Figures in Historical Attire

Etchings portraying individuals in 17th-century attire, emphasizing garments, poses, and societal roles within outdoor and indoor settings.

Jacques Callot (1592-1635). "The nobility, the gentleman wrapped in his coat bordered by furs. Tenth number of a suite of 12 pieces" (Lieure 558, Meaume 676). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99601-30 Etching, engraving

A Man Seen from the Back Leaning on a Cane or Mallet 1629 Anonymous, French, 17th century French. A Man Seen from the Back Leaning on a Cane or Mallet 387250

Man with a Cane, seen from behind, from The Garden of French Nobility Made 1629 France. Abraham Bosseís understanding of Parisian high society and culture informs The Garden of French Nobility, a set of 18 plates from the first of his important print series. Working from drawings by fellow artist Jean de Saint-Igny, Bosse depicted an officer from the kingís court in contemporary fashion. Seventeenth-century French society saw a burgeoning of the bourgeoisie, along with attitudes and dress that attested to their success. Bosseís anonymous officer stands poised and dignified, showing off his regalia against a diminutive background. His billowing cloak, lace trim, and graceful plumed hat indicate his rank.. Etching and engraving on ivory laid paper . Abraham Bosse

Copy of Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Shirt Front of Fur), from La Noblesse (The Nobility) 17th century Anonymous. Copy of Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Shirt Front of Fur), from La Noblesse (The Nobility). La Noblesse. Anonymous. 17th century. Etching. Prints

Portrait of king Sigismund II Augustus in armour and with royal insignia, according to a woodcut from chronicle of the world by Joachim Marcin Bielski, published in Kraków in the year 1551. Bielski, Marcin (1495-1575), author, Lesser, Aleksander (1814-1884), draughtsman, cartoonist

A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms). Artist: after Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague); Workshop of Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: plate: 10 1/2 x 7 9/16 in. (26.7 x 19.2 cm)sheet: 13 7/8 x 10 1/2 in. (35.2 x 26.6 cm). Series/Portfolio: Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms).From a series of 117 numbered plates from the military drill manual, "Wapenhandelinghe van Roers Musquetten ende Speissen" (The Exercise of Arms). The series is divided into three sets: Marksmen (42 plates), Musketeers (43 plates), and Lansquenets (32 plates). The Exercise of Arms was first published as a complete volume in 1608, and several more editions followed shortly after, with Dutch, French, German, English, and Danish versions produced. Museum: Metropolitan Museum of Ar

Portrait of Ferdinand of Austria. Portrait of Ferdinand of Austria. In his right hand a command. In the background a group of riders and a rising sun. Three columns with Latin, Dutch and French text in the lower margin.

Jacques Callot (1592-1635). "The nobility, the gentleman with a mantle bordered by furs holding his hands behind his back. Seventh number of a suite of 12 pieces" (Lieure 555, Meaume 675). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99601-27 Etching, engraving

. Standing soldier to the right, his gun shifting. Eighth print from a series of twelve prints with representations of soldiers and horses.

Soldier, seen on the back, who holds up his skewer with his right hand upright (no. 7), ca. 1600. a soldier, for feet, seen on the back, which holds a skewer (lance) with his right hand. 7), ca. 1600. This is the third act for the upright to the ground. Plate 7 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among other things T'recht Ghebruyck, from Al T'Ghene, a Soldaet Int acting from the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Jacques Callot (1592-1635). "The nobility, the gentleman wrapped in his coat bordered by furs. Tenth number of a suite of 12 pieces" (Lieure 558, Meaume 676). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99601-30 Etching, engraving

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer's Musquettes and Spires, Soldier Loosening the Fuze from the Cock of His Musket, A soldier, full-length, facing right, holding a musket (a type of firearm) and a furket (musket fork) in his left hand. With his right hand he loosens the burning fuse that is on the cock (part of the ignition mechanism) of his musket. This print is part of a series of 43 numbered prints of musketeers from the Wapenhandelinghe., print, prent, prints, prenten, height 263 mm, width 191 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

