Floral Design Illustrations

Colorful hand-painted floral designs on various backgrounds, showcasing artistic patterns ideal for wallpaper and decorative purposes.

Creeping Forget-Me-Not, Insect, and Planthopper; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Fond Affection Turns to Thee (valentine). Unknown Artist; American or English, 19th century. Date: 1840-1849. Dimensions: 188 x 128 mm (folded sheet). Collaged elements with watercolor on embossed ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Hanging Lantern. Artist: Anonymous, Chinese, 19th century. Dimensions: Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Klomp Johannes Franziskus (1865-1946), unaffected drawings and travel sketches (0-0): Ornaments of the Cölestiner monastery, Paris. Ink on transparent, 23 x 34.3 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Zeichnungen und Reiseskizzen

Godetia, Julie de Graag, 1919 print paper. watercolor (paint) flowers

Sheikh Zayed Grand Mosque. Flowers pattern. Thousands of rare and semi-precious stones, encrusted in marble, were used to decorate the structure. Abu Dhabi. United Arab Emirates.

Sample of Silk. Dated: c. 1938. Dimensions: overall: 22.9 x 28 cm (9 x 11 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edward White.

Valentines depicting women, books, flowers, owls, birds, an apple.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Birds, Books and reading

Dearest, My Every Dream of Bliss (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 139 × 94 mm (folded sheet). Collaged elements on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Christmas cards depicting people in classical dress, performing a variety of activities : painting, dancing, sculpting, playing music, mathematics.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Art, Geometry

Woman Under a Willow and Calligraphy Panel (Double-sided Painting) Woman Under a Willow and Calligraphy Panel (Double-sided Painting), ca. 1665-1675. Ink on paper with newly added corner illuminations, 7 1/2 x 3 3/4 in. (19.1 x 9.5 cm). Asian Art ca. 1665-1675

San Luis Rey Side Altar from the portfolio "Decorative Art of Spanish California". Dated: 1935/1942. Dimensions: overall: 45.7 x 35.6 cm (18 x 14 in.). Medium: screenprint on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

flowers, 19th century, Follower of Eugène Delacroix, French, 1798-1863, 26 x 20 3/16 in. (66.04 x 51.28 cm) (sight)35 3/4 x 29 3/4 in. (90.81 x 75.57 cm) (outer frame), Oil on board, France, 19th century

A Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros. 1889-90 Issued by Kinney Brothers Tobacco Company Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.. A Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.. 1889-90. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Sidewall, Sommerfeld; Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Distributed by Wiener Werkstätte (Austria); Switzerland; machine-printed paper; L x W (a): 213.7 × 75.2 cm (7 ft. 1/8 in. × 29 5/8 in.) L x W (b): 212.1 × 75.2 cm (6 ft. 11 1/2 in. × 29 5/8 in.) L x W (d, roll): 203.8 × 74.9 cm (6 ft. 8 1/4 in. × 29 1/2 in.) Repeat H: 100.3 cm (39 1/2 in.)

Thou Art the Star that Guides Me (valentine) 1835-1845 England. Lithograph with hand-coloring on cut and embossed ivory wove paper (lace) . Joseph Addenbrooke

Dearest I Love Thee (valentine) 1840-1850 England. Collaged elements and watercolor, with pen and brown ink on cut and embossed ivory wove paper (lace) .

Materials. Giafferri, Paul Louis de, b. 1886. Illustrations. 1926 - 1927. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress, Costume , History, Women, Ribbons, Patterns (Design elements)

Ceriops tagal (Perrier de la Bathie) C. Robinson, by Sydney Parkinson. Gift of the British Museum, 1895.

