Figure Studies in Various Poses

Diverse studies of human figures in motion and repose. Drawings highlight drapery, posture, and anatomy in different artistic styles.

Standing young sailor, draughtsman: Moses ter Borch, Zwolle, in or after c. 1660 - in or before c. 1665, paper, h 302 mm × w 192 mm

Drawing of an old man thinking, pen and ink circa 1510 by Leonardo da Vinci (1452-1519), Italian artist and polymath. dated 1478, pen and ink. Florence, Uffizi.

A pencil drawing by Josef Danhauser depicting a man in a social suit, showing posture, clothing, and facial expression.

St. John, Veronese, Paolo Caliari

Youth Kissing an Outstretched Hand. 1684-1764 attributed to Marco Benefial Italian. Youth Kissing an Outstretched Hand. 338191

Upper Torso with Upstretched Arms 1700-1799 Unknown Place. Pen and brown ink on cream laid paper, tipped on blue wove paper . Unknown artist

Study for a floating female figure with a wide cloak, draughtsman: Guglielmo Cortese, 1664 - 1666, paper, h 246 mm × w 183 mm

Religion (piety) Lingée, Éléonore (CA 1753 1806/1820), Mazeline`a

Study for a Raising of Lazarus (recto); half length study of bearded nude male figure, and a man and woman with donkey (verso). Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: 10-7/8 x 8-3/8 in. (27.6 x 21.3 cm.) (margins irregular). Date: 1615-73. Museum: Metropolitan Museum of Art, New York, USA.

August Xaver Karl von Pettenkofen created a pencil illustration for the literary work 'Gil Blas', depicting a scene with figures, furniture, interior elements, and clothing details, showing composition and gesture.

Kneeling hereonymus: Large plate.

The Virgin and Child in the Clouds Made 1641 Holland. Etching on cream laid paper . Rembrandt van Rijn

Helmeted Warrior. John Hamilton Mortimer (English, 1740-1779); or Robert Ker Porter (English, 1777-1842); or John James Stewart (English, 1779-1849). Date: 1761-1779. Dimensions: 186 × 145 mm. Pen and brown ink, with brush and brown and gray wash, on gray laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Life Study of Standing Male Nude in Three-Quarter Length 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Life Study of Standing Male Nude in Three-Quarter Length 336596

A stone chalk drawing by Martin Johann Schmidt from around 1750 depicting the heads of three elderly people, using dark brown tones.

Angel on clouds; Sketch sheets with figure studies.

Generosity, draft statue for the Royal Palace Augustin Padjower (1730-1809). Generosity, draft statue for the Royal Palace. Mine of lead and light blood rehabilitates.

Facini, Pietro, work, Fransiskus Assisi with the Christ Child in his arms, (1000 - 2000), etching, graphics, plate width 24.5 cm, plate height 34 cm, leaf width 25.3 cm, leaf height 36.6 cm

Leandro Bassano, A Man Lifting a Bundle, c 1592 A Man Lifting a Bundle

Study of a lying naked man. .

Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian). Artist: Timoteo Viti (Italian, Urbino 1469-1523 Urbino). Dimensions: 7 3/4 x 5 3/8 in. (19.7 x 13.7 cm). Date: ca. 1515.First attributed to Timoteo Viti by Philip Pouncey in 1966, this drawing constitutes a preparatory study for the figure of St. Sebastian, seen at right on the altapiece with The Annunciation with Saints John the Baptist and Sebastian painted by Timoteo Viti around 1513-1515 for the Bonaventura chapel in the church of San Bernardino in Urbino, and now in the Pinacoteca di Brera, Milan (Reg. Cron. 507). A further large-scale model for the whole composition is in the Corsini collection at the Istituto Nazionale per la Grafica, Rome. (Furio Rinaldi, 2014). Museum: Metropolitan Museum of Art, New York, USA.

