Floral Textile Designs

Intricate floral patterns and motifs for textiles, showcasing vibrant colors and detailed illustrations from the late 18th to 19th century.

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidered border of a man's waistcoat. Two lilac stripes and a sketched crest border are shown at left. A palmette plant with a leaf and a plant with two feathery blossoms alternate in a vertical row, the repeats being separated by a scroll., France, 1785-1795, Drawing, Drawing

Sampler, Medium: silk embroidery on linen foundation Technique: embroidered in stem, knot, and satin stitches on plain weave foundation, Floral sprays and wreaths with initials in them., Germany, 1805, embroidery & stitching, Sampler

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Twee tulpen met insect. Gl. Petter / Otto de man (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Dado, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Dado., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Flowers in a vase, Jean Bernard, 1775 - 1833 drawing paper. pencil. chalk cut flowers; nosegay, bunch of flowers. flowers in a vase

Sidewall (possibly France); Ericson & Weiss; block-printed paper; 63 x 47 cm (24 13/16 x 18 1/2 in.)

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Design for an Embroidery Border, Brush and gouche on glazed tracing paper, A yellow stripe with orange edge rises at left of border composed of blossoms alternating with leaves. Bunches of flowers form a vertical row at right. One and a half repeats are shown. Incised lines., France, 1805-1820, Drawing, Drawing

Mallow. Draughtsman: Willem Wenckebach. Dating: in or before 1893. Measurements: h 250 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

Anemoon (Anemone); roode wind Bloemen. verdobbelende. / anemone flore multiplicato Coccineo. / anemones rouges à fleurs redoublées. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 263 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing Red-white and a white tulip. Numbered at the top right: 51. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Souvenir de la Malmaison, variety of the Ile-Bourbon rose, raised by Monsieur Beluze of Lyon in 1843. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's "Les Roses," Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. François Frédéric Grobon (1815-1901) ran his own atelier and illustrated "Fleurs" after Redoute with his brother Anthelme as the Grobon freres.

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752-1818, Brush and gouache, graphite on white wove paper, White leaf design on lilac ground., France, 1800-1818, textile designs, Drawing, Drawing

Silk Applique Quilt. Dated: c. 1936. Dimensions: overall: 26.2 x 36.4 cm (10 5/16 x 14 5/16 in.) Original IAD Object: 87" wide; 94" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mildred Prince.

Ricin (or Palma Christi) / Rącznik (or hand of Christ) pl. 8. From the series Study of Ames Nature Colorful Version, Paris London La Haye Berlin New York, 1861, print. Lemercier, ed. Goupil & Cie M. Knoedler Dumont, Victor (Fl. 1856 1861), Imprimerie Lemercier (Pary), Goupil & Cie, Knoedler, Michael (1823 1878)

Pepper Plant with Geometric Border, folio 46 (verso), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver, and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).

Pink asalea. Wyczółkowski, Leon (1852-1936), painter

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 270 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.

Floral mosaic. Limestone and vitreous paste. 1th century. Italy. National Archaeological Museum, Madrid. Spain.

Five Prints of Flowers in Glass Vases. Johannes Teyler from Nijmegen was educated as a philosopher and mathematician, but also worked later as a military engineer. He invented a method for printing impressions in colour, for which he received a patent in 1688. The colours had to be applied to the copper plate by hand for each individual impression. Because this was very labour intensive, his colour printing process found little following.

Zwolle, Moda, Anna Cornelia, Red and white flower, drawing, teken, drawings, tekeningen, hoogte 160 mm, width 151 mm, draughtsman, tekenaar, 1600 - 1699, 17th century, 17e eeuw, paper, papier, watercolor (paint), waterverf, graphite (mineral), graafiet, chalk, kras, brush, Borstel

Drawing, Textile Design: Korngold; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 14.8 × 13.2 cm (5 13/16 × 5 3/16 in.) Mat: 31.6 × 45.1 cm (12 7/16 × 17 3/4 in.)

Chrysanthemums and lotus flowers. Gouache painting by an Indian artist.

