Figurative Studies

Intricate sketches of mythical and historical figures, displaying exaggerated expressions and detailed anatomy in various styles.

Satirical French postcard from 1903 depicting Napoleon's laughing skull. Sadly, the exact meaning of this rather grim image is not shared... Date: 1903

Lazio Viterbo Bagnaia Villa Lante0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The last German Princely Congress, Caricature on the gathering of the German princes in Dresden on March , Eduard Gustav May -, publisher

Satyr's Head 1566-80 Attributed to Adamo (Ghisi) Scultori Italian. Satyr's Head 346151

Feather drawing on brown paper by an anonymous artist depicting figures chewing, with laved shading, 16th century.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 7 (Bentley 12), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Centaur, Henri van der Stok, 1880 - 1932 print Netherlands paper centaurs

Hitching Post Finial. Dated: c. 1940. Dimensions: overall: 30.3 x 22.6 cm (11 15/16 x 8 7/8 in.) Original IAD Object: 13 1/2" high. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Mask with sagged cheeks, two pointed lower teeth and a dash of curls resting on the nasal root, Frans Huys, after Cornelis Floris (II), 1555 print One of 14 magazines from a series of 18 entitled 'Pourtraicture Ingenieuse de Plusieurs Façons de Masques ...'. The title page is missing. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp (possibly) paper engraving

The Weeping Woman; La Femme Qui Pleure. Pablo Picasso (1881-1973). Etching, aquatint and drypoint on paper. Executed in 1937. 77.4 x 56.8cm

Satirical French postcard from 1903 depicting Napoleon's laughing skull. Sadly, the exact meaning of this rather grim image is not shared... Date: 1903

French Crown, Paris, Huquier, Gabriel, Bouchardon, Edme, Second livre de vases, Vase with masks, verso - stamped, A vase with three masks and shells., print, ornament print, prints, ornament prints, height 197 mm, width 140 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1737, paper, papier, etching, etchings, Work conception, 1698-05-29 - 1762-07-27, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

George Alexander (Gratton), a black boy with white markings. Reproduction of wood engraving.

Lazio Viterbo Bagnaia Villa Lante7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketches of Carved Medieval Bosses 1834 () John Darkin British. Sketches of Carved Medieval Bosses 387634

Mask with sagged cheeks, two pointed lower teeth and a dash of curls resting on the nasal root, c. 1600 - c. 1650 print Leaf belongs to 11 for partly numbered magazines from a series of 18 entitled 'Pourtraicture Ingenieuse de Plusieurs Façons de Masques ...'. It concerns the second edition of a series described under Orn Cat I-78.1 to 11. Netherlands (possibly) paper engraving

Day by day. (2)

Odilon Redon, Le Satyre au cynique sourire (The Satyr with the cynical smile), 1883 Le Satyre au cynique sourire (The Satyr with the cynical smile)

Rustics laughing as they share a bootle of liquor. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.

The letter Y with Saint George and the dragon, The letter Y, in the form of St. Joris who beats the dragon. The left leg of the letter in the form of St. George, dressed as a medieval knight, under his feet, the tail of the letter, the dragon. The right leg of the letter is formed by the king's daughter, who is guarded by an angel behind her, St. George and the dragon: dressed in armor and mounted on a (white) horse. ground), the princess nearby may be shown praying or fleeing, fancy letters, Meester E.S., Germany, 1466 - 1467, paper, engraving, h 153 mm × w 100 mm

Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle 1727 Gaetano Piccini Italian. Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle 345848

OLD MAN COUNTING, by Paul Klee, 1929, Swiss print, etching. Klee's titles are often important to appreciate with his images. This one leads to meditation of aging and mortality (BSLOC_2017_7_25)

Mommie de Ramsés II (Fils du Seti I) au Musée, 19th century, Pascal Sebah, Turkish, 1823 - 1886, 8 5/8 x 6 3/4 in. (21.91 x 17.15 cm) (image, oval)10 1/4 x 7 13/16 in. (26.04 x 19.84 cm) (sheet), Albumen print, Turkey, 19th century

Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (Thedeformed polyp floated on the shores, a sort of smiling and hideous Cyclops. Dated: 1883. Dimensions: image: 21.4 × 20 cm (8 7/16 × 7 7/8 in.) sheet: 54.7 × 36 cm (21 9/16 × 14 3/16 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Crowned coat of arms with the lion of Saint Marcus; Numismata virorum illustrium ex Barbadica Gente. A Console with a crowned coat of arms of the Barbarigo family, held by the lion of Saint Marcus. The winged lion was the symbol of the Republic of Venice. In addition, the motto: a victoria. The print is part of an album.

Wood Chopper Puppet. Dated: c. 1937. Dimensions: overall: 35.7 x 25.6 cm (14 1/16 x 10 1/16 in.) Original IAD Object: 5 3/4" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Bertha Semple.

Three studies and crucifix for the graphics "Konstanty Potocki on the" Mierci "; verso: sketch of a woman sitting; Care, Ignacy (1865-1941); 1912 (1912-00-00-1912-00-00);Potocki, Konstanty (1848-1909), Potocki, Konstanty (1848-1909)-iconography, female acts, crucifixes, unknown (provenance), Poland (culture), men's portraits, posthumous portraits, Polish drawings, Polish studies, graphics studies, death bed

Male term with headscarf and cloak, anonymous, after hugues sambin, 1572 print Nummered at the top left: 14. According to the explanation on page 16, this is the Tuscan order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)

Amsterdam, Picart, Bernard, Vignette with a mascaron, two birds and leaf tendrils, verso - stamped, print, ornament print, book illustration, prints, height 45 mm, width 178 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, letterpress

Jester. Dated: c. 1938. Dimensions: overall: 46.7 x 31.2 cm (18 3/8 x 12 5/16 in.) Original IAD Object: 20" high. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elmer Weise.

Ornament of Satyr's Head and Wreath, 1543. Hans Sebald Beham (German, 1500-1550). Engraving;

Mask with beard and mustache with curls, a tag curls rest on the nose root; Pourertricure ingenious the plusieurs facons de masques .... Leaf belongs to 11 in part numbered magazines from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. It concerns the second edition of a series described under Orn Cat I-78.1 to 11.

Wood Carving. Kazumasa Ogawa (Japanese, 1860 - 1929)

A Human Skeleton, James Ward, 1769-1859, British, undated, Graphite and brown ink and brown and gray wash; verso: watercolor on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper, Sheet: 9 7/8 x 10 7/8 inches (25.1 x 27.6 cm) and Mount: 13 1/4 × 12 inches (33.7 × 30.5 cm), skeleton, still life

OLD NORSE CAPITAL, THE OCTAGON, TRONDHJEM CATHEDRAL. Trondheim, historically, Nidaros and Trondhjem, is a city and municipality in SËr-TrËndelag county, Norway.

Sir David Young Cameron, 1865-1945, British, An Egyptian Mirror, 1909. Etching.

Ship's Figurehead. Dated: c. 1941. Dimensions: overall: 41.8 x 30 cm (16 7/16 x 11 13/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Alice Cosgrove.

Study for the Virgin and child with a cat by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Doll - "Elissa". Dated: c. 1938. Dimensions: overall: 42.7 x 29.4 cm (16 13/16 x 11 9/16 in.) Original IAD Object: 12 1/2" high. Medium: watercolor, gouache, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rex F. Bush.

Gautier, Jean-Baptiste, Essai d'anatomie en tableaux imprimés: Figure 2, Male head of which the muscles can be seen: bust to the right, with detail of eye, print, prints, height 440 mm, width 330 mm, French, 1775 - 1825, print maker, 1745 - 1745, second quarter 18th century, paper, papier, mezzotint

Hood; around 1660-OK. 1670 (1600-00-00-1699-00-00);

Lazio Viterbo Bolsena Palazzo del Drago6. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francisco de Goya y Lucientes / 'Trust'. 1797 - 1798. Red wash, Red chalk on grey laid paper. Museum: Museo del Prado, Madrid, España.

