Floral Decorative Friezes

Machine-printed decorative friezes featuring intricate floral designs and scrolling patterns in soft colors and metallic details, ideal for interior wall décor.

Frieze, Machine-printed paper, Floral bouquet within a scrolling framework; foliate garlands connecting medallions; scrolls and foliate swags across top. Printed in green, burgundy, olive green, and metallic gold on an olive green background, USA, 1905-1915, Wallcoverings, Frieze

Frieze, Machine-printed paper, Floral bouquet within a scrolling framework; foliate garlands connecting medallions; scrolls and foliate swags across top. Printed in green, burgundy, olive green, and metallic gold on an olive green background, USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Frieze, Janeway & Co. Inc., New Brunswick, New Jersey, 1848 - 1914, Machine-printed paper, liquid mica, Alternating large and small floral medallions with scrolling foliage and trellis patterns. Top has band of foliate scrolls with trellis. Parts of background are filled with floral lattice pattern. Printed on ground that fades from green to yellow-cream (bottom to top) in greens, white, brown and gold liquid mica. Printed in top selvedge, 'Janeway & Co' pattern number '248'., New Brunswick, New Jersey, USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper, textured, liquid mica; 234 x 50 cm (92 1/8 x 19 11/16 in.)

Frieze (USA); Manufactured by F. E. James Co.; machine-printed paper, liquid mica; 233.5 x 49.5 cm (91 15/16 x 19 1/2 in.)

Frieze, Steubenville Wallpaper Company, The, 1905, Machine-printed paper, Two mirror-reversed bands of repeating anthemion design with acanthus ornament connected to similar smaller anthemion designs crowned by a repeating vine design on a solid ground with dots of complementary color around the ornament bordered and separated by thin horizontal stripes. Printed in browns, greens, white, scarlet and greenish-gray., Steubenville, Ohio, USA, 1905-1915, Wallcoverings, Frieze

Frieze, Machine-printed paper, Large-scale very stylized floral medallion alternating with smaller medallion. Band of swags runs along top edge, while larger band of floral sprigs runs along bottom edge. Printed in green, white, red, beige and metallic gold on background that shades from red at top to deep red at bottom., USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); Manufactured by Becker, Smith & Page, Inc.; machine-printed paper; 173 x 49.5 cm (68 1/8 x 19 1/2 in.)

Frieze, Machine-printed paper, Art Nouveau style. Whiplash lines undulate and loop across the center of the frieze. The bottom contains flowers, alternating between a singular flower and groups of three. The top contains a wavy band of vining foliage. Printed in shades of green, burgundy and metallic gold., Chicago, Illinois, USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); machine-printed paper; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Frieze, Janeway & Co. Inc., New Brunswick, New Jersey, 1848 - 1914, Machine-printed paper, Borders printed two across (not mirrored). Waving foliate scrolls of leaves with red dots and scrolls. Ground is yellow cream. Printed in greens, red, cream, and dark pink. Slight water damage., Printed in selvedge: 'Janeway & Co. 510', New Brunswick, New Jersey, USA, 1905-1915, Wallcoverings, Frieze

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 33.6 x 23.7 cm (13 1/4 x 9 5/16 in.)

Frieze, W. Campbell & Co., Machine-printed on oatmeal paper, mica flakes, Flitter frieze, with circular floral medallions alternating with Rococo-revival medallions. Printed in white,metallic gold, and gold mica flakes on tan ground., USA, 1875-1906, Wallcoverings, Frieze

Ornamentation and a monkey with a skull, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Frieze, Machine-printed paper, liquid mica, On a cream ground, green and beige scrolls in acanthus like forms, trellises in green above., USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); Manufactured by Robert Graves Co. (United States); machine-printed paper, mica flakes; 223 x 56 cm (87 13/16 x 22 1/16 in.)

Wall Paper. Dated: c. 1937. Dimensions: overall: 30.4 x 22.6 cm (11 15/16 x 8 7/8 in.) Original IAD Object: 20" repeat. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Karl Joubert.

Frieze (USA); machine-printed, mica powder; 57 x 50 cm (22 7/16 x 19 11/16 in.)

Object ID #18798345; H. H. Mott; block-printed; 67.5 x 56.5 cm (26 9/16 x 22 1/4 in.)

Frieze (USA); machine-printed paper; 95 x 49 cm (37 3/8 x 19 5/16 in.)

