Figurative Studies of Male Nudes

Artistic sketches and studies of male nudes in various poses, focusing on anatomy and form, with detailed shading and outlines in different artistic techniques.

Standing male nude, seen from the back, Johannes Ziesenis, 1790

Standing male nude, Jan Kamphuysen, 1780 - 1800

Standing male nude, seen from the back, Johannes Ziesenis, 1790

Paris with Golden Apple in Left Hand, for the Troy Triptych (sketchbook #2638) 1863-1877 England. Graphite on ivory wove paper . Sir Edward Burne-Jones

Nude studies of wife and man, seen on the back, Jan Brandes, After Jacob de Wit, 1787 - 1808 drawing Double folded leaf with schematic figure studies of standing naked woman and man, seen on the back. With all kinds of proportions and dimensions. Copied from an example book. Vissebo paper. pencil brush standing figure. standing figure (canon, proportions) - AA - female human figure

Standing male nude, from the front, the left arm stretched to the left, Christiaan Andriessen, 1812 drawing paper. chalk

Standing male nude, seen from behind, Gerard Allebé, 1818 - c. 1900 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Male Nude, from Before, August Allebé, 1848 - 1927 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Alfred Stevens, Academic Figure Study: Male Nude Holding a Staff, 1844, charcoal and stumping on beige laid paper.

Study of a Male Nude 1636-1672 Holland. Red chalk, over traces of charcoal, ruled in pen and brown at edges, on cream laid paper . Adriaen van de Velde

Mars, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The God Mars, seen on the back, stands in a niche with a shield and a sword. paper engraving (story of) Mars (Ares)

Personification of Beauty, Arnold Houbraken, 1688 - 1700 print A naked female figure as a personification of beauty, with a sphere in her right hand on a chain and a passer and a lily branch in her left hand. A jet wreath in the background. Print of part 1 of a series of prints with emblems, in total consisting of three parts with 23, 17 and 20 prints respectively. paper etching Beauty; 'Bellezza' (Ripa) (+ nude). flowers: lily. circle symbolizing God's perfectness. measuring-instruments

Standing male nude, seen on the back (1st prize 1803), Jan Willem Pieneman, 1803 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, seen on the back (1st prize 1793), Harmanus Jansz. Vinkeles, 1793 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, seen from the front (2nd prize 1786), Thomas van der Beek, 1786 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Statue of a Gladiator, Michel Natalis, After Joachim von Sandrart (I), 1640 print Statue of a gladiator with a helmet on the head and in both hands an hilt of a sword. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving male persons from classical history (+ full length). helmet. fight of gladiators (+ variant). monument, statue. piece of sculpture, reproduction of a piece of sculpture

A pencil drawing by Rudolf Weyr depicting a standing male nude figure with a supported left arm, emphasizing anatomy, posture, and proportion.

Drawing, Male Nude with One Foot on a Step; Daniel Huntington (American, 1816-1906); United Kingdom; graphite support: green wove paper; 47.2 x 34.6 cm (18 9/16 x 13 5/8 in.); Bequest of Erskine Hewitt; 1942-50-236

Standing male naked with raised arm, to the right, anonymous, 1826 drawing paper. chalk standing figure

Standing male nude leaning on a block, seen from the front. .

Sitting male nude, seen from the side (2nd prize 1770), Anthony Andriessen, 1770 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male naked, seen from the front. Draughtsman: anonymous. Draughtsman: A. Waterloo (attributed to). Dating: c. 13-Mar-1827. Measurements: h 545 mm × w 373 mm. Museum: Rijksmuseum, Amsterdam.

Sitting male naked, with arm raised ..

Standing male nude.

Standing male naked, with stick, to the left. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 568 mm × w 404 mm. Museum: Rijksmuseum, Amsterdam.

