Figures in Sketches

Studies and sketches of male figures, focusing on their postures and garments, reflecting artistry from varying historical periods.

Young man leaning on a stone, draughtsman: Jordanus Hoorn, 1763 - 1833, paper, h 268 mm × w 185 mm

Eh bien! mosieu, on pretend que Napoleon vousressemblait:…. Artist: Paul Gavarni, French, 1804-1866

James Tissot, 1836-1902, French, active in Britain (1871-82), Vanity Fair Men of the Day, No. 33, Natural Selection, 1871. Colored lithograph.

Bagpiper smaller; verso: fragment of inscription. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Sitting Boy with Flute. Draughtsman: Cornelis Saftleven. Dating: 1665. Measurements: h 274 mm × w 197 mm. Museum: Rijksmuseum, Amsterdam.

Mezzetin ca. 1718-20 Antoine Watteau French Mezzetin, a stock comic character of the Italian commedia dellarte, became an established performer on the Paris stage, but was an innovative subject for painting in Watteaus lifetime. Here Mezzetin inhabits the overgrown gardens beloved by Watteau. His costume was typically comprised of a striped jacket and knee-britches, a floppy hat, a ruff, and a short cape; his personality was by turns interfering, devious, and lovelorn, as indicated by the distant female statue who turns her back to him. Watteaus delicate touch, especially evident in the figures hands and clothing, is exceptionally well preserved in this painting. Listen to experts illuminate this artwork's story Listen Play or pause #5183. Mezzetin Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Mezzetin. Antoine Watteau (French, Valenciennes 1684-1721 Nog

Rembrandt van Rijn, Clement de Jonghe, 1651 Clement de Jonghe

Postiglione Germanico, Print made by Charles Bretherton, ca. 1760-1783, British, after Henry William Bunbury, 1750-1811, British, Published by James Bretherton, ca. 1730-1806, British, 1772, Etching on moderately thick, rough, blued white laid paper, Sheet: 10 13/16 x 8 1/2 inches (27.5 x 21.6 cm), Plate: 8 1/4 x 5 7/8 inches (21 x 14.9 cm), and Image: 7 3/16 x 5 5/8 inches (18.3 x 14.3 cm), building, coat, costume, dog (animal), door, driver, genre subject, German, hat, man, parody, pipe (smoking equipment), postilion, satire, smoke, smoking, stairs, trees, waistcoat, whip

Study for Facing the Enemy (from McGuire Scrapbook). Artist: Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). Dimensions: 6 7/8 x 6 5/8 in. (17.5 x 16.8 cm). Date: ca. 1845.The present work, inscribed by the artist "Facing the Enemy," is a study for the painting of the same title (Chrysler Museum, Norfolk, Virginia) that Edmonds exhibited in New York at the National Academy of Design in 1845. Both the drawing and the painting portray a carpenter in his shop, seated precariously tilted back on a side chair as he contemplates a decanter of spirits on the windowsill before him. The painting was engraved and distributed with a sermonizing circular by the Temperance Society in 1847, in the heat of the mid-nineteenth-century sobriety movement. Museum: Metropolitan Museum of Art, New York, USA.

Pipe-speaking, standing man with, from the front, standing man with south-western, arms on a wooden handrail of a wooden deck, left leg crossed over the right, head slightly to the right, in the background a river landscape, a (net) cloth hangs over the round head of the pole at the front left., Johannes Engel Masurel, 1850, paper, pencil, watercolor (paint), brush, h 275 mm × w 214 mm h 390 mm × w 329 mm

Kobziarz smaller; Verso: fragment of the inscription; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1781 (1781-00-00-1781-00-00);

Rembrandt van Rijn, Clement de Jonghe, Dutch, 1606 - 1669, 1651, etching, drypoint and burin

The Lute Player, David Bailly, after Frans Hals, 1626, draughtsman: David Bailly, (mentioned on object), after: Frans Hals, 1626, paper, pen, brush, h 217 mm × w 172 mm

Beethoven, Ludwig from.