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 224 x 49 cm (88 3/16 x 19 5/16 in.)

Sidewall, Frederick Beck & Co., 1860, Machine-printed on paper, Drop-repeating design of rococo enframement or cartouche containing floral spray. The ground is sown with gold fleur-de-lis. Printed in colors and gold on dark blue embossed ground., New York, USA, ca. 1889, Wallcoverings, Sidewall

Frieze (USA); machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

Frieze, Machine-printed paper, Stylized tulips wrapped in scrolling foliage with single tuloip alternating with double tulip. Faint tulip motifs printed on upper half of background. Decorative scalloped band of scrolls along top and bottom edges., USA, 1905-1915, Wallcoverings, Frieze

Frieze, Machine-printed paper, Printed two across. Stylized foliate medallions, alternating large and small, printed in metallic gold. Beading across top with broken band of squares and foliage along bottom edge. Printed on tan ground., USA, 1905-1915, Wallcoverings, Frieze

Frieze, Machine-printed paper, Stylized floral design, alternating taller and shorter bouquets. All-over speckled background., USA, 1905-1915, Wallcoverings, Frieze

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, liquid mica, Floral design, alternating large and small floral/foliate medallions., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Sidewall (France); machine-printed on paper; L x W: 75 x 47 cm (29 1/2 x 18 1/2 in.)

Fragment, Medium: silk Technique: 8-harness satin damask plus plain weave, Yellow silk damask with a large-scale repeat of symmetrically branching flowers and foliage., Italy or Spain, late 16th-early 17th century, woven textiles, Fragment

Ceiling paper, Kayser & Allman, Machine-printed paper, liquid mica, Alternating scroll medallions with three pink flowers and foliate vining medallions with two pink flowers; connected by flowers and foliate scrolls. Cream ground. Printed in piniks, green, white mica and gold mica. Printed in selvedge: 'Philadelphia' 'New York' 'Kayser & Allman' 'Chicago' 'Minneapolis' Pattern number '1130', Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Ceiling paper

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, A repeating abstracted floral candelabra design crowned by a linear gold pagoda connected on the bottom to a similar smaller candelabra and on the top by a larger gold pagoda on a striated background above a border of horizontal stripes interruped by repeating fleru-di-lis. Printed in olive green, gold and bronze., USA, 1905-1915, Wallcoverings, Frieze

Frieze (USA); Manufactured by Imperial Wallcoverings Inc. (United States); machine-printed paper; 234 x 50 cm (92 1/8 x 19 11/16 in.)

Sidewall, Block printed on continuous paper, Ribbon-tied foliate oval medallions enclosing landscape view of thistle and watery terrain, printed in grisaille, on green ground, with gold highlights., France, ca. 1860, Wallcoverings, Sidewall

Altar frontal second half 18th century possibly French. Altar frontal 227813

Frieze, Henry Gledhill & Co., 1889 - 1900, Machine-printed paper, Repeating motif of foliate wreath with a bow knot at top, suspended floral swag connecting each of the wreaths. Printed two borders across the width. Printed in red and green on yellow-green ground., New York, New York, USA, 1905-1915, Wallcoverings, Frieze

Shawl, Medium: wool Technique: twill and interlocking twill tapestry weave, embroidered Label: wool 2/2 twill and interlocked twill tapestry with embroidery, Pieced rectangular panel of fine white wool twill with deep borders on four sides of closely-set, right-facing peacocks with scrolled tails that alternate with small cypress trees rising from an urn. Fine floral motifs fill spaces in between. Embroidered design of cypress and paisley fill the central field. Set-in end borders., India, 19th century, woven textiles, Shawl

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, liquid mica, Mica frieze with horizontally repeating rococo-inspired pattern. Alternating large and small medallions composed of acanthus scrollwork and filled with groups of pink rose blossoms. A swag of pink roses runs along the bottom of the page, and a scalloped border of C scroll lifework runs across the top. A pattern of wide, vertical lines goes behind the medallions from the bottom of the page to the top line-work border. Pattern is machine-printed in browns, pinks, reds, greens and white atop a background that fades from tan to green to tan., USA, 1905-1915, Wallcoverings, Frieze