A man with a plume hat on the back, Joannes Bemme, 1800 - 1841 print A man with a hat with plume, dressed in 17th-century clothing, seen on the back. With his right hand he makes an admonishing gesture. paper etching adult man

Soldier carrying his skewer with both hands at his right side, the point diagonally aimed up (no. 15), ca. 1600. a soldier, full of skewer, wearing a skewer (lance) with both hands at his right, the point Slanted upward (no. 15), approx. 1600. This is the first operation for placing the skewer on the ground. Plate 15 in the instructions for handling the skewer: Enseignement letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Armorial display of Roer muskets and spears, Soldier, seen from the front, holding his spear upright with his right hand, A soldier, full-length, holding a spear (lance) upright with his right hand. This print is part of a series of 32 numbered prints of spearmen from the Wapenhandelinghe., print, prent, prints, prenten, height 266 mm, width 191 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Chimney sweep, Jan Matham (attributed to), after Adriaen Pietersz van de Venne, 1628 - 1648 print A chimney sweep in rags dressed and with a hat, with sticks over the shoulder and a forest tied together under his arm. In the background a village with figures in two market stalls. Haarlem paper engraving / etching handicrafts ~ maintenance and repair (with NAME of trade or profession)

Costume of a Norwegian man, 16th century. A hunter in clothes of deerskin and chamois, fur cap, armed with crossbow, arrows and sword. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Standing man with backpack and a sword, Hans Sebald Beham (possibly), 1510 - 1550, draughtsman: Hans Sebald Beham, (possibly), 1510 - 1550, paper, pen, h 125 mm × w 64 mm

De Pers.Mirror-image copy to the Print of the same name from Rembrandt.

Man with a lance; Standing figures. A man in oriental clothing with a turban on the head and a lance in hand. The print is part of a series of twelve prints with standing figures.

Soldier shake from his helm (no. 18), ca. 1600. A soldier, full of, to the right, who shakes a stir (a certain type of firearm) with both hands, to possibly outside the pan (the powder container) Cases to get offset from it (no. 18), ca. 1600. In his left hand, except the course of the helm also a burning wick. Plate 18 In the instructions for handling the helm: Corte Underswsinghe on the Figuerliicke figure, the relevant T'rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Portrait of Dirk IV, Count of Holland. Portrait of Dirk IV, Count of Holland, standing to the right in a harness. On his shoulder the weapon of Holland and in his hand a sword. Middle Up: V.

A man wearing a hat and a cloak is playing a violin. Etching by D. Deuchar.

Charlatan (manufacturer of miraculous things); Rijn, Rembrandt Van (1606-1669); 1635 (1635-00-00-1635-00-00);trade, medicine, health, genre scenes

Jacques Callot, Noble Man with Fur Plastron, c 1620 1623 Noble Man with Fur Plastron

Standing cavalier with stick, behind him a dog; Cavaliers and wealthy women. The print is part of a ten-part series of prints with performances of cavaliers and wealthy women, dressed according to Dutch fashion ca. 1625-1630.

Soldier who wears his musket on his left shoulder and holds his Furket in his right hand (no. 1), ca. 1600, 1597 - 1607 A soldier, to the right, to the right, with a musket (a certain type of firearm) leaning on his left shoulder (no. 1), ca. 1600. In his left hand, apart from the butt of the musket, also a burning wick. In his right hand a Furket (musket fork). Plate 1 in the instructions for handling the musket: corte Initiation on the FigueLiicke image, so much agaet the right ghebruyck vant Musquet. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, to the right, to the right, with a musket (a certain type of firearm) leaning on his left shoulder (no. 1), ca. 1600. In his left hand, apart from the butt of the musket, also a burning wick. In his right hand a Furket (musket fork). Plate 1 in t

