Floral Prints and Designs

A collection of intricate flower designs, including etchings and drawings featuring various floral arrangements in monochrome and colored styles.

right bottom numbered F 4., Two branches with a peony, draughtsman: J. Porteret, (mentioned on object), France, (possibly), 1700 - 1800, paper, pen, brush, h 299 mm × w 204 mm

Afrikaantje (Tagetes), Anselmus Boëtius de Boodt, 1596 - 1610 drawing Dark orange Afrikantjes. Numbered at the top right: 64. At the top left the Latin name. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk. ink brush / pen flowers: marigold

Hybrid variegated pink and scarlet spider chrysanthemum, Chrysanthemum indicum. Handcoloured woodblock print after Keika Hasegawa from Keika Hyakugiku, Keika's 100 Chrysanthemums, published by Naosaburo Yamada, Kyoto, Japan, 1893. Keika Hasegawa drew flowers and patterns for kimono in Kyoto in the final years of the 19th century.

Bouquet, from Collection of New Flowers of Taste for the Manufacture of Persian Cloth, Invented and Drawn by Jean Pillement. Johann Heinrich Hess (Germany, born 1746); after Jean-Baptiste Pillement (French, 1728-1808); published by Charles Leviez (French, 1708-1778). Date: 1765-1770. Dimensions: 250 × 172 mm (plate); 351 × 263 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Tulp (fire), anonymous, 1796 - 1814 drawing Red-white tulip. Numbered at the top right: 21. At the top left marked with a red star. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. Southern Netherlands paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Fragment, Medium: cotton ground, beetle elytra, gold foil strips, gilt sequins, gold metal-wrapped silk thread Technique: plain weave embroidered with cut beetle wings and sequins, Off-white cotton sheer ground with embroidered design of a stylized floral spray with two large blossoms and numerous small ones curving to the left. The vines are executed in gold foil strips, the small flowers in gilt sequins, and the leaves in beetle elytra., India, mid- 19th century, embroidery & stitching, Fragment

Flycatcher. Draughtsman: Willem Wenckebach. Dating: in or before 1893. Measurements: h 234 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Design for Six Brooches; Designed by Girolamo Venturi; Italy; black crayon, pen and dark ink, brush and watercolor, gold on paper; 19.4 x 26.8 cm (7 5/8 x 10 9/16 in.)

Tulip Grand Roy de France, draughtsman: Jan Laurensz. van der Vinne, draughtsman: Jan Vincentsz. van der Vinne, (rejected attribution), 1728, paper, brush, h 413 mm × w 270 mm

Design for Embroidered Waistcoat, pattern 1594 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and gouache on laid paper, The lateral side is higher than the strip with the buttonholes, two of which are shown, disposed in a strip. Lilac edges. A row of seeds upon those of the waistcoat. A flower vase, shaped in the outlines of the neck of a vase with three rings at the bottom, is shown in the corner. Leaf boughs are wound around it, passing through the rings. Verso, in graphite: outlines of a pocket; slight sketch of the decoration beneath it., France, ca. 1785, embroidery & stitching, Drawing, Drawing

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

CODEX TRUJILLO, PERU - BOOK III - ESTAMPA VIII - CARAÑA - AQUARELA - 18TH CENTURY. Author: MARTINEZ COMPAÑON BALTASAR. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1785/90. Galliera, fashion museum of the city of Paris. 79100-10 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

Chenille Embroidery. Dated: c. 1937. Dimensions: overall: 34.6 x 42.4 cm (13 5/8 x 16 11/16 in.) Original IAD Object: 14 1/2" long; 11" high. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: O. A. Kirby.

Sketches of Snails, Flowering Plant. Édouard Manet; French, 1832-1883. Date: 1864-1868. Dimensions: 198 × 126 mm. Watercolor over graphite pencil on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sidewall (France); hand-painted on handmade paper; 112 x 44.5 cm (44 1/8 x 17 1/2 in.)

