brush and brown ink and wash; sheet: 36.3 x 25.5 cm (14 5/16 x 10 1/16 in.).

Drawing of a man in watercolor on handmade paper Copyright: xSatishxParashar/DinodiaxPhotox

Francisco de Goya y Lucientes / 'To the desert to be a saint, amen ( Album C, 7)'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper. Museum: Museo del Prado, Madrid, España.

Sleep (Le sommeil). Dated: 1896. Dimensions: sheet: 33.9 x 54.6 cm (13 3/8 x 21 1/2 in.). Medium: lithograph in red on japan paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Kneeling Warrior - I (Kniender Krieger in Abwehr I). Dated: 1914. Dimensions: sheet: 44.7 x 35.7 cm (17 5/8 x 14 1/16 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Standing Female Nude n.d. Formerly attributed to Auguste Rodin French. Standing Female Nude 339724

Winged Putto Crowning a Seated Woman Who Looks Upward. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 9-5/16 x 7-13/16 in. (23.7 x 19.8 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Standing female nude. Leaf 19 Verso from sketchbook IX with 28 sheets.

Apocalypse de Saint-Jean Odilon Redon (French, 1840-1916). Apocalypse de Saint-Jean, 1899. Lithograph on China paper laid down, 10 13/16 x 9 3/8 in. (27.4 x 23.8 cm). European Art 1899

Pablo Picasso / 'End of the Number', 1901, Pastel on canvas, 73 x 47 cm, MPB 4.270. Museum: Museu Picasso, Barcelona.

Figure Diana Ong (b.1940 Chinese-American) Colored Ink Wash

Francois-Auguste-Rene Rodin (12 November 1840 17 November 1917), known as Auguste Rodin, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art. During his later creative years, Rodin's work turned increasingly toward the female form. He concentrated on small dance studies, and produced numerous erotic drawings, sketched in a loose way, without taking his pencil from the paper or his eyes from the model. In July 1906, Rodin was enchanted by dancers from the Royal Ballet of Cambodia, and produced some of his most famous drawings from the experience.

Canto XVII, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Harry N. Abrams, Inc. (American, founded 1949); printed by Smeets Offset (Dutch, founded 1830). Date: 1964. Dimensions: 367 x 290 mm (image/primary support); 430 x 440 (secondary support, closed); 430 x 878 mm (secondary support, open). Color offset lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Roman wall-painting with a mythological subject. Artist: Unknown

Summer (Color Version) 1890-1900 England. Etching, aquatint and lavis in gray and black on ivory laid paper . Theodore Roussel

Reclining Female Nude, 1875 - 1934 Page 17 Recto from sketchbook IX with 28 sheets. The Hague paper. chalk the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure (+ lying)

Decorative figure. Edmond-Fran�ois Aman-Jean (1858-1936). Decorative figure. Pastel.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a woman - costume study for aplay?, Pastel, Blue wove, 38.4 × 27.2 cm (15 1/8 × 10 11/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Giovanni Battista Tiepolo, Hagar and Ishmael in the Wilderness, 1725-35, pen, brush and brown ink and wash over black chalk on paper.

TORERO - SIGLO XX. Author: MANOLO HUGUE (1872-1945). Location: PRIVATE COLLECTION. Barcelona. SPAIN.

Acrylic color on canvas , Artist: Arun K. Mishra Copyright: xArunxMishra/DinodiaxPhotox

Riault the Engraver. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1860. Prints; etchings. Etching and drypoint, with drypoint cancellation

HOMBRE DEL NAVIA. Author: ALVARO DELGADO RAMOS (1922-2016). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Sketch of two women. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 478 mm × w 317 mm. Museum: Rijksmuseum, Amsterdam.

A black chalk and white heightening study by Gustav Klimt depicting multiple men's heads above Romeo for ''Shakespeare's Globe Theater'' at the Wiener Burgtheater, 1886-1887.

Egon Schiele's 1912 work combines pencil, brush, and watercolor on primed Strathmore Japan paper, emphasizing figure and expressive composition with textual inscription.

The artwork 'The Upholstery' by Maximilian Kurzweil, created in 1903, is executed on wooden stick, depicting a detailed study of upholstery.

