Figure Sketch Drawings

A collection of drawings depicting human figures in various poses, showcasing artists' studies using different techniques like chalk and red chalk on paper.

Man bows over a child sitting in a chair, George Hendrik Breitner, 1867 - 1923 drawing paper. chalk

Woman at Her Toilette 1869-1922 France. Charcoal, on ivory laid paper, discolored to tan . Albert Besnard

Pencil drawing by Jakob Gauermann titled 'The Caution,' executed around 1815 with wash.

Two Seated Men; Nicolas Lancret, French, 1690 - 1743; about 1725 - 1730; Red, black and white chalk; 24.4 x 31.9 cm (9 5/8 x 12 9/16 in.)

Francisco de Goya y Lucientes / 'But if he broke the pitcher'. Ca. 1797. Red chalk on ivory paper. Museum: Museo del Prado, Madrid, España.

Boy in a Beret, Leaning Back, Cornelis Pietersz. Bega, c. 1661 - c. 1664 drawing A young man, with a flat hat on the head, leans back, holds his hands folded together and looks up. Haarlem prepared paper. chalk head-gear: cap (+ men's clothes)

Domestic Scene. Dimensions: overall: 17.2 x 23.2 cm (6 3/4 x 9 1/8 in.). Medium: red, black, and white chalk on blue-gray paper. Museum: National Gallery of Art, Washington DC. Author: Gerolamo Bassano.

Begroes, leaning on a stick, right.

Mnemosyne, Mother of the Muses, Felice Giani, Italian, 1758-1823, Felice Giani, Italian, 1758-1823, Black chalk on laid paper, A woman sitting, seen from the left, her head raised upwards., Italy, ca. 1820, figures, Drawing, Drawing

Man Mending Scythe. Charles François Daubigny; French, 1817-1878. Date: 1857-1867. Dimensions: 105 × 145 mm. Graphite on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

A 1494 black ink drawing by Albrecht Dürer depicting Agnes Dürer, focusing on portrait details, facial features, and expression.

Drawing by Giovanni Badile depicting a powerful Maria supported by two women, executed in pen.

Valentin Wagner brown ink drawing from 1634 depicting Anna Sibylla Gastelin, showing facial features, posture, and figure study in a travel sketchbook.

Young man, sitting on the ground. Draughtsman: Adriaen van de Velde. Dating: 1646 - 1672. Measurements: h 144 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Man reading on chair. Draughtsman: Jan Brandes. Dating: 1779 - 1808. Measurements: h 165 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Man Drinking from a Spout, Nicholas Pocock, 1740-1821, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/8 × 14 9/16 inches (21.3 × 37 cm), breeches, drinking, genre subject, jacket, man, spout, stockings, water

Merchant, Adrien Joseph Verhoevenball, 1834 - 1882 print paper etching / drypoint merchant, salesman - BB - women engaged in trade and commerce

Two equestrian studies, Cornelis Troost, 1706 - 1750 drawing Two equestrian studies on a leaf; The one seen from the side with swords in the hand, the other on the back, the right hand up. paper. chalk land forces. land forces

Feder drawing in brown over red by Willem Pietersz. Buytewech showing a figure sitting on the floor, possibly female, with compositional and pose details.

The Virgin sits near a window, her head turned toward St. John. The Child leans against her left arm, looking at St. John the Baptist. Framing line. Date: 1820-1850. Graphite, brush and dark brown and sepia ink on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study for female figure in engraved illustration to Amor Mundi, England, by Frederick Sandys.

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Woman with a basket on her head, seen from the back, verso - stamped, print, prints, height 58 mm, width 39 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

Portrait of Willem Pieter Hoevenaar. .

Beggar with his left hand extended, Rembrandt van Rijn, c. 1629 print paper etching Begin

A red chalk drawing by Giovanni Francesco Barbieri, called Il Guercino, circa 1627 showing a half figure of a child turned to the right in front view.

Hurdy-Gurdy Player. Charles Émile Jacque; French, 1813-1894. Date: 1838-1848. Dimensions: 91 × 109 mm (plate); 111 × 135 mm (sheet). Drypoint and roulette on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Giovanni Francesco Barbieri (il Guercino) red chalk drawing depicts girls who have fallen asleep over a table, showing posture and interaction.

Three studies of a hunter, draughtsman: Coen Metzelaar, 1855 - 1881, paper, h 110 mm × w 149 mm

Flute player.

Monnik who chases herself, Jacob Gole (attributed to), after Cornelis Dusart, 1724 print A half -naked monk is sitting on a stone. He chases himself with a whip. The print is part of a 50-part series on the subject of the abuses of the Catholic clergy. paper etching monk(s), friar(s). (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. self-castigation ~ ascetic life. whip

View of Saint Peter's (recto); Study of a Young Man (verso); Federico Zuccaro (Italian, about 1541 - 1609); Italy; 1603; Red chalk (recto); Red and black chalk (verso); 25.9 x 41.3 cm (10 3,16 x 16 1,4 in.)

The Benefit of Loy - The Sultan Caravan in Mecca Joseph-Marie Vien (1762-1848). "The Benefit of the Loy - The Sultan Caravan in Mecca", 1748. Museum of Fine Arts of the City of Paris, Small Palace.

