Floral Designs

Elegant printed botanical illustrations and designs for decorative textiles, featuring detailed flowers and foliage drawn in various art styles.

Tulip, with the name Bisar, Cardinal de Fleuri, draughtsman: Daniël Marot (II), 1730, paper, brush, h 166 mm × w 134 mm

Print (France)

Unfinished Design for a Waistcoat, Pencil and various gouache watercolors on paper, Unfinished design for the embroidered border of a man's waistcoat. A fantastical plant which shows two blossoms, rises from a patch of moss and blue flowers. A border motif is sketched at left: star blossoms connected by lines., France, 1785-1795, Drawing, Drawing

Print (France)

Print, Pl. 6 of 13e cahier from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Apocynum. Beijdelsar apocinum. / Periploca. apocinum. / Apocinum. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 236 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Thousand beauty and other flowers, 1570 - Before 1618 print Leaf 10 of 21 numbered sheets with title page from a series of 24. paper engraving flowers

Tulip, with the name Bisar, Cardinal de Fleuri, draughtsman: Daniël Marot (II), 1730, paper, brush, h 166 mm × w 134 mm

Print (France)

London, Leviez, Charles, Pillement, Jean Baptiste, Norton, Christopher, Recueil de Differents Bouquets de Fleurs, Bouquet with poppies, verso - stamped, Bouquet of various flowers such as poppies., print, ornament print, prints, ornament prints, height 302 mm, width 212 mm, British - 1799, print maker, printmaker, 1760 - 1760, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, 1708 - 1778, publisher

Small Provence rose, Rosa provincialis minima, and Dijon rose, Rosa damascena dijonensis. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Sweet Peas. Dated: 1891. Dimensions: plate: 14.9 × 15.2 cm (5 7/8 × 6 in.) sheet: 31.5 × 24.6 cm (12 3/8 × 9 11/16 in.). Medium: drypoint in black. Museum: National Gallery of Art, Washington DC. Author: James David Smillie.

Bound bouquet, Jean Baptiste Monnoyer, c. 1680 - c. 1695 print Bound bouquet. Print is part of an album. paper etching cut flowers; nosegay, bunch of flowers

Amsterdam, Danckerts, Justus, Nederland, Novae Florum Icones, Drie bloemen, Netherlands, Uit serie van 12 bladen., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 186 mm, width 141 mm, print maker, prentmaker, 1667 - 1701, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, eerste kwart 18e eeuw, paper, papier, etching, etchings, Work conception, naar ontwerp van, Publication (Event), Publicatie, 1635-11-11 - 1701-07-16, publisher

Embroidered Coverlet. Dated: c. 1936. Dimensions: overall: 28.1 x 22.8 cm (11 1/16 x 9 in.) Original IAD Object: 90" long; 100" wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Jules Lefevere.

WAPERFEE, Etienne Claude VOYSARD, after Pierre Ranson, 1778 print A weapon trophy with flags, cannons, cannonballs and a basket. Paris paper etching 'tropaion', i.e. decorative ornament ~ weapons

Study of a Hawthorne and Honeysuckle Bough, Graphite and brush and white gouache on paper, France, 1775-1800, Drawing, Drawing

Lace Made 1844-1845 England. William Henry Fox Talbot, one of the inventors of photography, was a polymath who felt as comfortable writing Greek verse as he did experimenting with botany and chemistry. His negative/positive processóand the reproductive possibilities it engenderedócame to dominate photography until the digital age. Talbot held artistic aspirations, but he was also interested in the myriad scientific and commercial applications for photography. He hoped that his photographs of lace, for example, might make it easier to copy intricate patterns and thus facilitate manufacturing. The negative for this print was likely made by laying a fragment of lace upon a piece of photosensitized paper and exposing it to the sun, without the aid of a camera.. Salted paper print . William Henry Fox Talbot

Depicts 'Flower-Five' by an anonymous artist, created as a copper engraving print around 1440-1450, showing floral arrangement and decorative composition.

