Figurines and Sculptures

Displays a variety of figurines and sculptures from different periods, highlighting craftsmanship with playful and thematic representations in clay and porcelain.

Pair of Malabars, anonymous, 1748 - 1749 Figure of painted porcelain. The image presents a figure known as a 'malabar'. The image has a partly gilded around pedestal in Rococo style and is mounted on a gilded bronze pedestal. The woman plays on a swivel and wears a lantern on a tire on her back. The image is marked. Originally the figure stood on a gilded bronze pedestal. Parisporcelain Company: Meissenmeissen porcelain. bronze (metal) gilding Figure of painted porcelain. The image presents a figure known as a 'malabar'. The image has a partly gilded around pedestal in Rococo style and is mounted on a gilded bronze pedestal. The woman plays on a swivel and wears a lantern on a tire on her back. The image is marked. Originally the figure stood on a gilded bronze pedestal. Parisporcelain Company: Meissenmeissen porcelain. bronze (metal) gilding

Figure of a dancing girl, Höchst, c. 1767 - c. 1775 Image of porcelain, painted on the glaze in email colors and gold. The image represents a girl, dancing with a garland or flower garland in her hands. Marked on the bottom with the wheel and MH. Maximum porcelain. glaze. gold (metal) painting / gilding / vitrification Image of porcelain, painted on the glaze in email colors and gold. The image represents a girl, dancing with a garland or flower garland in her hands. Marked on the bottom with the wheel and MH. Maximum porcelain. glaze. gold (metal) painting / gilding / vitrification

Friar carrying a woman ca. 1755 Chelsea Porcelain Manufactory Listen to experts illuminate this artwork's story Listen Play or pause #413. Retail Value. High and Low Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Friar carrying a woman. British, Chelsea. ca. 1755. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Red Anchor Period, ca. 1753-58). Ceramics-Porcelain

Figure of a Turk. Staffordshire, England. Date: 1765-1775. Dimensions: 19.7 x 10.8 x 7.6 cm (7 3/4 x 4 1/4 x 3 in.). Salt-glazed stoneware, polychrome enamels. Origin: Staffordshire. Museum: The Chicago Art Institute, Chicago, USA.

Figure of Asia and Africa from the Four Continents, c. 1760. Chelsea Porcelain Factory (Britain, London, 1745-84). Soft-paste porcelain; overall: 23.5 x 17.6 x 18.7 cm (9 1/4 x 6 15/16 x 7 3/8 in.).

Summer (part of a set of four) ca. 1780 Neale & Co. One of a set of four figures of children symbolizing four seasons (see 50.211.45-.48). Summer (part of a set of four). British, Hanley, Staffordshire. ca. 1780. Enameled earthenware. Ceramics-Pottery

Figure of Asia Made 1760-1770 Bow. Soft-paste porcelain, polychrome enamels, and gilding . Bow Porcelain Factory

Pair of Malabars, anonymous, 1748 - 1749 Figure of painted porcelain. The image presents a figure known as a 'malabar'. The image has a partly gilded around pedestal in Rococo style and is mounted on a gilded bronze pedestal. The woman plays on a swivel and wears a lantern on a tire on her back. The image is marked. Originally the figure stood on a gilded bronze pedestal. Parisporcelain Company: Meissenmeissen porcelain. bronze (metal) gilding Figure of painted porcelain. The image presents a figure known as a 'malabar'. The image has a partly gilded around pedestal in Rococo style and is mounted on a gilded bronze pedestal. The woman plays on a swivel and wears a lantern on a tire on her back. The image is marked. Originally the figure stood on a gilded bronze pedestal. Parisporcelain Company: Meissenmeissen porcelain. bronze (metal) gilding

Allegorical Figural Group of 'Europe', Kloster-Veilsdorf Porcelain Manufactory, German, established 1760, hard paste porcelain, vitreous enamel, gold, Germany, ca. 1775, ceramics, Decorative Arts, figure, figure

Figure of a 'Ranelagh' Dancer, Derby Porcelain Factory, English, established 1756, porcelain, vitreous enamel, gold, Ranelagh” type figure. A) A cavalier dressed in pink knee-breeches, a pink cloak, and orange waistcoat with flowers and green sleeves. B) Lady dressed in orange skirt with large rosettes, pink bodice edged with blue and a scarf floating from feathers on her head. At her feet, a mask. Both are standing on scrolling bases with gilding and are supported by bunches of flowers., England, ca. 1765, ceramics, Decorative Arts, figure, figure