'Le Chemineau', c1870-1920 (1924). Artist: Jean Francois Raffaelli

J.f. Clemens (1748-1831), en leveled Vinget Genius, 1778

Second Future Plansza No. IV Z: Max Klinger, Eva and the Future Opus III, Druk. Wilhelm Felsing, Berlin Leipzig 1898, Wyd. Max Klinger Klinger, Max (1857 1920)

Edelfelt, Albert, Sketch book, 1890-91, drawing, 21.5x30, Edelfelt, Albert, 1890-91, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Célestin François Nanteuil, The Suicide, 1830s, lithograph on paper.

Karnende Man, Sea Pieter, After Christina Chalon, 1777 - 1779 print A farmer is standing next to a karnton and carnt the milk. A milk jug is next to the barrel. Leiden paper etching churning. farmers

Den Haag, Nijhoff, Martinus, Krauss, J., Netherlands, Schmidt Crans, Johan Michaël, Gijsbrecht van Amstel terug uit het vette land van Pruissen, Cartoon about Pruisen, 1887, The Hague, Cartoon about Pruisen. Plate published in the weekly De Nederlandsche Spectator, no. 16, 1887., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1887 - 1887, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Arthur Burdett Frost I, In Luck, 1884, wood engraving on paper.

Toulouse-Lautrec at the Workbench Edouard Vuillard (1868-1940/French) Musee Toulouse-Lautrec, Albi, France

Erzherzogin Marie Christine Habsburg-Lothringens drawing depicts a stonemason, executed with pen in the second half of the 18th century.

Lazio Roma Rome Museo degli Strumenti Musicali2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Panama Canal: Dr Cornelius Herz, having fled to Bournemouth to escape the results of his mismanagement of the canal's financing, simulates illness to avoid extradition to France. Watercolour drawing by H.S. Robert, ca. 1897.

Wilhelm Marstrand (1810-1873), Violinistinde, 1863

A boy, wearing a feathered hat on his head, plays a violin, Violin Player, print maker: Dirk Koedijck, (mentioned on object), after: Hendrick ter Brugghen, (mentioned on object), Zaandam, 1730, paper, h 168 mm × w 125 mm

Rhombus with a putti playing a citer; Square with child playing a citer. Square with enamel painting of a putti that plays a citer.

Grandfather Lean; Ruszczyc, Ferdynand (1870-1936); 1912 (1912-00-00-1912-00-00);Fairy tales, Partage Plus, Teatralia, purchase (provenance)

A girl leans against cushions on a sofa while playing a zither which she holds on her lap. Etching by James Dobie, 1891, after William Thorne.

The Negro BanjoPlayer. Artist: Nicolino Calyo, Italian, 1799-1884

Portrait of Cornelis Ploos van Amstel, Jacob van der Schley, after Cornelis Ploos van Amstel, after George van der Mijn, 1758 - 1779 print The portrait of Cornelis Ploos van Amstel on a canvas. In addition to the portrait, a globe, books, writing utensils, painting and engraving tools, a sculpted head and the Mercury Staff. paper etching historical persons. globe. writing tools. caduceus (staff with two snakes, attribute of Mercury). book

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled A spitter. Completed in 1883.

Jean Louis Forain, Versailles, 28 Juin, 1914 1919 Versailles, 28 Juin

Avenir etSouvenir. Artist: Paul Gavarni, French, 1804-1866

Helena Kurcewiczówna, Bohun and Horpyna, illustration for Henryk Sienkiewiczs novel “With Fire and Sword". Piotrowski, Antoni (1853-1924), draughtsman, cartoonist

Luit player, 1879 - c. 1885 Page 73 from a sketchbook with 58 sheets. . lute, and special forms of lute, e.g.: theorbo. musician

Arthur-Joseph Guéniot (1866-1951). Portrait of M. Lhuillier, cousin of Guéniot, playing the violin (front); An arm (back). Pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

'A Violinist', c1898. Artist: Fernand Khnopff.

ODALISQUE Eug�ne Delacroix (1798-1863). Odalisque. Drawing.

The Street Urchin (Le gamin). Dimensions: 33.4 cm x 50 cm, 20.7 cm x 14.8 cm, 20.7 cm x 14.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD MANET.

La Grève - small plate. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Violinist according to the image of Alexander Strugs. French magazine Bogaerts, H. (n.n.), Walter (n.n.), Struys, Alexander (1852 1941)

Sitting naked woman with a harp; Harpist.

