Figures in Landscape

Etchings and prints portraying figures interacting with nature, capturing various narratives through scenic settings and dramatic skies.

Landscape on the coast with thunderstorms, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Landscape on the coast with thunderstorms. Under the show is a text in Latin. paper engraving thunderstorm. coast

The gunpowder disaster in Leiden, January 12, 1807. View of the Rapenburg, seen from the Nieuwsteegburg on January 12, 1807. Links in the background to Leiden the Lodewijkskerk. In the middle, the ship explodes with gunpowder. A woman with her child flight and two men are thrown on the floor.

Woodcut on pear wood by Hans Burgkmair the Elder depicting Emperor Maximilian I in the Weißkunig series during the storm on Vendlo, 1514-1516.

Dish of the Joan Melchior Kemper at the bay of Nagasaki, 1865, 1865 print Shipping of the Barkschip Joan Melchior Kemper at the Bay of Nagasaki, September 10, 1865. The ship in heavy weather between the rocks off the coast. A few drowning people cling to wreckage in the water, in the foreground the only rescued W. Hoogeterp that clings to a ship sign with the inscription 'P&B JMK'. print maker: Netherlandsafter painting by: Netherlandspublisher: The Hague paper shipwreck. drowning, shipwrecked person Nagasaki

A pencil drawing by Ludwig Richter depicting a harvest train in the Roman Campagna, with gray wash applied in places, showing figures, carts, and landscape around 1833.

Ben Arthur. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Goff Lupton.

Koekkoek, Johannes Hermanus, Visser Bender, Joannes Pieter, Haarlem, Wit, Izaak Jansz. de, Breakthrough of the Wijnbergse Kaai in Vlissingen, 1808, verso - stamped, print, prints, height 227 mm, width 333 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1808 - 1808, paper, papier, etching, etchings, Dutch, 1785-11-09 - 1813-12-09, 1778-08-17 - 1851-01-09, intermediary draughtsman

Etching by Fritz Hegenbart titled 'In Struts', created around 1890, depicting figures or structures in a dynamic arrangement.

Un nouveau marius. Dated: 1856. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Francois Vivares, 1709-1780, French, Ships by a Rocky Shore, undated. Pen and brown ink, watercolor, and graphite on medium, slightly textured, cream laid paper.

Spain. Galicia. Shellfish gathering. Engraving. La Ilustracion Espanola y Americana, 1890.

Pearl fishermen for Tutecorin, Jan Caspar Philips, 1730 print View of the coast of Tutecorin with tents and traders. Left ships and swimming people who pop up pearls. A legend in the margin. Amsterdam paper etching pearl fishing, pearl diving; coral fishing. Asiatic races and peoples

Rote Nacht, chart 1.. Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printing house, Erler, Erich (1870-1935), engraver, Verlag von P.H. Beyer & Sohn (Lipsk ; wydawnictwo ; 1897- ), publisher

Going down a river by boat, Sweden. Travel in the Scandinavian states, 1856, Sweden and Lapland. Text and drawings by Saint Blaise. Le Tour du Monde 1862

The Egyptians are drowned as Moses parts the waves. Engraving after H. Wierix.

Boerenkhuizen in Place Land.design for a print.

Liber Studorium: Ben Arthur, Scotland, c. 1818. Thomas Guff Lupton (British, 1791-1873), Drawn, etched, and published by Joseph Mallord William Turner, after Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint in brown; sheet: 27.9 x 43.2 cm (11 x 17 in.); platemark: 20.9 x 29.2 cm (8 1/4 x 11 1/2 in.).