Soldier carrying his spear horizontally on his right shoulder, Jacob de Gheyn (II), 1596 - 1606, A soldier, full-length, to the right, carrying a spear (lance) horizontally on his right shoulder. His right hand around the spear. Design drawing for plate 26 in the instructions for handling the spear in J. de Gheyn's Wapenhandelinghe (1607). Martial arts circa 1600. Design for a print., draughtsman: Jacob de Gheyn (II), 1596 - 1606, paper, pen, brush, h 269 mm × w 188 mm

Portrait of Dirk VI, Count of Holland, standing to the right in a suit of armor and a cloak. On his shoulder the weapon of Holland and in his hand a sword. Middle top: XII, nobility and patriciate, chivalry, knighthood, Dirk VI (count of Holland), Hendrik Spilman (mentioned on object), Haarlem, 1745, paper, etching, h 192 mm × w 135 mm

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

Mr. William Brereton in the character of Don Alonzo in Edward Youngs The Revenge. However, Brereton played the role at Drury Lane Theatre in 1783, six years after this was published. He died in Hoxton Asylum in 1787. Copperplate engraving after an illustration drawn from life by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Man met musket, Gillis van Scheyndel (I), 1649 - 1653 print Man in Eastern clothing with a musket in the hands. He wears a feathered hat on the head. The print is part of a series of twelve prints with standing figures. Amsterdam paper etching / engraving Asiatic races and peoples. head-gear (FEZ) (+ men's clothes)

Etching by Rembrandt Harmensz. van Rijn from 1635 titled 'The Quacks', depicting itinerant doctors and patients in an interior scene.

After Jacques Callot, Noble Man with Mantle Trimmed in Fur, Holding his Hands Behind his Back Noble Man with Mantle Trimmed in Fur, Holding his Hands Behind his Back

The Beggars: Blind Man with His Dog, c. 1623. Jacques Callot (French, 1592-1635). Etching; paper: 15.6 x 10.4 cm (6 1/8 x 4 1/8 in.); plate: 13.8 x 8.8 cm (5 7/16 x 3 7/16 in.).

Jacques de Gheyn II after Hendrik Goltzius, Pikeman, 1587 Pikeman

Shepherd Coridon. The Shepherd Coridon plays the flute and tries to flatter his beloved sylvia. Under the show a four-line verse in Dutch.

Silver Statuette of St. Philip, from the Wittenberg Reliquaries Lucas Cranach the Elder German. Silver Statuette of St. Philip, from the Wittenberg Reliquaries 624273

Summer; Aestas; The four Seasons. A mower with a zeis in his hand points to the field.

Young man in a vest, from the front, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 13-Nov-1651, paper, h 104 mm × w 78 mm

Turkish man, Michel Wolgemut (workshop of), 1493 print A standing man with pointed cap and crooked sword. The print is part of an album. paper letterpress printing human races, peoples and nationalities (other than prehistoric or extinct)

States-General of the United Netherlands, Amsterdam, Visscher, Nicolaes (I), Bloemaert, Abraham, Utrecht, Frederick, Æstas, The four seasons, Summer, verso - stamped, A mower with a scythe in his hand points to the field., print, prints, height 165 mm, width 110 mm, 1614 - 1669, print maker, printmaker, 1632 - 1670, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), etching, Northern Netherlands, 1566-12-25 - 1651-01-27, after, after painting by, Publication (Event), Publication, 1618-01-25 - 1679, publisher, granter of privilege

Hunter with two dogs, print maker: Esaias van de Velde, Esaias van de Velde, publisher: Claes Jansz. Visscher (II), (mentioned on object), Haarlem, 1610 - 1614, paper, etching, h 123 mm × w 74 mm

Boer leans over Schop, Cornelis Danckerts (I), After Jan Miense Molenaer, 1613 - 1656 print Netherlands paper etching farmers. agricultural implements: spade

Man with a crossbow. A kneeled man accurately his crossbow. Next to him is a basket with shot birds, a dog lies on his other side. On a tree branch above him there is an owl that poops the hunter on his head. In the background a shooting tournament, with crossbows on a bird being shot on a pole. Under the print two fresh rules in Dutch.