Hansen, Hans Nikolaj, work, Florentine singer, technique text: etching, graphics

Cloud cover with St. Cecilia on it. To her right a harp held with her right hand., Saint Cecilia, print maker: Anna Cécile Wilhelmina Jeanette Jacqueline Nahuys, (mentioned on object), Noord-Nederland, 1841 - 1905, paper, etching, h 101 mm × w 63 mm

Becker, Adolf von, work, Violinist, black chalk, white highlights, drawing, FIGURE; man; fiddler; sitting; knee shot; music; violin, 24.5 cm x 27 cm

monk playing the cello,by M Moyse 1860

Enigmes Joyeuses pour les Bons Esprits, Plate 8 ca. 1615 Jan van Haelbeeck Eighth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, sits on a chair, next to a table covered with a cloth, playing a cello, inside a room with an open window and furnished with a bed and another chair. The plate accompanies one of the sonnets of the Enigmes, which describes how the woman plays the cello, while also hinting to a slightly more erotic meaning, comparing it to a meeting with a male friend. This double meaning of the images and sonnets of the Enigmes helps explain why most copies of the series, although very popular and influential in their day, have been

Joaquim Borralleras Grau (1880-1946), promotor de actividades artísticas y literarias catalán. Caricatura de Jaume Passarell. Año 1930. Author: Jaume Passarell Ribó.

Heilige Cecilia Musicerend, Etienne Picart, After Domenichino, 1642 - 1721 print paper engraving / etching St. Cecilia making music and/or singing. viola, violoncello; double bass. printed edition of musical score. recorder (musical instrument)

The Serenade. The singing lute-player is depicted di sotto in su, from a low vantage point. His extravagant red breecheswith yellowish-gold and black stripes are slightly out of focus, creating the illusion that the viewer is lookingup at him from close by. Judith Leyster was one of the very few professional female painters of her time.

Lazio Roma Rome Museo degli Strumenti Musicali6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jan Havicksz. Steen (Leiden, 1626-1679). Self- Portrait playing the Lute (ca. 1663 - 1665). Oil on panel. 55.3 x 43.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Stringed Instruments. 1: Bandoer, 2: Penorcon, 3: Orpheoreon, forms of Cittern and played with a plectrum. 4: Lyra da Gamba, bass form of the Lyra, played with a bow. Woodcut from Michael Praetorius Syntagma Musicum, 1615-1620.

Boy with bird cage, Cornelis Bloemaert (II), After Hendrick Bloemaert, c. 1625 print A smiling boy holds a bird cage with two birds. With two -way caption in Dutch. Utrecht paper engraving bird in a cage

AZULEJO DE CERAMICA SEVILLANO-MUSICO TOCA CONTRABAJO.

HEINRICH VON KLEIST German writer, died with girl- friend in suicide pact Date: 1777 - 1811

Chapter IV "The Animal Village," "The Pirate Sings" Reginald Birch (American, born London, England, 1856-1943). 1940. Black ink on heavy wove paper, Sheet: 15 1/8 x 13 3/16 in. (38.4 x 33.5 cm). American Art 1940

The original drawing for this patent was destroyed by a fire in the Patent Office in 1836. The coverage date is the original patent date. This drawing is a restoration created in 1837 or shortly thereafter.

Dehé, Emilius Wilhelmus, Portrait of the artist's father with violin, recto - stamped, print, prints, height 434 mm, width 357 mm, Dutch, 1886-10-30 - 1947-02-01, print maker, printmaker, 1896 - 1947, paper, papier, houtsnede, printer, drukker

Angel Playing Lute 2001 Leslie Xuereb(b.1959/French)

Mandoline: Music in the garden. 1883 . PHILLOTT, Constance (1842-1931). 19th century. Engraving. Illustration. 'Illustrated London News'.

Mode, Kleidung, Kostüme in Frankreich, um 1715, Figuren eines italienischen Mitstreiters, Commedia dell arte, von links, Kleidung des Pullicinello, Pu...

Violin. Dated: c. 1937. Dimensions: overall: 22.9 x 28 cm (9 x 11 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Augustine Haugland.

