Floral Friezes

Decorative friezes featuring floral motifs, intricate designs, and various color palettes including reds, greens, and golds. Evokes a vintage, ornate style.

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, large-scale floral medallion alternating with smaller medallion. Band of twistted ribbon runs along bottom edge. Printed in deep red, white and metallic gold tan background that shades to green in middle and brown near the bottom., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Wallpaper Frieze Paper Robert Graves Co.. Wallpaper Frieze Paper, first half of 20th century. Printed paper, Width: 19 1/2". Decorative Arts first half of 20th century

Drawing, View of Coffered Nave Ceiling in Santa Maria in Trastavere; France & Italy; pen and ink, brush and watercolor on paper

Sidewall, Cresswell & Washburn Ltd, Philadelphia, Pennsylvania, 1880 - 1900, Machine-printed paper, On dark gray ground, white scrollwork with gold beaded frame., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Sidewall

Attributed to Mauro Antonio Tesi, Design for a Ceiling Design for a Ceiling

Krefeld, Sollbrüggen House (music school), manor house by Adolph von Vagedes 1830, hall on the upper floor with paintings by Benjamin and Jakob Orth, detail of ceiling painting

Chef De Piece (France); Company: Gorgerat Frères et Cie.; cotton; Warp: 220 cm (86 1/2 in.). Weft: 59 cm (23 1/4 in.) Piece is seamed up the center (correctly according to pattern). No selvedges present. Pattern: Height of repeat and plate: 101 cm (39 3/4 in.)

Design featuring central arch and figures of cherubs forging a heart.. Bérain, Jean, 1640-1711. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Frieze, William H. Mairs and Company, Brooklyn, New York, Machine-printed paper, liquid mica, Large foliate medallion enclosing bouquet connected by same foliage arches. Connecting floral swags. Foliage wrapped rod along bottom. Alternating green and tan strips that fade mid-paper in background. Printed in green, tan, white and metalic gold., Brooklyn, New York, USA, 1905-1915, Wallcoverings, Frieze

Capucine, 1896, by Anna Martin. Published in Paris by Lévy, E. The work features decoration and ornament inspired by plant forms

Sidewall, François Boucher, French, 1703 - 1770, Block-printed paper, Vertical rectangle. Bright yellow scrollwork frame entwined by floral festoons, enclosing grisaille scenes after Boucher; one derived from his picture 'L'Arrive du Courier.' Printed in colors on putty-colored ground., France, 1840s, Wallcoverings, Sidewall

Murals in the casino of the Palazzo del Te, Mantua, Italy, painted in the 16th century. Handcoloured lithograph by Konter from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt." (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Sidewall, Block printed on handmade paper, Arabesque design. Central motif of large bouqet of flowers in urn. Below and in front of this sits a ewer on a lambrequin. Rope swags and tassles suspended from rod which supports lambrequin. Rose swag around lambrequin. Above the bouquet sits a cameo, with an urn on a balustrade against a pink background. The cameo is surrounded by a beaded framework. Printed in polychrome on a light blue-green ground., France, ca. 1790, Wallcoverings, Sidewall

Panel (Furnishing Fabric) Made 1885-1890 Scotland. Silk, cotton, and gilt-metal-strip-wrapped cotton, satin weave with twill interlacings of secondary binding warps and patterning wefts . Alexander Morton and Company (Producer)

Sidewall, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, a) A sidewall of moire design, printed in shades of blue; b) a frieze paper, intended to be cut into two portions, with design of floral festoons and ribbons, printed in blues, grays and white on glazed blue ground., France, 1880-90, Wallcoverings, Sidewall

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Tall bouquet of red flowers alternating with shorter bouquet. Printed on a tan ground that gets progressively darker towards the bottom. Band of red floral and foliage swag across bottom edge. Printed in red, green and tan on tan ground., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Moreau-Néret, Adrien (n.1860-11-13-D.1944), decor project for the Lobau gallery of the Town Hall: L'Ombre (main title). Black ink, watercolor, gouache and gold on bistre paper stuck on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Assyrian and Persian Ornament