David Gabarisco, a Prussian dwarf ca. 1761 Chelsea Porcelain Manufactory. David Gabarisco, a Prussian dwarf. British, Chelsea. ca. 1761. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Red Anchor Period, ca. 1753-58). Ceramics-Porcelain

Cupid with dog ca. 1765 Chelsea Porcelain Manufactory. Cupid with dog. British, Chelsea. ca. 1765. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Ceramics-Porcelain

Meissen Manufacture. "Player of old player". This subject belongs to a set of several pieces. Metal, bronze, porcelain, wood. Around 1755/1760. Museum of Fine Arts of the City of Paris, Petit Palais. 144002-26 German art, decorative art, ceramic, faience, German renaissance, musician monkey, rococo style, 18th 18th 18th 18th 18th 18th century, animal

Allegorical Figure Depicting Putti as "Asia" and "Africa" Figure; Manufactured by Fürstenberg Porcelain Manufactory (Germany); After Freidrich Elias Meyer (German, 1723 - 1785); Germany; hard paste porcelain, vitreous enamel, gold; 15.9 x 12.8 x 13.6 cm (6 1/4 x 5 1/16 x 5 3/8 in. )

Heiligenfiguur in Pseudo-Romeins Soldier Costuum, Ignaz Franz Günther, c. 1765 - c. 1770 linden linden

Aimé-Jules Dalou (1838-1902). "Terrassier". Terracotta, between 1889 and 1898. Museum of Fine Arts of the city of Paris, Petit Palais. Nudite, tool, worker, shovel, carry, earthworks, terrassier, terracotta, shirtless, work, back view, hat

Prussian Hussar Made 1750-1765 Staffordshire. Lead-glazed earthenware (creamware and redware) .

Lady ca. 1765-68 Derby Porcelain Manufactory. Lady. British, Chelsea-Derby. ca. 1765-68. Soft-paste porcelain. Derby Porcelain Manufactory (British, 1751-1785). Ceramics-Porcelain

Harlequina. Culture: German, Nymphenburg. Dimensions: Height: 8 in. (20.3 cm). Manufactory: Nymphenburg Porcelain Manufactory (German, 1747-present). Modeler: Franz Anton Bustelli (Swiss, Locarno ca. 1720-1763 Munich). Date: ca. 1763.In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male figure (see 1974.356.525) depicts Harlequin, the principal character of the commedia dell'arte, who always wears a suit composed of brightly colored patches. The female figure, Harlequina, is dressed in a complementary costume.Italian commedia dell'arte figures were produced at all of the major German porcelain factories, but those made at Nymphenburg are among the most accomplished. Around 1760, Franz A

Meissen Manufacture. "Corniste monkey". This subject belongs to a set of several pieces. Metal, bronze, porcelain, wood. Around 1755/1760. Museum of Fine Arts of the City of Paris, Petit Palais. 144002-10 German art, decorative art, ceramic, faience, German renaissance, musician monkey, rococo style, 18th 18th 18th 18th 18th 18th century, animal

Cupid with globe ca. 1760 Saint James's Factory. Cupid with globe. British, London. ca. 1760. Soft-paste porcelain. Ceramics-Porcelain

Allegorical Figure of Europe. Derby Porcelain Manufactory; England, 1750-1848. Date: 1770-1780. Dimensions: H. 25.1 cm (9 7/8 in.); base diam. 12 cm (4 3/4 in.). Soft-paste porcelain with polychrome enamels and gilding. Origin: Derby. Museum: The Chicago Art Institute, Chicago, USA.

Boy Playing a Flute, 1760-1770. Saint-Amand-les-Eaux (French). Faience; overall: 16.9 cm (6 5/8 in.).

Praying Figure. Flanders, circa 1600. Sculpture. Oak

Seated Musicians, c. 1765. Derby Porcelain Factory (British). Soft-paste porcelain; overall: 18.8 x 11.3 x 10.4 cm (7 3/8 x 4 7/16 x 4 1/8 in.).

