Floral and Decorative Prints

Elegant etchings and engravings featuring floral designs and decorative motifs, showcasing artistry in botanical themes and ornamentation.

Print, Design for a Cartouche with Pastoral Motifs; Designed by Jacques de Lajoüe (French, 1687-1761); Etched by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Open: 11.6 x 48.2 x 34 cm (4 9/16 x 19 x 13 3/8 in.)

Sketches for Two Muffs and a Parasol. Artist: Anonymous, French, 18th century; Anonymous, French, 19th century; Possibly connected to Antoine Caire-Morand (French, Briançon 1747-1825 Turin). Dimensions: Sheet: 6 3/4 x 9 11/16 in. (17.2 x 24.6 cm). Date: ca. 1785-90.Page with three sketches and a long inscription. On the top left is a graphite sketch of a parasol with fringe trimming. To the right a muff with a flower in ink and graphite, and below is a muff with a blue ribbon and yellow flowers executed in graphite. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Decoration of the Surround of the Ramrod Pipe of a Firearm ca. 1795-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of the Surround of the Ramrod Pipe of a Firearm 652973

Vignette with symbols of eternity and transience, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching scenes symbolizing 'Vanitas'. allegorical representations of the effects of time

The luggage. Draughtsman: Herman Frederik Carel ten Kate. Dating: 1832 - 1891. Measurements: h 75 mm × w 57 mm. Museum: Rijksmuseum, Amsterdam.

Detail of the tomb of Carlo Marsuppini in the Santa Croce in Florence, c. 1875 - c. 1900 photograph Holy Cross cardboard. photographic support albumen print grave, tomb. ornament derived from plant forms Holy Cross

Attributes belonging to nautical and gardening, Johann Carl Schleich (Possible), 1769 - 1842 print Five trophies. Up left with a ton and lances. At the top right with trident, anchor and lisdoddes. In the middle with a candlestick and a mirror. Left below with an anchor and sailing. Right under attributes belonging to gardening. Publishing number 42. paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. 'Navigatione' (Ripa). mirror. gardening

Wooden and Leather Pattern Framing Fireplace Fireplace The Boutique Fouquet (Title Title)

Print (France)

Plaster model for decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Romano, Giulio, Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, Le Jeune et le Vieux Bacchant, Photo reproduction of an engraving of an old and young Bacchante by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 172 mm, width 128 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draftsman, after a drawing by, 1499 - 1546-01-11

All the World is Going to See the Great Exhibition of 1851 1851 George Cruikshank. All the World is Going to See the Great Exhibition of 1851. Mayhew's Great Exhibition of 1851. George Cruikshank (British, London 1792-1878 London). 1851. Etching. David Bogue (British, active London, 1807/8-56). Prints

A trophy of arms with cannons and cannonballs Left and right flower tendrils, Weapon Trophy, print maker: anonymous, Pierre Ranson, (possibly), France, 1746 - 1786, paper, etching, h 227 mm × w 190 mm

Roche, Pierre (n.1855-D.1922-01-18), parrot (main title), 1897. Gypsography, black draw. Small palace, Museum of Fine Arts of the city of Paris.

Etching by Christoph Jamnitzer showing grotesque ornamental motifs with stylized figures and decorative patterns from around 1600.

Courted assignment with fame and a ship in Krulwerk, Simon Frisius, After David Roelands, 1616 - 1617 Called assignment to the city of Vlissingen. Faam in the middle with two trumpets and a ship in curly at the bottom right. The print is part of an album. Flushing paper engraving Called assignment to the city of Vlissingen. Faam in the middle with two trumpets and a ship in curly at the bottom right. The print is part of an album. Flushing paper engraving

Melita Hofmann, Empire Bonnet, 1935 1942 Empire Bonnet

Bust of unknown man with daughter, Christina Chalon, 1758 - 1808 print In a round list, the bust of an unknown man with daughter. paper etching father and daughter(s) (family group) (with NUMBER of daughters)

A battle in a forest. Quyunjik. Layard, Austen Henry, Sir (1817-1894). Prints, Illustrations. 1849. General Research Division. Axes, Trees , Assyria, Warriors , Assyria, Bodies of water , Assyria, Bas-reliefs , Assyria, Butchers , Assyria, Campaigns & battles , Assyria, Palace of Sennacherib (Nineveh)

Rumble Sleigh #3331a 1877 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Van

Twee Arabes, Laurent Guyott, After Berthelot, 1810 print Two arabesks with wreaths, arrows, a medallion with a putto, a mask, butterflies, a bird and a vase. Paris paper etching ornament ~ arabesque

