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Floral Prints and Designs

A collection of intricate flower designs, including etchings and drawings featuring various floral arrangements in monochrome and colored styles.

right bottom numbered F 4., Two branches with a peony, draughtsman: J. Porteret, (mentioned on object), France, (possibly), 1700 - 1800, paper, pen, brush, h 299 mm × w 204 mm
right bottom numbered F 4., Two branches with a peony, draughtsman: J. Porteret, (mentioned on object), France, (possibly), 1700 - 1800, paper, pen, brush, h 299 mm × w 204 mm
261 assets in this story
6145-29061693
Decorative Panel, 1790s. Pierre Rousseau (French, 1751-1829). Oil on canvas; unframed: 264 x 55 x 3.5 cm (103 15/16 x 21 5/8 x 1 3/8 in.).
4443-19554948
Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A fantastic plant fills the hollow of a pointed crest border over which it rises. Four repeats are shown., France, 1805-1815, Drawing, Drawing
6145-50621435
Chamaesyce macgillivrayi (Boissier) Hassall, by Sydney Parkinson. Gift of the British Museum, 1895.
4443-19519921
Valentine Greeting, Lithograph, brush and oil paint on double-folded embossed paper, In the center, a spray of lilies-of-the-valley. Inscribed, printed in black ink: 'Accept my heart dear youth / In every throp 'tis true, / Beauty, youth and endless Spring / Dwell upon thy rosy wing. / In every pulse it beans / with constant love to you'., United States, ca. 1850, Greeting Card, Greeting Card
6145-45505936
Toy: Hidden love confessions from: Paper toys from the Biedermeier era
6145-52345105
Christmas, New Year, and birthday cards with decorative birds, flowers, and butterflies.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Birds, Decoration and ornament , Plant forms
4409-17517924
Moraea aristata (D. Delaroche) Aschers & Graebn. (Blue-eyed uintjie). Draughtsman: Robert Jacob Gordon. Dating: Oct-1777 - Mar-1786. Measurements: h 660 mm × w 480 mm; h 428 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.
6145-30157187
Say Shall I Conquer (valentine) 1835-1845 England. Collaged elements with watercolor on cut and embossed ivory wove paper (lace) . Joseph Addenbrooke
6145-43510593
Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )
4443-21774825
Peaches. Branch with leaves, flowers and fruits. Numbered upper right: 130. Top right the name in four languages. Part of the second album with drawings of flowers and plants. Ninth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by emperor Rudolf II. With explanatory notes in Dutch, Latin and French, Peaches Persiken. / Mala persica. / Peasant, draughtsman: Anselmus Boëtius de Boodt, draughtsman: Elias Verhulst, draughtsman: Praag, draughtsman: Delft, 1596 - 1610, paper, brush, pen, h 266 mm × w 182 mm
6145-50487338
Sidewall (France); block-printed, paper applique; 60.5 x 46.5 cm (23 13/16 x 18 5/16 in.)
6145-58996594
Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1785/90. Galliera, fashion museum of the city of Paris. 79099-31 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century
4409-17537453
Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 285 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.
6145-43542832
Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )
6145-59038286
Poanabele's Siving (N1851 - D.1918, Salerell there Luch expansion at a sure ur monuace player Ferchanau page on 1916logisturier polychrovgers. Museum Certernaryi, Museum Des Arts The L'Asie The Lavile The Lavy The Paris
4443-19378742
Pomegranate (Punica granatum) and English grass (Armeria maritima), Pomegranate and English grass. FIGs. 2 and 3 on a leaf numbered by hand 2. In: Anselmi Boetii de Boot I.C. Brugensis & Rodolphi II. Imp. Novel. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from De Boodts herbarium from 1640. The twelfth of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II, fruits: apple, anonymous, 1604 - 1632 and/or 1640, paper, ink, watercolor (paint), engraving, h 135 mm × w 205 mm h 160 mm × w 230 mm
4409-17341992
Gratia Dei cranesbill, Geranium batrachioides, and bloody cranesbill, Geranium sanguineum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
4409-17458709
Pa. German Plate. Dated: 1935/1942. Dimensions: overall: 45.3 x 33.9 cm (17 13/16 x 13 3/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Austin L. Davison.
4409-17401960
Felce. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: 21.4 x 17.4 cm (8 7/16 x 6 7/8 in.), irregularly trimmed. Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.
6145-59309323
Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing White-red and red-yellow-pink tulip. Numbered at the top right: 43. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulip
1899-19921551
Lauro und Landschaft bei Munghof, Schnidling, Doß und Fürth, Gartengestaltung, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.
4443-21735185
Straw Hat with Roses, Carnations, and Cornflowers, Angelo Rossi, 1862, draughtsman: A. Rossi, 1862, paper, brush, h 545 mm × w 370 mm
4409-48147869
Images of nasturtium and ivy from manuscripts and their applications in jewelry, enamel glassware, decoration, cloisonne enamel and sculpture. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890.