Apollo Belvedere, Jan de Bisschop, after anonymous, after Willem Doudijns, 1663 - in or before 1668 print Northern Netherlands paper etching (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Standing male nude, bent to the right, anonymous, 1770 drawing paper. chalk standing figure

Male act, Karl Wiener -, artist

Study of male nude, sitting with extended arm, draughtsman: Louis Fabritius Dubourg, 1703 - 1775, paper, h 305 mm × w 229 mm

Figure study of standing nude. Draughtsman: Jean Augustin Daiwaille. Dating: 1810. Measurements: h 538 mm × w 394 mm. Museum: Rijksmuseum, Amsterdam.

Drawing after Male Statue Leaning on Tree Trunk. Artist: Anonymous, French, 18th century. Dimensions: 5 15/16 x 3 11/16 in. (15.1 x 9.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Pythian Apollo, patron of Delphi, with lyre. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Faun met kind, Richard Collin, after Joachim von Sandrart (I), 1677 print Image of an image of a naked faun with a child on his arm. paper engraving piece of sculpture, reproduction of a piece of sculpture. satyrs, fauns, Sileni

Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck. Artist: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp); After Jacques Jonghelinck (Netherlandish, Antwerp 1530-1606 Antwerp). Dimensions: Sheet (Trimmed): 9 13/16 × 6 7/16 in. (25 × 16.4 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: 1586.One of eight numbered plates from the series 'Statues of Roman Gods', after Jacques Jonghelinck. The plates illustrate Bacchus and the seven planetary gods and was originally displayed in the town hall of Antwerp. The series was published by Philips Galle in 1585 in Antwerp and again in 1586. Museum: Metropolitan Museum of Art, New York, USA.

Figure sitting in clouds; Sketch sheets with figure studies.

Copper engraving by Francesco Villamena depicting Hercules, the classical hero, showing figure, muscular form, club, and mythological composition, 1526-1624.

Study towards a classic image. Draughtsman: Gerard Allebé (possibly). Dating: 10-Jan-1827. Measurements: h 534 mm × w 376 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Simmler, Józef (1823 1868)

Sculpture of a Gladiator, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a naked man with a handle and sheath of a sword in his hands. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture

Standing, naked woman, Adrien de Witte (attributed to), 1860 - 1913 print paper etching the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Print from Drawing Book, c. 1610/1620, engraving, Bartsch 1802-1821, no. 167.70, Luca Ciamberlano (artist) Italian, 1580 - 1641

Standing male naked with raised right arm, seen on the back, Jean Grandjean, 1765 - 1781 drawing paper. chalk

Sitting male nude, seen from the side (3rd price 1780).

Standing male nude with raised arm, to the left. Draughtsman: anonymous. Dating: 13-Feb-1826. Measurements: h 550 mm × w 440 mm. Museum: Rijksmuseum, Amsterdam.

Six legs in different positions, Roubillac, After Philippe Louis Parizeau, 1784 - 1796 print Paris paper etching drawing, sketch. legs

Standing male naked, seen on the back. Draughtsman: anonymous. Draughtsman: A. Waterloo (attributed to). Dating: c. 20-Dec-1813 - c. 27-Dec-1813. Measurements: h 418 mm × w 334 mm. Museum: Rijksmuseum, Amsterdam.

Mars with helmet, shield and sword; Gods and Goddesses. Mars like God of the war with his armament helmet, shield and sword. The inscription Mars QVI Victrici Comitit Proebia Destra is raging the winning Judge from Mars. Copy to a print of Giovanni Jacopo Caraglio

Study of a sitting male nude, Sisto Badalocchio, 1602 - 1612 drawing paper. chalk sitting on the ground

Study for SaintMichael. Artist: Girolamo Macchietti, Italian, 1535-1592

An écorché figure holding a spear, with left leg bent, seen from the right side. Line engraving by J. Tinney, 1743, after W. Cowper.

Kneeling male nude, like Christ, draughtsman: Floris Croese, 1790, paper, h 525 mm × w 291 mm

Hilaire-Germain-Edgar Degas, After the Bath, c. 1891-92, charcoal with stumping on beige wove paper.

The Good Thief, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 13 5/16 in. × 6 in. (33.8 × 15.2 cm). Series/Portfolio: Prints after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel. Date: 1580. Museum: Metropolitan Museum of Art, New York, USA.