Anemonies 1897 England. Color etching and aquatint on ivory laid paper . Theodore Roussel

Jules Chéret (1836-1732). "Dancer with a guitar at her feet". Lithography. Museum of Fine Arts of the City of Paris, Petit Palais. 61267-2 Poster, dance, dance, woman, guitar, lithography, show

Umbria Terni Amelia S. Agostino8. Hutzel, Max 1960-1990 Medieval: Romanesque-Gothic church, 14th century, facade renovated 1477. Architecture. Cloister, 13-15th centuries. Wall paintings in sacristy, 13th century. Post-medieval: Interior renovated 1747. Architecture, architectural sculpture, with views of interior, including frescoes, wall paintings, altars, organ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The hanged "(According to a drawing by Victor Hugo, inv. MVHP-D-124). 1854. Photograph by Auguste Vacquerie (1819-1895). Paris, Maison de Victor Hugo. 56437-7 Corpse, drawing, hanging, gallows

Danseuse Edgar Degas (1834-1917/French) Christie's, London

Drawing, Three Studies of Arms; Edwin Howland Blashfield (American, 1848-1936); charcoal, blue and white colored pencil on green wove paper; 75.5 × 56 cm (29 3/4 × 22 1/16 in.)

Self-portrait of the painter Jan Toorop.

Attributed to William Havell, 1782-1857, British, active in India (1820-26), Study of a Groom, Seen from Behind, ca. 1820. Oil on tan paper.

'Pura, la gitana', 1906, Oil on canvas, 81 x 65,5 cm. Author: ISIDRO NONELL. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

DESNUDO-DIBUJO ESBOZADO. Author: Jose Maria Rodriguez Acosta. Location: FUNDACION RODRIGUEZ ACOSTA. GRANADA. SPAIN.

Nude female figure seated with her head resting on her arm. Pastel crayon on wove paper. Date: 1895-1898. Museum: Cooper Hewitt, Smithsonian Design Museum.

VASIJAS DE VIDRIO - SIGLO XX. Author: FRANCISCO ARIAS ALVAREZ (1911-1977). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Hugo, Victor (N.1802-02-26-D.1885-05-22), Untitled Marine Landscape with Rocher (Faith title), 1864. Ink lavis on paper. House of Victor Hugo - Hauteville House.

Painting titled 'At the Museum' by André Masson (1896-1987) French artist of the Surrealism movement. Dated 1958

Simberg, Hugo. 5 cm

Lovers; Amantes. Oswaldo Guayasamin (1919-1999). Oil on canvas. 142.2 x 70.5cm.

Lazio Viterbo Bomarzo Palazzo Orsini8. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); frescoes. Views of exterior and interior, with emphasis on frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Two Fauns and a Cupid', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Figures in the sea. Figures in the sea. Leaf 13 Verso from a sketchbook with 29 sheets.

Embers Glow, 1890-1897. Theodore Roussel (French, 1847-1926). Color etching and aquatint; sheet: 24.5 x 20.8 cm (9 5/8 x 8 3/16 in.).

'Toledo', 1960, Oil on canvas, 250 x 200 cm. Author: RAFAEL CANOGAR. Location: MUSEO DE ARTE ABSTRACTO. BASIN. CUENCA. SPAIN.

Half-naked woman dances for a man. Draughtsman: anonymous. Dating: 1900 - 1970. Measurements: h 503 mm × w 307 mm. Museum: Rijksmuseum, Amsterdam.

Figure study for The Apotheosis of Pennsylvania,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Ce fut un religieux mystère, from the album Amours. Artist: Maurice Denis (French, Granville 1870-1943 Saint-Germain-en-Laye). Dimensions: sheet: 21 1/4 x 16 5/16 in. (54 x 41.5 cm). Editor: Edited by Ambroise Vollard (French, 1866-1939). Date: 1899. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya y Lucientes / 'Mal señal. Album C, 65 ()'. 1808 - 1814. Wash, Brush, Grey-brown ink, Grey ink on laid paper. Museum: Museo del Prado, Madrid, España.

W.Turner, Frau vor dem Spiegel - -

Piero Garino, Horse Jumping over Hudle, Man Falling Off, 1954, Chinese ink and gray wash on paper.

Isadora Duncan', early 20th century. Artist: Auguste Rodin. Francois Auguste Rene Rodin (1840-1917) was a French sculptor generally considered the founder of modern sculpture.

Man with accordion, Leo Gestel, 1920 - 1941 drawing Sitting accordion player, who looks slanted over his thuscher paper. ink brush accordion

Francisco de Goya y Lucientes / '¿Cuantas baras Album C, 125'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines on laid paper. Museum: Museo del Prado, Madrid, España.

A sloop at the shore. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 120 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

1st Exhibition of the Humorists (2nd Version) 1911 France. Color lithograph on cream wove paper laid down on linen . Jean Louis Forain

Edward Strzalkowski, Ghost of Judy, c 1937 Ghost of Judy

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