Two tulips with butterfly, Jacob Marrel, 1637 drawing The drawing is part of an album. parchment (animal material). deck paint. pencil. watercolor (paint) brush flowers: tulip. insects: butterfly

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Panel of ceramic wall tiles decorated with tulips and flowers in the Esrefzade Mosque at Iznik, Bursa, made in Iznik, Turkey, circa 1610. Mosquee dEchref Pacha Zade a Isnik. Panneau de revetement mural. Isnik (vers 1610). Pochoir (stencil) handcoloured lithograph from Alexandre Raymonds Faience Decorative de la Vieille Turquie, Decorative Pottery from Ancient Turkey, Editions Albert Morance, Paris, 1927.

Mildred Prince, Applique Quilt, c 1936 Applique Quilt

Sidewall - Fragment (possibly France); block-printed paper; 35.5 x 25 cm (14 x 9 13/16 in.)

Drawing by Egon Schiele depicting sunflowers, executed in pencil and watercolor on paper, 1911

The Ornament. Flowers. (Right Side) by Natalija Sergeevna Goncarova, circa 1910, 1881-1962, Russia, Moscow, Tretyakov Gallery

Iris Bulbosa Flore, 1620, François L'Anglois, French, 1589 - 1647, 7 1/4 x 9 1/4 in. (18.42 x 23.5 cm) (plate), Hand-colored engraving, illumined with gold, France, 17th century

Twee tulpen met atalanta en krekel. Bondt Cuy / Schrai Wercker (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Rohscan

Tulp (Tulipa). Tulp. / Tulipa. / Tulipe. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 248 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.

San Juan Capistrano Mission Side Altar from the portfolio "Decorative Art of Spanish California". Dated: 1935/1942. Dimensions: overall: 45.7 x 35.6 cm (18 x 14 in.). Medium: screenprint on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Drawing, Study of Mallow; Designed by Sophia L. Crownfield (American, 1862-1929); USA; brush and watercolor on white paper; 56.2 × 51.2 cm (22 1/8 × 20 3/16 in.) Mat: 71.1 × 55.9 cm (28 × 22 in.)

Fruit Piece, Print made by Jonathan Peter Pichler, 1765-1807, after Jan van Huysum, 1682-1749, Dutch, 1806, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 23 × 16 3/4 inches (58.4 × 42.5 cm), Plate: 21 1/4 × 15 1/8 inches (54 × 38.4 cm), and Image: 20 × 15 1/8 inches (50.8 × 38.4 cm)

Pomegranates John Singer Sargent (American, born Italy, 1856-1925). Pomegranates, 1908. Opaque and translucent watercolor with graphite underdrawing, 21 3/16 x 14 7/16in. (53.8 x 36.7cm). Inspired by the lush vegetation on the island of Majorca, Pomegranates features the fruits in close-up, some bursting open in flashes of red seeds, amid dense green foliage. Sargent omitted all spatial reference points (sky or ground) and extended the tapestry of colors and textures to the edge of the sheet, thus heightening the decorative two-dimensionality of the composition. In certain passages his energetic, gestural brushwork eclipses readable form, suggesting that he was testing the boundaries of modernist abstraction. American Art 1908

Frieze, M.H. Birge & Sons Co., 1834, Machine-printed on paper, A bamboo trellis is covered with climbing rose vines with numerous large red roses and buds. Above the trellis is a clouded sky. Printed in red, green and brown on beige ground., Buffalo, New York, USA, 1900-15, Wallcoverings, Frieze

Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall. Culture: American. Dimensions: 18 3/8 x 14 in. (46.7 x 35.6 cm). Maker: Lenox, Incorporated (established 1889). Date: ca. 1900-1915. Museum: Metropolitan Museum of Art, New York, USA.

Flowers, from The Portinari altarpiece (central panel of Adoration of the Shepherds), c.1473 (detail in foreground)

Plate Design with Bird and Flowers, Amédée de Caranza, active Longwy and Bordeaux, ca. 1867 - 1885, Vieillard & Cie., active Bordeaux, France 1845 - ca. 1895, Brush and gouache, watercolor, graphite on heavy cream wove paper, France, France, 1875-85, ceramics, Drawing, Drawing

Painted Garden of the Villa of Livia, 20-30 BC, with birds and apple trees, Palazzo Massimo alle Terme, National Museum of Rome, Italy

Persian ornament

Untitled Valentine (Wedding Scene) 1835-1845 England. Collaged elements on embossed ivory wove paper .