Metallic Double Cobweb Valentine. Artist: Anonymous, British, 19th century. Dimensions: Sheet: 9 1/16 × 7 5/16 in. (23 × 18.5 cm). Date: 1845.A rare DOUBLE COBWEB is applied to the center of this ADDENBROOKE paper. The paper has an open-work cameo-embossed design, invented by Addenbrooke in 1834. The cobweb device applied to the center is actually two separate ones, one machine cut from golden paper, and another, machine cut of silver paper. The silver one is applied on top of the gold one, so that when the tasseled thread attached to the top, center, is gently pulled, two images appear, one beneath the other. The top image is a hand-colored lithograph of a woman with butterfly wings -- a fairy -- holding a bouquet. The second image shows a man standing behind a seated woman -- he appears to be looking at a locket in his right hand.Surrounding the cobweb device - 6.5 cm in diameter -- is, below, painted red swags of fabric, and above, a delicate painted floral garland suspended by a

Drawing, Section of a wall; Frederick Marschall; USA; brush and watercolor on heavy paper; 31.9 x 16.8 cm (12 9/16 x 6 5/8 in.)

An Outdoor Balustrade Overhung with an Awning in Moorish Style 1830-97 Jules-Edmond-Charles Lachaise French. An Outdoor Balustrade Overhung with an Awning in Moorish Style. Jules-Edmond-Charles Lachaise (French, died 1897). 1830-97. graphite and watercolor on wove paper; mounted on laid paper. Drawings

Three long, narrow panels, with pointed arched tops. Date: ca. 1895. Brush and watercolor, white gouache, graphite on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study of decorative letter 'E' with Habsburg-Lorraine and Wittelsbach coat of arms by Carl von Hasenauer on transparent paper using pencil.

Frieze, Machine-printed paper, Scrolling medallions, alternating between larger and smaller. Printed in burgundy and metallic gold on background that shades from tan to red., USA, 1905-1915, Wallcoverings, Frieze

Where Thou Art is Home to Me (valentine) 1845-1855 England. Lithograph in gold ink, collaged elements, and watercolor on embossed off-white wove paper .

Design for a wall panel. The composition shows episodes from the lives of Theseus, interspersed amidst a finely drawn, elaborate display of garlands, urns, nymphs, leafy arbors, pavilions and arabesques. From the bottom up the scenes represent: Theseus discovering the sword and sandals of his father, Theseus slaying the Minotaur, Theseus abducting Antiope, and Theseus being rescued by Hercules. Date: ca. 1800. Pen and black ink, brush and watercolor on paper, lined with white heavy paper and framed by blue color paper border colored light brown and black. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with arched top, framed with light green-blue circles; containing rows of rounded rectangles, vines with green., USA, late 19th century, architecture, interiors, Drawing, Drawing

Arabesques : faïences murales du palais d'Ismayl-Bey (XVIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Arabesques, Faience tiles, Tiles, Islamic

Apotheosis of Saint Francis, Peltro William Tomkins, British, 1760 - 1840, Lodovico Carracci, Italian, 1555 - 1619, Stipple engraving on brown paper with white highlights, Saint Francis being lifted to Heaven by four angels, his palms outstretched, his attention turned on high. Above his head, putti, two of whom hold a crown for Saint Francis, mingle with clouds., England, 1806, Print, Print

Design for Anton Stuwers fireworks, Unknown

Design for the painted decoration of a ceiling with the monogram: AS 1830-97 Jules-Edmond-Charles Lachaise French. Design for the painted decoration of a ceiling with the monogram: AS 384871

Untitled Valentine (Woman Holding Letter) 1845-1855 England. Gold and silver paint and collaged elements on cut and enbossed paper (lace) .

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, gold paint on paper; Mount: 20 x 13 x 0.2 cm (7 7/8 x 5 1/8 x 1/16 in.) Sheet: 18.7 x 11.7 cm (7 3/8 x 4 5/8 in.); 1943-33-1-18

Boetticher Carl (1806-1889), various decorations, fabrics, wallpaper (without date): Detail. Pencil watercolored on paper, 27.5 x 21.8 cm (including scan edges) Boetticher Carl (1806-1889): Verschiedene Dekorationen, Stoffe, Tapeten

Valencia, Spain, Europe Baroque door detail of a gilded patterns.

Sidewall - Sample (USA); machine-printed; 67 x 47.5 cm (26 3/8 x 18 11/16 in.)