Spring, porcelain factory Frankenthal, c. 1755 - c. 1760 Image of porcelain, painted on the glaze in email colors and gold. The image, representing the spring, shows five putti with baskets with fruit and grains on a pedestal with rocailles. Marked on the underside with the crowned CT and 7. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification Image of porcelain, painted on the glaze in email colors and gold. The image, representing the spring, shows five putti with baskets with fruit and grains on a pedestal with rocailles. Marked on the underside with the crowned CT and 7. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification

A Mongolian man ca. 1750 Bow Porcelain Factory British The companion bust of a Mongolian lady (64.101.693) is also in the Museum's collection.. A Mongolian man. British, Bow, London. ca. 1750. Soft-paste porcelain. Bow Porcelain Factory (British, 1747-1776). Ceramics-Porcelain

Seated Child, anonymous, c. 1700 - c. 1750 Image of a sitting child. The Hague terracotta (clay material) Image of a sitting child. The Hague terracotta (clay material)

Figure of fisherman girl with dolphin. Figure representing a fishing girl with a dolphin from whose mouth water flows behind her. Marked with crowned monogram cc in underglazing blue and rebel X. Ludwigsburg porcelain.

Figure Depicting the "Peace of Basel" Figure; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Germany; hard paste porcelain, vitreous enamel, gold

Figure of Geoffrey Chaucer Made 1785-1795 Staffordshire. Lead-glazed earthenware . Staffordshire Potteries (Manufacturer)

Pair of Seated Figures (Pagodas). Meissen porcelain manufactory modeled by Johann Friedrich Eberlein (1695-1749) Meissen, 1735Hard paste Porcelain

Léopold Morice (1846-1920). "Monument to the Republic: Fraternity". Plaster. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 123541-2

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Figural group: Four music children; Koenigliche Porcellain Fabrique, Meissen (1710-1763), Kaendler, Johann Joachim (1706-1775); after. 19th century (1830-00-00-1860-00-00);children, figurines, figural groups, musical instruments, musician

L' Indifférent. Artist: After a composition by Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne); After a composition by Gérard Jean-Baptiste Scotin (French, Paris 1698-after 1755) after Watteau. Culture: Austrian, Vienna. Dimensions: Height: 7 1/4 in. (18.4 cm). Factory: Vienna. Factory director: Du Paquier period (1718-1744). Modeler: After a model by Johann Joachim Kändler (German, Fischbach 1706-1775 Meissen) after Scotin (after Watteau). Date: 1741-44. Museum: Metropolitan Museum of Art, New York, USA.

Poet ca. 1765-68 Derby Porcelain Manufactory. Poet. British, Chelsea-Derby. ca. 1765-68. Soft-paste porcelain. Derby Porcelain Manufactory (British, 1751-1785). Ceramics-Porcelain

Figure of a seated Chinese woman ca. 1760 Nymphenburg Porcelain Manufactory. Figure of a seated Chinese woman 207092

Groom 701 CE-750 CE China. Earthenware with three-color (sancai) lead glazes and traces of pigments .

Monkeys ca. 1770 Gardner Manufactory This group is a rather naïve interpretation of the theme of the monkey as mimic of the vices of human behavior.. Monkeys 207060

Hanswurst and Columbine modeled 1743 Meissen Manufactory German See 64.101.96 for a variation of this model.. Hanswurst and Columbine 207182

The Naughty Children ca. 1770 Frankenthal Porcelain Manufactory. The Naughty Children. German, Frankenthal. ca. 1770. Hard-paste porcelain. Ceramics-Porcelain

Neptune. Neptune.

Orientals ca. 1783 Royal Porcelain Manufactory Danish. Orientals. Danish, Copenhagen. ca. 1783. Hard-paste porcelain. Royal Porcelain Manufactory (Danish, 1775-present). Ceramics-Porcelain

Statuette of Apollo; Canosa, South Italy; 200 - 100 B.C; Terracotta with white slip and polychromy (purple, pink, white, light blue); 21.8 × 10.9 × 5.2 cm (8 9,16 × 4 5,16 × 2 1,16 in.)

Sèvres Porcelain Manufactory, The Bagpiper, c. 1757-c. 1766, soft-paste porcelain (biscuit).

. Man figure, representative amphitrite, standing on a dolphin, on an ebony pedestal.

