Flemish Baroque Mythological Art

Collection of vivid Baroque paintings depicting mythological themes with dynamic figures, rich colors, and emotional expressions, showcasing the interplay of love and conflict.

RUBENS, Peter Paul (1577-1640). The Rape of the Daughters of Leucippus. ca. 1618. Castor and Pollux abducted Hilaera and Phoebe in order to marry them. Flemish art. Oil on canvas. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca).

Peter Paul Rubens (1577-1640). Flemish Baroque painter. The Union of Earth and Water (Sheldt and Antwerp), 1618. The State Hermitage Museum. Saint Petersburg. Russia.

Venus and Mars, Cornelis Cornelisz. van Haarlem, 1628

RUBENS, Peter Paul (1577-1640). The Rape of the Daughters of Leucippus. ca. 1618. Castor and Pollux abducted Hilaera and Phoebe in order to marry them. Flemish art. Oil on canvas. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca).

Venus kissing man by Titian, Oil on canvas, circa 1530, 1488-1576, Austria, Vienne, Art History Museum, 97x109

Venus and Adonis. Malarz francuski XVIII w., painter

Diane and Acteon', c1584-1609 Artist: Joseph Heintz the Elder. In Roman mythology, Diana was the virgin goddess of the hunt, the equivalent of the Greek goddess Artemis.

Scene with Bacchantes. Bacchanal with lendering bare couples in the forest. On the right square a man grapes in a drinking dish, next to him lies a woman on the floor. A woman beats on the triangle in the background.

Venus and Mars warned by Mercury, Spranger, Bartholomeus (1546-1611)

The Abduction of Psyche, Prud'hon, Pierre-Paul, 1808.

Selene and Endymion, Gerard de Lairesse, c. 1680

fine arts, Aachen, Hans von, (1552 - 1615), painting, ""Schlafender Amor"", ""sleeping Cupid"", Pommersfelden, Germany, Europe, 16th century, 17th century, mannerism, god of love, Eros, sleep, naked, nakedness,

Bernardo Cavallino, The Triumph of Galatea, c 1650 The Triumph of Galatea

Music and Dance and Cupids in Conspiracy by Francois Boucher, 1740s

Diana and Virtus Punish Venus and Bacchus, T. van Malsen, 1694

Girolamo Troppa (1637-1712), Apollon Flaar Skin by Marsyas, 1651-1706

Odysseus and Calypso. The Greek poet Homer recounts how the heroic warrior Odysseus found refuge on the island of the nymph Calypso. The Trojan War is over: Amor, the god of love, now teasingly places the battle helmet on Calypsos head. Odysseus and Calypso instantly fall in love. This painting hung in the Soestdijk hunting lodge, in the apartment of Mary Stuart, the consort of William III.

Diana and her Nymphs surprised by Satyrs by Rubens, Pieter Paul (1577-1640) / Museo del Prado, Madrid / 1638-1640 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 129,5x315 / Baroque

Luca Giordano / 'Bathsheba in the Bath', 1697-1698, Italian School, Oil on canvas, 219 cm x 212 cm, P00165. Museum: MUSEO DEL PRADO, MADRID, SPAIN. ISRAEL.

Apollo Pursuing Daphne, Giovanni Battista Tiepolo, circa 1755, National Gallery of Art, Washington DC, USA, North America

Hercules between Vice and Virtue, Hoecke, Jan Van Den, 1540.

Painting by Peter Paul Rubens (born 28 June 1577 in Siegen. died 30 May 1640 in Antwerp), Flemish painter, The Judgement of Paris, a famous episode of Greek mythology, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Mercury, Argus and Io by Bloemaert, Abraham (1566-1651) / Centraal Museum, Utrecht / ca 1592 / Holland / Oil on wood / Mythology, Allegory and Literature / 63x81

Venus Adorned by the Graces. Dated: 1590/1595. Dimensions: overall: 133 x 170.5 cm (52 3/8 x 67 1/8 in.) framed: 162.6 x 200 x 8.6 cm (64 x 78 3/4 x 3 3/8 in.). Medium: oil on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Adam and Eve, Jordaens, Jacob, 1650.

Diana and Actaeon. Date/Period: Turn of 17th/18th ca. Painting. Height: 670 mm (26.37 in); Width: 860 mm (33.85 in). Author: UNKNOWN ARTIST.

Schule von Fontainebleau, Diana - -

Jove and Semele, Ricci, Sebastiano, 1695.

