Flower Studies and Landscape Art

A collection of artworks featuring floral borders, winter landscapes, and traditional Japanese scenes, showcasing watercolor, ink, and historical artistry.

Merry-making under aronia blossoms. Right of a pair of six-section folding screens by Naganobu, Kano Isenin (1775-1828)/ Tokyo National Museum/ 18th century/ Japan/ Watercolour and ink on paper/ The Oriental Arts/ 148,6x356/ Landscape,Genre

Border, folio 40 (recto), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).

Winter landscape with skaters at a mill, 1696 Page 48 Recto from a sketchbook with 91 sheets. paper. chalk winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). windmill in landscape

Fragment 15th-16th century Italian, Venice. Fragment 230629

Merry-making under aronia blossoms. Right of a pair of six-section folding screens by Naganobu, Kano Isenin (1775-1828)/ Tokyo National Museum/ 18th century/ Japan/ Watercolour and ink on paper/ The Oriental Arts/ 148,6x356/ Landscape,Genre

Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 12.2 × 26.9 cm (4 13/16 × 10 9/16 in.) Right and bottom edges: 10.9 × 17.3 cm (4 5/16 × 6 13/16 in.)

Milazzo map, Anonymous, 1735 Milazzo map on Sicily, in the foreground two fighting putti. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / lacquering Milazzo Milazzo map on Sicily, in the foreground two fighting putti. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / lacquering Milazzo

Canvas of Jouy: Federation's Day, 1790 (TF)

Plate. Dated: 1935/1942. Dimensions: overall: 45.7 x 35.6 cm (18 x 14 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Henry Moran.

Riverbank Attributed to Dong Yuan During the chaotic years following the collapse of the Tang dynasty in 907, centralized rule was shattered and China splintered into a number of short-lived kingdoms. Among the most important of these was the Southern Tang dynasty (937-75), which governed much of the lower Yangzi River delta from its capital at Nanjing. It was there that a distinctive southern” style of landscape painting developed under the court official and artist Dong Yuan.Riverbank epitomizes Dong Yuan’s new style, with its absence of contour lines and use of subtle ink washes and soft-rubbed texture strokes to describe the distinctive rounded hills and earthen slopes of southeastern China. The depiction of a scholar-hermit living in elegant reclusion likewise established a lasting thematic ideal. Darkened with age, the scroll, the tallest of all surviving early Chinese landscape paintings, marks the majestic inception of the monumental landscape tradition.The scroll was split in

Anonymous artist created a weapon trophy displayed over an arch using chalk with brown and gray lavings, white highlights, and three wax drops at the lower left corner.

Design for a Stage Set 1828-90 Eugène Cicéri French. Design for a Stage Set 387309

Knight in a cloud of fire and flames appearing to a group of frightened men YOSHIFUSA, UTAGAWA (FL. 1837 1860)

Piece late 16th century British. Piece. British. late 16th century. Metal thread on satin. Textiles-Embroidered

Photo production of the Fresco de Raijsis from Christ to Buanamico Buffalmacco in the Camposanto in Pisa, Italy, Fratelli Alinari, After Buonamico Buffalmacco, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Beauties from the Yoshiwara; Yoshiwara Bijin Awase. Part three (of five); Green cover with pattern of autumnal leaves; eight sheets, numbered 41-48; First page, moon above water, behind clouds, with drofted; Next pages, sitting courtisanes in various activities, each with randwy about moon and cuckoo.

Painting. Ruiter (Narihira) And servant.

Augustus Welby Northmore Pugin, 1812-1852, British, Design for a Gothic Wall Lamp, undated. Pen and brown ink on thin, smooth, brown tracing paper mounted on medium, slightly textured, cream laid paper.

Fighting soldiers, Giovanni Volpato (Possibly), 1700 - 1799 print Battle with a soldier with lance and a soldier on horseback, flagging from a battle on the second plan. Title under the show. The scene is caught in an ornament edge. paper engraving / etching ornaments ~ art. battle. fighting. the soldier; the soldier's life

Fisherman. Katsushika Hokusai (school of) (飾北斎) (Japan, mid- to late 19th century). 19th century. Drawings. Drawing; ink on paper

Libido. Preparatory card for the decor of the Church Notre-Dame-de-Lorette in Paris Victor Osel (1795-1850). Libido. Preparatory card on the decor of the Church Notre-Dame-de-Lorette in Paris. Charcoal, graphite pencil and blue lavis on several sheets of paper assembled. 1834-1850.

Esanatoglia (Italia, Marche - provincia di Macerata), Municipio (antico palazzo dei Duchi di Camerino, i Da Varano). Sala consiliare, ciclo di affreschi con soggetto "cortese", databile alla seconda metà del XV secolo, autore ignoto

Jar. Dated: c. 1938. Dimensions: overall: 22.8 x 29.8 cm (9 x 11 3/4 in.) Original IAD Object: 10 1/4" High 6 1/4" Dia(top) 6" Dia(base). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Tarantino.