Lillian Causey, Quilt, applique Quilt, applique

Tree. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 19-1/4 x 13-3/4 in. (48.9 x 34.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Couple Beneath Tree, Third Figure Lurking, Martin Engelbrecht, German, 1684-1756, France, 1684-1756, Print, Print

Anonymous. Collection of ornamental patterns - Industrial drawing by Javet. "Untitled". Draw on albumin paper laminated on cardboard. 1880-1920. Museum of Fine Arts of the City of Paris, Petit Palais. 72896-56 Cardboard, industrial drawing, flower, ornamental motif, ornament, albumin paper, collection, draw

Damask rose, Rosa celsiana, and dog rose with shiny leaves, Rosa canina. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malo's "Histoire des Roses," Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great French flower painters of the 19th century.

American 20th Century, Plate 2 From Portfolio Folk Art of Rural Pennsylvania, c 1939 Plate 2: From Portfolio Folk Art of Rural Pennsylvania

The leafy vines fan out from the lower right corner. Black ornament from series of 6 sheets of ornaments for craftsmen in precious metal and enamel, Leaf vines with flowers and birds, Esaias van Hulsen, (mentioned on object), print maker: anonymous, publisher: anonymous, Stuttgart, 1616, paper, etching, h 149 mm × w 200 mm

Five Prints of Flowers in Glass Vases, anonymous, after Jean Baptiste Monnoyer, 1688 - 1698 print Netherlands paper etching / engraving flowers in a vase

November, from Twelve Months of Flowers 1730-1750 England. Hand-colored etching on paper . Henry Fletcher (Engraver)

Carissa edulis (Forssk) Vahl.: finished drawing, Luigi Balugani, 1737-1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 x 12 5/16in. (40.5 x 31.3cm) and Binding: 16 inches (40.6 cm)

Part of a cover containing a series of forty-one lithographs of flowers and fruit., Roses, carnations and fuchsia Flower and Fruit Studien (...) 10th issue (series title), print maker: Anton Weiss, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), publisher: Desguerrois & Co., Amsterdam, 1836, paper, h 428 mm - w 295 mm

Frieze (USA); Manufactured by Becker, Smith & Page, Inc.; machine-printed paper; 172.5 x 49.5 cm (67 15/16 x 19 1/2 in.)

Deraisme, Pierre -Georges (n.1859 - D.1932), Many vintage (main title), 1900. Graphite. Ink and gouache on white vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Print, Ornamental Design with Triangular Purple and Red leaves, from Nouvelle suite de cahiers de flerurs naturelle a l'usage des dessinateurs et des peintres, No.1; Designed by Jean-Baptiste Pillement (French, 1728-1808); Etched by Anne Allen (English, active France, ca. 1750-1810); France; etching with colored inks à la poupé on cream laid paper tipped in cream paper; Sheet: 25.1 x 19.7 cm (9 7/8 x 7 3/4 in.) Platemark: 20 x 14 cm (7 7/8 x 5 1/2 in.)

Henry Meyers, Drapery or Curtain, 1935 1942 Drapery or Curtain

Oval Blackwork Print with Birds, Insects and Fruits. Artist: After Hertzog von Brin (German (active in Vienna, late 16th-early 17th century)). Dimensions: Plate: 2 x 1 9/16 in. (5.1 x 4 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1620.The Dutch print publisher Claes Jansz. Visscher collected various samples of blackwork prints from all over Europe and published them together as one series. This particular print is a copy in reverse after Hertzog von Brin, an artist who worked at the Viennese court. He is mainly known through his ornament prints which all relate to the goldsmiths trade. The print shows an oval design decorated with small motifs, predominantly recognizable as birds, insects and fruits. The design was most likely meant as a model for the outer decoration of a pendant or watch case. Museum: Metropolitan Museum of Art, New York, USA.

Isabella Ruth Doerfler, Embroidery, c 1940 Embroidery

Design for inlaid decoration, 1818-30. Ink on laid paper. Designer: George Bullock .

Accept this Trifle (valentine) 1801-1900 England. Collaged elements with pen and black ink on embossed cream wove paper .

