Floral and Ornamental Designs

A collection of intricate designs featuring floral motifs and ornamental patterns, showcasing the elegance of decorative arts in various styles.

Paris, Firens, Pierre, Model, Melchior, Wierix, Hieronymus, Antwerp, Septem Psalmi Davidici, The seven penitential psalms, Christ stripped of his clothing, verso - stamped, Two soldiers tear the clothes from Christ's body. The image is set in a cartouche and placed in the middle of the psalm text printed in a knot pattern., print, ornamental print, prints, height 153 mm, width 105 mm, South Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1608 - 1608, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, German, writer, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Design for a plate with floral decoration, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper. pencil brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Klomp Johannes Franziskus (1865-1946), unaffected altars, church furnishings, sculptures and ornaments (0-0): ornament. Ink, pencil on transparent, 28 x 14 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

Schäfer Carl (1844-1908), Stadtkirche, Immenhausen. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 61 x 43.1 cm (including scan edges)

Ornamentics and Uilen, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush

Decorative design with four coats of arms, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Paris, Firens, Pierre, Model, Melchior, Wierix, Hieronymus, Antwerp, Septem Psalmi Davidici, The seven penitential psalms, Christ stripped of his clothing, verso - stamped, Two soldiers tear the clothes from Christ's body. The image is set in a cartouche and placed in the middle of the psalm text printed in a knot pattern., print, ornamental print, prints, height 153 mm, width 105 mm, South Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1608 - 1608, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, German, writer, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Design for book binding for Insulinde by D. Wouters and J. van Hulzen, Carel Adolph Lion Cachet, c. 1874 - c. 1945 drawing paper. pencil brush other ornament derived from animal forms. book-cover, binding

American 20th Century, Plate 44 Painted Chest Designs From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 44: Painted Chest Designs: From Portfolio Spanish Colonial Designs of New Mexico

Summer Oscar (1840-1894), ceiling vault (without date): View. Pencil watercolored on paper, on cardboard, 65.3 x 49 cm (including scan edges) Sommer Oscar (1840-1894): Deckengewölbe

The international exhibition of decorative arts and modern industry Exposition Internationale des Arts Décoraratifs et Industriels Modernes, couples 1925. Polish Pavilion - Sgraffito with the Lviv coat of arms in the arcades of Atrium, project of Wojciech Jastrz Photo Rep (Paris; Studio Photographic; Fl. 1925); 1925 (1925-00-00-1925-00-00);Jastrzębowski, Wojciech (1799-1882), Lviv (coat of arms), international decorative art exhibition in Paris, 1925, coats of arms, painting, wall painting, sgraffito, art, art Polish art

Grotesk Ornament Met de Tronende Godin Minerva in Het Midden; Groteske Ornamente; Exemplary of the drawing in gratia of beginners in the art of the pitty and sculpture. .

Schäfer Carl (1844-1908), town church, Bad Hersfeld. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.7 x 42.8 cm (including scan edges)

Cyclamen persicum motif in patterns for lace, wallpaper and fabric. Lithograph by E. Hervegh with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

DEAISME, Pierre -Georges (n.1859 - D.1932), Pharaoh's EPINGLE. Dragon button (main title), 1904. Ink on film -coated wallpaper. Petit Palais, Museum of Fine Arts of the City of Paris.

Umbria Terni Amelia Palazzo Petrignani08. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without Dat.): Detailed rosette frieze framed with a braid and pearl pattern, floral pattern. Pencil on cardboard, 21.5 x 16.1 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Gustav garlic (1833-1916): Erxleben Castle. Remodeling I

Bloemgezicht; Twaalf houtsneden.A flower, possibly an iris or lily, the upper and lower leaf of which form a human face.

A hanging to the flesh; Nieborów (Manufaktura Majoliki; 1881-1899); 1881-1894 (1881-00-00-1881-00-00);

Decorative design with two stylized lions. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 160 mm × w 141 mm. Museum: Rijksmuseum, Amsterdam.

Plate 3, from 'Divers Ornemens', Gabriel Huquier, French, 1695-1772, Alexis Peyrotte, French, 1699-1769, Etching on paper, Rocaille frieze, one section of which is shown. Small flower branches, an upper and lower border complete the design. Vertical lining between the elements of the design., France, 1730-1740, Print, Print

April. A chestnut branch with buttons.

Decorative design with stylized lions, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush other ornament derived from animal forms - AA - stylized. beasts of prey, predatory animals: lion

Design for a hanging lamp ..