Woman helps a child with a harness to learn to walk, Harmen ter Borch, 1653, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 27-Jan-1653, paper, h 95 mm × w 70 mm

Copy of a Repose in Egypt painted by Giovanni da San Giovanni (Giovanni Mannozzi) 1592-1636, for a chapel in the Garden of Crocetta, now in the Accademia in Florence Anonymous, Italian, Roman-Bolognese, 17th century Italian 17th century

Sitting shepherd.

'Old Woman with a Spindle'. France, 1710s. Dimensions: 28,5x19,3 cm. Museum: State Hermitage, St. Petersburg. Author: ANTOINE WATTEAU.

Weeping Woman Kneeling, Seen from Behind. Artist: Jacob Backer (Dutch, Harlingen 1608-1651 Amsterdam). Dimensions: 7 9/16 x 9 in. (19.2 x 22.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

. Head of old woman. She has a hat and glasses.

Studies of a maidservant who is poking the stove. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 328 mm × w 245 mm. Museum: Rijksmuseum, Amsterdam.

Pier Francesco Molas drawing shows a man lifting a hat, a rabbit on a stick over the shoulder, with a view of water and ships, executed in chalk with reddish and whitewashed details on blue paper, including added strips and underlaid holes.

Study of a model draped in long mantle.

A Seated Woman, George Romney, 1734-1802, British, undated, Graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm), figure study, seated, study (visual work), woman

Studies for a Young Man, Drapery, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper, Horizontal rectangle. Drapery study of a seated male figure, possibly book at left. One detail is sketched above at right. Verso: the naked torso of a young man turned toward right, looking upward. Below, a study of the head., Italy, early 18th century, figures, Drawing, Drawing

Study of two hands clamping a staff, draughtsman: Jacob de Wit, 1705 - 1754, paper, brush, h 250 mm × w 154 mm

Feder and ink drawing by Guercino depicting Christ with the adulteress and three additional figures, showing gestures and composition, circa 1621.

Lying feminine nude.

Study of a left and right arm on a wide dress. Draughtsman: Mattheus Verheyden. Dating: 1710 - 1777. Measurements: h 187 mm × w 267 mm. Museum: Rijksmuseum, Amsterdam.

Studies for a Rest on the Flight into Egypt. Artist: Rutilio Manetti (Italian, Siena 1570-1639 Siena). Dimensions: 9 7/16 x 7 1/4in. (23.9 x 18.4cm). Date: 1571-1639.In this robust drawing for his painting now in the Gamäldegalerie of Kassel, Germany, Manetti portrayed the Madonna as a humble down-to-earth mother, giving her infant son something to drink. Although he came under the spell of Caravaggio's dramatic realism, Manetti was at first the pupil of Francesco Vanni (1563-1610), whose fantastically delicate, airborne Virgin Mary is seen at right. Listed by Claus Virch in his catalogue of the Baker collection with a tentative attribution to Annibale Carracci, the drawing was recognized by Philip Pouncey in 1965 as Manetti's study for a painting, The Rest on the Flight into Egypt, now in the Gamäldegalerie (repr. Rutilio Manetti 1571-1639, exhibition catalogue, Palazzo Pubblico, Siena, 1978, p. 81). Another study for this subject, in oil paint on paper, is preserved in the Louvre, i

Drawing (Italy)

Summer-themed work 'Fighting color: Summer' by Jakob Gauermann, drawn with brown ink, feather, and laved technique, depicting figures and natural elements.

Francisco de Goya y Lucientes / 'Of what ill will he die'. Ca. 1797. Red chalk, Red wash on silk paper. Museum: Museo del Prado, Madrid, España.

Francisco de Goya y Lucientes / 'Your Honour is... well... As I say... eh! Be Careful!... otherwise'. Ca. 1797. Red chalk on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

De rattengifverkoper: alleen de kop.Mirror-image copy to the Print of the same name from Rembrandt.

"Ink and feather drawing by Luca Cambiaso depicting an evangelist figure, focusing on gesture and posture."

French 19th Century, Allegorical Figure Allegorical Figure

Red chalk drawing by Sébastien Le Clerc of a sleeping putto, executed on blue composition paper after 1690, emphasizing figure and posture.