Frieze (USA); Made by Frederick Beck & Co.; machine-printed paper, mica flakes; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Forget-me-not (Myosotis). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 218 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Design for Jeweled Hair C, Graphite, red watercolor, pen and black ink, gold paint Support: cream paper, Italy, Italy, 1800-1850, jewelry, Drawing, Drawing

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Textile fragment, Anonymous, 1748 - 1751 Textile fragment, embroidery and pressure from flowers and fruits on purple damask background. Japan silk Textile fragment, embroidery and pressure from flowers and fruits on purple damask background. Japan silk

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, A rose garland is shown over scallops., France, 1805-1815, Drawing, Drawing

Bosanemoon (Anemone nemorosa). Bosch roononckel. / ranunculus nemorum. / ranoncule des Bois (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 240 mm × w 169 mm. Museum: Rijksmuseum, Amsterdam.

Design for Embroidered Waistcoat, Pradei(r), Graphite, brush and gouache on laid paper, The left front corner and pocket are shown. View of flowers and trees across log railings. A flower garland hangs from the top outline toward a tree at the pocket. A Chinese fisherman in a landscape and a bird upon a railing are shown over the bottom edge., France, ca. 1785, embroidery & stitching, Drawing, Drawing

Dagobert Peche's 1920-1921 woodcut 'Tree Trunk' on Japanese paper depicts a detailed tree trunk, highlighting texture, line work, and natural form.

Design for Embroidered Waistcoat, Mademoiselle Favel, Brush and gouache on laid paper, Lilac bottom edges of the pocket and of the waistcoat. A row of beads is shown parallel to the last named. View of a meadow with flowers and trees, of which two are shown., France, ca. 1785, embroidery & stitching, Drawing, Drawing

Natuurhistorische ensemble (nr. 12). 12. Blad van Mengelmoes / Miscelaniorum tabula 12. / 12. feuille de melange (title on object). Artist: Jacob Hoefnagel. Draughtsman: Anselmus Boëtius de Boodt (possibly). Draughtsman: Elias Verhulst (attributed to). Dating: 1596 - 1610. Place: Delft. Measurements: h 192 mm × w 268 mm. Museum: Rijksmuseum, Amsterdam.

Chrysanthemums. Katsushika Hokusai (school of) (飾北斎) (Japan, mid- to late 19th century). 19th century. Drawings. Drawing; ink on paper

Hydrangea and Swallow, from an untitled series of large flowers 1828-1838 Japan. Color woodblock print; oban . Katsushika Hokusai

Sidewall, Ericson & Weiss, Block-printed paper, On gray ground, naturalistic cluster of lavender and white flowers (verbenas) and green foliage., possibly France, 1855-1900, Wallcoverings, Sidewall

John Dana, Jar, c 1937 Jar

Luigi Balugani, 1737-1770, Italian, One of Miscellaneous Sketches in Wrapper, undated. Graphite and pen and black ink on medium, moderately textured, beige laid paper.

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf,' Unfinished, Fabrique de Saint Ruf, Lyon, France, Graphite, pen and ink, brush and gouache on paper, A bunch of flowers, garlands, strings of pearls. Outer framing composed of garlands, and leaves showing inside flower boughs., France, ca. 1785, Drawing, Drawing

Sampler, Dolores Obando, Medium: silk embroidery on cotton foundation Technique: embroidered in satin and stem stitches on plain weave foundation, Sampler is divided into five panels by striped borders. In the largest center panel is a vase of flowers. On each side is a wreath containing the inscription 'Lo izo Dolores Obando en la enseñanza de la Academia de Puebla en el Mes de Mayo del año de 1853.' At the bottom are two floral bands., Puebla, Mexico, 1853, embroidery & stitching, Sampler

Artwork: Prisoners of War Art - Vietnam, "Hanoi Hilton" camp of detention for U.S. prisoners captured in Vietnam - untitled (wild flowers in bloom) Artist: LT David Jay Carey. Country: Unknown

Rode lelie (Lilium); turksche turbant. Roode krul-lelie. / Martagon constantinopolitanum / Martagon rouge (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 297 mm × w 189 mm. Museum: Rijksmuseum, Amsterdam.

Print

Stinking passionflower, Passiflora foetida var. gossypiifolia Cotton leaved passionflower, Passiflora gossypiifolia. Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' "The Botanical Register," London, Ridgway, 1833. Sarah Anne Drake (1803-1857) drew over 1,300 plates for the botanist John Lindley, including many orchids.