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Angular designs representing bouquets of flowers above, below are flowers linked by open zig zag lozenge. In between is a taller bouquet with same open zig zag lozenge connecting them. Above these flowers is an architectural drip molding motif framing the tops of the flowers. Vague broken stripes that gradually get darker as they go down, behind, oval shapes connected by strips on a dark brown field on bottom. Printed in light brown, dark brown, gold gilt, and pale pink., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Sidewall, Block printed on handmade paper, Vertical rectangle. Axial motif of acanthus below a basket containing fruit and wheat; border of papyrus motif. Printed in neutral red-oranges., France, 1800-1810, Wallcoverings, Sidewall

Design for a Wooden Bench. Artist: Anonymous, 18th century. Dimensions: Sheet: 7 11/16 × 12 in. (19.5 × 30.5 cm). Date: ca. 1700-1730.Design for a heavily decorated wooden bench. The design is presented in a frontal view showing the decoration of the backboard with an overall croisillon motif a portrait en profil and a large palmette crowning the center. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: silk Technique: satin and twill weave, Long, pieced panel from the Directoire period with symmetrical design of bouquet of flowers, seated cupids, and a pendant frame surrounded by peacock feathers and enclosing addorsed birds on either side of palm tree. White raw silk in twill on pale turquoise satin ground horizontally ribbed from thick wefts. Pink and white striped satin selvages with four-cord edges., France, 1795-99, woven textiles, Textile

Frieze (France); block-printed on handmade paper; 89 x 50 cm (35 1/16 x 19 11/16 in.)

Frieze, Howell and Brothers, 1835 - 1900, Machine-printed, Wide frieze, featuring wide central band of pineapple-like motif alternating with shrub-like foliate motif. Narrow band over this is small circular shapes between a band of red and yellow stripes, while at the bottom is a medium wide band of stylized floral motif within wreaths. Printed with small strokes of pigments on tan ground., USA, 1880-1900, Wallcoverings, Frieze

Border, Machine-printed on paper, Frieze on ground fading from pale pink at bottom to off-white at top, red and reflective white mica, feathered scroll fleur-de-lis motifs alternate in large and small versions., USA, 1890-1910, Wallcoverings, Border

Frieze (USA); machine-printed paper, liquid mica; 92 x 49.5 cm (36 1/4 x 19 1/2 in.)

Panel (Italy); silk, artificial pearls, silver and gold metallic thread on linen

Frieze (USA); Manufactured by Henry Gledhill & Co.; machine-printed paper; 95 x 48 cm (37 3/8 x 18 7/8 in.)

Frieze, Robert Graves Co., New York, New York, Machine-printed paper, mica flakes, Flitter frieze with acanthus leaves framing sprays of large roses and leaves. Printed in greens, pinks, tan and gold mica flakes on a background that shades from a medium pinkish-brown to a lighter shade., New York, USA, 1905-1915, Wallcoverings, Frieze

Folio from the Bellini Album ca. 1600. Folio from the Bellini Album 451965

Ceiling ornament. Date/Period: Ca. 1860. Ceiling ornament. Block-printed on paper. Height: 1,150 mm (45.27 in); Width: 530 mm (20.86 in). Author: UNKNOWN.

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 91.5 x 49 cm (36 x 19 5/16 in.)

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Horizontally repeating pattern consisting of alternating large and small medallions composed of stylized acanthus leaves. C scrolls create scalloped borders above and below the medallions, and a diaper pattern fills the space between the medallions and upper border. Pattern is printed in shades of pink, dark red, and white on a graduated background that fades from pink to tan., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Frieze, S.A. Maxwell & Co., Machine-printed paper, Floral bouquets in the anthemion design shape, alternating between large and small bouquets. All bouquets are connected by continuing bands. Whole design on a screened field the colors of which progressively change to their negative colors. Printed in various shades of brown from mud brown to chocolate brown to a light, almost peachy-tan brown., Chelsea, Massachusetts, USA, 1905-1915, Wallcoverings, Frieze

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Design for a cover for an article by P.H. Bremmer, Johan Thorn Prikker, 1878 - 1932 print paper ornaments ~ art

dado, Block-printed on machine made paper, Neoclassical design with urns and masks in shades of gray., 1875-1920, Wallcoverings, dado

Ceiling Paper (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 82 x 49.5 cm (32 5/16 x 19 1/2 in.)