Woman Seated on a Stool, c. 1660. Stefano Della Bella (Italian, 1610-1664). Etching; sheet: 15.6 x 13.2 cm (6 1/8 x 5 3/16 in.); platemark: 15.4 x 13 cm (6 1/16 x 5 1/8 in.).

Thomas Worlidge, 1700-1766, British, An Old Woman Smoking a Pipe, undated. Graphite on medium, slightly textured, cream laid paper.

A study of a man of an older man and three sketches of other busts; Czachórski, Władysław (1850-1911); around 1870 (1869-00-00-1870-00-00);Der Bildenden Künste academies (Munich - 1808-), school drawings, academic studies, head studies, purchase (provenance)

Older couple in conversation. Design for a book illustration.

Portrait de Renoir. Dimensions: 32.5 cm x 25.2 cm, 25.9 cm x 20 cm, 25.9 cm x 20 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Le chemineau , Tramps, Alphonse Legros (1837-1911)

Sketch for four draped characters Narcisse Diaz de la Pena (1807-1876). Sketch for four draped characters. Graphite pencil on laid paper.

Pierre Bracquemond sick Marie Bracquemond (1841-1916). Pierre Bracquemond sick, circa 1880.

Farmers in alandscape. Artist: Abraham Begeyn, Dutch, 1637/38-1697

La Femme étendant du linge (Woman Hanging outClothes). Artist: Jean-François Millet, French, 1814-1875

The Prince's Progress - Compositional Study for 'The long hours go and come and go', 1865. Artist: Dante Gabriel Rossetti.. 'The Prince's Progress, and Other Poems' by Christina Rossetti

Study of a seated man, with scythe, draughtsman: Johannes Christiaan Schotel, 1797 - 1838, paper, h 320 mm × w 251 mm

Edouard Manet at the Races. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: Sheet: 12 5/8 x 9 11/16 in. (32.1 x 24.6cm). Date: ca. 1865. Museum: Metropolitan Museum of Art, New York, USA.

Hands of a Rommelpot Player, Cornelis Visscher (II), c. 1654 - c. 1658, draughtsman: Cornelis Visscher (II), c. 1654 - c. 1658, paper, h 92 mm × w 150 mm

Seated Woman. Date: January-June 1887, Paris. Dimensions: 31.4 cm x 24.9 cm. Museum: Van Gogh Museum, Amsterdam.

A very old woman. Pencil drawing after Rembrandt.

A woman stands before a mirror and braids her hair. In the background comes a servant carrying a tray on which is a carafe. A stringed instrument can be seen in the foreground left, A woman at her toilet, print maker: Joannes Bemme, after: Philip van Dijk, 1800 - 1841, silk, etching, h 88 mm × w 75 mm

Artisan atWork. Artist: Pieter Coecke van Aelst, Flemish, 1502-1550

Shepherdess Piping to a Shepherd, François Boucher, French, 1703 - 1770, Red and black chalks on brownish paper, water-marked with a winged lion-like beast., A seated shepherdess, seen from the right back, plays on a pipe to a young shepherd, seen frontally, lying on the ground on his stomach, crook in his right hand. Inscribed, lower right: 'Boucher.', On the reverse is a sticker inscribed 'Estate of Robert W. Weir, No.1920.', France, ca. 1760, figures, Drawing, Drawing

Sultane Attributed to Joseph-Marie Vien (1716-1809). "White Sultane". Drawing. Museum of Fine Arts of the city of Paris, small palace.

Peasant Family on the Tramp. Rembrandt often depicted beggars and cripples, such as this family on the tramp wearing rather old-fashioned clothing for the time. The peasant woman carries a baby on her back, its little head only just visible.This kind of image will have elicited fierce criticism around 1670: were such subjects worthy of being rendered Should not art by definition portray only beauty Rembrandt certainly did not subscribe to this view.

Abklatsch of the chalk drawing on page 42. Page 41 from a sketchbook with 51 sheets.

Feather drawing on brownish paper by Agostino Carracci showing a young man asleep over a table with a burning candle; hat fallen, upper left corner missing, depicting figure and interior details.

Two woman heads. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 208 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

One side: the Child is standing in the lap of the Virgin who supports his extended left arm; he puts his right arm around her neck. Above, at right, is the cross motif. Other side, in opposite direction: Saint John as a boy, kneeling toward the left. pen and ink on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study of small newspaper criers Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Study of small newspaper criers. Feather, ink, lavis gray.

Two Seated Male Figures. Dimensions: overall: 10 x 7.7 cm (3 15/16 x 3 1/16 in.). Medium: pen and black ink on buff laid paper. Museum: National Gallery of Art, Washington DC. Author: Anthony Van Dyck.

Male figure in classical costume. Dimensions: Sheet: 9 3/16 x 9 1/2 in. (23.4 x 24.2cm). Draftsman: Gustave Doré (French, Strasbourg 1832-1883 Paris). Date: 1845-83. Museum: Metropolitan Museum of Art, New York, USA.