Satyr Mask with an Indented Snout and a Wreath of Oak Leaves, from Divers Masques. Artist: François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.2 cm). Publisher: Published by Jacques Van Merlen (Flemish, Antwerp 1616-1682 Paris). Series/Portfolio: Divers Masques. Date: ca. 1635-45.From a series of nineteen plates with grotesque masks dedicated to Jean de Leins, goldsmith to the Queen of England and published by Jacques van Merlen in Paris. The plates are not numbered and appear in various orders. Museum: Metropolitan Museum of Art, New York, USA.

Figurehead "S.S. Robert Fulton". Dated: 1935/1942. Dimensions: overall: 35 x 24.3 cm (13 3/4 x 9 9/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Louis Plogsted.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo41. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Man looks into an empty jug. .

Carved Dog's Head. Dated: c. 1937. Dimensions: overall: 30.2 x 21.9 cm (11 7/8 x 8 5/8 in.) Original IAD Object: 7 3/4" high; 5 5/8" wide; 5 3/4" deep. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Vera Van Voris.

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24 Made 1896 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Odilon Redon

LEIVA, ANTONIO DE. MILITAR ESPAÑOL. 1480-1536. GRABADO DE " VARONES ILUSTRES ". BIBLIOTECA NACIONAL MADRID.

5 - It's all fixed! , Men, 19th Century American Trade Cards

Rubens, Peter Paul, Antwerp, Pontius, Paulus, The drawing book of Peter Paul Rubens, Anatomical studies of arms, print, prints, height 319 mm, width 211 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Thinking of Murder (Auf Mord bedacht) Ernst Barlach (German, 1870-1938). Thinking of Murder (Auf Mord bedacht), 1912. Lithograph on heavy wove paper with deckled edges, Image: 9 x 11 3/8 in. (22.9 x 28.9 cm). European Art 1912

Anatomical fugitive sheets

Monk Gazing Upward (Mönch mit Erhobenem Blick). Dated: 1916. Dimensions: plate: 11.6 x 8.6 cm (4 9/16 x 3 3/8 in.) sheet: 31.8 x 24 cm (12 1/2 x 9 7/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

CABEZA DE MARIE-THERESE - 1933 - PUNTA SECA Y MONOTIPO/COBRE- CORTESIA DE LA SEEI - MARTI GASULL. Author: PABLO PICASSO. Location: SEEI. MADRID. SPAIN. PICASSO MUJER DE. WALTER MARIE THERESE.

Sebald Beham, Ornament with a Mask, 1543 Ornament with a Mask

Seated Female (related to the painting Sister of Charity) 1902 France. Transfer drawing in black ink on ivory wove paper . Paul Gauguin

Skeleton Study Daniel Huntington (American, 1816-1906). Skeleton Study, ca. 1848. Black and red crayon and white chalk on beige, medium-weight, slightly textured wove paper, Sheet: 20 3/16 x 10 3/8 in. (51.3 x 26.4 cm). When Daniel Huntington made this drawing, he was a highly regarded painter in New Yorks cultural world. Portraiture was his dominant output, but here his technical expertise as a draftsman is evident. Skeleton Study is based on the figure of a dancing male faun from a Hellenistic sculpture. Knowing the correct structure of the skeleton underlying the bodys flesh is central to anatomical drawing and a key principle in the academic tradition. American Art ca. 1848

Ancient objects from the cemeteries of the Huacas. Chiriquí, Costa Rica, South America. Old 19th century engraved illustration from La Nature 1888

Liagno, Teodoro Filippo di, The Hague, Hondius, Hendrick (I), Animal skeletons, Skeleton of a crow, verso - stamped, The skeleton of a standing crow in a landscape.. At the bottom a two-line text in Latin. Print from a series with representations of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, prints, lb: Kraey, Corneille; mo in frame: CORNIX elangenti pluviam cum voce...mortis eras. ro 6, height 155 mm, width 96 mm, Northern Dutch, 1573-06-09 - 1650-10-25, print maker, 1625 - 1626, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, Italian

Samuel Ireland, active 1760-died 1800, British, Skeletons with an Hour Glass.