Soldier pulling his loading stick from the course of his musket (no. 28), ca. 1600. a soldier, for the right, to the right, holding a musket (a certain type of firearm) with his left hand at his left bone and with his Right hand His loading stick pulls out (no. 28), approx. 1600. In his left hand, except the musket also a freight (musket fork). Plate 28 In the instructions for handling the musket: Corte Undercury on the figuerliicke figure, so much aengaet the right ghebruyck vant musquet. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Marskramer; Standing figures. A nozzle with a box, which he wears with a band over the shoulder.

Soldier who carries his skewers with his left hand on his right side, the point tilted up (no. 13), ca. 1600, 1608 A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke Image Hende Joker Buckruck, of all T Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke Image Hende Joker Buckruck, o

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Soldier waiting that his stir of his stir with his left hand holds up at his right-hand side, his right hand extended his right hand (no. 37), ca. 1600. A soldier waiting, full, to the right, which is a stir (a certain type of firearm ) With its left hand holds at its right side, the loop pointed upwards (no. 37), approx. 1600. In his left hand, except the stir also a burning wick. He sticks out his right hand. Plate 37 in the instructions for handling the rudder. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

German Trumpeter. Woodcut by Jost Amman, 16th century.

. A dancing farmer in a landscape makes an obscene gesture with his right hand. A pipe in his left hand. Under the oval show a two-legged French fresh.

Nuremberg, Solis, Virgil, Military figures standing in landscapes, Field Marshal, verso - handwritten in brown ink, print, prints, verso - stamped, 146, height 113 mm, width 80 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Sword man holding a rod of the right hand, the left hand on the hip. / No. 10 (Title Title) | Fashionable figures dedicated to Duke of Burgundy (IFF 982 to 1005) (Title of the whole)

French Revolution: Day August 10, 1792. Portrait of Villiers, Knight of the Dagger, killed by defending the Tuileries. 1st arrondissement. (Dummy title)

Minchiate Florentine. Set of 56 cards. The valet of sticks Anonymous. Florentine Minchiate. 56 cards game. The valet of sticks. Floor, brush colors. 1650-1700.

Thüngen, Johann Karl Graf.

Standing man with fur hat and Stok, Hendrik Rietschoof, 1697 - 1746 drawing paper. ink. pencil pen / brush head-gear (with NAME)

VAANDRIG, 1587 print A man with a big banner over his left shoulder (a standard bearer), seen on the right. In the background a hilly landscape in which a mess marches. Under the performance two lines of text in Latin. This print is part of a series of 12 numbered prints of soldiers, displayed against a landscape background in which martial acts are performed, and with a two -line Latin caption. print maker: Netherlandspublisher: Haarlem paper engraving (military) standard-bearer. troop movements, transportation. clothing for the upper part of the body (with NAME) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). head-gear: toque (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). sleeves (+ men's clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes) Low Countries

St. Christopher Crossing the Stream, 1528. Albrecht Dürer (German, 1471-1528). Woodcut;

Soldier with a rudder that opens his Kruithoorn (no. 22), ca. 1600, 1597 - 1607 A soldier, to the right, to the right, who holds a rudder (a certain type of firearm) with his left hand at his left thigh, pointing the loop up obliquely (no. 22), ca. 1600. With his right hand he opens a crush horn. Plate 21 in the instructions for handling the rudder: Corte Onderwysinghe on the Figuerliicke image, interested t'rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, to the right, to the right, who holds a rudder (a certain type of firearm) with his left hand at his left thigh, pointing the loop up obliquely (no. 22), ca. 1600. With his right hand he opens a crush horn. Plate 21 in the instructions for handling the rudder: Corte Onderwysinghe on the Figuerliicke image, interes

Soldier, Standing, Holding a Pike with Both Hands. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The quacksalver, 1719 - 1780 print paper etching quack, charlatan, mountebank, 'saltimbanco'

Eduard V., King of England.