Study of a Young Man, Seen from the Back. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: sheet: 12 5/16 x 9 5/16 in. (31.2 x 23.6 cm). Date: 1895.As part of a renewed interest in lithography around 1895, the printer Frederick Goulding experimented with new transfer methods that freed artists from the need to work directly on unwieldy printing stones. Sargent made this drawing on laid paper, and a photo-chemical process was then used to transfer the image to a stone, possibly by means of an intermediate negative. The Museum possesses two copies of the resulting lithograph (50.558.1, .2) and when those prints are compared to the present work, it becomes evident that the printer made numerous small corrections in the stone, removing stray lines near the left cheek and elsewhere around the form, and reducing the texture in light open areas. Museum: Metropolitan Museum of Art, New York, USA.

Standing male naked, from the front. Draughtsman: anonymous. Dating: 1842. Measurements: h 582 mm × w 430 mm. Museum: Rijksmuseum, Amsterdam.

Standing male nude, seen on the back. .

Shows a kneeling nude male figure, created as a copper engraving print by Andrea Zoan at the end of the 15th century and beginning of the 16th century, emphasizing anatomy and posture.

Act of Mki; Thoma, Hans (1839-1924); 1889 (1889-00-00-1889-00-00);

Cornelis ii blloert, dit u jeune (1603-1692). Hercules Trentresa Paolo Ubarini (Dutuit P.37, the Bt 150). Burin, curse sites. Museums des High vineies of Paris, Petit Palais. Cake, Catholic, Christian Chretian, biblical character, religious scene, XVIIth XVIIth XVII 17th 17th 17th century, engraving

A pencil sheet by Ferdinand Georg Waldmüller showing a collection of sketches with figures, objects, and compositional studies.

Seated Female Nude 1778-1823 France. For many years in a private Chicago collection and long desired for the museum, this striking drawing appeared for auction in 1996 and was purchased by Dorothy Edinburg for her collection at the Art Institute of Chicago. It is one of about 100 male and female nude studies in black and white chalk on blue paper that the artist made between 1810 and 1821. This model has been identified as the dark-haired beauty Marguerite, who famously caught the eye of Frederick William III, king of Prussia, in Prudíhonís studio in 1814.. Black and white chalks, with stumping, on blue laid paper . Pierre Paul Prud'hon

Sitting male nude, on a block, twisted.

Standing male nude, seen from the front, Jan Veth, 1874 - 1925 drawing paper. chalk

Standing male naked, seen from the front. Draughtsman: anonymous. Draughtsman: A. Waterloo (attributed to). Dating: c. 10-Feb-1840. Measurements: h 565 mm × w 365 mm. Museum: Rijksmuseum, Amsterdam.

Standing Nude Seen from the Back. Artist: Aristide Maillol (French, Banyuls-sur-Mer 1861-1944 Perpignan). Dimensions: 13 1/8 x 9 3/8 in. (33.4 x 23.8 cm). Date: ca. 1920. Museum: Metropolitan Museum of Art, New York, USA.

Naked man standing on the back, Jan de Bisschop, after Francesco Salviati, 1668 - 1671 print Northern Netherlands paper etching male sex; man (+ back view)

Sculpture of Apollo, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Study of a Man's Figure, Holding Rod behind Back. Dimensions: overall (approximate): 41.1 x 27.5 cm (16 3/16 x 10 13/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Statue of a recycling gladiator; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a reconciled gladiator. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Saint Denis. Dated: c. 1885. Dimensions: sheet: 53 × 27.5 cm (20 7/8 × 10 13/16 in.) mount: 56.8 × 32.2 cm (22 3/8 × 12 11/16 in.). Medium: graphite on tracing paper, laid down and squared for transfer. Museum: National Gallery of Art, Washington DC. Author: Michel Dumas.

Statue of Bacchus Lenaios, the Roman god of wine, naked but for a lion skin, pressing a bunch of grapes. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Standing male naked with a vase on the head. Draughtsman: Jan Swart (mentioned on object). Dating: 1779 - 1794. Measurements: h 558 mm × w 383 mm. Museum: Rijksmuseum, Amsterdam.