Print (France)

Row of flowers above landscape, after 1645 - Before 1702 print In the middle of the top a emperor crown is surrounded by other flowers, a battle scene is depicted at the bottom. Page 7 from series of 7 sheets, numbered 3-10, one sheet has no number. Second edition. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Flower Print No. 21: Damask Rose, No. 1; Rose de Meux, No. 2, September 1, 1787, John Edwards, English, 1763 - 1806, 12 3/4 x 9 3/4 in. (32.39 x 24.77 cm) (plate), Hand-colored etching, printed in pale ink, England, 18th century

Print

Rode Lelie (Lilium), Anselm Boëtius de Boodt, 1596 - 1610 drawing Oranje Lelie. Numbered at the top right: 178. At the top of the Latin name. Part of the second album with drawings of flowers and plants. Ninth of twelve albums with drawings of animals, birds and plants known around 1600, made commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk. ink brush / pen flowers: lily

Plate 3, Nouvelle suite de cahiers de flerurs naturelle a l'usage des dessinateurs et des peintres, No. 1, Jean-Baptiste Pillement, French, 1728-1808, Anne Allen, English, active France, ca. 1750-1810, Etching with colored inks à la poupé on cream laid paper tipped in cream paper, Ornamental design featuring flowers and leaves. On the upper portion, triangular green leaves containing red and grey flowers inside, mimicking the form of the surrounding leaves, appear. Yellow-orange flowers with grey and green tri-circular centers are seen on the lower portion., France, after 1775, ornament, Print, Print

Trophy with horticultural attributes, Etienne Claude Voysard, After Pierre Ranson, 1778 print A trophy with objects belonging to horticulture such as a scythe, a rake, a shovel, a heater, a watering can, baskets and fruit. Paris paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. gardening

Kerstroos (Helleborus niger). Swarten nieswortel. / Elleborus niger. Roseus austriacus / Ellebore noir. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 247 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.

Klaproos, Caspar Luyken, 1698 print Print at the top right marked: p. 445. Amsterdam paper etching plants and herbs

Row of flowers above landscape, after 1645 - Before 1702 print At the top left is a acelei, below, a couple of behind. Leaf 4 from series of 7 sheets, numbered 3-10, one sheet has no number. Second edition. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Drawing, Design for an Embroidered Vertical Border of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 16.9 × 11.8 cm (6 5/8 × 4 5/8 in.)

Babiana sambucina (Jacq.) Ker Gawl., Babiana sambucina (Jacq.) Ker Gawl. (Bobbejaantje), draughtsman: Robert Jacob Gordon, Oct-1777 - Mar-1786, paper, brush, h 660 mm × w 480 mm, h 306 mm × w 188 mm

Design for Panel Decoration Centered on a Passion Flower 1828-40 J. Hulme British. Design for Panel Decoration Centered on a Passion Flower 367391

Study of a branch withleaves. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Drawing, Design for a Waistcoat; France; pencil and various gouaches on paper; 20.7 × 10.1 cm (8 1/8 in. × 4 in.)

Still life with flowers, Louis Marie Lemaire, 1880 print paper etching / drypoint flowers in a vase

French Rose. Henry C. Andrews; British, 1750-1828. Date: 1806. Dimensions: 245 × 207 mm (image); 288 × 231 mm (plate); 296 × 239 mm (sheet). Hand-colored etching, with engraving, on cream wove paper, laid down on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Teyler, Johan, Netherlands, Two branches with roses, four butterflies and a snail, This print is part of an album., print, album leaf, prints, height 297 mm, width 199 mm, print maker, printmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, color printing, hand coloring, Noord-Nederlands, 1648 - 1712, supervision

Drawing, Woodblock Trial Proof for a Printed Textile; France; brush and gouache on white paper; 8.8 x 7.4 cm (3 7/16 x 2 15/16 in.)

Print, Corner Moulding Design; Designed by A. Panier (French, active 18th century); Print Maker: Jean-François Janinet (French, 1752 - 1814); Published by Louis-Marin Bonnet (French, 1736 - 1793); France; crayon-manner engraving with red ink on paper

Flowers in vase with the representation of H. Christoffel with the Christ child, Anonymous, c. 1650 - c. 1750 print Numbered in the bottom left: 51. paper etching flowers: narcissus. flowers: poppy. St. Christopher, with the infant Christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand. flowers in a vase. table-cloth

Extinguished sunflowers, draughtsman: Dick Ket, 1912 - 1940, paper, h 630 mm × w 470 mm, h 74.4 cm × w 57.7 cm × d 2.8 cm, h 62.0 cm × w 44.4 cm