Lot and his Daughters by Guidobono, Bartolomeo (1654-1709) / Musei di Strada Nuova, Genoa / 1695-1696 / Italy, School of Genoa / Oil on canvas / Bible / 224x161

Veneus and Adonis Veneus and Adonis, Bartholomeus Spranger, oil on panel, c.1585-1590, Amsterdam, Netherlands Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21697242

Ulysses and Circe, Spranger, Bartholomeus (1546-1611)

Paolo Veronese / 'Venus and Adonis', ca. 1580, Italian School, Oil on canvas, 162 cm x 191 cm, P00482. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Shepherd and Shepherdess. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 1,140 mm (44.88 in); Width: 1,680 mm (66.14 in). Author: Attributed to Thomas, Jan.

The Sea Hath It's Pearls. Frank O. Salisbury (1874-1962). Oil on canvas. c. 1916. 162.5 x 125.7cm

Guido Reni / 'Hippomenes and Atalanta', 1618-1619, Italian School, Oil on canvas, 206 cm x 297 cm, P03090. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Penitent Mary Magdalene / Mengs / 1752

Scorn. Painting. Oil on canvas. Height: 186.6 cm (73.4 in); Width: 188.5 cm (74.2 in). Author: PAOLO VERONESE.

Venus and Adonis. Simon Vouet (French, 1590 - 1649)

Color sketch by Hans Canon for a zoology bezel, executed in coal and oil on canvas around 1883, showing animals, scientific motifs, and decorative elements.

'The Judgment of Paris', 1597-1599, Oil on canvas, 144,8 x 193,7 cm. Author: PEDRO PABLO RUBENS (1577-1640). Location: NATIONAL GALLERY. LONDON. ENGLAND. CUPID. APHRODITE. Minerva. HERMES. HERA. PARIS (MITOLOGIA GRIEGA). AMOR MITOLOGIA. ATENEA (DIOSA GRIEGA). VENUS DIOSA ROMANA.

Painting titled 'An Allegory of Love' by Benvenuto Tisi (1481-1559) a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Dated 16th Century

Domenichino, The Rebuke of Adam and Eve, 1626 Domenichino, The Rebuke of Adam and Eve, Italian, 1581 - 1641, 1626, oil on canvas, Patrons' Permanent Fund

Venus with Mars by Paolo Veronese, Oil on canvas, 1570s, 1528-1588, USA, New York, Metropolitan Museum of Art, 205, 7x161

Peeter Symons / 'Cefalo and Procris', 17th century, Flemish School, Oil on canvas, 174 cm x 204 cm, P01971. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Venus Rising from the Sea; Venus Sortant de l'Onde. Gustave Moreau (1826-1898). Oil on panel. Signed and dated 1866. 56 x 46cm.

Bacchus and Ariadne, 1520-1523. Oil on canvas. Titian (c1473-576) Italian painter, l Italian Renaissance school. Ariadne deserted on Naxos, found by Bacchus/Dionysius who marries her. Greek Roman Mythology

Paris and Oenone. Dating: 1737. Measurements: h 99.5 cm × w 146.5 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob de Wit.

'Landscape with Diana and Actaeon'. Italy, 1665-1670. Dimensions: 198x151 cm. Museum: State Hermitage, St. Petersburg. Author: CARLO MARATTA. Gaspard Dughet (Gaspard Poussin).

Danae ca. 1531 Correggio (Antonio Allegri) (1489/94-1534 Italian) Oil on canvas Galleria Borghese, Rome, Italy

Nymphs fill the cornucopia, Jan Brueghel de Oude, Peter Paul Rubens, c. 1615

Venus and Cupid, Sustris, Lambert, .

The Rape of Europa, Oil on panel, Martin de Vos, 1570-1575, Museo de Bellas Artes, Bilbao, Spain.

The Rape of Europa (After Titian) by Rubens, Pieter Paul (1577-1640) / Museo del Prado, Madrid / 1629 / Italy, Venetian School / Oil on canvas / Mythology, Allegory and Literature / 182,5x202

A Painter's Dream; 1869 Oil on canvas Thomas Buchanan Read; American; 1822 - 1872

Jupiter and Antiope, by Antony van Dyck, circa 1620, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

Actaeon's Punishment, fresco by Domenichino (1581-1641) in the Hall of Music of Palazzo Odescalchi at Bassano Romano, Lazio. Italy, 17th century.