Nine Japanese motives, possibly fans, Henri Charles Guérard, 1856 - 1897 print paper etching fan. song-birds: swallow

Beilschmiedia tawa (Cunningham) Bentham & Hooker f. ex Kirk prints, copper engravings, line engravings

Deraisme, Pierre -Georges (n.1859 - D.1932), cartridge (main title), 1892. Graphite, ink and gouache on gray paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Stiehl Otto (1860-1940): Sketch and photo album 9: Door knockers, Neubrandenburg

Vignette with a putto by an altar, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving Altar. Cupids: 'Amores', 'Amoretti', 'Putti'

Eugene Shellady, Pa German Plate, 1937 Pa. German Plate

Photo production of a drawing, representing a drawing of a capital with horse heads for the Salle du Manège in the Palais du Louvre in Paris, Édouard Denis Baldus, after Anonymous, c. 1860 - in or before 1870 photomechanical print France paper capital (~ column, pillar)

Portrait of Cornelis Govert Visscher, Abraham Jacobsz. Hulk, 1787 print Bust of Cornelis Govert Visscher to the left in a medallion with edge script in Dutch. Paris paper engraving / etching

La fusion. Dated: 1872. Medium: gillotype. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Sidewall, Block-printed on joined sheets of handmade paper, Vertical rectangle printed on joined sheets of paper. Gray field, with repeating dot-and-stroke motif in darker gray, and marbleized gray pilasters at either side. In the center, repeating vertically, are pictorial motifs: dove in a nest, seated woman with flower basket, musical instruments, man with a lute, and again the doves in a nest., France, ca. 1810, Wallcoverings, Sidewall

Michel Paul sen. (1877-1938), sketchbook. 1899 (1898-1898): Studies hand and seahorse. Pencil on paper, 25.6 x 18.7 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1899

Isabelle De Strange, Shawl, c 1936 Shawl

Deraisme, Pierre -Georges (n.1859 - D.1932), cherry buttons (main title), 1910. Graphite on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Portrait of Princess Elisabeth of the United Kingdom and title page with the Seasons, Daniel Nikolaus Chodowiecki, 1778 print On the left the portrait of Elisabeth, princess of the United Kingdom, Ireland and Hanover. On the right the four seasons with a woman with a sickle (spring), at the top right a putto with a basket with flowers (summer), bottom left a bacchant next to a vine (autumn) and below a man who warms his hands on a fire (winter) . Berlin paper etching historical persons - BB - woman. year divided into four seasons

Sytuacja polski w 1773 roku (Kołacz królewski). Le Mire, Noël (1724-1801), graphic artist, Nilson, Johann Esaias (1721-1788), graphic artist, Moreau, Jean Michel le Jeune (1741-1814), draughtsman, cartoonist

Protea Gaguedi, Luigi Balugani, 1737-1770, Italian, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)

Drawing, Design for a butterfly brooch; Italy; 1940-86-157

Orbea verrucosa (Masson) Haw, Orbea verrucosa (Masson) Haw. (Hirsute Stapelia), draughtsman: Robert Jacob Gordon, Oct-1777 - Mar-1786, paper, pen, brush, h 660 mm × w 480 mm, h 326 mm × w 205 mm

Nude Figure (from Sketchbook) John William Casilear American. Nude Figure (from Sketchbook) 16523

Seated shooter and a jam.

Page from Shi Zhu Zhai China. Page from Shi Zhu Zhai. China. Polychrome woodblock print; ink and color on paper. Qing dynasty (1644-1911), Kangxi period (1662-1722). Prints

Gustave Fraipont (1849-1923). "Letrine" O "for" Angelo ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102267-13 Cross, drawing, ink, speech, ax, illustration of literary work, lettrine, 19th 19th 19th 19th 19th 19th century

Dives An Eau D Douce, Prissey week, La Cepe (Robert-Dumesnil 462, BAGSCH 48) Albert Flamen (1620-1674). Divases An EDECEM OF Be Winery. REMIER PARA: Labe (Robert-Dumesnil 462, Bavensch 48). Eau Dictionary forta, Xvie peiat.

Drawing, Design for a Gate, Two Hounds; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; black crayon on tracing paper; 27.5 x 21.6 cm (10 13/16 x 8 1/2 in.)

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs, unknown artist, undated, Watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/8 × 9 7/16 inches (33.3 × 24 cm), architectural subject

Drawing, Figure; Harriet Blackstone (American, 1864 - 1939); USA; red pastel crayon on paper; 10.5 × 8.3 cm (4 1/8 × 3 1/4 in.)