The flowers are tied together with a ribbon. Top right is the letter A. Bouquet of jasmine and delphinium Jasmin, Pied d'Alouette double IIe Cahier de Bouquets , print maker: Jean Jacques Avril (I), (mentioned on object), Jean Baptiste Monnoyer, publisher: Jacques-François Chéreau, print maker: France, (possibly), France, (possibly), publisher: Paris, 1754 - 1794, paper, engraving, h 245 mm × w 160 mm

Peacock Feather. John Ruskin; English, 1819-1900. Date: 1877. Dimensions: 267 × 194 mm. Watercolor, over traces of graphite, on buff wove card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ornamental Design with Small Red Flowers and Berries, from Nouvelle suite de cahiers de flerurs naturelle a l'usage des dessinateurs et des peintres, No.1, Jean-Baptiste Pillement, French, 1728-1808, Anne Allen, English, active France, ca. 1750-1810, Etching with colored inks à la poupé on cream laid paper tipped in cream paper, Floral motif. Upper level: small red flowers with green leaves; lower level: blue berries with yellow, green, and brown feather-like leaves., France, after 1775, ornament, Print, Print

Parijs, Crépy, Jean-Baptiste, Pillement, Jean Baptiste, Livre de Bouquets, Corbeille et Vases de Fleurs, Basket with flowers, Paris, verso - stamped, A basket with wild flowers., print, ornament print, prints, ornament prints, height 345 mm, width 245 mm, Frans, 1728-05-24 - 1808-04-26, print maker, printmaker, 1753 - 1790, paper, papier, engraving, engraving (printing process), Work conception, French, after own design of, Publication (Event), Publication, French - 1796, publisher

Vase with Flowers. The work of the renowned French still-life painter and etcher Jean Baptiste Monnoyer was in such demand that it was frequently imitated. An example of this is this monumental print that was published in Amsterdam as part of a series of thirteen sheets. At the time they found ready buyers, and yet hardly any impressions have come down to us.

Mansoor (Asarum europaeum); hasel wurtel. / Asarum. / Cubaret. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 260 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Vase of Flowers, Charles Bance, French, active 1793 - 1823, Stipple engraving on paper, Urn containing daisies and other flowers., France, ca. 1810, Print, Print

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Tulip, named Bisar, Cardinal de Fleuri. Draughtsman: Daniël Marot (II). Dating: 1730. Measurements: h 166 mm × w 134 mm. Museum: Rijksmuseum, Amsterdam.

Five Prints of Flowers in Glass Vases. Johannes Teyler from Nijmegen was educated as a philosopher and mathematician, but also worked later as a military engineer. He invented a method for printing impressions in colour, for which he received a patent in 1688. The colours had to be applied to the copper plate by hand for each individual impression. Because this was very labour intensive, his colour printing process found little following.

Bedspread. Dated: c. 1936. Dimensions: overall: 30 x 23 cm (11 13/16 x 9 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mary Berner.

Luigi Balugani, 1737-1770, Italian, Gibara, undated. Graphite on medium, slightly textured, cream wove paper.

Paris, Bailly, Jacques (I), Diverses Fleurs mises en Boucquets, Title page: Diverses Fleurs mises en Boucquets, Bouquet with peonies, daffodils, anemones and a sprig of mallow. The title is on a sheet at the bottom., print, ornament print, title page, prints, ornament prints, height 312 mm, width 225 mm, 1629 - 1679-11-02, print maker, printmaker, 1670 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Germany, Sadeler, Johannes (II), Kempener, Jacobus, Series of vases with flowers, Vases with flowers, Grotesque vase with three mascarons, The vase contains, among other things, roses and a helianth. To the right of the vase crawls a snail, to the left is an insect., print, prent, ornamental print, prints, ornamental prints, height 190 mm, width 145 mm, print maker, printmaker, 1500 - 1600, 16th century, 16e eeuw, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, - 1665, publisher

"Watercolor and pencil drawing by Marie Lippert-Hoerner depicting the Kaiserkrone, focusing on form and detail."

Rosa gallica. Date/Period: From 1649 until 1659. Painting. Gouache. Height: 505 mm (19.88 in); Width: 385 mm (15.15 in). Author: HANS SIMON HOLTZBECKER.