Simson beats the Philistines with a donkey jaw, 1643 print Simson kills the Philistines with the jawbone of a donkey. Under the show a reference in Latin to the Bible text in Ri. 15:15. This print is part of an album. Amsterdam paper engraving with an ass's jaw-bone Samson slays a thousand Philistines

The Mauritius meets a Spanish ship with the captured Dutch yacht, 1600, 1646 print The Mauritius meets a Spanish ship with the captured Dutch yacht, December 15, 1600 at Manila. In the water a greeting fish and a giant squid. Part of the illustrations in the report of the journey around the world by Olivier van Noort in 1598-1601. No. 21. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. swimming mammals: whale. molluscs: squid Manilla

Harlech Castle, North Wales, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Plate 2: A cannon to the left, a town in the background, from 'Various Military Caprices' (Varii capricci militari). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/2 x 5 1/2 in. (8.9 x 14 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Various Military Caprices' (Varii capricci militari). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

Colossal statue of the Appenino by Giambologna to left, represented as a giant crouching at the entrance of a grotto, ramps to either side, a pond below, various figures, dogs, and birds to right, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino) ca. 1653 Stefano della Bella Italian. Colossal statue of the Appenino by Giambologna to left, represented as a giant crouching at the entrance of a grotto, ramps to either side, a pond below, various figures, dogs, and birds to right, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino) 411196

Mazeppa. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: sheet: 10 11/16 x 13 5/8 in. (27.1 x 34.6 cm)plate: 6 1/4 x 8 1/8 in. (15.9 x 20.6 cm). Series/Portfolio: Etudes de sic. Chevaux. Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

Antiparos cave, Greece, engraving by Lemaitre from Iles de la Grece, by Louis Lacroix, L'Univers pittoresque, published by Firmin Didot Freres, Paris, 1853.

Heldendood van Woltemade at Kaap de Goede Hoop, 1773, Walraad Nieuwhoff, After Haatje Pieters Oosterhuis, 1830 - 1833 print Heroic death of the South African cattle shower Wolraad Woltemade during rescuing his paarde of fourteen shipwrecks from the wreck of the ship the Young Thomas in the surf for the coast of Cape of Good Hope, 1 June 1773. marked at the bottom right: III. D. bl. 266. Netherlands paper etching / engraving shipwreck. drowning, shipwrecked person. saving a person from drowning Cape of Good Hope

Rijn, Rembrandt van, Christ crucified between the two murderers: oval plate, verso lower left, print, prints, height 136 mm, width 101 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1639 - 1643, second quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Beach face, Dirk Arnoldus Taventraat, 1886 drawing paper. ink. pencil pen beach

Grot en fontein in de oude stad Manduria. Grotte & Fontaine des manduriens dont il est parlé dans Pline. Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 182 mm × w 259 mm. Museum: Rijksmuseum, Amsterdam.

View of Vejer de la Frontera, 1694 - 1737 View of the Moorish fortress city of Vejer de la Frontera. In the background the street of Gibraltar and the coast of Africa. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Border vejer View of the Moorish fortress city of Vejer de la Frontera. In the background the street of Gibraltar and the coast of Africa. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Border vejer

Print made by David Lucas, 1802-1881, British, Salisbury Cathedral, 1837. Mezzotint and etching on moderately thick, slightly textured, cream wove paper.

Luviari warrior bas relief at pass of Karabel, Turkey. Old XIX century engraved from Le Tour du Monde 1864

Eugène Fromentin, El Aouila, 1853, Pen and brown ink on tan wove paper.

Der Landschaftmaler auf der Reise (The Landscape Painter on Tour). Dated: 1814. Dimensions: plate: 13.8 x 19.2 cm (5 7/16 x 7 9/16 in.) sheet: 18.7 x 24.6 cm (7 3/8 x 9 11/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: JOHANN ADAM KLEIN.

Nymphs at the grave of Adonis, Eugène Louis Pirodon, After Auguste Gendron, After Robert Jefferson Bingham, 1864 - 1870 print Paris paper. (story of) Adonis

An episode in 'Jack Sheppard' by W.H. Ainsworth: Owen Wood, on the river Thames in a stormy night, rescues the child Jack Sheppard. Etching by G. Cruikshank, 1839.

Fisherman hauling in his boat by means of a windlass. Engraving 1836.

Jason, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1807, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 1/4 inches (18.4 × 26 cm), warriors

HENLEY REGATTA

Laan with Fontines in the garden of Villa Pratolino, Stefano della Bella, 1620 - 1664 print A avenue with fountains in the garden of Villa Pratolino. The avenue runs from the foreground to the villa in the background. In the foreground on the right a man with dog. Central a group of people. Italy paper etching garden. garden fountain. avenue, boulevard, promenade, esplanade Villa Pratolino

James T. Willmore, 1800-1863, British, Clairmont, 1833. Line engraving, engraver's proof.