Scene from the Tales of Ise: Mount Utsu” early 18th century Fukae Rosh? This scene is inspired by the Mount Utsu” (literally, Mountain of Sadness”) episode of The Ise Stories (Ise monogatari), a tenth-century narrative recounting the travels and travails of an unnamed protagonist, whose fictional persona is based on the courtier-poet Ariwara no Narihira (825-880). Rinpa artists often reduced the entire scene, also popularly known as the Ivy Path” (Tsuta no hosomichi) episode, to an image of an ivy-covered mountain path. The scene shows the courtier and his attendant traveling in the foothills of Mount Utsu. In accordance with the story, on a path overgrown with ivy and maple trees, the pair comes upon a religious ascetic, whom the courtier asks to transmit a poem back to his former lover in the capital. In the poem, the courtier bemoans the fact that he can no longer see his love, not even in his dreams, in which, according to ancient beliefs, lovers are able to meet. Fukae Rosh? w

Blue Kerchief from Tutankhamun's Embalming Cache ca. 1336-1327 B.C. New Kingdom In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb.Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun.Worn linen sheets an

Salesman's Sample (France); silk

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey, southern wall. Redwood chanting panel framing a paint on Chinese rice straw with black background. 1857-1864. Paris, house of Victor Hugo. 77438-5 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, oriental influence, orientalism, wooden panel, Chinese living room, 19th 19th 19th 19th 19th 19th century, engraving

Figuur.A figure with hat and puff pants.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. Southwest wall. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-7 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, oriental influence, orientalism, wooden panel, Chinese living room, 19th 19th 19th 19th 19th 19th century, engraving

View of Venice, 1500. Jacopo de' Barbari (Italian, 1440/50-before 1515). Woodcut;

Patka Fragments, 18th century, 15 3/16 x 10 3/8 in. (38.58 x 26.35 cm) ((a) irregular)6 x 11 1/4 in. (15.24 x 28.58 cm) ((b) irregular), Silk, metallic thread; needlework, India, 18th century

Anonymous. Wall paint: Pastoral scenes. Tempera on coating. 1715-1725. Paris, Carnavalet museum. 76103-18

MANOLETE EN EL PASE DE PECHO - DIBUJO - SIGLO XX. Author: ANDRES MARTINEZ DE LEON (1895-1978). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN. MANOLETE RODRIGUEZ SANCHEZ.

Monstrous birds spring out of boxes; a Chinese mythological scene. Watercolour painting on paper by a Chinese artist.

Fragment of Embroidery. Probably Switzerland, mid-19th century. Textiles; fragments. Cotton embroidery on cotton

Design for the painted decoration of a ceiling in strapwork and rinceaux. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 13/16 x 10 7/16 in. (37.6 x 26.5 cm)image: 10 3/8 x 6 5/8 in. (26.4 x 16.9 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

18th-century embroidered German sheet from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype embroidery (ornamentation). bedding Artificial museum

Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 7/8 x 14 5/8 in. (12.4 x 37.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Design for a Woven Flower Scroll, Gouache on oily tracing paper, A bough with leaves, a blossom at the end of a spiral; three discs similar to those in 1909-13-77, probably buds., France, 1815-1840, Drawing, Drawing

Heads of a man with a hat and a pipe -fitting man, 1864 - 1880 Page 52 Verso from a sketchbook with 98 sheets. paper. ink pen adult man. head (human). head-gear: hat (+ men's clothes). pipe ~ tobacco

George Romney, 1734-1802, British, Studies for the Head of a Lady (Studies of a Woman's Head), undated. Brown wash on medium, moderately textured, cream laid paper.

Skipping Rope. Dated: 1892/1895. Dimensions: plate: 12.7 x 25.4 cm (5 x 10 in.) sheet: 21.5 x 34.2 cm (8 7/16 x 13 7/16 in.). Medium: color monotype with graphite additions on tissue paper. Museum: National Gallery of Art, Washington DC. Author: Maurice Brazil Prendergast.

Figure of a Noble Lady China. Figure of a Noble Lady 70766

Architectural Detail. Dated: 1939. Dimensions: overall: 38.1 x 55.7 cm (15 x 21 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Robert Pohle.

Panel (Furnishing Fabric) Made 1848-1850 United States. Cotton, plain weave; roller and engraved roller printed .

Photo production of a painting of a group of people at a well, Laurens Lodewijk Kleijn (attributed to), after Anonymous, c. 1865 - c. 1900 glass wet collodion negative merchant, salesman. well

Crewel Bedspread. Dated: c. 1937. Dimensions: overall: 48.7 x 75.6 cm (19 3/16 x 29 3/4 in.) Original IAD Object: 18 3/4" high; 20" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lawrence Peterson.