Netherlands, Kermisprent from 1822: a man dressed as a monkey performs gymnastic tricks, verso - stamped, A man dressed as a monkey and a boy in circus clothes performing various acrobatic tricks. Probably in connection with a fair or circus from 1822., print, prints, Frederik Muller Historieplaten, height 237 mm, width 352 mm, print maker, printmaker, 1822 - 1822, paper, papier, etching, etsen

Par la fente du mur, une tête de mort fut projetée from the series Le juré. Dimensions: 44 cm x 31.7 cm, 18.2 cm x 15.2 cm, 18.2 cm x 15.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

nude woman with laurel and jester's cap, Richard Muller (1874-1930), Historic, digitally restored reproduction from a 19th century template.

Honoré Daumier, Le deux grands ducs racontant Inkermann, 19th century Le deux grands ducs racontant ...Inkermann

The thirty-seven nats No. 3. Hnamàdawgyí nat. No. 4. Shwé Nabé nat.. Illustrations. 1906. General Research Division. Religion , Burma, East Indian lotus , Burma, Elephants , Burma

The Only Medicine Man Permitted to Dance by Rufus Alexander Grider, (1817-1900), USA, Chicago, Newberry Library

Skull Manuel Manilla (Mexican, 1830-1895). Skull, printed and published 1971. Relief engraving on paper, 14 7/8 x 11 in. (37.8 x 27.9 cm). European Art printed and published 1971

Louvre Museum, gallery of drawings, Heads of study by Rubens, vintage engraved illustration. Magasin Pittoresque 1867.

Skeleton Head & Torso Manuel Manilla (Mexican, 1830-1895). Skeleton Head & Torso, printed and published 1971. Relief engraving on paper, 14 7/8 x 11 in. (37.8 x 27.9 cm). European Art printed and published 1971

Zwevende figuur met twee roofvogels; Eros; Twaalf houtsneden.An androgyn figure floats above a gap with two narrow bridges. There are two birds of prey and around the agent is a snake. At the top of the word 'eros'. Left on one of the bridges a woman is looking at the figure.

De Buddha, Odilon Redon, 1895 print A figure, seen from the front, standing in the water. There is a black sphere in his cloak. print maker: Franceprinter: Paris . Buddha, founder of Buddhism

Loose tile from pilaster with decor in manganese, face of man or boy, chimney pilaster tile pilaster footage fragment ceramic earthenware glaze tin glaze, baked 2x glazed painted Loose tile from pilaster with decor in manganese on white ground The image is face with stylized cheekbones and hairstyles ( ram's horns) possibly capital. Marked at the rear Written and improved: 2 2

The First Book of Urizen, Plate 3 (Bentley 22), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 1/8 x 4 inches (15.6 x 10.2 cm), and Spine: 10 1/4 inches (26 cm), beard, chain, fire, flames, literary theme, men, nudes, religious and mythological subject, shackle

Man in Room: Self Portrait Walter Gramatté (German, 1897-1929). , 1923. Etching, sheet: 21 x 15 in. European Art 1923

The skull of a black man, with two smaller sketches of heads of black people. Pencil drawing by C. Landseer (), or a contemporary, ca. 1815.

Robert Wallis, 1794-1878, British, Sinai's Thunder, 1837. Line engraving, engraver's proof.