Cherubs. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 10-11/16 x 8-5/8 in. (27.1 x 21.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cleopatra. Artist: Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 12 5/8 x 8 1/2 in. (32 x 21.6 cm). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Grieving Mary. Draughtsman: Cigoli. Dating: 1570 - 1613. Measurements: h 270 mm × w 122 mm. Museum: Rijksmuseum, Amsterdam.

Ontwerp voor het portret van een zittende man. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Place: Verona. Measurements: h 383 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler, Woman with a Parasol (Sketch of "Harmony in Blue and Gold"), c. 1886, pen and brown ink on white laid paper.

The Assumption, John Baptist Medina, 1655-60-1710, British, undated, Gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm), Catholicism, clouds, halo, Mary's death, assumption and coronation (sometimes some of the 'daughters of the Hebrews' present), religious and mythological subject, robes

Drawing, The Persian Sibyl from Sistine Chapel ceiling; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Michelangelo Buonarroti (Italian, 1475-1564); France; red chalk on paper; 1977-110-1-35

Black chalk drawing by Rembrandt showing a seated woman with a little girl on her lap, executed around 1635, with a torn lower left edge.

Standing shepherd boy, his arm resting on a stick, draughtsman: Karel du Jardin, draughtsman: Nicolaes Pietersz. Berchem, (rejected attribution), Netherlands, c. 1640 - c. 1660, paper, h 215 mm × w 175 mm

Preparatory drawing by Rudolf Weyr analyzing human figures for posture and proportions

Sitting woman in reflection, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving the (nude) human figure; 'Corpo humano' (Ripa) (+ thinking, meditating)

A pencil drawing on transparent paper by Rudolf Weyr depicts a standing female figure with a flowing robe, showing posture, drapery, and anatomical details.

Putto playing on a flute. Leaf 40 Recto from a sketchbook with 91 sheets.

Spanish 17th Century, Egyptian Sibyl Egyptian Sibyl

(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged). 1570-1620 Anonymous, Spanish, late 16th-early 17th century. (recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).. Anonymous, Spanish, late 16th-early 17th century. 1570-1620. (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink.. Drawings

Allegorical female figure by Johann Friedrichsen holding a round sign and sword in front of a sacrificial altar, drawn with ink and feather in 1682.

Standing man with hat, Anonymous, 1600 - 1699 drawing Netherlands paper brush

Study of a sleeping child.

Sketch for a lunette, Seated man figure (prophet), draughtsman: Girolamo Muziano, 1549 - 1555, paper, pen, brush, h 372 mm × w 255 mm

Study of the Head and Left Shoulder of a Woman, Rafaël, 1519 - 1520 drawing paper. chalk head turned to the left - AA - female human figure

Study sheet with mansops and a dog's head. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 243 mm × w 262 mm. Museum: Rijksmuseum, Amsterdam.

Two hand studies; III CAHIER The principles The Dessins d'après Nature. Studies of a palm and the back of a hand.

Two men sitting at a fireplace. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 109 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Classical Male Nude. Drawing. Graphite on medium, slightly textured, cream laid paper. Height: 508 mm (20 in); Width: 210 mm (8.26 in). Author: GEORGE ROMNEY.

Crouching Figure of Atlas 1481-1536 Baldassare Tommaso Peruzzi Italian. Crouching Figure of Atlas. Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481-1536 Rome). 1481-1536. Pen and brown ink, over leadpoint or black chalk. Drawings

Right hand pointing. Draughtsman: Correggio (attributed to). Dating: 1508 - 1534. Measurements: h 130 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Head of old man with beard ..

Four Views of a Young Woman 1744-1780 France. Graphite and black chalk, on ivory laid paper, hinged on cream laid paper . Gabriel Jacques de Saint-Aubin

Caricature of Leo Gestel on his sickbed: Gestel eating at the table together with a woman. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 197 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.

Seated Actor in the Role of Capitano.