Fragment (Japan)

Valentine 1850-1870 Anonymous. Valentine. Anonymous. 1850-1870. Cameo-embossed, open-work lace paper, chromolithography, colored paper

Sidewall, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, textured, liquid mica, Rococo-style floral design, with bouquets of white roses sitting atop asymmetrical acanthus scrolls. Each of the elements is outlined in metallic gold. Printed in white, green, gray, and metallic gold on a tan or greenish ground., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Sidewall

Design for the decoration of a ceiling with urns, swags, and portrait medallions in the four corners. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 13 1/8 x 19 3/8 in. (33.4 x 49.2 cm)image: 10 11/16 x 14 11/16 in. (27.2 x 37.3 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Frieze, Robert Graves Co., New York, New York, Machine-printed paper, mica flakes, Flitter frieze containing swags of roses hung from vine-entwined ribbons with daisy chains linking the swags to large ribbon bows. Stripes at the edges. Printed in shades of pink, shades of green, tan and gold mica flakes on a background that shades from a medium pinkish-brown to a lighter shade., New York, USA, 1905-1915, Wallcoverings, Frieze

Boetticher Carl (1806-1889), flowers, ornaments and others (without date): Detail. Pencil watercolored and white heighted on paper on cardboard, 44.3 x 50.8 cm (including scan edges) Boetticher Carl (1806-1889): Blumen, Ornamente u.a.

Renaissance ornament

Fragmentary Silk Velvet with Repeating Tiger-stripe and 'Chintamani' Design second half 15th century This early example of chintamani silk velvet incorporates the triangular formation of three circles alternating with two wavy bands. The pile in these luxurious textiles is created by the warp threads, which are looped during the weaving process and later sheared to create the plush surface. Polychromatic designs were created by alternating two or more warps in contrasting colors, and brocaded with metal-wrapped weft threads creating the "voided" ground in the design.. Fragmentary Silk Velvet with Repeating Tiger-stripe and 'Chintamani' Design 445263

Hanging with a Simulated Silk Textile Pattern ca. 1475-1520 German Tapestry hangings of repeated patterns are relatively unusual. The pomegranate patterns employed here may have been inspired by the designs of imported damasks or cut velvets.. Hanging with a Simulated Silk Textile Pattern 468295

Frieze (USA); machine-printed paper, ungrounded, liquid mica; 91.5 x 49 cm (36 x 19 5/16 in.)

Frieze (USA); Manufactured by Hobbs, Benton & Heath; machine-printed paper; 160.5 x 49.5 cm (63 3/16 x 19 1/2 in.)

Frieze (England); block printed and flocked on paper; 77.5 x 26 cm (30 1/2 x 10 1/4 in.)

Sidewall (France); Manufactured by J. Zuber et Cie; block-printed and flocked paper; 61.5 x 56.5 cm (24 3/16 x 22 1/4 in.)

Blunck Erich (1872-1950), drawing studies (04.1893): drawing studies (without a yardstick). Tusche watercolor on paper, 66 x 50.4 cm (including scan edges) Blunck Erich (1872-1950): Zeichnungsstudien

Sidewall, Anemone de Venus; block-printed on paper; 61.0 x 49.5 cm (24 x 19.5 in. )

Sidewall (USA); Made by M.H. Birge & Sons Co. (United States); machine-printed on paper; 78 x 50.5 cm (30 11/16 x 19 7/8 in.)

Textile, Medium: cotton Technique: printed by engraved roller and block printed, A) Grey ground of stripes and foliage over-printed in design of flowering vine., B) Similar ground to A but printed in clusters of natural size rosebuds., C) Same ground effect as A but in blue; pattern over-printed of rose clusters with a birds nest and bird., 1851-63, printed, dyed & painted textiles, Textile

Frieze (USA); machine-printed on embossed paper; 53 x 23.5 cm (20 7/8 x 9 1/4 in.)

Frieze (USA); machine-printed, mica; 71.5 x 50.5 cm (28 1/8 x 19 7/8 in.)

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 155.5 x 49.5 cm (61 1/4 x 19 1/2 in.)