Three human skulls, study for "Democritus in Meditation" 1662 Salvator Rosa Italian. Three human skulls, study for "Democritus in Meditation" 341571

Deformed caricature heads of a man with hat (Dante) And Woman, Wencslaus Hollar, After Leonardo da Vinci, 1645 print paper etching disabilities, deformations. caricatures (human types). head-gear: cap (+ men's clothes)

Mask with wings instead of ears and a headdress in the form of a shell, Frans Huys, After Cornelis Floris (II), 1555 print One of 14 magazines from a series of 18 entitled 'Pourtraicture Ingenieuse de Plusieurs Façons de Masques ...'. The title page is missing. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp (possibly) paper engraving

One of 14 sheets from a series of 18 titled 'Pourtraicture ingenieuse de plusieurs faons de masques...'. The title page is missing., Mask with wings instead of ears and a headdress in the shape of a shell Pourtraicture ingenieuse de plusieurs facons de masques... (series title), print maker: Frans Huys, Cornelis Floris (II), publisher: Hans Liefrinck (I), print maker: Netherlands, (possibly), Netherlands, (possibly), publisher: Antwerp, (possibly), 1555, paper, engraving, h 124 mm × w 146 mm

Portrait of a wife made a slave, Jan Brandes, 1779 - 1785 drawing Pencil sketch, portrait of a slave -made woman. See part 2, p. 108 (next page). Part of Jan Brandes' sketchbook, dl. 2 (1808), p. 107. Jakarta paper. pencil slavery; serfs and the enslaved. historical persons not known by name - BB - woman

Masque, Peabody Museum , Wood carvings, Masks. The Massachusetts WPA Federal Art Project Photograph Collection

Slave portrait. Pencil sketch, portrait of a slave girl. See part 2, p. 108 (next page). Part from Jan Brandes, DL sketchbook. 2 (1808), p. 107.

Man looks into an empty jug. .

Lazio Viterbo Caprarola General views. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This 1918 image illustrates the Cyclops named Polyphemus preparuing to eat two of Odysseuss men. In the epic poem Odyssey, which is credited to the Greek poet Homer, the hero Odysseus (also spelled Ulysses) and his men, on their way home to Ithaca from the Trojan War, are captured by Polyphemus, a Cyclops or one-eyed giant. Polyphemus eats six of the men (seen here, getting ready to eat two) and says he will eat them all. Odysseus escapes by giving the Cyclops strong wine. The Cyclops falls

Carved Cat Head Gargoyle. Dated: c. 1936. Dimensions: overall: 27.8 x 35.6 cm (10 15/16 x 14 in.) Original IAD Object: 8 1/2" high; 10 1/2" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Alton K. Skillin.

Drawing, Study for Christ, Chancel of St. Bartholomew, New York; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and purple watercolor with white gouache, graphite on paper; 21 × 14 cm (8 1/4 × 5 1/2 in.); 1914-38-29

Mask with wings instead of ears and a headdress in the shape of a shell; Pourertricure ingenious the plusieurs facons de masques .... Leaf belongs to 11 in part numbered magazines from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. It concerns the second edition of a series described under Orn Cat I-78.1 to 11.

A skeleton dressed as a military figure (vignette for the feast of the dead) ca. 1890-1910 José Guadalupe Posada. A skeleton dressed as a military figure (vignette for the feast of the dead). José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Metal-plate engraving. Prints

A copper engraving by Marcantonio Raimondi from around 1500-1510 depicting a scene of death, showing human figures in detailed composition and narrative setting.

Fetishes that reproduce the conformation of the indigenous head in the village of Petit Talibonche, Guinea. West Africa. Journey to the Baga and Rio Nunez countries 1884-1885 by Lieutenant Andre Coffinieres de Nordeck (1866 - 1908) Le Tour du Monde 1886

Gustave Doré (1832-1883), designer and Auguste Henri Pophilat (born in 1828), engraver. "Le Maistre Myre." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101791-4 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Diane d'Ephèse. Vatican. James Anderson (British, 1813 - 1877)

Jug. Dated: c. 1940. Dimensions: overall: 22.8 x 29.2 cm (9 x 11 1/2 in.) Original IAD Object: 7 1/4" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Frank Fumagalli, Grotesque Jug, c 1936 Grotesque Jug

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