Figurative Studies of Male Nudes

Artistic sketches and studies of male nudes in various poses, focusing on anatomy and form, with detailed shading and outlines in different artistic techniques.

Standing male nude, seen from the back, Johannes Ziesenis, 1790

Composition with arms and legs, roubillac, c. 1780 print France paper etching drawing, sketch. legs. arms

Drawing, Nude Angel, Angel's Arm, and Drapery Studies, Study for "Mercy's Dream"; Daniel Huntington (American, 1816-1906); USA; graphite, pen and black ink, white chalk on blue wove paper; 54.5 x 37.5 cm (21 7/16 x 14 3/4 in.); Bequest of Erskine Hewitt; 1942-50-109

Drawing example of a sitting male nude to the left, Pieter de Jode (I), 1629 print Ticky example of a sitting male nude to the left. This print is part of an album. paper engraving sitting figure. human figure of ideal proportions, e.g. academic nude

Study of a naked standing man leaning against a block. .

Apollo Belvedere Signorum Veterum Icones I , print maker: Jan de Bisschop, (mentioned on object), anonymous, intermediary draughtsman: Willem Doudijns, (mentioned on object), Northern Netherlands, 1663 - in or before 1668, paper, etching, h 222 mm × w 112 mm

Dancing man with knife, Salomon Savery, after Pieter Jansz Quast, 1630 - 1665 print The print is part of a twelve -part series of prints with performances by farmers. Amsterdam paper engraving / etching man dancing alone. hacking and thrusting weapons: dagger

Aurora, the personification of the morning, lying on a canvas, Aurora lying on a canvas Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Michelangelo, (mentioned on object), intermediary draughtsman: Francesco Salviati, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 233 mm × w 150 mm

Statue of Neptunus, John Baptist Jackson, After Giammologna, 1745 print paper (story of) Neptune (Poseidon)

Lying manly naked, seen on the back. Draughtsman: Hendrik de Flines (mentioned on object). Dating: 1780 - 1789. Measurements: h 304 mm × w 514 mm. Museum: Rijksmuseum, Amsterdam.

Apollo; Goden in nissen.The God Apollo stands on his solar car in a niche. Numbered at the bottom right: 11.

Etching by Jean Aubert depicting a male act, created in 1738, showing human figure and anatomy study.

Siegfried notices Brunhild. Studies of hands. Thoma, Hans (1839-1924), draughtsman, cartoonist

Standing male nude, bent forward, seen from behind, Jean Grandjean, 1765 - 1781 drawing prepared paper. chalk standing figure

Seated Male Nude n.d. Louis Lagrenée French This sheet is of a kind sometimes called an academy, that is, a carefully executed drawing of a nude in a studio pose. Although academies were standard exercises for young artists, they were also produced by established draftsmen like Lagrenée, who was a professor at the Académie Royale at the time this drawing was made.As was typical, the model assumes a posture inspired by other works of art. The brooding expression and arrangement of the legs recall figures by Michelangelo, making Lagrenée's drawing both a study of the pose from life and an homage to the earlier master. The sharp contour and compact musculature give the figure a sculptural quality which is further enhanced by the hatching used to describe the volumes of the body and the shadows cast by the left arm and right leg.. Seated Male Nude 337518

Statue of Caesar Augustus; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of Emperor Caesar Augustus, naked with a command stove in his hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Standing male nude. Standing male nude. No 34.

Daege Eduard (1805-1883), figure drawings (1826): Connection drawing. Coal on cardboard, 65.9 x 47.6 cm (including scan edges)

Faun or satyr, after a Roman statue. Illustration from supplement to 'L'antiquité expliquée et representée en figures'; (vols. 1-15, Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology.

Sleeping young man, Adamo Scultori, After Michelangelo, c. 1585 print Numbered below: 64. Print Maker: ItalyaFter Painting by: Vatican City paper engraving sleeping; unconsciousness

Hercules and Antaeus, Palazzo Pitti, Florence, John Flaxman, 1755-1826, British, 1787, Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Etching by Pierre Mignard from 1630-1695 depicting a figure study, showing human forms, gestures, posture, and anatomical details.