Print, Flowers; hand colored engraving, brush and red, green, and yellow watercolor on paper; Plate: 14.2 × 20.2 cm (5 9/16 × 7 15/16 in.) Paper: 18.2 × 25.3 cm (7 3/16 × 9 15/16 in.); 1910-45-1-b

Bouquet, Cornelis Ploos van Amstel, after Jan van Huysum, 1778 print Amsterdam paper etching flowers

Decorative Illustration, from The Illuminated Language of Flowers. probably Edmund Evans (English, 1826-1905); after Kate Greenaway (English, 1846-1901); printed by Edmund Evans. Date: 1884. Dimensions: . Color wood engraving (chromoxylograph) reproduction of a watercolor on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Kate Greenaway.

Hyacint on a glass vase, Willem Roelofs (II), 1884 - 1931 print In the background tiles with armed riders on horseback. paper. flowers. container of glass: bottle, jar, vase. tiles, bricks ~ building material. riding a horse, ass, or mule; rider, horseman

Eight slips off a sketch book, or 16 pages

Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing Red-white tulip and two buttons. Numbered at the top right: 60. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Twee tulpen met aardbeien en slak. Vruch Bleinbergh melemans / Vruch Beleinbergh da costa (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Heggenrank (Bryonia dioica). Wilde wijngaert. / Brionia alba vitis alba / Couleuvrée brijone. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 231 mm × w 179 mm. Museum: Rijksmuseum, Amsterdam.

Study of an oak; verso: sketch of two poor people and a child. Damel, Jan (1780-1840), draughtsman, cartoonist

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 261 mm × w 164 mm. Museum: Rijksmuseum, Amsterdam.

Studium roślin Opuncja. Caneva, Giacomo (1813-1865), photographer

Design for a Woven or Printed Fabric or Wallpaper, Graphite, brush and purple watercolor on paper, One repeat is shown consistsing of undulated rising flower stems which are crossed at the bottoms by a horizontally disposed bough. Right bottom: figures, in pencil. Verso: account and remnants of another line: '3 pieces'; the last line: '3- frames'., France, 1815-1840, Drawing, Drawing

Untitled Valentine (Vase of Flowers with Bird). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 138 × 95 mm (folded sheet). Watercolor and collaged elements on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Textile (England); silk; Warp x Weft: 113.7 x 53.3 cm (44 3/4 x 21 in.) Repeat H: 42.5 cm (16 3/4 in.) repeated by placing vertically mirrored images one over the other

Plates from Aprey, Haute-Marne, France, decorated with botanical illustrations. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

John Constable, 1776-1837, British, Flowers in a Pitcher, undated. Graphite on medium, slightly textured, cream wove paper.

Flowering Plant with Grass. Dated: mid 1760s. Dimensions: overall (approximate): 38 x 32.7 cm (14 15/16 x 12 7/8 in.). Medium: red chalk with wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Hüet, I.

Oh Say Fair One Thou Will be Mine (valentine) 1835-1845 England. Lithograph with hand-coloring on cut and embossed ivory wove paper (lace) . George Meek

Godetia, Julie de Graag, 1919 drawing paper. ink. deck paint. pencil pen / brush flowers

Forget Me Not (valentine). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 137 × 91 mm (folded sheet). Collaged elements, with pen and black ink over lithograph in green ink on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Decor Chinois, Block-printed, canvas mount, Imitates the Chinese type of scenic paper with flowering trees, and birds. Green ground., Rixheim, Alsace, France, 1850-1900, Wallcoverings, Scenic panel, Scenic panel

Rosier des Indes commun, from Les Roses, 1817-1824, Bessin; Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759-1840, 14 x 10 1/4 in. (35.56 x 26.04 cm) (sheet, margins cut), Stipple engraving, color-printed, finished by hand, France, 19th century

Keystone in a ceiling; rosette with four acorns, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Inscribed into a shadowed circle which is inscribed into a square. Crayon outlines at the upper edge., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Deer hair comb. Draughtsman: Antoon Derkinderen. Dating: 1869 - 1925. Measurements: h 430 mm × w 350 mm. Museum: Rijksmuseum, Amsterdam.