4409-17442834
Pa. German Bird. Dated: 1935/1942. Dimensions: overall: 35.7 x 22.7 cm (14 1/16 x 8 15/16 in.) Original IAD Object: 9" high; 5" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frances Lichten.
4443-19602394
Ergett el Krome 1789, James Heath, 1757-1834, British, after James Bruce, 1730-1794, British, 1789, Hand colored engraving
4409-17370210
Eastern Grey Wagtail and Rose. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 1/2 x 4 15/32 in. (34.3 x 11.4 cm). Date: early 1830s. Museum: Metropolitan Museum of Art, New York, USA.
1899-11713
Many Happy Returns of the Day Postcard. ca. 1908, Many Happy Returns of the Day Postcard
4409-17554165
A Hawk on a Cliff near a Kiri Tree. Attributed to Torii Kiyomasu I; Japanese, active c. 1704-18 (). Date: 1711-1721. Dimensions: 55.8 x 28.8 cm (22 x 11 1/4 in.). Hand-colored woodblock print; o-oban, tan-e. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.
866-12222
Decorative Panels with Flowers (1 of 3). School of Pillement. Oil on canvas. 104.8 x 61cm.
4443-28745443
The American Partidge, 1731-1743, Mark Catesby, English, 1682/83 - 1749, 12 3/4 x 10 3/8 in. (32.39 x 26.42 cm) (sheet), Hand-colored etching, 18th century
4409-28965380
Rosebud. Watercolor on paper. Date: 1872. Museum: Smithsonian American Art Museum.
4409-17342569
Plaque showing Vitruvian scroll and bird's nest. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
4443-21948439
Sour Orange, Terrestrial Mollusk, and Larkspur; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)
4443-21756529
The drawing is part of an album, Two tulips with butterfly Parangunde Man / Max of the Principle, draughtsman: Jacob Marrel, (mentioned on object), 1637, parchment (animal material), brush, h 265 mm × w 335 mm
4443-28729738
Design for a Plate, Mid- to late 1870s, Albert Dammouse, French, Paris 1848-Sèvres, Hauts-de-Seine 1926, 9 11/16 × 10 in. (24.6 × 25.4 cm), Watercolor on beige paper, France, 19th century, Albert Dammouse was a prolific French decorator of ceramics, primarily active at Sèvres. He made watercolors, such as this design for a plate, so that other skilled craftspeople would have a guide for application of glazes to the wares. This design appears to be part of a series for a lavish floral dinner service.
6145-30160169
The Breast Once Touched by Cupid's Dart (valentine) 1835-1845 England. Collaged elements and pen and blue ink on blue accented and embossed ivory wove paper .
4443-21948338
French Rose and Pistachio; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)
4443-21744196
Gladiolus car nose D. Delaroche, Gladiolus car nose D. Delarochev (Painted lady), draughtsman: Robert Jacob Gordon, Oct-1777 - Mar-1786, paper, pen, brush, h 660 mm × w 480 mm, h 424 mm × w 267 mm
6145-59029098
Deraisme, Pierre -Georges (N.1859 - D.1932), Barte Fleurie (main title), 1910. Graphite, ink on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.
6145-51788075
Casino, Florence, James Giles (Aberdeen, Scotland, 1801 - 1870) 1824
4409-17515069
Twee tulpen met vliegend hert. Arabia Fenis van Arsse / General Arsse (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.
4409-17341645
Roses, Rosa canina, with incense censer and calligraphic poem. Chromolithograph by Louis Prang from Alice Ward Bailey's Flower Fancies, Boston, 1889. Illustrated by Lucy Baily, Eleanor Ecob Morse, Olive Whitney, Ellen Fisher, Fidelia Bridges, C. Ryan and F. Schuyler Mathews.
6145-29838374
Cora Parker, Quilt Grape Pattern, c 1939 Quilt - Grape Pattern
4443-28726204
Peacock and flowers right of a pair of Birds and Flowers, c. 1840, Nagasawa Roshū, Japanese, 1767-1847, 50 1/2 x 22 1/8 in. (128.27 x 56.2 cm) (image)76 x 27 3/4 in. (193.04 x 70.49 cm), Ink and color on silk, Japan, 19th century, Artists of the Maruyama School of painting combined Western realism with the indigenous penchant for decorative design to produce works of great naturalism and pleasing visual effect. Nagasawa Roshū, pupil of the progenitor of the school and adopted son of one of its leading masters, was himself a master of this style. This set of paintings is an impressive example of his work and reveals both Roshū's debt to his teacher, Maruyama Ōkyo (1733-1795), and to his adoptive father, Nagasawa Rosetsu (1754-1799). The refined, precise approach clearly suggests Roshū's fidelity to Ōkyo's fastidious style, while other elements reveal the unorthodox approach of Rosetsu, who was fond of juxtaposing subjects of vastly different scale.