Allegorical Figure Depicting Putti as 'Europe' and 'America', Meissen Porcelain Manufactory, German, active from 1710 to the present, Friedrich Elias Meyer, German, 1723 - 1785, hard paste porcelain, vitreous enamel, gold, Europe, wearing loin cloth, seated on scrolled pedestal, holding scepter and orb; America, kneeling facing Europe, wearing feather apron and headdress and holding a bow., Germany, 19th century, ceramics, Decorative Arts, figure, figure

Putto second half 18th-mid-19th century Italian The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Arts group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi and colorful peasants, townspeople, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition.These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures luxurious costumes, baskets of fruit, and gilt cense

Pastoral Group ca. 1781-90 Le Nove Porcelain Manufactory. Pastoral Group 207161

Figure of A standing Woman, One of the Taoist Immortals. Figure of a standing woman on a pedestal of porcelain, painted on the glaze in blue, red, pink, yellow and black. The woman, He Xiangu, has a scepter in her hands and a colored robe on which a Ruyi motif and her attribute, the lotus stalk. Family Rose.

Young Man Eating Porridge, Jan Smeltzing (I), c. 1690 - c. 1710 Leiden terracotta (clay material) Leiden terracotta (clay material)

Standing Court Lady. China. Date: 618 AD-907 AD. Dimensions: 37.8 × 13.3 × 12.5 cm (14 7/8 × 5 1/4 × 4 15/16 in.). Earthenware with traces of pigment. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

September. Figure presented the month of September in the form of a man with a bowl of fruits and in the left arm a horn of abundance. Signature with a crowned monogram in underglazing blue and rebel N.Z.L.

Herder, Meissener porcelain manufactory, c. 1750 - c. 1760 Figure of painted porcelain. On an irregular round pedestal is a man (shepherd) at a tree stump on which a shepherd's bag hangs, with a lying sheep on his feet. The man wears a music magazine in his right hand, of which he sings. The image is marked. Float porcelain Figure of painted porcelain. On an irregular round pedestal is a man (shepherd) at a tree stump on which a shepherd's bag hangs, with a lying sheep on his feet. The man wears a music magazine in his right hand, of which he sings. The image is marked. Float porcelain

Pantaloon 1740-1745 Meissen. Hard-paste porcelain, polychrome enamels, and gilding

Actor ca. 1755-65 Possibly Mennecy. Actor. French, possibly Mennecy or Sceaux. ca. 1755-65. Soft-paste porcelain. Possibly Mennecy or. Ceramics-Porcelain

Figure of a Gardener, c. 1765-70. Bow Porcelain Factory (British). Soft-paste porcelain; overall: 24.5 cm (9 5/8 in.). Even though this figure and his counterpart (1945.36) are not accompanied by a sheep, these ceramic sculptures were sometimes known as Garland Shepherds” during the mid-1700s. The name derived from a similar set produced by one of the Bow Porcelain Factory’s rivals, the Derby Porcelain Factory, in which the male figure holds a lamb. While these two factories often produced similar sets of pastoral, allegorical, biographical, and religious figures, the Bow Factory was known as one of the preeminent porcelain manufacturers, rivaled only by the Chelsea Porcelain Factory, with which Bow would later merge.

Meissen Manufacture. "Conduct monkey". This subject belongs to a set of several pieces. Metal, bronze, porcelain, wood. Around 1755/1760. Museum of Fine Arts of the City of Paris, Petit Palais. 144002-30 German art, decorative art, ceramic, faience, German renaissance, musician monkey, rococo style, 18th 18th 18th 18th 18th 18th century, animal

Thousing outlet of Faïence. Men's figure of Faïence. Representing a thorn outlet.

Constance rewarded ", around 1750. Anonymous after Johann-Joachim Kaendler. German porcelain from Meissen. Museum of Fine Arts of the city of Paris, Petit Palais. Caress, hug, bend, Meissen factory, German porcelain, gallant scene, dog, couple

Pantaloon. Meissen Porcelain Manufactory; German, founded 1710. Date: 1740-1745. Dimensions: H. 13.3 cm (5 1/4 in.). Hard-paste porcelain, polychrome enamels, and gilding. Origin: Meissen. Museum: The Chicago Art Institute, Chicago, USA.