Portrait of centaur family against landscape. Malarz francuski XVIII w., painter

Pedro Pablo Rubens / 'The Judgement of Paris', ca. 1606, Flemish School, Oil on panel, 89 cm x 114,5 cm, P01731. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

A feast of nymphs with satires; Silvestre, Louis de (1675-1760; m Ca 1722 (1700-00-00-1710-00-00);Lachnicki, Cyprian (1824-1906) - collection, female acts, gift (provenance), French painting, nymphs (mitol.), Sheep, satire (mitol.), Grapes

'Bacchanalia'. Holland. Dimensions: 37x51 cm. Museum: State Hermitage, St. Petersburg. Author: Daniel Vertangen (attributed).

'St John the Baptist in the Desert'. Spain, Circa 1630. Dimensions: 119x172 cm. Museum: State Hermitage, St. Petersburg. Author: Francisco Collantes.

Musical Contest between Apollo and Pan, Hendrik de Clerck, 1600 - 1629

Naked woman and God Of Wine by Nicolas Poussin, oil on canvas, 1594-1665, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 77, 5x62, 5

Heracles and Omphale by Francois Boucher, oil on canvas, 1703-1770, 18th century, Russia, Moscow, State Pushkin Museum of Fine Arts, 90x74

Rome. The 'Tempo Barocco' exhibition, curated by Francesca Cappelletti and Flaminia Gennari Santori, at Palazzo Barberini until 3 October 2021. Inauguration of the new exhibition space, 8 rooms for 750 square meters, on the ground floor of the museum. Guido Reni, Amaor Sacro and Amor Profano, 1622-23.

Nic. Poussin, Apollo and Daphne c.1627

The Drunkenness of Silenus, 1747. Oil on canvas. Carle or Charles-Andre van Loo (1705-1765) French subject painter. Silenus in Greek mythology was tutor and companion of Dionysius, the god of wine. Old Fat Nude Alcohol

Bacchus a.Cupid /Ptg.by Everdingen/ C17

Pan offering Jacques Antoine Vallin (1760-1831). "Offering to Pan". Oil on canvas. Museum of Fine Arts of the city of Paris, small palace.

RUBENS, Peter Paul (1577-1640). The Deposition. 1602. Flemish art. Oil on canvas. ITALY. LAZIO. Rome. Borghese Gallery and Museum.

Pandora Crowned by the Seasons, 1824. By William Etty (d.1849)

'Sacred and Profane Love', c. 1514, Oil on canvas, 118 x 279 cm. Author: TIZIANO VECELLIO DE GREGORIO-TICIANO-. Location: GALERIA BORGHESE. Rome. ITALIA. AMOR MITOLOGIA.

The invention of painting. 1832 by Eduard Daege; German; 1805 - 1883

Enckell, Magnus, work, Old woman, drawing, 36.8 cm x 26.5 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

ABRAHAM Y LOS TRES ANGELES - SIGLO XVIII - 57X42 CM. Author: GIOVANNI BATTISTA TIEPOLO (1696-1770). Location: PALACIO VILLAHERMOSA. PEDROLA. Saragossa Zaragoza. SPAIN.

The Marriage of Cupid and Psyche ca. 1540 Andrea Schiavone (Andrea Meldola) Italian The painting represents the marriage of Cupid, the son of Venus, with the mortal Psyche, in the presence of Juno, Jupiter, Mars, and other gods of Olympus as narrated by second-century Latin author Apuleius in The Golden Ass. Originally an octagon (the four corners are additions), it was the central panel of a ceiling with scenes from the legend of Psyche installed in the Castello di Salvatore di Collalto, in the hills to the north of Venice, in about 1550. Schiavones fluid and painterly style and the exaggerated proportions of his figures were inspired by Parmigianino and were in turn important to a younger generation of Venetian painters such as Tintoretto.. The Marriage of Cupid and Psyche 437638

Aeneas Receiving a New Set of Armour from Venus, Ferdinand Bol, 1660 - 1663

Marine Deities. Date/Period: Late 16th century. Painting. Oil on oak panel. Height: 628 mm (24.72 in); Width: 788 mm (31.02 in). Author: Manner of Floris, Frans.

Selenene and Endymion (Formerly Entitled The Death of Orion). Selene and Endymion. The sleeping naked endymion is on the floor, selene and an old man (probably Jupiter) consider him.

Jupiter, in the Guise of Diana, and Callisto 1763 François Boucher French This painting, shown with its pendant at the Salon of 1765, epitomizes Bouchers treatment of the so-called "Loves of the Gods," based on Ovids Metamorphoses (completed A.D. 8). Jupiter (symbolically represented as an eagle) has transformed himself into the goddess Diana (identified by the small crescent moon on her forehead) in order to seduce Dianas maiden follower, Callisto. The disguise and sapphic conceit allowed Boucher to depict not one, but two scantily clad women. Bodies bisecting the oval format, the clouds, and the elaborate rush of draperies contribute to create a deliberately unstable depiction of space.. Jupiter, in the Guise of Diana, and Callisto. François Boucher (French, Paris 1703-1770 Paris). 1763. Oil on canvas. Paintings

Bacchus and Ariadne. Date/Period: Ca. 1705. Painting. Oil on canvas. Height: 196 mm (7.71 in); Width: 143.70 mm (5.65 in). Author: Ignazio Stern.