Drawing, Design for a Plate; Made for Noritake; Japan; brush and watercolor, gold gouache, graphite on cream paper; 28.5 x 15.7 cm (11 1/4 x 6 3/16 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-64

Edward White, Bookmark, c 1938 Bookmark

Rouget.. Verneuil, M. P. (Maurice Pillard), 1869-1942. Prints. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Animal forms

Untitled Valentine (Wedding Scene). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 140 × 92 mm (folded sheet). Collaged elements on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Wellington Blewett, Decorative Panels, c 1936 Decorative Panels

Common Camellias (Camellia japonica), 19th century, attributed to Clara Maria Pope, English, c. 1785 - 1838, 25 7/16 x 17 3/4 in. (64.64 x 45.09 cm) (sheet), Watercolor and graphite on paper, England, 19th century

Hybrid yellow and scarlet pompon chrysanthemum, Chrysanthemum indicum. Handcoloured woodblock print after Keika Hasegawa from Keika Hyakugiku, Keika's 100 Chrysanthemums, published by Naosaburo Yamada, Kyoto, Japan, 1893. Keika Hasegawa drew flowers and patterns for kimono in Kyoto in the final years of the 19th century.

Fanière brothers, Fleur pendant (main title). Graphite, gouache, watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Tile with floral decoration, one of a pair, Doulton Art Pottery, English, Staffordshire, England, 1871-1901, 6-1/16 x 6-1/16 x 3/8 in. (15.4 x 15.4 x 1 cm), Glazed ceramic

Drawing, Design for a Teapot; Made for Noritake; Japan; brush and gouache, graphite on cream paper; 28.8 x 15.5 cm (11 5/16 x 6 1/8 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-59

Mainz, Scholz, firm Jos., Netherlands, Letter of greeting with a wreath of flowers and a landscape with people at a tent, verso - stamped, Letter of greeting with an unwritten cartouche within a decorative frame with representations of a wreath of flowers and a landscape with a group of people at a tent. Numbered lower left: No. 5., print, folk print, letter of greeting, prints, folk prints, height 423 mm, width 343 mm, print maker, printmaker, 1829 - 1880, paper, papier, lithografie (technique), kleuren, Publication (Event), Publicatie, Duits, publisher

Oh! Give Dear All Thy Love to Me (valentine). George Meek; English, 19th century. Date: 1835-1845. Dimensions: 143 × 94 mm (folded sheet). Collaged elements with watercolor and pen and ink on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, USA.

Flowers in Vase by O'Keeffe, Georgia (1887-1986) Georgia O'Keeffe Museum, Santa Fe ca 1936 Watercolour on paper The United States Modern Still Life Painting

Parlor Flower Stand. Dated: c. 1939. Dimensions: overall: 51.7 x 35.5 cm (20 3/8 x 14 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Zupa.

Dearest 'Tis Time Alone (valentine). George Meek; English, 19th century. Date: 1835-1845. Dimensions: 142 × 93 mm (folded sheet). Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Untitled Valentine (Butterfly in Heart) 1850-1860 United States. Collaged elements on embossed ivory wove paper .

'Embroidered Hanging', 1896, Artist: Godfrey Blount. Godfrey Blount set up The Haslemere Peasant Industries in I896 in Surrey. It was an umbrella organisation for a number of small craft workshops employing local skilled labour.

BORDADO SOBRE ENCAJE. Location: MUSEO DEL ENCAJE. Barcelona. SPAIN.

Print, Pl. 2 of 7e cahier de trofées de musique from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Drawing, Textile Design: Carmen; Designed by Eduard Josef Wimmer-Wisgrill (Austrian, 1882 - 1961); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 7 × 21 cm (2 3/4 × 8 1/4 in.) Mat: 30.5 × 45.1 cm (12 × 17 3/4 in.)

Ceiling design for Salon d'Entrée, Hôtel de Monsieur de Juigne, Paris, 1867. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 14 13/16 x 10 11/16 in. (37.6 x 27.2 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

Oh! Give Dear All Thy Love to Me (valentine) 1835-1845 England. Collaged elements with watercolor and pen and ink on cut and embossed ivory wove paper (lace) . George Meek

Can You See Me in Despair (Valentine) 1835-1845 England. Lithograph with hand-coloring on cut and embossed ivory wove paper (lace) . George Meek

A woman pulling giant aubergines from a tree. Watercolour.

Saint Christopher. Gouache painting.

Parisian Service (Haviland service): Snow (no. 6), 1875. Félix Bracquemond (French, 1833-1914). Etching; sheet: 31.3 x 45.2 cm (12 5/16 x 17 13/16 in.); platemark: 25.4 x 25.2 cm (10 x 9 15/16 in.).