Plate 44: Painted Chest Designs: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 28 x 35.6 cm (11 x 14 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Ex libris van Carel Lion Cachet, Carel Adolph Lion Cachet, 1932 print The monogram CLC surrounded by flames. paper flame

Bull Gustav (1807-1880), carved wooden door, Berlin. () (1844): View. Pencil watercolor on the box, 74.9 x 59.9 cm (including scan edges) Stier Gustav (1807-1880): Geschnitzte Holztür, Berlin ()

Sievers Carl (1834-1891), New Museum on the Museum Island in Berlin. Wall and ceiling paintings (without dat.): Ceiling painting circular and pendant. Pencil watercolored on paper, 36.6 x 24.2 cm (including scan edges) Sievers Carl (1834-1891): Neues Museum auf der Museumsinsel, Berlin. Wand- und Deckenmalereien

Lange Ludwig (1808-1868), Museum in Leipzig. (From: L. Lange, works of higher architecture, 1860) (1856-1856): Decoration of the dome hall. Pressure on cardboard, 53.6 x 35.8 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1860. Museum, Leipzig

Edward Jewett, Wall Painting, 1939 Wall Painting

Umbria Terni Terni Palazzo Spada3. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Klomp Johannes Franziskus (1865-1946), St. Antonius Einsiedler (with rectory), Heggen. Expansion: Detail door fitting (1: 1). Pencil on transparent, 85.4 x 159.6 cm (including scan edge).

Bau Am Bach. Paul Klee (1879-1940). Watercolour And Pen And Ink On Paper Laid Down By The Artist On Board, 1922.

Square with Quail. Dimensions: 16.37 in. high 12.00 in. wide (41.5 cm high 30.5 cm wide). Date: probably 5th century.Squares like this example are a type of textile ornament related to mosaic emblemata or allegorical devices. Unlike earlier pieces, however, which clearly belonged to allegorical cycles, this square was probably made as an independent piece and had a more general meaning. Museum: Metropolitan Museum of Art, New York, USA.

American 20th Century, Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania, 1941 Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1910. Graphite on the front, gouache on the back on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Sidewall, Block-printed on paper, Gothic-style tracery, printed in shades of tan and brown on bright red ground., France, 1840-60, Wallcoverings, Sidewall

Arabian ornament

Watercolor drawing by Marie Lippert-Hoerner depicting an ornament, showing color, pattern, and compositional design, 1876.

Design for a sign, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Kandelaber with leaf ranks and four children, Heinrich Aldgrever, 1532 print Plat decoration with a candle slicer with leaf vines on which a child stands, seen on the back. There are three children at the foot of the Kandelaber. Germany paper engraving ornament ~ candlestick. Child

Design drawing ca. 1883, based on earlier design Christopher Dresser British, Scottish. Design drawing 363720

Wilkinson Tracing, Design for Armour, 1820. Drawings of arms and armour, some of it. from the armour of Edward the Black Prince in the Tower of London.. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Quast Ferdinand von (1807-1877), restoration of the Wartburg in Eisenach (1848): wall processing, scale bar. Pencil on transparent, 25.6 x 37.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Restaurierung der Wartburg, Eisenach

Scrapbook with Textile Designs on Colored Papers Anonymous, French, 19th century French 19th century Album with pasted in sheets of prepared colored paper onto which large botanical patterns have been applied in colored chalks. The colors of the paper vary from black, green, and blue to a deep purple and an orangey-red. The paper is prepared on one side only. Some of the designs are excuted in white chalk alone, while others make use of a bright color palette. Various patterns are drawn free-hand, but in certain cases a stencil may have been used to transfer (part of) a design. Most of the patterns are for allover schemes and are meant to be repeated. They range from straightforward natural representations of flowers to fantastical interpretations, some of which seem inspired by Chinoiserie patterns. A number of the sheets have been ripped out of the album. Two sheets of nature prints pasted on dyed blue paper, and another nature print on white paper are added at the back of the album.

Decorative Panels. Dated: c. 1936. Dimensions: overall: 32.5 x 24.7 cm (12 13/16 x 9 3/4 in.). Medium: watercolor, gouache, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Wellington Blewett.

Dihm Ludwig (1849-1928), Villa Neumann, Berlin-Lichterfelde (without dat.): Window detail. Ink, pencil watercolor on the box, 69.9 x 60 cm (including scan edges)

Arthur G Merkley, Tyler Coverlet, c 1941 Tyler Coverlet

Turkish ornament

Jupiter, Henri van der Stok, 1880 - 1932 print A mask with a beard. At the bottom of the symbol for Jupiter. Netherlands Japanese paper (handmade paper) Jupiter (planet). mask

Letter M. .