The Finding of Aesculapius. Date/Period: Between 1822 and 1839. Painting. Oil on canvas. Height: 1,985 mm (78.14 in); Width: 2,960 mm (116.53 in). Author: Giovanni Tognolli.

Amor and Psyche by Jordaens, Jacob (1593-1678) / Royal Museum of Fine Arts, Antwerp / Flanders / Oil on canvas / Mythology, Allegory and Literature / 167,5x260 / Baroque

The Rape of Tamar by Amnon by Santvoort, Philip van (active Early 18th cen.)/ National Gallery, London/ after 1718/ Flanders/ Oil on wood/ Baroque/ 59,8x49,4/ Bible

Judgement of Midas. Jordaens, Jacob I (1593-1678), painter

Amores de Centauros, Rubens, Flandes. 1635, oleo sobre madera, Fundación Calouste Gulbenkian, («Fundaçío Calouste Gulbenkian»), Lisboa, Portugal.

Dietrich / Venus and Aeneas / 1766

Cain's fratricide, chromolithograph from a home bible, 1870

A painting by Flemish artist Frans Floris titled 'Chastity', 1516-1570. Discovered in the collection of the Hermitage, St Petersburg, Russia.

Venus Discovering the Dead Adonis, c. 1650. Italy, Naples, 17th century. Oil on canvas; framed: 213.5 x 268.7 x 8 cm (84 1/16 x 105 13/16 x 3 1/8 in.); unframed: 184.4 x 238.8 cm (72 5/8 x 94 in.). Venus, the goddess of love, urged her mortal lover Adonis to hunt only the easiest game. Yet he insisted on pursuing boar, which eventually gored him to death. In this scene, Venus discovers the young man robbed of his youth, yet the painting eternally preserves him in a state of perfection. This paradox corresponds to wordplay in Italian poetry from the 1600s, with which many artists sought visual parallels in their work. This painting derives from a 1623 poem by Giovanni Battista Marino. The painter remains unknown, although the sophisticated literary reference, dramatic use of light, and vivid use of color demonstrate the artists awareness of trends converging in Naples in the mid 1600s.

Juan Carreno de Miranda (1614-1685). Spanish painter. Penitent Magdalene, 1654. San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Vecellio di Gregorio Tiziano / 'Venus and Adonis', 1554, Italian School, Oil on canvas, 186 cm x 207 cm, P00422. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lot taken prisoner, by Bartolomeo Guidobono (1654-1709), oil on canvas, 225x164 cm.

A Bathing Nymph Taken by Surprise by a Satyr, Moyses van Wtenbrouck, c. 1630 - c. 1635 painting Landscape with a saat and a nymph on the banks of a lake between trees. panel. oil paint (paint) satyr(s) pursuing nymph(s). taking a bath - AA - in the open air. pond, pool

Alexander the Great Rescued from the River Cydnus ca. 1650 Pietro Testa Italian During his campaign against Darius, Alexander halted at Tarsus to bathe in the Cydnus: "But hardly had he entered it when his limbs began to stiffen with a sudden chill, then he lost his color, and the vital warmth left almost his entire body. His attendants.. carried him almost unconscious to his tent" (Quintus Curtius Rufus, History of Alexander III, V:1-4). To the left is the aged river god. To the right smoke rises from the fire set in Tarsus by Darius's retreating troops. The picture was painted shortly before Testa drowned in the Tiber, apparently a suicide.. Alexander the Great Rescued from the River Cydnus 437784

LA MAGDALENA PENITENTE-S XVII-BARROCO ESPAÑOL. Author: DIEGO POLO (1610-1655). Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Russia, Saint Petersburg, Hermitage State Museum, Danae, by Titian, 1636

Nymphs and Satyr, Bouguereau, Adolphe-William, 1873.

Adam and Eve, Floris, Frans, 1560.

Cleopatra, Benedetto Gennari, 1633-1715, Italian

'Joseph and Potiphar's Wife'. Holland, First half of the 18th century. Dimensions: 27x35 cm. Museum: State Hermitage, St. Petersburg. Author: Willem Mieris.

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