Persian ornament

Paris Exposition of 1855, Block-printed paper, Wallpaper commemorating the Paris Exposition of 1855. Two repeats of main building and a smaller building, alternating. Flanking them, the Marly Horse sculptures at the entrance to the Champs Elyseés, and two city statues on pedestals on the Place de la Concorde. Printed in beige and brown on drab ground., France, 1855, Wallcoverings, Sidewall, Sidewall

King Louis XVI-style wall hanging, circa 1900. Gilt wood pelmet, gourgouran lambrequin and curtains, plush drapes, chair and window. Planche 18. Croisee Loius XVi. Galerie bois dore, lambrequin gourgouran, rideaux meme tissu, draperies peluche, rideaux de dessous lampas. Tenture murale armure. Chromolithograph by Delamotte after an illustration by Ernest Foussier from his Nouveaux Modèles de Tentures, Decorations de Fenêtres, New Models of Wall Hangings, Window Decorations, E. Thezard Fils, Librairie Speciale dArchitecture, Dourdan, France, 1900. Foussier (1859-1917) was a French architect and interior decorator who worked in Paris.

Napkin with the conquest of Neuhäusel, Gran, Buda and Pest by Leopold I, Keizer van Germany, Anonymous, in or after 1686 Linnamast napkin with the conquest of Neuhäusel, Gran, Buda and Pest by Leopold I; With the coat of arms of the Holy Roman Empire with Hartschild Oosterijk. Flanders (Possible) linen (material) damask Budapest Linnamast napkin with the conquest of Neuhäusel, Gran, Buda and Pest by Leopold I; With the coat of arms of the Holy Roman Empire with Hartschild Oosterijk. Flanders (Possible) linen (material) damask Budapest

Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 - 1923, Ashbel Holmes Barney, American, 1816 - 1886, Tiffany & Company, American, established 1853, Pastel crayon, brush and wash on wove paper, Narrow flanking panel for central composition. Pearl rocaille escutcheon swings from branch of under water plant, with fish swimming about. Large scallop shell at bottom., New York, New York, USA, 1882, architecture, Drawing, Drawing

Tegeltion of 20 tiles. Tile tile of 20 tiles (4 x 5) with a purple painted river face with figures in the foreground within a frame of leaf reflections with a rosette in the corners.

Krefeld, Sollbrüggen House (music school), manor house by Adolph von Vagedes 1830, hall on the upper floor with paintings by Benjamin and Jakob Orth, detail of ceiling painting

Historic illustration, French ornaments, room decoration

Drawing, Ornamental Panel; Architect: Flaminio Innocenzi Minozzi (Italian, 1735 - 1817); pen and brown ink, brush and gray wash on three sheets of paper joined vertically, lined with cardboard; 19.2 x 68.8 cm (7 9/16 x 27 1/16 in.)

Frieze, Block printed on handmade paper, Border at top. A major horizontal rectangle has as its chief motif a vase of roses and other flowers on a high stand. At right and left of this are addorsed fowls. Secondary motif, a vertical rectangle, has lamp on high stand intertwined with foliage and floral arabesque. Printed on brown-red ground., France, 1785-95, Wallcoverings, Frieze

Border, Block printed and flocked on continuous paper, Top and bottom borders with design imitating passementerie or drapery. Borders are printed on a striped sidewall paper. Printed in green flock and overprinted with brighter green, the top border is formed by intertwined lace or ribbon, forming sharp angles, with pendent tassels. Above this is a wider band of gimp or fancy ribbon. The bottom border is composed of the same lace or ribbon forming sharp diamond shapes. Within the diamond framework is a rosette. Between the diamond shapes is a patera within a rectangular framework. The sidewall is bands of stripes, alternating wide and narrow., England or France, 1860-1890, Wallcoverings, Border

Napkin with conquest of Mons and the Battle of Malplaquet in 1708 ,, c. 1709 - c. 1750 Linnamast napkin with the conquest of Bergen (Mons). The field has the following images from bottom to top: the inscription Malplacqve, fighting riders, men at cannons, a fortified city, the inscription Mons, a rider with a half a weapon and above it a crowned weapon. The edges also have weapon trophies and the horizontal edges a cartouche within which the inscription La Bataille etryle de la Ville de Mons Par Les Alies. Flanders linen (material) damask Linnamast napkin with the conquest of Bergen (Mons). The field has the following images from bottom to top: the inscription Malplacqve, fighting riders, men at cannons, a fortified city, the inscription Mons, a rider with a half a weapon and above it a crowned weapon. The edges also have weapon trophies and the horizontal edges a cartouche within which the inscription La Bataille etryle de la Ville de Mons Par Les Alies. Flanders linen (material) dama

