Figure Studies in Various Poses

Diverse studies of human figures in motion and repose. Drawings highlight drapery, posture, and anatomy in different artistic styles.

Standing young sailor, draughtsman: Moses ter Borch, Zwolle, in or after c. 1660 - in or before c. 1665, paper, h 302 mm × w 192 mm

Anonymous front-view drawing of Saint Sebastian executed in ink and pen.

A 1670 drawing by Herman Saftleven depicting a young man kneeling to the left, supported on the floor with his elbows, executed in black chalk.

In Praise of Modesty. Dated: 1879. Dimensions: sheet: 57.7 x 43.5 cm (22 11/16 x 17 1/8 in.). Medium: red chalk on wove paper. Museum: National Gallery of Art, Washington DC. Author: Hans von Marées.

Three studies of a seated woman, draughtsman: Anthony Andriessen, 1756 - 1813, paper, h 182 mm × w 200 mm

Head study of a beardless man looking upward with short hair, drawn using white highlights on blue paper, showing facial features and expression.

FLORENCE The Uffizi Gallery drawing sketch of The Infant Jesus (for the painting The Holy Family of Francis I in the Louvre by Raphael Santi unknown

Study of a Madonna with child. Draughtsman: anonymous. Dating: 1800 - 1900. Measurements: h 110 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

Study of a right hand.

Two Sketches of Seated Female Nude 1790-1837 France. Red, black, and white chalk on tan laid paper . baron François Pascal Simon Gérard

Drawing by François Boucher depicting a child lying down, executed in red chalk.

Man and Boys. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-1/2 x 5-5/16 in. (8.85 x 13.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Crouched, sleeping soldier. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 177 mm × w 129 mm. Museum: Rijksmuseum, Amsterdam.

Standing Warrior with Shield. Attributed to Stefano della Bella; Italian, 1610-1664. Date: 1750. Dimensions: 181 x 193 mm. Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Study for Trinity Church:Jeremiah. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Young man reading at a table.

Puvis de Chavannes, Pierre-Cécile (n.1824-12-14-D.1898-10-24), Normandy, lithography published in the original print-Fourth delivery (October-December 1893) (Main title), 1893 . Lithography drawn in brown on China stuck on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Sebastiano Galeotti / 'Saint John the Baptist'. 1769 - 1800. Grey-brown wash, Pencil on white paper. Museum: Museo del Prado, Madrid, España.

Marcellus Laroon the Younger, (senior), 1679-1772, British, A Youth Carrying a Basket, undated. Red chalk and graphite on medium, slightly textured, beige laid paper.

Drawing by an anonymous artist depicting farmers after drinking, executed with brown and reddish tones in the seventeenth century.

A reddish squared study by Correggio from 1520-1522 showing a seated male nude figure oriented to the left.

France, French Crown, Paris, Merlen, Jacques van, Bella, Stefano della, Recueil de divers griffonnemens et preuves d'eau forte part 2, Collection of various scribbles and etchings part 2, Title print with reclining nude man, verso - stamped, Reclining nude man, with a cloth over his legs. Title in bottom margin., print, title print, prints, height 64 mm, width 75 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher, uitgever van privilege

A drawing depicting a princely rider holding a sealed document in the left hand, executed in black and reddish chalk, wiped and felled.

. Portrait of Father Sebastiano Resta bent over an album with drawings.

Portrait of Fryderyk Chopin in a household outfit; Kwiatkowski, Teofil (1809-1891); around 1850 (1849-00-00-1852-00-00);

Drawing (Italy)

Polidoro da Caravaggio, Italian (c. 1499-probably 1543), Fleeing Barbarian, black chalk on laid paper

Joshua Cristall, 1768-1847, British, Study of a Man Holding a Stick, undated. Black chalk and graphite on moderately thick, slightly textured, blue wove paper.

This red chalk drawing by Matteo Rosselli depicts a man seated to the right with his head turned upward right, a short pointed beard, and a detailed study of the left hand.

Woman with Long Hair, Carel de Moor (II), 1665 - 1738 print A woman with down eyes. A lock of hair hangs over her right shoulder. Netherlands paper etching adult woman. eyes closed

Sketches of three woman heads. Draughtsman: Christiaan Julius Lodewijk Portman. Dating: 1828. Measurements: h 232 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.