A pianist at the keyboard seated.

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "CLOSE UNG IUSTICIARD." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101786-21 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Cister-playing woman. Dating: 1930 - 1940. Place: Netherlands. Measurements: h 58 cm × w 47 cm; h 73 cm × w 58 cm × d 4 cm. Museum: Rijksmuseum, Amsterdam. Author: Han van Meegeren.

Viola player, Engraving. Museum: BIBLIOTECA MARCIANA, MUNICH, ITALIA. Author: Filippo Bonanni.

'A Volendamer', c19th century (1914-1915). Artist: Tom Browne.

Drawing of a Harp Guitar

A musician holding a sitar. Watercolour by an Indian painter.

Self-Portrait playing the Lute by Steen, Jan Havicksz (1626-1679) Thyssen-Bornemisza Collections ca 1665 Oil on wood 55,3x43,8 Holland Baroque Music, Dance,Genre Painting

Mander, Karel van (I), Schreuder, Bernhard, Amsterdam, Ploos van Amstel, Cornelis, Gentleman and lady playing the lute, verso - stamped, Interior with a man and a woman, both playing the lute., print, prints, height 169 mm, width 138 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, supervision, 1772 - 1774, paper, print drawing, etching, etchings, roulette, - 1780-10-16, print maker, printmaker, Southern Netherlands, 1548-05 - 1606-09-11, intermediary draughtsman

The Cello (Le violoncelle). Dimensions: 32.4 cm x 25.2 cm, 22.4 cm x 17.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELIX VALLOTTON.

Leopold Mozart With Wolfgang & Nannerl Making Music 1763 Louis de Carmontelle (1717-1806 French) Watercolor Musee Conde, Chantilly, France

Girl with sounds inv,

Tuscany Siena Montalcino Museo Civico15. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Old Cremona ca. 1887-90 John F. Peto Like many works by Peto, this canvas bears the false signature of his better-known contemporary William Michael Harnett. In 1886 Harnett had painted a successful trompe-loeil (“deceive the eye”) picture called "The Old Violin" (National Gallery of Art, Washington, D.C.), which was reproduced in a chromolithograph the following year. Peto may have known the original or the print. Although he borrowed Harnetts composition, he made something quite different of it. By flattening forms and disregarding modeling, he created a decorative pattern with a textural effect that is evocative rather than purely illusionistic.. The Old Cremona 11762

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica50. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Discord and Harmony. Alexander Theodore Honore Struys (1852-1941). Oil on panel. Signed and dated 1888. 55.8 x 78.1cm.

Viol d'amour (1), mandore (2), Spanish guitar (3) and lute (4). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Woman Playing a String Instrument. Date/Period: Early 20th century. Pastel on paper. Height: 950 mm (37.40 in); Width: 680 mm (26.77 in). Author: Fausto Zonaro.

APPERLEY , GEORGE OWEN WYNN. PINTOR INGLES . 1884-1960. " CANCION MALAGUEÑA " , ACUARELA AÑO 1931. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Sanger with stringed instroneent. 1625. (Hendrick ter Brugghen 1588 Overijssel Utrecht-1629)

Frame for the music piece 'Musette' by Willem F. Siep, Reinier Willem Petrus de Vries (1874-1953), 1896 drawing Rectangular frame with bagpipes, insects and flowers. paper. India ink (ink). deck paint pen / brush flowers ~ ornament. bagpipe, musette

Matthew Paris, English Benedictine Monk, Chronicler and illuminated Manuscripts Artist (1200-1259), From a Drawing by himself in Royal MS., Nero, D. 1, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the

ROQUEMONT, Augusto (1804-1852). The children of Counsellor Joaquin Torquato Alves Ribeiro. 2nd half 19th c. Oil on canvas. PORTUGAL. Porto. Soares dos Reis National Museum.

At the Piano. Engraving after a painting by George Goodwin Kilburne (1839-1924). La Ilustracion Espaola y Americana, May 15, 1876.

A Joyful Song 2003 Gerry Charm (20th C. American) Collage

Blanco y Negro published this photograph as the first obtained from nature in color, the work of Joquín Fungairiño. However, the first was published on February 11, 1912, also in Black and White and the work of the same photographer.

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