Stage design: portal hanger for stage design model

Frieze, Standard Wall-Paper Company, Standard Wall-Paper Company, Sandy Hill, New York, Machine-printed paper, A repeating design of art nouveau vase-shaped cartouches interspersed by similar, but smaller gold fleur-de-lis cartouches centering abstracted 'stone walls' upon a beige grid-filled background within borders of olive green and gold. Printed in beige, tan, olive green, gray, white, gold and cream., Sandy Hill, New York, USA, 1905-1915, Wallcoverings, Frieze

Design for a Ewer, Brush and watercolor, white, gold gouache, graphite on cream paper, Footed ewer with cut off curved handled decorated with pink peonies (flowers), green leaves under gold latticework., Japan, 1880-1910, tableware designs, Drawing, Drawing

Sidewall (USA); Made by Thomas Strahan & Co., Manufactory (United States); machine-printed; 98 x 56 cm (38 9/16 x 22 1/16 in.)

Dado, Block printed on handmade paper, A purple urn containing bouquet of black foliage, flanked by griffons, printed in grisaille, seated on foliage scroll. Outside these, pilaster with interlacing foliage design or guilloche in a purple inset panel, and acanthus leaves about capital. Printed on a terra cotta ground. Horizontal rectangle in neoclassic style., France, 1800-1820, Wallcoverings, Dado

Amsterdam, Covens & Mortier, Antwerp, Maes, Joseph, Flèche et Tour, XVe Siècle, Reproduction of a print of a design for the Sint-Lievensmonstertoren in Zierikzee, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, FLÈCHE et TOUR, recto - printed, LITT. F. - PL. 12, JJvY, height 369 mm, width 232 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, after print by, Dutch

Border of a Valance Made 1701-1800 Spain. Embroidered silk floss on cream-white, silk damask with heavy scroll work of solid gold; embroidered in diaper stitch .

Sheet with two borders with Italian landscapes late 18th-mid-19th century Anonymous. Sheet with two borders with Italian landscapes. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Six Painted Panels. Unknown

Panel or frieze 18th century French. Panel or frieze. French. 18th century. Limewood. Woodwork

ENCUADERNACION. Location: PRIVATE COLLECTION. MADRID. SPANIEN.

Ceiling design for Salon d'Entrée, Hôtel de Monsieur de Juigne, Paris, 1867 1867 Jules-Edmond-Charles Lachaise French. Ceiling design for Salon d'Entrée, Hôtel de Monsieur de Juigne, Paris, 1867. Jules-Edmond-Charles Lachaise (French, died 1897). 1867. Pen and brown ink, watercolor, and gouache. Drawings

Italian No 1 bis Plate LXXXVI bis From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

Table with coats of arms and monograms of Tekla from Radziwi and Michał Serwacyj Wądowiecki; Carpentry in Bia EJ (1722-1760), Her, Johann Christian (fl. Ante 1740-1779); 1741-1744 (1741-00-00-1744-00-00);Korybut (coat of arms), Radziwiłł (family), Sapieha, Tekla Róża (1703-1747), Trumpets (coat of arms), Wiśniowiec (Ukraine), Wiśniowiec (Family), Wiśniowiecki, Michał Serwacy (1680-1744), Dar (provenance), coats of arms, monograms, palmets, ribbon ornament

Valentine 1850-1870 Anonymous. Valentine. Anonymous. 1850-1870. Cameo-embossed, gilded open-work lace paper, colored paper, die-cut scraps

Frieze (USA); Manufactured by Robert S. Hobbs & Co.; machine-printed paper; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Commemorative plaque

Print, Vorsatz Papier Sternblume (Star Flower Book End Paper), plate 2, in Die Quelle: Flächen Schmuck (The Source: Ornament for Flat Surfaces); Designed by Koloman Moser (Austrian, 1868-1918); Austria; color lithograph on paper; 25 x 29.6 cm (9 13/16 x 11 5/8 in.)

Window with curtain, quéton, after Eugène MAINCEN, c. 1885 - c. 1895 print Cross window with draped curtains. Print from 311st Livraison. paper hangings and drapery. window

Window with coat of arms with a monogram and a tree, anonymous, c. 1600 - c. 1800 (Tumbler) Window with a small stained glass window with a weapon in the middle. A monogram and a tree in the coat of arms. NOTE: A name is scratched in the stained glass (Jan) + a year; 10 FEVR 1726. glass. lead (metal). (Tumbler) Window with a small stained glass window with a weapon in the middle. A monogram and a tree in the coat of arms. NOTE: A name is scratched in the stained glass (Jan) + a year; 10 FEVR 1726. glass. lead (metal).