Hercules with attributes, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper (story of) Hercules (Heracles). attributes of Hercules (with NAME). attributes of Hercules (with NAME)

Life Study - Grand Prix De La Gravure En Taille Douce Achille Jacquet (Courbevoie, France, 1846 - 1908) 1870 Nude

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses 368120

Ceres, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The goddess Ceres is in a niche with a burning torch and two snakes. Italy paper engraving (story of) Ceres (Demeter)

Anonymous / 'Male Nude Figure Study / Male Nude'. XVIII century. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Blue ink drawing by Anton Hanak from 1925-1933 showing a draft design for a Gustav Mahler monument with accompanying remarks, highlighting figure composition, monument structure, and artistic notes.

Standing Hercules, 1631 drawing Zwolle paper. ink. chalk brush

Thomas Nast, Archer, Nude Study, c 1858 Archer, Nude Study

Hubert Robert, Two Statues of Male Nudes, probably c 1754 1765 Two Statues of Male Nudes

Seated female nude. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 12 3/8 x 10 3/8 in. (31.5 x 26.4 cm). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Figure from the Sistine Chapel, Rome Italy, attributed to Dirck Volckertsz Coornhert, 1551

Study into image of Bacchant, Alexander Cranendoncq, After Anonymous, 1809 - 1869 drawing paper. chalk satyr(s) (in general)

Rubens, Peter Paul, Antwerp, Pontius, Paulus, The drawing book of Peter Paul Rubens, Anatomical study of a standing man, recto bottom - handwritten in brown ink, print, prints, verso bottom left - stamped, 12, height 321 mm, width 214 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Study of a seated male nude, pointing with the right arm.

Seated male nude, seen from the side (1st price 1792), Jacob Smies, 1792 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Drawing, Young Man Pulling a Rope; Attributed to Luca Giordano (Italian, 1634 - 1705); Italy; black and white chalk on blue paper; 38.2 x 28.8 cm (15 1/16 x 11 5/16 in.)

A standing male nude with his arms raised. Black chalk drawing by J.J. Masquerier, 1793.

After John Flaxman, Tydaeus, published 1838 Tydaeus

Standing man standing, holding both hands an object (MCB 121) Pierre Puis de Chavannes (1824-1898). Standing man standing, holding both hands an object (MCB 121). Black stone with white rehaught, on paper glued on cardboard.

Peter Paul Rubens (1577-1640); Peter Paul Rubens (1577-1640), standing Hermafrodit, 1577-1640

A Young Street Urchin. Félix Hilaire Buhot; French, 1847-1898. Date: 1874. Dimensions: 97 × 51 mm (image/plate); 132 × 84 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

George Stubbs, 1724-1806, British, Human Figure, Lateral View, Undissected (Finished Study for Table VIII), between 1795 and 1806. Graphite on moderately thick, slightly textured, cream wove paper.

Antinoos, 27. November zwischen 110 und 115, 30. Oktober 130, war ein Günstling und vermutlich Geliebter des römischen Kaisers Hadrian, historisches R...

Bertel Thorvaldsen, Danish (c. 1770-1844), A Heroic Male Nude, pen and brown ink on wove paper

Hercules, Antoine Alexandre Joseph Cardon, After Hendrikus Feijens, After Ignatius Joseph van den Berghe, 1772 - 1773 Sculpture of a standing Hercules, with the club resting on the floor. Image made by Henry Feyens, Jaques P.H. Trachez, Ignace van den Berghe & Pierre Grae, near the Keizerspoort. Numbered at the top right of the plate: 24. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture of a standing Hercules, with the club resting on the floor. Image made by Henry Feyens, Jaques P.H. Trachez, Ignace van den Berghe & Pierre Grae, near the Keizerspoort. Numbered at the top right of the plate: 24. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

Statue of a naked gladiator with helmet and shield, 1636 - 1647 print Statue of a young naked gladiator with the handle of a sword in his hand. His shield leans against his leg and on his head he carries a helmet that is decorated with a statue of an animal. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. fight of gladiators (+ sportsman, player, etc.)

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