Harlekijn, Anonymous, 1700 - 1725 It stands in Danspas on a square plinth with the right leg forward; Upper body and head are used to three -quarters to the left. He holds castagnets in the right -hand right and the left -handed hand. On the head with the slightly opened mouth and upward -facing climber a high hat with overflowed edge. It is dressed in a close -fitting tube, partly closed with large pear -shaped knots, and with a flat lying collar, converted point -shaped cuffs and with lobes with lobes with lobes, and also hanging at the bottom of flame -shaped buildings. The lanes stick in a close -fitting leg covering and have a tire under the knee that is tied from behind; At the feet low boots with bow. Germany ivory cutting It stands in Danspas on a square plinth with the right leg forward; Upper body and head are used to three -quarters to the left. He holds castagnets in the right -hand right and the left -handed hand. On the head with the slightly opened mouth and upward -faci

Master of wigs - figural group; Porcelain manufacture of Elektor Karol Teodor (Frankenthal; 1762-1795), Luck, Karl Gottlieb (Fl. 1760-1775), Porzellanmanufaktur Nymphenburg (1753-); 19th/20th century according to the model of the 18th century (1890-00-00-1910-00-00);figurines, generic figurines, figurine groups, wigs, purchase (provenance)

Columbine and Pantaloon ca. 1738 Meissen Manufactory German. Columbine and Pantaloon. After an engraving by François Joullain (French, Paris 1697-1778 Paris). German, Meissen. ca. 1738. Hard-paste porcelain. Ceramics-Porcelain

King, fragment of a jesse tree. The king, a half-way, has the right hand above the knee on a spell belt, which curls on both sides, and the left-hand bearing for the chest. On the head tilting to the right, he carries a bour reet with crown, on which part of the tree. The bour reet with a small town, is wounded on both sides by a lamfer, the two ends of which are loosely knotted under the chin and then hang down over the arms. The sleeves of the tunic are pleated at the shoulder starter. Under the semi-detached a few oak leaves.

Immortal Liu Hai playing with a frog 18th century China. Immortal Liu Hai playing with a frog. China. 18th century. Soapstone. Qing dynasty (1644-1911). Hardstone

Woman and Man, c. 1750. Italy, Naples, Capo di Monte, 18th century. Porcelain; overall: 18.5 x 14.6 cm (7 5/16 x 5 3/4 in.); base: 13.4 x 7 cm (5 1/4 x 2 3/4 in.).

Man and woman standing near a tree ca. 1830-40 British, Staffordshire. Man and woman standing near a tree. British, Staffordshire. ca. 1830-40. Pottery. Ceramics-Pottery

Small Joseph” with hand raised in purple/grey long robes second half 18th-mid-19th century Italian The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Art’s group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi and colorful peasants, townspeople, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition.These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures’

Four carnival musicians ca. 1770 Zurich Pottery and Porcelain Factory. Four carnival musicians 207158

Bust of Louis XV. Mennecy Porcelain Manufactory (French, active 1750 - 1777)

Henri Allouard (1844-1929). Portrait of Richelieu (1585-1642), ecclesiastical and statesman. Terracotta tinted plaster. 1897. Paris, Carnavalet museum. 60832-9 Cardinal, ecclesiastics, French State, Platre Terracotta shade, statue

Lady with boy ca. 1765 Chelsea Porcelain Manufactory. Lady with boy. British, Chelsea. ca. 1765. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Ceramics-Porcelain

Chairmaker. Culture: Italian, Naples. Dimensions: Height: 7 1/2 in. (19.1 cm). Factory: Capodimonte Porcelain Factory (Italian, 1740/43-1759). Modeler: Model attributed to Giuseppe Gricci (Italian, ca. 1700-1770). Date: ca. 1755. Museum: Metropolitan Museum of Art, New York, USA.

Seiōbō: Queen Mother of the West. Sanko (Japan, active 1783-1821). Japan, late-18th century. Costumes; Accessories. Ivory with staining, sumi

Shadow Puppet (Wayang Kulit) of Buta Terong, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra

Figure of a nobleman. Kaendler, Johann Joachim (1706-1775), sculptor, Reinicke, Peter (1715-1768), modeller, Koenigliche Porcellain Fabrique, Meissen (1710-1763), factory

Man as Old Age. Possibly Ralph Wood; English, 1715-1772; and Enoch Wood; English, 1759-1840. Date: 1785-1795. Dimensions: H. 22.2 cm (8 3/4 in.). Lead-glazed earthenware (pearlware). Origin: Burslem. Museum: The Chicago Art Institute, Chicago, USA. Author: the Elder Ralph Wood.