Seated tailor, anonymous, 1700 - 1800, draughtsman: anonymous, draughtsman: Jacob Perkois, (rejected attribution), 1700 - 1800, paper, h 218 mm × w 198 mm

Seated Figure: Study for A Vision of Antiquity” 1883-85 Pierre Puvis de Chavannes French The flattening and simplification of form in this drawing is in keeping with the aesthetic Puvis developed for his classicizing murals in the 1880s. This contemplative female figure appears draped in "A Vision of Antiquity" (1885), one of four murals the artist completed for the staircase of the Musée des Beaux-Arts in his hometown of Lyon. Puvis maintained this figure’s psychological and physical isolation even as he transferred her into the context of the painting, where she is surrounded by others. The same sense of detachment can be seen in another version of the composition,"The Shepherd’s Song" (06.177), an adaptation of the Lyon mural on view in Gallery 800.. Seated Figure: Study for A Vision of Antiquity” 339663

Bliżej Kultury Ferdinand Schenk Verlag for Art and Crafts, Vienna

Francisco de Goya y Lucientes / 'They already have a seat'. Ca. 1797. Red chalk on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Girl Playing a Lute. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 5-13/16 x 4-1/4 in. (14.8 x 10.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Old Man with aBook. Etcher: Unknown After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Standing men in gown and a kneeling man, 1658 - 1728 Leaf 8 Verso from a sketchbook with 33 sheets. paper. ink. pencil pen standing figure. kneeling figure

George Romney, 1734-1802, British, Figure Study 5, undated. Graphite on medium, slightly textured, cream laid paper.

Lady with a Parasol. Artist: Achille-Jacques-Jean-Marie Devéria (French, Paris 1800-1857 Paris). Dimensions: 11 1/16 x 7 11/16 in. (28.1 x 19.5 cm). Date: 1838. Museum: Metropolitan Museum of Art, New York, USA.

Bresdin, Rodolphe, Études, Sheet with studies of heads and rest on the flight into Egypt, below - handwritten, On the left a sketch of a group of three men's heads with headgear and next to it a larger study of a man's head with a beret. The right half of the print is filled with a study for a rest on the flight into Egypt. In sketchy lines the small figures of Mary with child and Joseph are depicted between trees., print, prints, verso bottom center - stamped, recto bottom right - stamped, recto bottom - stamped, Acheté de Paul Bresdin, 6, 5 29 P. et R. Nice, height 36 mm, width 82 mm, French, 1822-08-13 - 1885-01-14, print maker, printmaker, 1844 - 1849, second quarter 19th century, paper, etching, etchings, Work conception, after own design by

Les oeufs cassés (The BrokenEggs). Artist: Gilles Demarteau, Flemish, active in France, 1722-1776 After: François Boucher, French, 1703-1770

Old woman and a man, Roelant Savery, 1603 - 1613, Old woman at half-mast, seen straight from the front, and a man on the back., draughtsman: Roelant Savery, 1603 - 1613, paper, pen, h 125 mm × w 101 mm

Male Caricature mid-late 17th century Follower of Guercino. Male Caricature. Follower of Guercino (1591-1666). mid-late 17th century. Pen and brown ink. Drawings

Pen and brown ink study by Raffaello Santi depicting Saint Ambrosius and Petrus Lombardus from the Disputà in the Vatican, showing figure studies and compositions.

Saint Martin. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Feather, black ink, bister, and pencil drawing by Jakob Gauermann from 1798 showing a shepherd seated on a stone, illustrating figure, gesture, and compositional arrangement.

Pen in brown study of a fragmentary half figure depicting a shepherd, dated circa 1600.

Man sitting on a chair. Gierymski, Aleksander (1850-1901), draughtsman, cartoonist

Lauréus, Alexander, work, Old woman reading, sepia overlay, drawing, 11.5 cm x 9 cm

Drinker. Bust of a man who takes a glass with the right hand, while holding a pipe in the left hand.

Drawing, Study for portrait; Harriet Blackstone (American, 1864 - 1939); USA; red pastel crayon on paper; 32 × 24 cm (12 5/8 × 9 7/16 in.)

Blind Beggar (Le mendiant aveugle). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Prisoner, 1819. Jacques-Louis David (French, 1748-1825). Black chalk; sheet: 13.3 x 19.6 cm (5 1/4 x 7 11/16 in.).

Karel van Mander on his Deathbed. Date/Period: 1606. Width: 177 mm. Height: 142 mm (Complete). Author: Jacob de Gheyn II.

Peasant Family on the Tramp 1647-1657 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Portrait of fellow prisoner. Draughtsman: To Frank-Stoltz. Dating: 26-Mar-1943. Place: Ravensbrück. Measurements: h 155 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Painting farming family.

Sleeping man with hat, Cornelis Schut (I), 1618 - 1655 print paper etching sleeping; unconsciousness

La Dépèche annoncant la mort de l'archiduc, 1914. Auguste Louis Lepère (French, 1849-1918). Black chalk;

Leader of the eunuchs Attributed to Joseph-Marie Vien (1716-1809). "Chief of the eunuchs". Drawing. Museum of Fine Arts of the city of Paris, small palace.

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