Alphonse Legros, Torso, French, 1837-1911, graphite on laid paper

Study of a Male Nude, Nicola Consoni, Italian, 1814 - 1884, Black and white crayon on paper, Standing male nude with lowered head and raised left arm., Italy, 1842, figures, Drawing, Drawing

Nude Male Figure with Upraised Right Arm 1550-60 Girolamo Romanino Italian The historical attribution of this drawing to Romanino is due to the Milanese Eighteenth-century collector and connoisseur Sebastiano Resta, who annotated the sheet on top "Gerolamo Romanino Prattico / Pittore Bresciano" (Resta's autography was recognized by Carmen Bambach and endorsed by Alessandro Nova in 2005, see here Bibliography). Jacob Bean accepted Florence Kossoff's proposal that this might have been a preparatory study for the figure of Adam in the scene of Christ's Descent into Limbo, painted by Romanino between 1534-35 in a fresco cycle for the church of Santa Maria della Neve, Pisogne. The drawing, like the Pisogne fresco, probably dates from the last decade of Romanino's life (the previously published date of ca. 1574 seems incorrect in view of the artist's probable death date). In Carmen Bambach's opinion, the resemblance between the drawing and Pisogne fresco seems generic rather than direct; the

Man with two gesels, anonymous, after Willem Danielsz. Van Tetrode, 1550 - 1625 print A naked man, seen from the front, has stuck two gesels. He keeps his left arm in the air. Low Countries paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Sitting male nude, seen from the side (2nd prize 1788), Jacob Smies, 1788 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

A Nude Throwing. Henry Fuseli (Johann Heinrich Fussli) (1741-1825). Pen and brown ink. 30.5 x 24.7cm.

Statue of Apollo with bow in hand, 1636 - 1647 print Statue of Apollo with a bow in hand and a laurel wreath on the head. Next to him the snake as a reference to his victory over the Python. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Flayed man seen from behind, holding a rope ca. 1531-76 Giulio Bonasone Italian. Flayed man seen from behind, holding a rope. Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). ca. 1531-76. Engraving. Prints

Olympus naked seated on a tree stump holding pipes, set within a niche ca. 1515-27 Marco Dente Italian. Olympus naked seated on a tree stump holding pipes, set within a niche 342881

Statue of Alexander the Great, Alexander III of Macedon, 356BC-323BC. Nude with helmet, mantle, holding a baton in his left hand. Alexandre le Grand. Copperplate drawn and engraved by Pierre Buillon from Jacques Bins de Saint-Victor's Musée des antiques, H. Nicolle, Paris, 1810-1821. Pierre Bouillon (1776 1831) was a French painter and engraver.

Statue of the young Marcus Aurelius; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of the young Marcus Aurelius, a cloak over the shoulders, with a bullet in his left hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

François Perrier, The Borghese Gladiator, side view, turned to right (plate 28), 1638 The Borghese Gladiator, side view, turned to right plate 28

An écorché seen from the back. Red-chalk drawing, 17th century.

Napoli - Museo Nazionale - fauno dormiente , Sculpture, Antiquities, Supernatural beings, Sleeping, Fauns Roman mythology. Nicholas Catsimpoolas Collection

Sitting male nude, seen on the back (3rd prize 1791), Hendrik Bitter, 1791 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Kneeling man with beard in loincloth. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 339 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Standing male nude, Benoit Taurel, 1818 print Standing male academic nude, with a fist and a staff in his hand. Paris paper engraving human figure of ideal proportions, e.g. academic nude

Figure of Faunus, horned Roman god of the forest, with a child, leaning on a tree stump.. Faunus from an antique statue at Rome. Handcoloured copperplate engraving after Francois Perrier from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Putto With Drapery, William Williams (England, active 1763 - 1800) 1798

Statue of a Sater, Michel Natalis, 1640 print The statue of a satap, in one hand he holds a grape voucher, with his other he raises a wine cup. The skin of a goat hangs over his shoulder, in his hair he carries extractor leaves and grapes. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving satyr(s) (in general). bunch of grapes. monument, statue. piece of sculpture, reproduction of a piece of sculpture

Male Arm, Flora M. Dow, Charcoal on paper, Vertical rectangle. Drawing of a male arm, hand clenched, from a cast (possibly the Borghese Warrior in the Louvre)., USA, ca. 1896, figures, Drawing, Drawing

Rembrandt van Rijn (1606-1669), sitting male model, 1646

Drawing, Study of a nude; Ubaldo Gandolfi (Italian, 1728 - 1781); Italy; red and white crayons on light brown paper

Becker, Adolf von, Selin standing nude male model, carbon, drawing, FIGURE; man; quid; nude; full body; back, 61.5 cm x 46 cm

Study magazine. Poster of plate with studies of a male nude model, a naked boy with a fishing rod, a beef and a kneeling girl in antique gestation.