Sitting a man with bags; Czartoryska from Flemings, Izabela (1746-1835); 1770-1835 (1770-00-00-1835-00-00);

Bloemaert, Frederick, Abraham, Utrecht, 15 small figures, Kneeling young woman, verso - stamped, print, prints, height 120 mm, width 90 mm, 1614 - 1669, print maker, printmaker, 1635 - 1669, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Head of a Magician. Dated: c. 1760. Dimensions: overall: 24.6 x 19.6 cm (9 11/16 x 7 11/16 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper (still mounted on original Tiepolo album page). Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Penal Magdalena in a landscape, Jacopo Palma (Il Giovane), 1565 - 1628 drawing The penitent Magdalena in a landscape, a skull and a book lie in front of her; On the right the head repeated. paper. ink. chalk pen / brush

Winged boy with a smoking urn in a landscape, 1813 Probably to a classic example. The boy may wear a smoking sacrifice. Page 19 Recto from a sketchbook with 91 sheets. paper. ink. pencil pen angel(s) represented as child(ren). carrying something

Eve Offering the Apple.

Woman walking with her hands under her apron, from the side. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 19-Jan-1651. Place: Zwolle. Measurements: h 144 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Two women movies Pierre Puis de Chavannes (1824-1898). Two veiled women, 1870-1874. Black pencil with white rehaught on layer paper / tile with black pencil and brown.

Depicts a blind figure with outstretched arms, drawn in black chalk with white highlights, showing gesture, posture, and figure, dated around 1617-1618.

George Romney, 1734-1802, British, Figure Study of a Woman, undated. Graphite on medium, slightly textured, cream laid paper.

A woman's head, expressive of sublime compassion. Drawing, c. 1791, after Raphael.

Studies for 'The Conversion of the Jailer before Saint Paul and Silas'. Artist: Nicolas de Plattemontagne (French, Paris 1631-1706 Paris). Dimensions: 11 1/8 x 16 5/8 in. (28.4 x 42.3 cm). Date: 1666.Nicolas de Plattemontagne's stylistic affinities with his teacher, Philippe de Champaigne, have resulted in misattributions, as seen in the inscription on this sheet. Both artists excelled in painting portraits and religious subjects, and this drawing demonstrates Plattemontagne's interest in giving portraitlike specificity to the actor's in his biblical dramas. The studies relate to the figure of Silas, Saint Paul's companion, in the artist's 1666 altarpiece illustrating Acts 16:16-26 (Musée du Louvre, Paris), in which the jailer is converted to Christianity.A painter of portraits and religious subjects, Plattemontagne pursued a style closely modeled upon that of his teacher, Philippe de Champaigne, to whom the present sheet was once ascribed. These studies relate to the figure of Silas

Portrait of Hedwig Catharina Wimermark. Draughtsman: Jan Brandes. Dating: 1788 - 1806. Place: Skälsebo. Measurements: h 414 mm × w 332 mm. Museum: Rijksmuseum, Amsterdam.

Three Studies of Women (recto); Four Studies of Hands and a Counterproof of a Kneeling Young Man (verso). Abraham Bloemaert (Dutch, 1564 - 1651)

Study of a right arm.

Attributed to Raphael, Cupid Bound Cupid Bound

Fragment of a Yellow Fresco Panel with Muse. Unknown

Portrait of a young woman; Portrait of Maria Tesselschade Roemers Visscher. Portrait of an unknown woman with hat on the head, dressed according to fashion from early 17th century, sitting to the left, at a table, the left hand resting on a book. Only the red plate, with fourteen registers in the margins.

Jakob Gauermann 1798 figure studies using red chalk, feather, and black ink, focusing on male and female anatomy, posture, and proportion.

Francisco Bayeu / 'Head for the Figure of Hercoldo'. 1777. White chalk, Red chalk on brown paper. Museum: Museo del Prado, Madrid, España.