Standing Soldier 1550-91 Circle of Jost Amman Swiss. Standing Soldier 335004

Hongaarse krijgsman ; ungaricae ; The habit of almost all the nations of our time , has never until now this aediti. Hongaarse krijgsman . Onderdeel van kostuumboek titled , " almost all the people of our age habit never had this aedis' , Venice, 1569, 1569 Heruitgave shipped van de Eerste editie shipped 1563.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Nigritana. Twenty-third number of a series of 52 pieces. (A. de Vesme 564; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacques Callot (1592-1635). "The beggars, the beggars based on his stick. Nineteenth number of a suite of 25 pieces" (Lieure 497, Meaume 703). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99603-21 Etching, engraving

Jacques Callot, Noble Man Wrapped in a Mantle Trimmed with Fur, c 1620 1623 Noble Man Wrapped in a Mantle Trimmed with Fur

The Seller of Chairs. 1601 - 1700. Curti, Francesco, 1603-1670. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Habit d'Indien du balet du Triomphe de l'amour Triomphe de l'amour. Bérain, Jean, 1640-1711. Prints. 1681. Jerome Robbins Dance Division. Triomphe de l'amour (Choreographic work : Beauchamp), Ballet , 17th century, Costume design , 17th century, Ballet , France , 17th century

De Taste, Pieter Jansz Quast (Possible), After Pieter Jansz Quast, 1615 - 1647 print A man, with a headgear on, sits on a stone and drinks from a large cup. Among the image a verse about the financial consequences of excessive drinking. The print is part of a series of five prints with the five senses. Netherlands paper engraving taste, tasting (one of the five senses). drinking. head-gear: hat (+ men's clothes)

Tramp with a Sling. Pieter Jansz Quast; Dutch, 1606-1647. Date: 1634-1638. Dimensions: 170 x 160 mm (image); 210 x 162 mm (plate); 268 x 175 mm (sheet). Engraving, with etching on cream laid paper. Origin: The Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Pieter Jansz. Quast.

Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

The press.

Romeging soldier with garland; Ightbeller; Old Habiti, And Modern All Of You Mother Accurized From Very Figures: Disquorum, REENTIUMQUAL NOTUY ORBIS. Romaner serper, garland in by hand, stones in a cloth. In ornament

Mars, plate three from Der VII Planeten Artist's working dates 1643-1689 Switzerland. Etching in black on ivory laid paper . Conrad Meyer

Portrait of Frederik Augustus II, Pieter Schenk (I), 1675 - 1711 print Portrait of Frederik Augustus II, Duke of Saxony and King of Poland, as a young man, standing on a landing. Amsterdam paper etching / engraving garden

Henricus Slatius, With Hand and Foots, 1623, 1623 print Portrait of Henricus Slatius, one of the conspirators against Maurits, with hand and footcuffs, in the clothing in which he was imprisoned, 1623. On the ground the beer jug, in the background Coevorden. A separate text sheet belongs to the print. print maker: Northern Netherlandsafter print by: Amsterdam paper etching arrest (of criminal) Coevorden

King Darius II; Persian kings; Series Regum Persarum (...). King Darius II of Persia standing with a stick in his hand. In the background a landscape in which Darius rides on horseback and hunting a deer. Left birds at a waterfall. Under the show a three-legged text in Latin.