Venus with fruit in her hands, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of Venus, the goddess of love, naked, seen on the back. In her right hand she keeps fruits and leaves. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving (story of) Venus (Aphrodite). piece of sculpture, reproduction of a piece of sculpture

Standing male nude, seen on the back (2nd prize 1803), Johann Joseph Schwachhofer, 1803 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Allegorical figure, summer (), Anonymous, 1540 - 1599 drawing Low Countries paper. ink pen

Three studies of male figures. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Men , Anatomy

Diogenes seated in his barrel holding a bowl with both hands to the right, drawn in red chalk by Pietro da Cortona around 1630.

Act of a sitting man; Carrier-Belleuse, Albert Ernst (1824-1887); around 1840 (1801-00-00-1900-00-00);Lubomirski, Henryk (1905-1986 - Jesuit), Lubomirski, Kazimierz (1869-1930), Vente Carrier Belleuse (Auction - Paris - 1887), Acts, Men's acts, French drawings, academic study, purchase (provenance)

Study of a floating putto. Study into the suspended patch of a floating putto.

Sitting male act with hat, Gustav Klimt -, artist

Standing Male Nude Seen from the Front. Date: March-May 1886, Paris. Dimensions: 47.3 cm x 31.0 cm. Museum: Van Gogh Museum, Amsterdam.

Statue of a follower of Bacchus; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a male follower of Bacchus, in his one hand a stick, in the other hand a grape food. With his left door he rests on a tree trunk. Under the tree trunk Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Study of the Good Thief. Albrecht Dürer (German, 1471 - 1528)

Oil painting of a standing putto holding a shell above the head, on brown primed paper, showing figure, posture, gesture, and highlights, with edges partially visible.

Musica; Musica Inventor Fuit Orpheus et Linus; The seven liberal arts. Music personification (Musica), a naked woman, sitting, left, with flute and music book in your hands. There are various string instruments on the ground (lute, violin); In addition to her a cheese organ.

Standing male nude, seen from the front (3rd prize 1773), Abraham Pietersz. Hulk, 1773 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing man hand in the side and basket on the head, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. ink pen / brush

Female Torso From a Plaster Cast, Daniel Huntington, American, 1816-1906, Black chalk, white chalk on cream wove paper, Nude female torso, facing frontally, leaning slightly to left. Light source to left. Arms, head, and lower legs missing., Rome, Italy, 1840, figures, Drawing, Drawing

Sculpture of a shepherd; Pastoris Signum Marmoreum Romae Inuilla IULY III PONT. Max; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Athene, Statue of young man from Anticythera NM Athens, Statue of young man from Antikythera, top left verso - handwritten on cardboard with pen and black ink, photograph, photo, photos, 34., height 274 mm, width 215 mm, height 328 mm, width 239 mm, photographer, 1895 - 1915, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, cardboard, carton, collotype, photoprint

Bliżej Kultury Hanfstaengl, Fr.

Drawing, Female Nude on a Stool; Daniel Huntington (American, 1816-1906); United Kingdom; black crayon and white chalk on light green wove paper ; 57.4 x 37.2 cm (22 5/8 x 14 5/8 in.); Bequest of Erskine Hewitt; 1942-50-8

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Chalk drawing by Francesco Bartolozzi depicting a male act, executed in red and white chalk on brownish paper.

Der römische Gott Apollo, Marmorstatue aus dem Museo Clementino, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Ja...

Little London model , Artists' models. James McNeill Whistler (1834-1903). Lithographs

Seated male nude, seen from the front (2nd prize 1810), J. Uittenbogaardt, 1810 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

The Michelangelo of the Rijksmuseum, Anonymous, 1897 photomechanical print Print with title and caption, addition to 'De Kroniek'. Signed and dated. Amsterdam paper piece of sculpture, reproduction of a piece of sculpture

Job (1st plate) , Biblical events, Job Biblical figure, Alphonse Legros (1837-1911)

A Heroic Male Nude. Dimensions: sheet: 26 x 18.9 cm (10 1/4 x 7 7/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bertel Thorvaldsen (circle of).