Allegorical Figure of 'Asia', Meissen Porcelain Manufactory, German, active from 1710 to the present, Gottfried Bernhard Göz, German, 1708 - 1774, hard paste porcelain, vitreous enamel, gold, 'Asia' turbaned female figure, holding sceptre and censer, seated on camel facing left; in background, a palm tree., Germany, ca. 1760, ceramics, Decorative Arts, figure, figure

Young Woman and Child at Play, 1780s. Follower of Clodion (French, 1738-1814). Terracotta; overall: 30.8 x 29.1 x 22.4 cm (12 1/8 x 11 7/16 x 8 13/16 in.).

BACO. DIOS GRIEGO DEL VINO. FIGURA DE PORCELANA DE LA REAL FABRICA DEL BUEN RETIRO , OBRA DE CARLOS SCHEPPERS EN EL AÑO 1775. MUSEO ARQUEOLOGICO NACIONAL . MADRID.

Sitting begging figure, Simon Troger (School of), After 1693 - Before 1768 Sitting beggar with the legs crossed. ivory Sitting beggar with the legs crossed. ivory

Lying girl with outstretched arm. Figure in the form of a lying girl with left arm stretched out. Marked with a wheel in underglazing blue and engrade No 179 R 1.

Anonymous, rider rising a lion (main title), 1736, porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Study of a standing Diana with arrow sleeve, torch and haze windhound, for a garden image .. Study in terracotta, sloppy landscaped, of a standing Diana with arrow sleeve, torch and leanhound, on the front square plinth. Sketch for a garden image. The head is missing and the right hand is restored. Diana is a pendant of Apollo (BK-1996-21). Note: This unsigned Diana is a preliminary study for a garden image in sandstone, which is located on the countryside .....

John the Baptist as a Child, one of a pair, c. 1640, Attributed to Felipe de Ribas, Spanish, 1609-1648, 23 3/4 x 10 11/16 x 8 1/2 in. (60.33 x 27.15 x 21.59 cm) (without bottom peg), Polychrome and gilt wood, glass, Spain, 17th century, The figure of the Infant Saint John the Baptist was carved as a companion figure for the Infant Jesus Christ (on the opposite pedestal).

Edelvrouw, Eugène Lacomblé, 1800 - 1900 clay clay

Camel and Rider 701 CE-750 CE China. Earthenware with three-color (sancai) lead glazes .

Boy with Beehive and Dog, Michiel Emanuel Shee, 1725 The Hague terracotta (clay material) The Hague terracotta (clay material)

Summer and Autumn ca. 1765 Chelsea Porcelain Manufactory. Summer and Autumn. British, Chelsea. ca. 1765. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Ceramics-Porcelain

Seated Jester (Taikomochi)Drinking. Artist: Shuzan, Japanese, active late 19th century

'St Ambrose'. Italy, Late 1650s. Dimensions: h. 46 cm. Museum: State Hermitage, St. Petersburg.

The Thrown Kiss (one of a pair) ca. 1765 Bow Porcelain Factory British. The Thrown Kiss (one of a pair). British, Bow, London. ca. 1765. Soft-paste porcelain. Bow Porcelain Factory (British, 1747-1776). Ceramics-Porcelain

Joueaman's joueager. Tears cook at glaçures. Par musée musée malée. 78847-27 Asian art, old ceramic, covered, email, musical instrument, musician, character, porcelain, terracotta emaillee, tricolor

We will Carrier Belleuse, Louis Robert (1848 1913), Choisy le Roi

Lady Removing Her Mask Figure; Designed by Konstantin Andreievich Somov (1869 - 1939); Manufactured by State Porcelain Factory (Russia); porcelain, enamel, gilding; H: 21.7 cm (8 9/16 in.); The Henry and Ludmilla Shapiro Collection; Partial gift and partial purchase through the Decorative Arts Association Acquisition and Smithsonian Collections Acquisition Program Funds; 1989-41-117

Two Putti Romping, anonymous, c. 1670 - c. 1730 Italy marble (rock) Italy marble (rock)

Seated Woman Holding Mirror. China. Date: 618 AD-906 AD. Dimensions: 31.2 × 13.8 × 15.5 cm (12.3 × 5.4 × 6.1 in.). Earthenware with three-color (sancai) lead glazes and traces of polychrome pigments. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Upper part of a marble torso of a man. Culture: Roman. Dimensions: H. 13 1/2 in. (34.3 cm). Date: 1st or 2nd century A.D..The figure wears a short cloak over his left shoulder. Museum: Metropolitan Museum of Art, New York, USA.

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