Design for embroidery or tapestry, Alphonse de Neuville, French, 1835 - 1885, Pen, ink, watercolor, and gouache on paper, Design for embroidery or tapestry by Alphonse Marie de Neuville (1836-1885). Basket with flower and grapevine. Without support or background. A ribbon festoon is suspended from the basket., France, 1875-80, Drawing, Drawing

Grande cuisse de nymphe rose, great maiden's blush rose, Rosa alba hybrid, and Duchess of Portland rose, Rosa portlandica. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malo's "Histoire des Roses," Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great French flower painters of the 19th century.

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 270 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Boetticher Carl (1806-1889), various decorations, fabrics, wallpaper (without date): Detail. Pencil watercolored on paper, 39.3 x 51.8 cm (including scan edges) Boetticher Carl (1806-1889): Verschiedene Dekorationen, Stoffe, Tapeten

Page from Shi Zhu Zhai China. Page from Shi Zhu Zhai. China. Polychrome woodblock print; ink and color paper. Qing dynasty (1644-1911), Kangxi period (1662-1722). Prints

A flowering plant; a design for pietra dura (marble inlaid with semi-precious stones). Gouache painting by an Indian artist.

Tulip, named Bisar, States General, draughtsman: Daniël Marot (II), 1730, paper, brush, h 166 mm × w 135 mm

At the brave. (IT)

Drzewa i krzewy w Pratolino. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Ziziphus abyssinica A. Rich. (Ethiopian Christ-Thorn): finished drawing without detail, Luigi Balugani, 1737-1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16 1/8 inches (41 cm)

Title page: Pilaster festons; Pilaster festons. Obachi copy to prints issued by Hubertus Quellinus and prints issued by Johannes de Ram. Festoten in the town hall of Amsterdam.

Botanical illustration of a geranium flower, petals, leaves. Lithograph by J. Milesi with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy China first edition printed in 1633 The Ten Bamboo Studio Manual of Painting and Calligraphy is one of the earliest and finest examples of color printing from China. The book, which served as both luxury object and guide for the aspiring painter, compiles familiar images from Chinese art, especially flowers, rocks, birds, and bamboo. View more. Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy. China. first edition printed in 1633. Individual leaf from a printed book; ink and color on paper. Ming dynasty (1368-1644). Prints

A Fruit Piece, from The Houghton Gallery Published 1781 England. Richard Earlom was one of many talented printmakers to work on John Boydellís massive printing project to reproduce Sir Robert Walpoleís painting collection at Houghton. The finished two-volume book included 162 prints, including 27 by Earlom. (The original works were sold to Catherine the Great and are now in the State Hermitage Museum in Saint Petersburg.) Earlom was particularly favored for his ability to re-create painterly tones in his mezzotints, as is evidenced by this Fruit Piece and Flower Piece.. Mezzotint with etching, with engraved inscription, in black on ivory wove paper . Richard Earlom

Two Red-and-white Tulips, draughtsman: Jan Jansz. van der Vinne, (mentioned on object), 1744 - 1805, paper, brush, h 438 mm × w 280 mm

Crepe Ginger Plant, c. 1780, Sheikh Zain al-Din, Indian, 27 1/2 × 36 1/4 × 1 in. (69.85 × 92.08 × 2.54 cm) (outer frame), Opaque colors and ink on paper Clark #89-7-1, India, 18th century, The famed Impey Album,’ to which these 11 natural history studies originally belonged, marks the beginning of a new school in the canon of Indian Painting: that is 'Company Painting’’—so called after the British East India Company, which by 1757 had taken effective rule over the sub-continent—spanning from c. 1760-1880 and distinguished by native painters adapting to the needs of Colonial tastes.

1892 Art Work - Tree - Odilon Redon.

Diverse rozen, 1570 - before 1618 print Different roses, spread over the leaf. In the middle of the top: bottling rose. Page 4 of 21 numbered sheets with title page from a series of 24. paper engraving flowers: rose

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Elias Verhulst. Draughtsman: Anselmus Boëtius de Boodt (mentioned on object). Dating: 1596 - 1610. Place: Praag. Measurements: h 259 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Design for a brooch; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Decorative group with grape fees, pumpkins and masks. .