Lapland. Laplander in a tent. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Don Quijote: ".. de allí tomará vuestra merced la derrota de Catragena". Museum: COLECCION PARTICULAR MADRID ESPAÑA. Author: GUSTAVE DORE.

Print made by Joseph Mallord William Turner, 1775-1851, British, Paestum, ca. 1825. Mezzotint; engraver's proof (a).

Campagne de Rome 19th century François-Nicolas Chifflart. Campagne de Rome. François-Nicolas Chifflart (French, Saint-Omer 1825-1901 Paris). 19th century. Etching. Prints

The Rock of Antibes: the crust F�lix Ziem (1821-1911). The Rock of Antibes: the crust. Watercolor on paper. Nineteenth century.

Print made by James T. Willmore, 1800-1863, British, Farne Island - Shipwreck, 1853-1874. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Philosophical Contemplations of a Lover of Silent Pleasures. To float on the back for an hour in a quiet tributary of the Marne with little water, some water lilies and lots of frogs: that's what makes a man happy!, from Les Baigneurs. Honoré Victorin Daumier (French, 1808-1879); printed by Firmin Gillot (French, 1820-1872). Date: 1864. Dimensions: 145 × 250 mm (image); 188 × 284 mm (sheet). Lithograph in black on tan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Robert Thew, 1758-1802, British, Shakespeare's Tempest Act IV Scene I. Prospero's Cell, 1800. Stipple engraving on moderately thick, moderately textured, cream, laid paper.

Guano, vintage engraving. Guano, vintage engraved illustration. Copyright: xZoonar.com/PatrickxGuenettex 10648807

Wąwóz w Himalajach w okolicach Bhaironghati. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Au Valromey. Dated: 1868. Dimensions: image: 10 x 19.1 cm (3 15/16 x 7 1/2 in.) plate: 13.8 x 23.8 cm (5 7/16 x 9 3/8 in.) sheet: 14.2 x 24.2 cm (5 9/16 x 9 1/2 in.). Medium: etching with drypoint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

The expensive, Lionel-Aristide (n.1847-11-08-D.1909), the sinking of Don Juan after Delacroix, IFF 35 (main title), 1884. Etch on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

View of a ship hit by lightning at sea, Beauvais, After Anonymous, 1700 - 1799 print The affected ship with a crew is on fire. In the foreground, two women mourn on a rock on the waterfront. Two lines of French text in the lower margin. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). shipping accident; sickness and death at sea. rocky coast. accidents with lightning. sailing-ship, sailing-boat

Cornelian Bay, from "Poetical Sketches of Scarborough" 1813 Thomas Rowlandson Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand.. Cornelian Bay, from "Poetical Sketches of Scarborough". "Poetical Sketches of Scarborough". Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

A young woman guiding a blind bag-piper over a bridge in Scotland. Stipple engraving by S.W. Reynolds, 1848, after F. Tayler.

Nemesis and Themis chase crime, Barthélémy Joseph Fulcran Roger, After Pierre Prud'Hon, 1806 - 1841 print Nemesis (Divine revenge) and Themis (Justice) Hairfoot Crime. Paris paper etching / engraving Nemesis (Adrastea). Themes. crime

Italy, Giambologna, Bella, Stefano della, Views of the villa of Pratolino, The Villa Pratolino, Colossus of the Apennines in the garden of the Villa Pratolino, verso - stamped, The sculpture The Colossus of the Apennines (Colosso dell'Appennino) by Giambologna, in the garden of Villa Pratolino. A sculpture of an old man with a beard breaking free from a cave. He bends over towards a dog's head. Water comes out of the dog's head. In front of the sculpture is a pond. Various figures in the foreground by the pond. In the background a pine forest., print, ornamental print, prints, height 257 mm, width 379 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, 1524 - 1608-08-13, after an image by

A stable on fire at night: a man leads two horses past a lamenting couple and a dead man. Etching with engraving by C. Visscher after P. van Laer.