Christ Carrying the Cross. Cesare Rossetti; Italian, 1568-c. 1621. Date: 1580-1600. Dimensions: 243 x 193 mm. Red chalk on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Woman With a Urinating Child, Rembrandt van Rijn, c. 1658 - c. 1660 drawing Amsterdam paper. ink pen urination. urination

Standing man with stick, to the left, seen from the side.

Genie of Drawing 1610-64 Stefano della Bella Italian. Genie of Drawing 398986

Two Young Women Seated on the Ground recto. Dated: c. 1698. Dimensions: image: 23.3 x 35.3 cm (9 3/16 x 13 7/8 in.). Medium: red and black chalk heightened with white chalk on light brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles de La Fosse.

Francisco Bayeu / 'Saint Bernard'. 1784 - 1788. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Female Nude Reclining with Arm Raised. Follower of Rembrandt van Rijn; Dutch, 1606-1669. Date: 1660-1669. Dimensions: 233 x 180 mm. Pen and brown ink and brush and brown wash, on tan laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Muscles of the left leg. Red-chalk drawing, 17th century.

The Penitent Thief on the Cross. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: 15-11/16 x 10-1/16 in. (39.9 x 25.6 cm). Date: 1510-61. Museum: Metropolitan Museum of Art, New York, USA.

Le chemineau , Tramps, Alphonse Legros (1837-1911)

A Seated Woman in Roman Dress, Spinning. Artist: Theodor Leopold Weller (German, Mannheim 1802-1880 Mannheim). Dimensions: sheet: 11 9/16 x 10 9/16 in. (29.3 x 26.9 cm). Date: early 19th-late 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Virgin of the Immaculate Conception Standing on Clouds ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 5. Virgin of the Immaculate Conception Standing on Clouds 336610

Study for the modeling stand of the Ugolino group 19th century Jean-Baptiste Carpeaux French Carpeaux drew this in preparation for a modeling stand to be used in the creation of his fifth-year project at the French Academy in Rome, Ugolino and His Sons (1861). It includes a finalized design of the pyramidal sculpture. The wooden modeling stand was constructed to hold the clay version of the group from which a plaster cast was made. The stand's top was designed with an embedded rotating circle, allowing the sculptor to turn the piece and view and work on the group from various angles.. Study for the modeling stand of the Ugolino group 334333

Young Woman, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print Standing woman who stops her skirt. Utrecht paper engraving adult woman

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Squatting woman. Draughtsman: Anton Mauve. Dating: 1855. Measurements: h 331 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Study magazine with the head of an old woman and two hands.

Nude study of a seated man, draughtsman: Jacopo Palma (il Giovane), 1554 - 1628, paper, h 267 mm × w 178 mm

Study of two hands. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 196 mm × w 161 mm. Museum: Rijksmuseum, Amsterdam.

After Rembrandt van Rijn, Old Man Shading His Eyes with His Hand, 1762, etching on paper.

Calliope, from the series 'Twelve Muses and Goddesses' ca. 1542-45 Léon Davent French. Calliope, from the series 'Twelve Muses and Goddesses' 337182

Two hands. Two hands, the left bent, the judge a stick crating.

St Anthony with the Boar 1555-1630 Italy. Pen and brown ink with brush and brown wash, on ivory laid paper . Antonio Tempesta

, Edelfelt, Albert, work, Sketch book, drawing, 23 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Saint Matthew and the Angel 1583-85 Luca Cambiaso Italian. Saint Matthew and the Angel. Luca Cambiaso (Italian, Moneglia 1527-1585 Madrid) (). 1583-85. Pen and brown ink, brown wash over traces of brown chalk (); squared in red chalk. Drawings

Brussels, Bouwens, J., Wauters, Emile Charles, Evely, Léon, Étude pour un Tableau d'Histoire, Reproduction of a drawing of a man and a dog by Emile Wauters, photomechanical print, reproduction, page, photos, photographically illustrated books, height 161 mm, width 83 mm, Belgian, 1849 - 1937, maker, manufacturer, 1878 - 1883, paper, heliogravure, 1846 - 1933, intermediary draftsman, after a drawing by, printer

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