Kolquall 1789, James Heath, 1757-1834, British, after James Bruce, 1730-1794, British, 1789, Hand colored engraving

Study for a Border Design. Dated: 1890/1897. Dimensions: sheet (irregular): 31.7 × 13.1 cm (12 1/2 × 5 3/16 in.) mount: 46.1 × 30.1 cm (18 1/8 × 11 7/8 in.). Medium: gold paint, watercolor, gouache, and graphite on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

Rozen, Anton Weiss, 1820 - 1833 print Up to the top right 7th Lev. Part of a cover with a total of seventy -seven lithographs of flowers and fruit. Amsterdam paper flowers

Zinnia. Hannah Borger Overbeck (United States, 1870-1931). United States, circa 1915. Drawings. Watercolor and ink on paper

Design for the arm of a wall arm in the shape of a branch with three lilies, a back plate () with a bow and some nails or pins, Design for the arm of a wall arm, draughtsman: Luigi Valadier, (workshop of), draughtsman: Giuseppe Valadier, (workshop of), Rome, c. 1775 - c. 1790, paper, pen, h 588 mm × w 434 mm

January 1730 H. Fletcher (ca.18thC. British) Lithograph

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 1822, (2051): 1, Chapeaux de gaz, bottom center in the margin - engraved, The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, Costumes Parisiens., top center in the margin - engraved, 1, Chapeaux de gaze garnis de blonde. 2, Chapeaux de crêpe., height 176 mm, width 109 mm, print maker, printmaker, 1822 - 1822, first quarter 19th century, paper, engraving, engraving (printing process), hand colouring, Publication (Event), Publication, French, 1761 - 1831, publisher

So-called Wedding tree. Storer, Johann Christoph (ca 1611-1671), draughtsman, cartoonist

The drawing is part of an album, Two tulips with butterfly G(enera)l Sipion Victory / General de france, draughtsman: Jacob Marrel, (mentioned on object), 1639, parchment (animal material), brush, h 265 mm × w 335 mm

Choke Cherries. Artist: Bolton Brown (American, Dresden, New York 1864/65-1936 Woodstock, New York). Dimensions: Sheet: 12 1/16 × 15 1/4 in. (30.6 × 38.7 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.

Watercolor by Edouard Manet depicting a flower arrangement with swords, gold accents, and geraniums, executed in 1880.

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 275 mm × w 171 mm. Museum: Rijksmuseum, Amsterdam.

Tin Foil Still Life and Frame. Dated: c. 1941. Dimensions: overall: 51.2 x 40.9 cm (20 3/16 x 16 1/8 in.) Original IAD Object: 13" high; 15" wide. Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Koehl.

Narcis (Narcissus). Jonquille. / Narcissus Junci folius. / Jonquille. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 231 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Quince tree, Pyrus oblonga, showing fruit, blossom, leaves, branch and section of fruit. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Madame Panckoucke from Chaumeton, Poiret et Chamberet's "La Flore Medicale," Paris, Panckoucke, 1830. Anne-Ernestine Panckoucke (1784-1860) was a talented student of Pierre-Joseph Redoute and wife of the publisher Panckoucke.

Still Life. Dated: 1941. Dimensions: overall: 55.4 x 46 cm (21 13/16 x 18 1/8 in.) Original IAD Object: 14" high; 17" wide. Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Bessie Vandre.

Boterbloem (Ranunculus). Soorte van boter bloeme / Ranunculi palustris Species. / Bacinet genoille. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 255 mm × w 171 mm. Museum: Rijksmuseum, Amsterdam.

Paris, Leviez, Charles, Pillement, Jean Baptiste, Hess, Johann Heinrich, Recueil De Nouvelles Fleurs De Goût; Pour la Manufacture des Etoffes de Perse, Branches with berries, verso - stamped, Branches with berries and at the top three rosettes of leaves., print, ornamental print, prints, ornamental prints, height 248 mm, width 168 mm, 1746, print maker, printmaker, 1755 - 1775, first quarter 16th century, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26, after a design by, 1708 - 1778, seller

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 269 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Hyacint (Hyacinthus orientalis). Oost-hijacint. / Hyacinthus orientalis. / hyacinthe orientale (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 301 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

January, from Twelve Months of Flowers. Henry Fletcher (English, 1710-1750); after Peter Casteels III (Flemish, 1684-1749). Date: 1730-1750. Dimensions: 405 × 305 mm (image); 600 × 465 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Gilbert Sackerman, Wallpaper, c 1939 Wallpaper

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