Street to harbor , Cities & towns, Harbors. The Massachusetts WPA Federal Art Project Photograph Collection

Ukovskiy Waterfall (in: Pamjatnaja Kniżka). Mottra IB, K. (warsztat ; fl. ca 1860-1870), printing house, Voenna Tipografi (Petersburg ; drukarnia ; fl. ca 1860-1870), printing house, unknown, graphic artist, Smirnow (Petersburg ; fl. ca 1860-1870), draughtsman, cartoonist

The Erechtheum. Dated: 1913. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

"Dad's Coming!", 1873. Winslow Homer (American, 1836-1910). Wood engraving;

Emblem: fishing, Caspar Luyken, 1695 - 1705 print Two fishermen on the beach. They sort caught fish. Fishing nets are brought in in the background. Nuremberg paper etching Abstract Ideas and Concepts. fishes. beach. fisherman

François Nicolas figure (1825-1901). "To see the peasants swim". Albumin paper. 1868. Paris, house of Victor Hugo.

A lighthouse in calm and wild seas. Handcolored copperplate engraving from G. T. Wilhelm's "Encyclopedia of Natural History: Mankind," Augsburg, 1804. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergyman and naturalist known as the German Buffon.

Two Indians and a White Man in a Canoe 1811-ca. 1813 Pavel Petrovich Svinin Russian In this illustration for his book "A Picturesque Voyage in North America" (1815), Svinin combined his self-portrait with depictions of two Osage Indians borrowed from the work of Charles Balthazar Julien Févret de Saint-Mémin. Although he likely did not have such an encounter with American Indians during his travels, he may have wanted this composite groupsurrounded by an unspoiled landscapeto provide a hopeful image of harmonious relations between Indians and Euro-Americans.. Two Indians and a White Man in a Canoe 12755

Les Trois Hommes de pierre. Emile Séraphin Vernier (France, Paris, 1829-1887). France, 1857. Prints; lithographs. Lithograph

West End of Lodge, Before the Snow-Storm Joseph Goldsborough Bruff (19th C./American) Colored drawing The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Veduta del Cairo presa dalla Piazza el-Uzbekyeh nel Tempo dell' inondazione del Nilo.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Nile River, Boats, Floods , Egypt , Cairo

Royal Tiger 1829-30 Eugène Delacroix French. Royal Tiger 337370

Teals, 1853 (printed 1864). Félix Bracquemond (French, 1833-1914), Cadart & Luquet, 79, rue Richelieu. Etching; sheet: 36.7 x 44.4 cm (14 7/16 x 17 1/2 in.); platemark: 27.2 x 33 cm (10 11/16 x 13 in.).

Inscription on the Via Trajana, Kazan Pass, Hungary. La Table de Trajan, commemorating the first campaign against the Dacians, 103 AD, Historical, digitally restored reproduction from a 19th century original, Record date not stated

HIPPARCHUS/ASTRONOMER Greek astronomer who flourished 146 - 127 BC

Honoré Daumier (French, 1808 - 1879). Ayant eu la vaniteuse idée de vouloir..., 1864. From Les Baigneurs. Lithograph on wove newsprint paper. Image: 162 mm x 246 mm (6.38 in. x 9.69 in.). Third of three states.

Lefèbvre, H., Toulouse-Lautrec, Henri de, Mélodies de Désiré Dihau, Oceano Nox, Cover of a sheet of music with the song Oceano Nox with a sailor sitting on the bowsprit of a sailing ship, verso center - stamped, Reissue of the cover of a sheet of music with the song Oceano Nox. A sailor sits on the bowsprit of a sailing ship. The contrasts of the black and white are much weaker in this edition than in the original version., print, engraving, prints, engravings, verso middle - stamped, height 258 mm, width 206 mm, French, 1864-11-24 - 1901-09-09, print maker, engraving maker, 1895 - 1895, fourth quarter 19th century, vier kwart 19e eeuw, second quarter 20st century, tweede kwart 20e eeuw, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, 1935 - 1935

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