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of a figure beneath a floweringtree, Black chalk, watercolor, White wove, 50.5 × 35.3 cm (19 7/8 × 13 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Fragment ca. 1837 () British. Fragment 222562

Rabbits under the Moon, Peonies, and Hollyhocks 19th century Formerly attributed to Ogata Krin Japanese. Rabbits under the Moon, Peonies, and Hollyhocks. Formerly attributed to Ogata Krin (Japanese, 1658-1716). Japan. 19th century. Set of three matted paintings; ink and color on paper. Edo period (1615-1868). Paintings

Beauties of the Latest Fashion Compared with the Beauty of Flowers (Tosei Bijin), from Flower Playing Cards (Hana-awase) Gosotei Toyokuni II (Japanese, 1802-1835). Beauties of the Latest Fashion Compared with the Beauty of Flowers (Tosei Bijin), from Flower Playing Cards (Hana-awase), ca. 1830-35. Woodblock print, 15 1/4 x 10 1/2 in. (38.7 x 26.7 cm). Asian Art ca. 1830-35

Virgin and Child with Saint Elizabeth and John the Baptist in a Floral Garland ca. 1650 Daniel Seghers & E. Quellinus (17th C. Flemish) Oil on copper Pushkin Museum of Fine Arts, Moscow, Russia

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Tile of purple tile pilaster with twisted column on which tendril leaves, grapes, spiders, insects and bird, tile pilaster footage fragment ceramic earthenware enamel, pilaster) baked 2x glazed painted Two broad probable twelve high.

Tulips with Poppy, Carnation, Snail, Bug, and Frog Border, folio 3 (recto), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).

Drawing for Plate 7: From Portfolio "Folk Art of Rural Pennsylvania". Dated: c. 1939. Dimensions: overall: 46 x 35.6 cm (18 1/8 x 14 in.). Medium: gouache and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Rose, historical noble rose, rose breeding, illustration from 1799, historical, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Greeting Card, "From thence together we will love..."; England; water colors, embossed border, pen

Drawing, Design for a Silk Brocade, Fragment; France; impressed squaring, brush and gouache on oily tracing paper; 17.9 × 36.6 cm (7 1/16 × 14 7/16 in.)

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal, supporting a basket of vining flowers., Paris, France, 1856-57, Wallcoverings, Decorative panel

LAMINA-MADAME CAMPAN. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Plate. Dated: c. 1936. Dimensions: overall: 25.6 x 36 cm (10 1/16 x 14 3/16 in.) Original IAD Object: 10" Dia.. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Margaret Stottlemeyer.

Page from Shi Zhu Zhai China. Page from Shi Zhu Zhai. China. Polychrome woodblock print; ink and color on paper. Qing dynasty (1644-1911), Kangxi period (1662-1722). Prints

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Anemoon (Anemone), Anselmus Boëtius de Boodt, 1596 - 1610 drawing Red anemone. Numbered at the top right: 93. With the Latin name. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk. ink brush / pen flowers: anemone

Twee tulpen met vlinder, vlieg en spinnenweb. Tulpa voor Windt / Princepe Dacosta (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Apple: `Sinap sablinskij`; sheet from a herbarium. Stroobant, fils (Gandawa ; zakład litograficzny ; fl. ca 1850-1885), lithography atelier, Stroobant, Louis Constantin (1814-1872), graphic artist

Synoum glandulosum (Smith) A.H.L. de Jussieu, by Sydney Parkinson. Gift of the British Museum, 1895.

Twee tulpen met spin en vlieg in spinnenweb. A. Secretarij / Langschap (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1639. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

Decorative page of a manuscript of love. 15th century. Conde Museum. Chantilly. France.

Decorative Panel (France); Designed by Jules Desfossé; block-printed on machine-made paper; 182 x 69 cm (71 5/8 x 27 3/16 in. )

Set of door panels', 1884-1885. Artist: Claude Monet. Monet was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movements philosophy.