Valentine 1850-1879 Anonymous. Valentine. Anonymous. 1850-1879. Cameo-embossed, open-work lace paper, colored paper, chromolithography, die-cut scraps

Battle of Porte St. Denis, Block printed on handmade paper, Barricade battle scene of Porte St. Denis, surmounted by rooster, oak wreath and ribbon inscribed: 'Porte St. Denis.' Edged with oak vine and tricolore. Printed in pink, blue, green and white on lighter blue ground., France, ca. 1830, Wallcoverings, Sidewall, Sidewall

Snow on Cypress with Full Moon. Suzuki Kiitsu (Japan, 1796-1858). Japan, circa 1840. Paintings; scrolls. Hanging scroll; ink and color on silk

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

Drawing, Embroidery Design Commemorating the Marriage of Napoleon I and Marie-Louise of Austria; Attributed to Jean-François Bony (French, 1754-1825); Made for Fabrique de Saint Ruf; France; brush and white gouache on laid paper, coated with resin, joined; 62.2 x 48.9 cm (24 1/2 x 19 1/4 in.) Mat: 71.1 x 55.9 cm (28 x 22 in.) Frame H x W x D: 75.6 x 60 x 2.5 cm (29 3/4 in. x 23 5/8 in. x 1 in.)

Frieze, Machine-printed, ingrain paper, Cocoa colored rough paper with quiver, conventional iris and lily and ribbon design, borders; mica finish. Made by W. Campbell and Co. No. 2285. Printed on ingrain paper., Hackensack, New Jersey, USA, 1890-1900, Wallcoverings, Frieze

Napkin with the baptism of Christ, Anonymous, c. 1700 - c. 1800 Linnamast napkin with the baptism of Christ. Germany (possibly) linen (material) damask Linnamast napkin with the baptism of Christ. Germany (possibly) linen (material) damask

Embroidery sample for a man's suit. Culture: French. Dimensions: L. 11 5/8 x W. 7 1/2 inches (29.5 x 19.1 cm). Date: 1800-1815. Museum: Metropolitan Museum of Art, New York, USA.

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling. Jules-Edmond-Charles Lachaise (French, died 1897). second half 19th century. Graphite, pen and black ink, and watercolor. Drawings

Design for Ceiling at Fontainebleau 1850-1910 Jules-Edmond-Charles Lachaise French. Design for Ceiling at Fontainebleau 345461

Half of cover and bract for: Stijn Streuvels, Reinaert de Vos, 1910, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Elevation of a salon decorated in Louis XV style 19th century Jules-Edmond-Charles Lachaise French. Elevation of a salon decorated in Louis XV style. Jules-Edmond-Charles Lachaise (French, died 1897). 19th century. graphite, watercolor, wash, and gold paint on wove paper; inlaid in blue wove paper. Drawings

Detached section shows verso has printed design: H. blue-green background with white floral design printed on top. Graphite line drawn at the top and right edge. Date: ca. 1848. Brush and gouache on heavy paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Frieze (USA); Liberty Paper & Bag Co.; machine-printed; 55 x 59.5 cm (21 5/8 x 23 7/16 in.)

Frieze (USA); machine-printed paper, flocked, embossed; 62 x 50 cm (24 7/16 x 19 11/16 in.)

Valentine 1862 Anonymous. Valentine. Anonymous. 1862. Cameo-embossed, hand-painted scraps, open-work, cameo-embossed lace paper, silver Dresden scraps and paper leaves, silver paper, gold printing.

Ceiling relief, White Hall, Rundale Castle, Bauska, Latvia, Bauska, Latvia, Europe

Border, Block-printed and flocked on paper, Classical detailing with wide acanthus rinceaux at top and narrower guilloche-like pattern below. Printed in in shades of ocher against a rust-color ground., H# 372, France, 1810-30, Wallcoverings, Border

Pompeian ornament

Menus and Valentines depicting women and children in classical dress, with angels, trees, birds, and flowers.. Proofs, Cards, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cupids, Angels

Print, Frau Nolda Gewebter Wandbehang (Madame Nolda, Woven Wall Hanging), plate 24, in Die Quelle: Flächen Schmuck (The Source: Ornament for Flat Surfaces); Designed by Koloman Moser (Austrian, 1868-1918); Austria; color lithograph on paper; 25 x 29.6 cm (9 13/16 x 11 5/8 in.)

Antique wall paintings of candlelabra in Pompeii. From the House of Queen Caroline, Casa delle Danzatrice, and House of Castor and Pollux. Handcoloured lithograph by Brose after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Lorna Doone. A Romance of Exmoor. Volume Two..

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