A bed from the first half of the 19th century from the collection of J. Kurell from Ryczołek near Kałuszyn in 1916 - front views (fragment) on a scale of 1: 5; Maszyński, Mariusz (1888-1944); 1916 (not after 3.10.1916) (1916-00-00-1916-00-00);

A vignette from plant and geometric motifs before the poem Before stained glass in: Zygmunt Lubicz Zaleski, on a narrow sleep and storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer I SKA, 1914, p. 37 arranged and decorated. Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Ethelbert Brown, Wall Cabinet, 1935 1942 Wall Cabinet

Lazio Viterbo Caprarola Palazzo Farnese417. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a plate. .

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Ornament. Coal on transparent, 45.9 x 19.5 cm (including scan edges)

Ray Holden, Stencilled Wall Decoration, c 1936 Stencilled Wall Decoration

Napkin with scenes from the history of Pyramus and Thisbe. Napkin of Linnendamast with scenes from the history of Pyramus and Thisbe. Midfield: The symmetrically doubled pattern exhibits three scenes: 1 thisbe pours into the sword of Pyramus, the backing of the earth. 2 Meeting of Pyramus and Thisbe at the hole in the wall. A stone wall is visible to a background of Renaissance houses, on either side of which the two are loved ones; They in suspended overrun, sévigné haircut with depending veil, and half sleeves; He in Rhingrave and low long wig. 3 A lion smears the veil of Thisbe, which she lost, with his bloody mush. In the middle of the fountain, from which the Thisbe road flight. Standing and lying edges: Fruit basket with symmetrically upright stem, to which, among other things: carnation, tulip, daffodil and pomegranate.

Round with wickerwork and knot. .

All for Thee (valentine) 1850-1859 England. Collaged elements on cut and embossed (designed) ivory wove paper . John Windsor

German Renaissance wall painting and ornament in stone and wood, (1898). 'Figs 1-8: Portions of painted frescoes in the Church at Freudenstadt...the interior of the celebrated Church at Freudenstadt, built by the Ducal Architect Heinrich Schickhardt, of Herrenberg, and the examples on our plate are sufficient witness of its rich and magnificent decoration. In the detail of this splendid composition by the painter Jakob Zuberlein we observe a capricious and rather wild imagination...but when we see how agreeable and harmonious is the impression produced by the rich colouring of the decoration a

Alfonso Mirabal, Tin Frame, c 1936 Tin Frame

Suspended Fruit. Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879-1940 Muralto-Locarno). Dimensions: 12 1/4 × 7 7/8 in. (31.1 × 20 cm). Date: 1921. Museum: Metropolitan Museum of Art, New York, USA.

Black and White LOVE, from Decade. Robert Indiana; American, born 1928. Date: 1971. Dimensions: 760 x 763 mm (image); 1000 x 815 mm (sheet). Screenprint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Fragment with the Triumph of Dionysos and the Labors of Herakles 4th-6th century In the central medallion, Dionysos and his wife, Ariadne, ride in a chariot driven by a putto and drawn by panthers. Herakles, carrying a club, accompanies the couple. The ancient hero appears again in the frame, where his Twelve Labors are depicted. Although five of the framing scenes are lost, an identical square preserved in the collection of the State Hermitage Museum in St. Petersburg, Russia, allows this fragment to be reconstructed. Several of the labors are easily identifiable: Herakles capturing the Cretan bull, traveling to the underworld and returning with the three-headed dog Kerberos, taming the mares of Diomedes, and slaying the Lernaean hydra. Herakles is included among the bacchanalian thiase (followers of Dionysos), and, like Dionysos, he appears frequently in late Roman and early Byzantine art, particularly on textiles, silver, and ivory.. Fragment with the Triumph of Dionysos and the Lab

Sample, Medium: cardboard, linen Technique: embroidered on dissolvable substrate (chemical lace), mounted on cardboard Label: linen embroidered on dissolvable substrate, mounted on cardboard, Sample of burn-out or chemical lace mounted on board. In ink, Plauen or burnt-out lace Presented by Forbes and Wallace. Overall stylized floral with curving vine., USA, ca. 1910, lace, Sample

Celtic ornament

Postcard of Wiener Werkstätte No, New Years card, Agnes Speyer -, Artist, Wiener Werkstätte, Publishing House

Sidewall And Border (France); block printed on handmade paper; 177.5 x 65 cm (69 7/8 x 25 9/16 in.)