Tulp (fire), anonymous, 1796 - 1814 drawing Red-white tulip. Numbered at the top right: 19. At the top left marked with a red star. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. Southern Netherlands paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Vanitas Still Life n.d. Herman Henstenburgh Dutch. Vanitas Still Life. Herman Henstenburgh (Dutch, 1667-1726). n.d.. Watercolor, gouache, and gum arabic on parchment. Drawings

Flowery X Date: 1890s

Persian ornament

The drawing is part of an album, Two tulips with atalanta and caterpillar Gemarmor de Goier / White Goliat, draughtsman: Jacob Marrel, (mentioned on object), 1637, parchment (animal material), brush, h 265 mm × w 335 mm

Oranje daglelie (Hemerocallis). Dag lelie. / hemerocallis liriosphodelus phoeniceus. / Leys hephemere (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 270 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Frieze, Hobbs, Benton & Heath, Hoboken, New Jersey, Machine-printed paper, A repeating design of swags of grey ribbons with a floral design in white from which baskets of violets are hung with complementary bouquets of violets entwined in the ribbons. Printed on a grey ground with a white grid design below a grey ribbon between two bands of green, complementing the band below the sequence., Hoboken, New Jersey, USA, 1905-1915, Wallcoverings, Frieze

The water lily, Nelumbo lutea, and flower parts. Lithograph by Verneuil with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Butterflies and poppies (1890), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, Nature study of butterflies and poppies in vivid colours

Vanitas Still Life. Artist: Herman Henstenburgh (Dutch, 1667-1726). Dimensions: sheet: 13 x 11 in. (33 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Blauwe kever. Dieren (series title). Draughtsman: Jan Augustin van der Goes. Dating: 1690 - 1700. Measurements: h 60 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

Branch of Rosier and Bird, Dedication to George Sand Eug�ne Lambert. Branch of rose and bird, dedicated to George Sand, 1851. Paris, museum of romantic life.

Without title (rose); Vignette for biography of Gestel by Prof. dr. W. van der Pluym. Rose

Hans Simon Holtzbecker (1620-1671); Mary Siblla Merian (1647-171-171), Liberia aculis (Staic Bure); Gentiana Verna (Vaar-Enico): Construction works,; People aceulis (Staengellaine Ensian); Gentiana (Artf Esiian), 1649-1659

page 5. Book - Urne Buriall and The Garden of Cyrus, 1932. Artist: Paul Nash (d. 1946). Author: Sir Thomas Browne. Printer: Curwen Press. Publisher: Cassell & Co Ltd.. The book was conceived entirely by Nash: he designed the binding and the thirty illustrations, and even chose the typeface.

The Temple of the Flora: The Queen. R. Cooper (British), Robert John Thornton (British, 1768-1837). Color engraving, aquatint and stipple;

JULY, calendar, year, month, monthly

Stained Glass Window at Zum Gemalten Haus Restaurant in Sachsenhausen, Frankfurt, Hesse, Germany

Florilège des Amours de Ronsard. Henri Matisse (French, 1869-1954); printed by Mourlot Fères (French, 1852-1994); published by Albert Skira (Swiss, 1904-1973). Date: 1948. Dimensions: 351 × 261 mm (image); 382 × 282 mm (sheet). Lithograph in sanguine on cream wove Japanese vellum. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rhododendrons Elizabeth Boott Duveneck (American, 1846-1888). Rhododendrons, 1882. Oil on wood panel, Individual panel: 35 15/16 x 9 13/16 in. (91.3 x 24.9 cm). When creating this ensemble of four panel paintings, Elizabeth Boott Duveneck looked to the dramatically cropped, asymmetrical compositions of Japanese art. In 1853 trade was reestablished between the Western world and Japan for the first time in more than two hundred years. Art enthusiasts, particularly in Duvenecks native Boston, quickly amassed large collections of Japanese art. This is a rare work by Duveneck, whose career was cut short by her premature death, soon after her move to Paris to marry her former teacher, the painter Frank Duveneck. American Art 1882

False title, page 3 of the "Adonis" poem by Jean de La Fontaine. Nicolas Jarry print. Museum of Fine Arts of the City of Paris, Petit Palais. 33891-1 Bucolic, bucolism, crown, squirrel, print, false title, flower, illustration, work, poem, ribbon

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