Papillons et pavots, veilleuse émaux translucides. Paons, vase émaux cloisonnés. Oiseaux tenture. Capricornes, jeu de fond. Sauterelles, bordure.. Verneuil, M. P. (Maurice Pillard), 1869-1942. Prints. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Animal forms

Paquebot "France" C.T.. 1963. Buttolph, Frank, 1850-1924. Menus. Rare Book Division

Krefeld, Sollbrüggen House (music school), manor house by Adolph von Vagedes 1830, hall on the upper floor with paintings by Benjamin and Jakob Orth, detail of ceiling painting

An Austrian art nouveau postcard (potentially by Raphael Kirchner) of some style and grace, depicting a pretty girl smelling the scent of a small red flower. Date: circa 1900

Easter cards with text, depicting the outdoors, flowers, girls and decorative designs.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Girls

Arceli Dans, watercolour, 1982, 'Lace'

Marigold ceramic tile, from the Casa Vicens in Barcelona, Spain, designed by Antoni Gaudi. one of the first buildings of Art-nouveau and was the first house designed by Gaudi.

Grand plat rond hortensia.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Flowers, Hydrangeas

Man thinking about large flower blooming

Design for Candy Box Cover, Brush and watercolor on cardboard, Ovoidal design for a candy box cover. A high pedestal with sculptural figures of children seated around a vase, rises in a garden., ca. 1880, ornament, Drawing, Drawing

Trophy with Flute, Ivy and Blue Ribbon, Antoine Berjon, 1754 - 1843, Pastel, black chalk, watercolor Support: white laid paper, glued to mount of ruled borders, A wreath of leaves with a flute tied to it below by a ribbon., Lyon, France, France, 1780-90, ornament, Drawing, Drawing

Jacques Gruber (1870-1933). Stained glass. Glass engraved with acid and decorated with enamels. 1st quarter of the 20th century. Museum of Fine Arts of the City of Paris, Petit Palais. 78194-16 Acid, 1900, decor, email, glass, stained glass, Vegetation, engraving

INVENCION Nº 51-PAJARO EN LA NOCHE-2000- 50x36 cm. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Panel with long-tailed birds, camellia, clematis, and poppies 18th century China. Panel with long-tailed birds, camellia, clematis, and poppies. China. 18th century. Silk tapestry (kesi). Qing dynasty (1644-1911). Textiles-Tapestries

Roses. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

La Chine (Color Version). Theodore Roussel; French, worked in England, 1847-1926. Date: 1896-1897. Dimensions: 250 × 163 mm (image, trimmed within plate mark); 268 × 189 mm (sheet). Etching, softground, acquatint and drypoint in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Pieced Autograph Quilt (1 Piece). Dated: c. 1936. Dimensions: overall: 28 x 22.9 cm (11 x 9 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels and Margaret Linsley.

PATCHWORK- 1996- 250x250- ACRILICO SOBRE TELA. Author: JORGE GALINDO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Tis Sweet to Love (valentine). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 97 × 68 mm (folded sheet). Collaged elements on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Boys head and flowers. Wyspiański, Stanisław (1869-1907), painter

Stained glass window with grapes (one of two panels)

Drawing, Textile Design: Pappelrose (Hollyhock); Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 10.2 × 14.9 cm (4 in. × 5 7/8 in.) Mat: 31.4 × 45.1 cm (12 3/8 × 17 3/4 in.)

As We Dance Around. André Edouard Marty (French, 1882-1974); printed by Vincent Brooks, Day and Son Limited Lithographers; published by the Underground Electric Railways Company of London Limited. Date: 1931. Dimensions: 1020 × 630 mm. Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Love and Good Will, I Bear to Thee (Valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 109 x 65 mm (folded sheet). Collaged elements on embossed cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

19th century illustration - Prang's floral mottoes, 'Be faithful' ca. 1873.

Valentine 1876 Kate Greenaway. Valentine. Kate Greenaway (British, London 1846-1901 London). 1876. White card stock with gilding; white card with embossed border; chromolithography, gold lithography, ink

Colorful Polynesian textile, Waikiki, Honolulu, Oahu, Hawaii.

Close-up of modern sculpture in the garden

Abstract one line art flower. Minimal art flower on geometric shapes backgroud. Modern black and white illustration. Elegant continuous line drawing.

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