Sofa. Culture: French. Designer: Tapestry designed 1684-86 by Jean Lemoine de Lorrain (1638-1713); and Claude Guy Hallé (French, Paris 1652-1736 Paris); and Bon Boullogne (French, Paris 1649-1717 Paris). Dimensions: a) 48-1/2 x 77 x 26-1/4 in. (123.2 x 195.6 x 66.7 cm); b) 1 ft. 9 3/4 in. x 5 ft. 11 1/2 in. (55.2 x 181.6 cm); c) 2 ft. x 6 ft. 5 in. (61 x 195.6 cm); d, e) Each 3 x 15 in. (7.6 x 38.1 cm). Factory: at Manufacture Nationale des Gobelins (French, established 1662). Factory director: Woven between 1687-91 in haute-lisse atelier of Jean Jans the Younger (French, 1644-1723). Date: tapestry covers 1687-91, with modern frame. Museum: Metropolitan Museum of Art, New York, USA.

Reward of Merit , Schools. Messenger Collection

Detail of Carved Pillar from East Door, Baptistery, Pisa, 1882 John Ruskin, Watercolour, Italy, Architecture, Pre-Raphaelite, Design

Border, Block-printed on handmade paper, Printed two across, large-scale feather-like leaf, surrounded by yellow flowers, with architectural acanthus band at bottom edge. Printed on deep blue ground., France, 1815-40, Wallcoverings, Border

Window shade, Machine-printed paper, Large rectangular framework, with Renaissance Revival detailing. Stylized floral motifs across bottom, up lower sides, and across the top. White floral pendants within frame at top. Printed on blue paper., USA, 1875-1900, Wallcoverings, Window shade

ESPEJO CON APLIQUES EN BRONCE DORADO-ESTILO GEORGIANO-JORGE III- 1760/1820. Location: OSTERLEY PARK. LONDON. ENGLAND.

Dado, Block-printed on handmade paper, Inset panels with beveled corners. Alternating one long panel with one square panel. Printed in grisaille., H# 618, France, 1835-75, Wallcoverings, Dado

Bliżej Kultury Thomas de La Rue & Co Ld London, unknown

Photo album with cityscapes from Rotterdam; Album. Collective tape with geometric and leaf motifs in gold and black on the frontplat. The rear platform is also decorated with these types of motifs, here in relief. A blind stamp of the 'Photographic Gesellschaft Berlin Dönhoffplatz' appears in the middle. The three fabric flaps have a leaf motif in black, brown and rust-brown. The band contains ten prints of Rotterdam cityscapes with ports, gates, images and a railway bridge.

Stag and Flower Pattern Frame 1897-1899 England. Etching and soft ground in black, brown and yellow metallic on ivory laid paper . Theodore Roussel

Grand platter for the table. With the coats of arms of Louis de Rouvroy and his wife Marie Gabrielle de Durfort. Grand plateau de table. Aux armes du Duc de Saint-Simon et de sa femme. Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870.

Paris (7th arr.), France The exhibition of decorative arts, national manufacture of Sèvres, panel at the entrance to the pavilion , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Manufacture Nationale de Sèvres , panneau à l' entrée du pavillon). Vase, decorative arts, architectural inscription, ceramics, mosaic, exhibition, exhibition of decorative arts, ephemeral architecture, Art , Inscription , information , Habitat , Architecture, France, Paris, Exhibition of decorative arts, Manufre nle de Sèvres. A panel at the entrance to the pavilion

Couple. Pa AC Tuileries - a fragment of the grandmother; years of six years of 19th century (1860-00-00-1880-00-00);France, Mrozowski, Józef (1864-1924) - collection, Paris (France), Tuileries (Paris), architecture, gift (provenance), palaces, interiors, photosensitive (Warsaw - exhibition - 2009)

Print, Plate 1, from a set of four frieze designs; Theodor de Bry (French, active Netherlands and Germany, 1528 - 1598); Belgium; engraving on white laid paper; Platemark: 4.4 x 18 cm (1 3/4 x 7 1/16 in.) Sheet: 4.7 x 18.3 cm (1 7/8 x 7 3/16 in.)

Table XXV (coronets) for the Norbert Eugeniusz Malinowskis publication “Heraldry, i.e. the study of coats of arms containing a lecture on the theory of world heraldry collected from the best sources [!, the theory of Polish heraldry, the theory of genea5. Weinhold J., Kochański i Marszycki (Warszawa ; zakład litograficzny ; fl. 183.), lithography atelier

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