Vierentwintig Koppen, Daniel Nikolaus Chodowiecki, 1774 print paper etching

Design for Rumble Sleigh, no. 3667 1881 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alf

Teyler, Johan, Netherlands, Jupiter and Callisto and Venus and Adonis, Two representations on one sheet. Above: Jupiter, in the guise of the moon goddess Diana, embraces Callisto. She holds a bow in her hand. Below: A woman touches a seated man, with a bow in his hand, and says something to him. It is probably Venus, who wants to prevent her beloved Adonis from going hunting. This print is part of an album., print, prent, albumblad, prints, prenten, height 399 mm, width 263 mm, print maker, prentmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, colour printing, Northern Netherlands, 1648 - 1712, supervision

Design for a Teapot, Brush and gold gouache, watercolor, graphite on cream paper, Design for a teapot covered in gold with oval decoration on body of cropped roses (flowers). In graphite, several tableware designs with numbers and Japanese characters., Japan, 1880-1910, tableware designs, Drawing, Drawing

Four Studies for Two Figural Designs, Henri Gaudier-Brzeska, 1891-1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, design, figure, study (visual work), Vorticism

Plan of Cadiz.

Gestle from the provisional representatives of the people of Holland, 1795, Anonymous, After David Hess, after James Gillray, 1799 Cartoon on the provisional representatives of the people of Holland, 1795. A selected or branch forest in which heads of the few provisional representatives are, but also a pig's head and a backside that leaves a wind. Venice paper etching / engraving Cartoon on the provisional representatives of the people of Holland, 1795. A selected or branch forest in which heads of the few provisional representatives are, but also a pig's head and a backside that leaves a wind. Venice paper etching / engraving

A HOME CIRCLE

Photography of a copy of the oil portrait of Franciszek Sapieha (1772-1829), the general of Lithuanian artillery, made of the original at John the Baptist of Lampi from around 1810; Beyer, Karol (1818-1877); 1845-I PO. 1850 (1845-00-00-1850-00-00);LAMPS, Jan Baptist St. (1751-1830)-reproduction, Przewłocki, Janusz (1927-2007)-collection, Sapieha, Franciszek (1772-1829), Sapieha, Franciszek (1772-1829)-iconography, painting, Polish painting, portraits, men's portraits, purchases, purchase (provenance)

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Various species of seafood, second part, the ray (Robert-Dumesnil 435, Bartsch 21) Albert Flamen (1620-1674). Various species of sea fish. Second part: the ray (Robert-Dumesnil 435, Bartsch 21). Floor, 17th century.

The image features two distinct 1. The 'Sainte Sauterelle des Turcs en Égypte,' which is an illustration of a type of grasshopper found in Egypt, and 2. The 'Radeau des cruches callabasses,' depicting a raft made of gourd bottles used for fishing. The engraving was produced by Frederik Ludvig Norden in 1780, printed in London by Lockyer Davis. The overall dimensions of the image are 45 x 27 cm, and it encompasses themes related to Egypt, including its antiquities, insects, fishing methods, and rafts

Charles Caseau, Jug, c 1937 Jug

Pilatre de Rosier air balloon died and Mr. Romain above Boulogne, June 15, 1785; Ascension Catastrophée Par Pilatre de Rosier et Romain, Au Chteau de la Muette Le 21 Novembre 1783, Ayant Obtenu and 1784 du Governorate des Fund Considerables. Pilatre de Rosier's hot air balloon and Mr. Romain flies above Boulogne, on June 15, 1785, on fire and crowded. Pilatre de Rosier is killed.

Saint Jerome. Dimensions: overall (diameter): 4.2 cm (1 5/8 in.). Medium: pen and brown ink. Museum: National Gallery of Art, Washington DC. Author: Master C.

Oilamed frame for a menu. Middle above a portrait of Laurens Jansz. Coster. In the middle of the coat of arms of the city of Haarlem with a crown and two lions. There around flowers, plants and a number of putti with a laurel wreath, a bazuin and the cornucopia.

Excluded eagle from a wooden shield from the vault of the Krakow cathedral. Board from the unpublished portfolio Eagles Łepkowski, Ludwik (1829 1905), Cercha, Stanisław (1867 1919)

Putto with laurel wreath and praise, anonymous, 1688 - 1698 print Putto, with laurel wreath and praise in the hands, floating on the clouds. Perhaps a personification of the fame. This print is part of an album. Netherlands paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Crowning with Laurel. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 401 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

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