Bust of a Bearded Figure. Artist: Andrea Solario (Italian, Milan ca. 1465-1524 Milan). Dimensions: sheet: 14 3/4 x 10 3/4 in. (37.5 x 27.3 cm). Date: 1515-24.Although the correct attribution of the Metropolitan Museum drawing to Andrea Solario was first recognized by Wilhelm Suida in 1945, and was endorsed by Luisa Cogliati Arano in 1966, it was also often wrongly published as by Bernardino Luini (according to Jacob Bean in 1982), and as Gaudenzio Ferrari in 1956 (Martin Weinberger, oral communication to Claus Virch, curator, The Metropolitan Museum of Art). The Metropolitan study is very closely related to the design of the bearded apostle standing on the extreme right, who points at the empty sarcophagus, in Solario's Assumption of the Virgin (Sagrestia Nuova, Certosa of Pavia), as was first rightly noted by David Alan Brown. (See Brown 1987, pp. 287-89, nos. 74, 77.) This connection to the Pavia altarpiece was recently doubted, however, and too hastily, in the present author's opin

Alexander Rothaug's gray paper drawing depicts three head studies using pencil and chalk, emphasizing facial structure, expression, and anatomy.

Portrait of Philips the Flines.

Head of a child, a foot and a tulip. Possibly drawn to prints. Leaf 21 Recto from a sketchbook with 91 sheets.

Madonna Mourning: Studies for the Entombment of Christ. Giovanni Francesco Barbieri, called Guercino; Italian, 1591-1666. Date: 1651-1661. Dimensions: 168 x 272 mm. Red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

'Scaramuccia', 1500-1505 (1954). Artist: Leonardo da Vinci

Head of a Man withBeard. Artist: Unknown

Bust of a Bearded Figure 1515-24 Andrea Solario Italian Although the correct attribution of the Metropolitan Museum drawing to Andrea Solario was first recognized by Wilhelm Suida in 1945, and was endorsed by Luisa Cogliati Arano in 1966, it was also often wrongly published as by Bernardino Luini (according to Jacob Bean in 1982), and as Gaudenzio Ferrari in 1956 (Martin Weinberger, oral communication to Claus Virch, curator, The Metropolitan Museum of Art). The Metropolitan study is very closely related to the design of the bearded apostle standing on the extreme right, who points at the empty sarcophagus, in Solario's Assumption of the Virgin (Sagrestia Nuova, Certosa of Pavia), as was first rightly noted by David Alan Brown. (See Brown 1987, pp. 287-89, nos. 74, 77.) This connection to the Pavia altarpiece was recently doubted, however, and too hastily, in the present author's opinion (see Linda Wolk-Simon in the exhibition catalogues, The Metropolitan Museum of Art and Cremona, 200

Young shepherd with a wreath on his head and a pipe in his hand. Bonola, Giorgio (1657-1700), draughtsman, cartoonist, Boulogne, Valentin de (1591-1632), painter

A black chalk and brown ink drawing by Peter Paul Rubens depicting two young women, one holding a dog, with gray wash and white highlights on brownish paper.

Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes 1550-1600 Anonymous, Italian, Florentine, 16th century Italian. Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes 338776

Head of aSatyr. Artist: Unknown

Drawing (Italy)

Actor in the Role of Pantalone Engaged in Conservation. Draughtsman: Rembrandt van Rijn. Dating: c. 1634 - c. 1636. Place: Amsterdam. Measurements: h 182 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

Study of a right foot, from before, Agostino Carracci (attributed to), 1567 - 1602 drawing paper. ink pen

Female figure with covered head (study for a figure in the fresco of the Visitation in Santissima Annunziata). Date/Period: Between 1514 and 1515. Paper. Sanguine on paper. Height: 329 mm (12.95 in); Width: 210 mm (8.26 in). Author: Pontormo.

Head of Turbaned Man. After Salvator Rosa (Italy, Naples, 1615-1673). Italy, 1600 - 1699. Drawings. Iron-gall ink

A Standing Saint with a Crucifix and a Book. Dated: 1660s. Dimensions: overall: 20.8 x 14.7 cm (8 3/16 x 5 13/16 in.). Medium: pen and iron gall ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francisco Herrera II.

The feeling. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 83 mm × w 108 mm. Museum: Rijksmuseum, Amsterdam.

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