4409-17537711
Leeuwenbek (Antirrhinum). Leeuwe Muyle. / Anthirrinum. / Meuron. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 254 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.
6145-45405724
Crown of roses / Korona Z pink pl. 5. From the series Study of Ames Nature Black and White Version, Paris London La Haye Berlin New York, 1861, print. Lemercier, ed. Goupil & Cie M. Knoedler Dumont, Victor (Fl. 1856 1861), Imprimerie Lemercier (Pary), Goupil & Cie, Knoedler, Michael (1823 1878)
4409-17456495
Applique Quilt. Dated: c. 1936. Dimensions: overall: 35.5 x 27.8 cm (14 x 10 15/16 in.) Original IAD Object: 102" square. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Ruth M. Barnes.
4443-8153
Renaissance ornament
6145-59666972
Soestdijk Palace and a flower with silhouette portraits of Wilhelmina, Queen of the Netherlands, Juliana, Queen of the Netherlands, and Bernhard van Lippe -Biesterfeld, 1940 - 1950 print Soestdijk Palace and a flower with Silhouette portraits of Wilhelmina, Juliana and Bernhard hidden between the leaves. Netherlands paper Soestdijk Palace
6145-59550778
Pineapple, Jan Brandes, 1785 drawing Color drawing of a sloping pineapple. With inscription. Part of Jan Brandes' sketchbook, dl. 1 (1808), p. 45. draughtsman: Indonesia (possibly)Sri Lanka (possibly) paper. pencil. watercolor (paint) brush fruits: pineapple
6145-30307269
Postcard of Wiener Werkstätte No, Flower basket, Leopoldine Kolbe -, Artist, Wiener Werkstätte, Publishing House
6145-29088152
Flowers and Vegetables, 1800s. Anton Carl Rahn (American, born Germany, 1842-1907). Lithograph; sheet: 51.8 x 39.5 cm (20 3/8 x 15 9/16 in.). This lithograph served as an advertisement for the seeds sold at James Vick in Rochester, New York, a leading American nursery center in the latter half of the 19th century. An auxiliary business, the production of fruit and flower prints aided nurserymen and their travelling salesmen. At first the lithographs were hand colored, but in 1871 a local company began to print in color. Lithographs are made by drawing a design onto a stone with a greasy crayon; water adheres to the bare stone while the printing ink sticks to the greasy areas. The process was invented at the end of the 18th century and was often used after about 1820 because it is a speedy and inexpensive medium, producing more impressions compared to other tonal techniques such as mezzotint, aquatint, and stipple.
6145-51382011
Sampler (USA); Embroidered by Millbrough Fasbrook (American); silk; Frame H x W: 33 x 33 cm (13 x 13 in.)
6145-52345122
Christmas cards depicting a fireplace, stockings, children, needlework, and a floral design.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Needlework, Fireplaces, Decoration and ornament , Plant forms
1899-19921533
Aranza distorto und Herrenhaus G. Han, Braun, Gartengestaltung, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.
1848-19276917
Zitrusfrucht, Limon cedrato und Brunnen im Garten des Doktor Schober, Nürnbergische Hesperides, Nürnberger Hesperiden, Hesperidengärten, Nürnberg, Bay...
4409-17588501
Florilège des Amours de Ronsard. Henri Matisse (French, 1869-1954); printed by Mourlot Fères (French, 1852-1994); published by Albert Skira (Swiss, 1904-1973). Date: 1948. Dimensions: 362 × 261 mm (image); 380 × 281 mm (sheet). Lithograph in sanguine on cream wove Japanese vellum. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
1746-29963806
illustration by Henri Caruchet (1873 - 1948), for Byblis, Paris, 1901; written by Pierre Louys (1870-1925). Pierre Louys was a French writer and poet most famous for the inclusion of lesbian and classical themes in his works. In Greek mythology, Byblis or Bublis, was a daughter of Miletus. Her mother was either Tragasia, Cyanee, daughter of the river-god Meander, or Eidothea, daughter of King Eurytus of Caria. She fell in love with Caunus, her twin brother.
4409-151181
Sweet chestnut tree, Castanea sylvestris. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret et Chamberet's "La Flore Medicale," Paris, Panckoucke, 1830. Turpin (1775~1840) was one of the three giants of French botanical art of the era alongside Pierre Joseph Redoute and Pancrace Bessa.
6145-51407344
Bookplate: Scott., 1953, Wellington, by E Mervyn Taylor. Gift of Mrs E Henderson, 1987.
1899-19921535
Aranzi nanini da china und die Doser Brücken, Gartengestaltung, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.