Print from Drawing Book. Dated: c. 1610/1620. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Luca Ciamberlano.

The Image Seen by Nebuchadnezzar. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 4 5/16 × 3 1/16 in. (10.9 × 7.8 cm). Date: 1655. Museum: Metropolitan Museum of Art, New York, USA.

Halonen, Pekka, work, Man's torso from the back, student work from plaster sculpture, 1886, charcoal, drawing, 50 cm x 32 cm

Two wrestling men Signorum Veterum Icones I , print maker: Jan de Bisschop, (mentioned on object), anonymous, intermediary draughtsman: Willem Doudijns, (mentioned on object), Northern Netherlands, c. 1663 - in or after 1668, paper, etching, h 173 mm × w 153 mm

Eutichio Ajello / 'Orestes and Pylades or The San Ildefonso Group'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Statue of the Dancing Satyr. Unknown maker

Bust of a man with a bare shoulder, Johann Heinrich Schönfeld, 1686 - 1724 print paper etching head (human)

Sitting male nude, seen from the side (3rd prize 1775), Egbert van Drielst, 1775 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Sketchbook card; Makowski, Tadeusz (1882-1932); 1908-1910 (1908-00-00-1910-00-00);

NEGRO DEL MONTE DE MANILA (COLO O JOLO) - TINTA AGUADA - SIGLO XVIII - EXPEDICION MALASPINA - 225X165 mm - NºINV 2305. Author: JUAN RAVENET (1766-1821). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Sculpture of Creugas, Vatican, James Anderson, After Anonymous, c. 1857 - c. 1875 photograph This photo is part of an album. Vatican Museums paper albumen print piece of sculpture, reproduction of a piece of sculpture Vatican Museums

Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues ..." 1817 Angelo Testa The statue is in the collection of the Hermitage where it entered in 1815. It was formerly in the collection of Josephine de Beauharnias in the Castle of Malmaison near Paris, as noted on this engraving.. Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues ...". Angelo Testa (Italian, born ca. 1775). 1817. Engraving and etching. Prints

Statue of a naked boy with torch, 1636 - 1647 print Image of a naked young man with a torch in his vast right hand and two fruits in his left hand. Perhaps Apollo on the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Lying male nude with raised arm, Derk Anthony van de Wart, 1796 drawing Lying male naked, the right arm raised. Right: no. 103. paper. chalk lying figure

Standing male nude, Lubertus Teunis van Deth, 1844 print . engraving / etching human figure of ideal proportions, e.g. academic nude

Untitled (Figure of a Man) Salvator Rosa (Italian, 1615-1673). , n.d. Ink and graphite, sheet: 14 1/8 x 9 in. (35.9 x 22.9 cm). European Art n.d.

Standing male naked with clenched fists, anonymous, 1842 drawing paper. chalk standing figure

Bull Gustav (1807-1880), female act (without dat.): Sitting act. Chalk on cardboard, 38.4 x 30.1 cm (incl. Scan edges) Stier Gustav (1807-1880): Weiblicher Akt

The Greek god of love : his Roman equivalent is CUPID. Here he is pointing a bow and arrow at a victim.

Egyptian statue of the goddess Isis with throne headdress, in hard granite with red spots. Found in the Gardens of Sallust. Copperplate engraving by Giacomo Bossi after an illustration by D. A. from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Theatre Royal, Haymarket, Between 1775 and 1800. Etching and line engraving on moderately thick, moderately textured, cream laid paper.

Arthur-Joseph Guéniot (1866-1951). Academy of standing man, from the front, turned to the left, the tight left fist (workshop model). Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Studies for Thieves on the Cross (recto), Sketch of Figures (verso). Attributed to Pietro Testa; Italian, 1611/12-1650. Date: 1637-1650. Dimensions: 186 x 176 mm. Pen and brown ink, with traces of red chalk and graphite (recto), and graphite and red chalk (verso), on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Albrecht Dürer (German, 1471-1528), Saint Sebastian Bound to the Tree, 1500-1501, engraving

Punchinello , Clowns, Punchinello Fictitious character. George Bellows (1882-1925). Prints and Drawings

of 3