Basil Thyme, Poppy Anemone, and Myrtle; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

The World May Wrong Me (valentine). Unknown Artist; English, 19th century. Date: 1840-1850. Dimensions: 233 × 198 mm (folded sheet). Watercolor and pen and brown ink, with collaged elements on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Persian weaving pattern and an Indian or Indonesian palmet and flower ornament, c. 1890 - c. 1922 Leaf 36 Recto from a sketchbook with 49 sheets. paper. pencil. ink. watercolor (paint). pen / brush palmette ~ ornament. weaving. flowers ~ ornament

Liverflower (Anemone hepatica, old name: Hepatica nobilis). Noble Liver Jar. / Hepatica nobilis. / hepatique. Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 287 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Twelve Months of Flowers: January, 1730. Henry Fletcher (British, active 1715-38). Engraving, hand-colored; sheet: 46.8 x 35.6 cm (18 7/16 x 14 in.); platemark: 40.9 x 30.8 cm (16 1/8 x 12 1/8 in.).

Sample (France)

George Romney, 1734-1802, British, Study of Leaves 2, undated. Graphite on medium, slightly textured, cream laid paper.

Flowering Marigold, c. 1765. Style of Hunhar II (Indian, active mid-1700s). Opaque watercolor with gold on paper, narrow border of gold foliate meander (verso); page: 33.1 x 24.9 cm (13 1/16 x 9 13/16 in.). Trade with the Portuguese, which flourished through the 1500s to 1600s, brought many new plants to India from their territories in South America. Examples include potatoes, tomatoes, and marigolds, all of which became staples of Indian daily life. Because of their beautifully vibrant color, marigolds were made into flower garlands and continue to be much used in devotional offerings throughout India.

Boughs from an Apple Tree with Spiders' Webs. Artist: Jules-August Habert-Dys (French, Fresnes 1850-1930). Dimensions: 12 1/8 x 7 1/8 in. (30.8 x 18.1 cm). Date: n.d..Habert-Dys's designs reflect both the nineteenth-century fascination with Japanese art and the prevailing aesthetic of Art Nouveau. This watercolor was probably a design for a book illustration, perhaps a title page. The composition balances the plump fruit with the delicate network of spider webs, as five spiders industriously fill the spaces between the branches with geometric patterns. Museum: Metropolitan Museum of Art, New York, USA.

Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing Red-pink-yellow tulip. Numbered at the top right: 31. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Ornamental Design from 'Nouvelle suite de cahiers arabesques chinois a l'usage des dessinateurs et des peintres', No.1, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, French, 1728-1808, Anne Allen, English, active France, ca. 1750-1810, Etching with colored inks à la poupé on off-white laid paper, Exotic outdoor setting. Upper right, open air thatched structure; lower center, two rustic, indigenous figures., France, after 1775, ornament, Print, Print

Acronychia laevis Forster & G. Forster, by Sydney Parkinson. Gift of the British Museum, 1895.

Krefeld, Sollbrüggen House (music school), manor house by Adolph von Vagedes 1830, hall on the upper floor with paintings by Benjamin and Jakob Orth, detail of ceiling painting

Fruits with a butterfly and a snail, Herman Henstenburgh, 1677 - 1726 drawing parchment (animal material). deck paint. watercolor (paint). gouache (paint) brush insects: butterfly. still life of related objects. fruit

Study sheet with a rose and a ranunculus (). Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 156 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Flowers, insects and spin, anonymous, 1650 - 1666 Flowers, insects and spider. Print from the series of eight prints with views of flowers, fruits, nut mushrooms and insects. paper etching flowers ~ ornament. ornament derived from animal forms. insects. spiders

Vase with flowers, Jan van Huysum (possibly), 1763 - 1825, draughtsman: Jan van Huysum, (possibly), draughtsman: Willem van Leen, (possibly), 1692 - 1749 and/or 1763 - 1825, paper, brush, pen, h 196 mm × w 150 mm

Flower Ranks, Jean Baptiste Echantillon, 1784 - 1785 print Various flower ranks, divided into four compartments. Lyon paper etching embroidery (ornamentation)

Still life of flowers and fruit, print maker: Johannes Arnoldus Boland, (mentioned on object), after: Jan Frans van Dael, (mentioned on object), Amsterdam, c. 1860 - c. 1900, paper, etching, h 178 mm - w 130 mm

Twee tulpen met wesp, vlinder en slak. Houdenaer / Agatta Robina (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

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