Nobilis gallies ornattus c. 1594 - c. 1596 paper engraving

Greek villager with bagpipe, Léon Davent, After Luca Penni, After Nicolas de Nicolay, 1555 - 1568 print Print is part of an album. Lyon paper etching Europeans (GREEKS) (+ costume). bagpipe, musette. musician

Soldier who carries his skewer with both hands far apart above his right shoulder, the point diagonally addressed (no. 12), ca. 1600. a soldier, full of skewer (lance) bears above his right shoulder, The point diagonally towards the ground (no. 12), ca. 1600. His hands far apart to the skewer. This is the first operation for lowering the skewer to continue under a gain. Plate 12 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from all T'Ghene, a soldaet Int acting from the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Boy carries another boy on his back, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 12-Nov-1651, paper, h 101 mm × w 67 mm

Friedrich V, Markgraf von Baden-Durlach.

Saint George Standing (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Gerrit de Jong (or Pike BearerStanding). Artist: Hendrick Goltzius, Dutch, 1558-1617

Officers in Peascod Doublets, 1589 print A man with a big banner over his left shoulder (a standard bearer), in full, seen on the right, the right hand in the side. In the background a city that is besieged. Under the performance two lines of text in Latin. print maker: Netherlandspublisher: Amsterdam paper engraving (military) standard-bearer. siege, position war. head-gear: toque (+ men's clothes). clothing for the upper part of the body (with NAME) (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). ear-rings (+ men's clothes). hacking and thrusting weapons: sword. stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes)

Amsterdam, King, Wilhelmus, Northern Netherlands, Buysen, Andries van (Sr.), Bombario Actionist and the Spirit of Esopus, Sprung around covered Blaaskaak, Dwarf as an officer with a large feathered hat and a playing card in his hand, 1720, A dwarf as an officer with a large feathered hat and a playing card in his hand. In the caption a verse in Dutch. Numbered right center: 7. Part of the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, prent, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, print maker, printmaker, 1718 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, - 1732, publisher

Soldier holding his skewer with his right hand in the bowl of his right arm (no. 4), ca. 1600. A soldier, for the foot, to the right, which is a skewer (lance) with his right hand in the bowl of his Right arm holds (no. 4), approx. 1600. This is the third act for the upright of the skewer. Plate 4 In the instructions for handling the skewer: Enseignment letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Florence I, Count of Holland.

Jabir ibn Hayyan, known in Europe as Geber (721-815). Muslim scientist dedicated to alchemy, pharmacy, medicine, mathematics and astronomy. Portrait after an engraving by Jean de Vries in the 16th century. Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.

W.a. M�ller (1733-1816), Mand with Stok, Whole Figure, 1733 - 1816

Heinrich Friedrich, Prince of England.

Rijn, Rembrandt van, The pissing man, Watering man, A man making water, verso - stamped, print, prints, height 75 mm, width 55 mm, print maker, printmaker, 1630 - 1630, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Copper engraving showing a variation of a scene where a person beds a lame individual, created by Cornelis Massys in 1538.

Two pilgrims in a landscape, Anonymous, After Jan van de Velde (II), 1603 - 1652 print A male and a female pilgrim in a meadow landscape. Second print from a series of six. Amsterdam paper etching pilgrim(s). meadow, pasture

Honoré Daumier, Renouvelée de la fontaine, 19th century Renouvelée de la fontaine

November: A hunter with his loot, Reinier van Persijn, after Joachim von Sandrart (I), 1645 print The month of November: Winter landscape with a hunter who wears his loot on the back. A wild boar hunt on the right in the background. At the top right the sign archer. In the margin an eight -line caption, in two columns, in Latin. Print Maker: GoudaPublisher: Amsterdam paper engraving November and its 'labours' (+ with zodiacal signs). boar-hunting. return from the hunt

The rat-catcher., 1632, Netherlands, by Jan van Vliet. Gift of Bishop Monrad, 1869.

To think that one would have been able to build a dozen primary schools with the stone of all these pedestals, from 'News of the day,' published in Le Charivari, October 19, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/2 × 7 7/8 in. (24.1 × 20 cm)Sheet: 11 11/16 × 9 7/16 in. (29.7 × 24 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: October 19, 1867. Museum: Metropolitan Museum of Art, New York, USA.

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