Vignette with dog and hearts, Simon Fokke, 1722 - 1784 print Vignette in a circle with square. The dog in the middle is surrounded by hearts, vases, pillars, a triumphal arch and a house. The whole is surrounded by a rope to which hearts are tied. Amsterdam paper etching domestic animals, kept in the house. profane heart symbolism ~ love

Designs for a rug with ornamental edges, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush carpet, rug. ornaments ~ art

Design for Stained Glass Windows: Chamber Music Hall, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863-1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Rectangular glass window in yellow and blue; at center four petals; above, lunette in multicolored glasses with blue and pink., USA, late 19th century, architecture, interiors, Drawing, Drawing

Design drawing ca. 1883, based on earlier design Christopher Dresser British, Scottish. Design drawing 363723

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1898. Graphite. Ink and watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Letter T, Anonymous, c. 1600 - c. 1699

Crucifixion. Thoma, Hans (1839-1924), draughtsman, cartoonist

Design for an ex libris with monogram CWL. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 314 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Hanging, Madonna

Inside of mummy art with Goddess Noet, Leendert Springer (I), in Or Before 1830 print The signs of the zodiac are on either side of the heavenly goddess. Is the inside of the lid of the postens parcop layer of the girl Sensaos. Above numbered V. Leiden paper lid of sarcophagus. representations ~ Egyptian goddesses, demi-goddesses, heroines, etc.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for John Skevington from Hornsey Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Parallel of historical ornament, Renaissance I (1420-1520) , Architectural decorations & ornaments, Capitals Columns, Fountains. Louis Prang & Company Collection

Baroque and renaissance vintage ornament elements for design. Old 19th century engraved illustration from Jesus Christ by Veuillot 1881

Lehmmübner Paul (1855-1916), Uckermärkisches Museum in Prenzlau. Conversion of the Heilig-Geist Church (June 21, 1899): Detail of the window grille. Pencil on transparent, 54.5 x 28.3 cm (including scan edges) Lehmgrübner Paul (1855-1916): Uckermärkisches Museum, Prenzlau. Umbau der Heilig-Geist-Kirche

Worsted Winder, 1813, Robert Havell Sr.; Artist: after George Walker, American, 7 7/8 x 11 1/2 in. (20 x 29.21 cm) (sheet), Hand-colored etching and aquatint, England, 19th century

Postcard of the Wiener Werkstätte No, Entrance to a villa garden, Carl Krenek -, Artist, Wiener Werkstätte, Publishing House

Cover design for: Technical magazine, 1914, Richard Nicolaüs Roland Holst, 1914 print A diamond -shaped frame with two cats at the bottom. In the frame a naked, kneeling man who shoots an arrow with an arc. paper archer's weapons: bow and arrow. kneeling figure. man (showing himself) undressed, quasi-nude. beasts of prey, predatory animals

Deraisme, Pierre -Georges (n.1859 - D.1932), during (main title), 1900. Graphite, gouache on film -coated paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Window with floral motifs and monogram in the middle, anonymous, 1900 Colored Jugendstil stained glass window with monogram and year (1900). In ornamental frame of wood. glass. lead (metal).

Embroidery preview with ax shield. Black disk with four bulges, filled with white moresken. An ax-shaped shield in the center. This print is part of a series of 6 ornament prints with Moresken.

A large and four small oval cartouches, Pieter Jansz, 1630 - 1672 drawing Design for a print. paper. ink pen / brush ornament ~ cartouche

Egyptian trinkets from 1500 to 3000 years old adapted as modern jewellery: brooches, pendants, earrings and hat pins set wtih real antiques and a tutankhamen replica. All by Cartier. The discover of Tutankhamen's tomb in 1922 by Howard Carter triggered a craze for Egyptian inspired fashion and jewellery. Date: 1924

Design for inlaid decoration, 1818-30. Ink on laid paper. Designer: George Bullock

Judah', a collection of ballads by the non-Jewish poet Börries von Münchhausen 1874 - 1945. Illustrated by Ephraim Moses Lilien (1874-1925), art nouveau illustrator and printmaker, noted for his art on Jewish themes. He is sometimes called the "first Zionist artist. Münchhausen's relationship to Judaism remained ambivalent: Munchhausen did not consider the "Jewish race" inferior, but merely wanted to prevent a "mixture" with the non-Jewish Germans.

Decoration design in gray and white, Carel Adolph Lion Cachet, 1874 - 1945 drawing deck paint. pencil brush ornaments ~ art

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