Willows and Bridge early 17th century Japan Paintings that combine willows with a bridge and waterwheel immediately evoke the bridge over the Uji River in southeast Kyoto, a view long celebrated in literary works such as The Tale of Genji. Paintings of the Uji Bridge decorated palaces by the 900s and remained popular for the next thousand years. With their contrast of large, dramatic forms and brilliant metallic shimmer, these screens represent the zenith of the decorative style of the late sixteenth century. Above the golden bridges strong diagonal is a copper moon, attached to the screen by small pegs. A large waterwheel turns in the stream and stone-filled baskets protect the embankments. Gently lapping waves of silver pigment have oxidized over time to a dark gray.. Willows and Bridge. Japan. early 17th century. Pair of six-panel folding screens; ink, color, copper, gold, and gold leaf on paper. Momoyama period (1573-1615). Screens

Drawing, Textile Design: Mittagstee (Afternoon Tea); Designed by Mathilde Flögl (Austrian, b. Czech Republic, 1893 - 1950); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on cream illustration board; 7.6 x 21.6 cm (3 in. x 8 1/2 in.)

Design for the painted decoration of a ceiling in strapwork and rinceaux second half 19th century Jules-Edmond-Charles Lachaise French. Design for the painted decoration of a ceiling in strapwork and rinceaux 385028

Fragment of silk fabric chinoiserie type of pattern unknown

Merry Gatherings in the Magic Jar Unidentified artist. Merry Gatherings in the Magic Jar 51643

Plate. Dated: c. 1953. Dimensions: overall: 28.8 x 23 cm (11 5/16 x 9 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charlotte Sperber.

Panel, 20th century, L.92 x W.23 in., cotton; needlework, Uzbekistan, 20th century

Still Life with Fragments. Paul Klee; German, born Switzerland, 1879-1940. Date: 1925. Dimensions: 17 × 28 1/2 in. (43.1 × 72.4 cm). Oil and watercolor on cardboard. Origin: . Museum: The Chicago Art Institute, Chicago, USA.

The Actor Fujimura Handayu as Oiso no Tora Kiyomasu Torii I (Japanese, active 1704-1718). The Actor Fujimura Handayu as Oiso no Tora, 1708-1712. Woodblock print, Oban tate-e, Sheet: 21 3/4 x 10 11/16 in. (55.2 x 27.1 cm). Asian Art 1708-1712

Schulchan with dedication inscription from 1896/97, Franconian, Museum, Tüchersfeld, Upper Franconia, Bavaria, Germany, Europe

Portrait from 1844 by David Octavius Hill showing Mrs. Anne Rigby, created in calotype format as part of early portrait studies.

Egypt, Thebes, Luxor, Valley of the Kings, Tomb of Ramses IX (KV 6), Third passage, detail of the frescoed ceiling representing ""The Egyptian Amduat: The Book of the Hidden Chamber""

Tynemouth Castle and Priory, England, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm) and Sheet: 6 7/16 × 7 3/16 inches (16.4 × 18.3 cm)

Herod & Salome Jules Pascin (1885-1930 French) Watercolor Corcoran Gallery of Art, Washington D.C., USA

Flowers of a Hundred Worlds (Momoyogusa): White Heron (Shirosagi), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in the 900s or 1000s and having been interpreted by all manner of artists since that time. Sekkas selections hew closely to precedents from the Rinpa style originated by painter Tawaraya S?tatsu (c. 1570-c. 1640) and calligrapher Honami K?etsu (1558-1637).

Picture of Severe Battle on the streets of Gyuso. Date/Period: Meiji Period, dated 1895. Print. Tryptich woodblock print, ink and colors on paper Tryptich woodblock print, ink and colors on paper. Height: 13.50 mm (0.53 in); Width: 27 mm (1.06 in). Author: Ogata Gekko.

St. John Nepomucene-Painted on Buffalo Hide Prior to 1800. Dated: 1935/1942. Dimensions: overall: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.) Original IAD Object: 75"high x 43"wide (accd. to verso of rend.). Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: E. Boyd.

Coloured illustration of the arrival of a parade with elephants. Illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

Landscape Painting of Figure in Woodland Setting Unidentified artist. Landscape Painting of Figure in Woodland Setting 53580

Shikishi (square calligraphy paper) Box with Design of Flowers and Praying Mantis second half of the19th century Japan Writing boxes were produced in large numbers from the seventeenth to the nineteenth centurya testament to the rise of literacy in Japan. As is typical of such boxes, the interior of this piece has a different but related design and holds an inkstone and other implements for writing and ink making. The box’s surface, richly decorated with an image of a praying mantis beneath a basket of strawberry geraniums, is typical of the art of the Meiji period. In Japanese lacquers intended for domestic use, pearl shell plays a secondary role in the decoration; here, it outlines the edges of the flower basket.. Shikishi (square calligraphy paper) Box with Design of Flowers and Praying Mantis 53694

Palace of Circe. Oudry, Jean-Baptiste (French, 1686-1755) (designed after) painter c. 1771 Tapestry Dimensions: H 7'7" x W 14' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Simon Roseman, received 4/12/1914; sold to Fifth Avenue Estates Inc. 1/10/1962. In palace setting with throne & wand of Circe, presence of monkey, parrot, tier, bear, gazelle & swine into which one of Ulysse's companions has been transformed, after he drank from cup offered by Circe, the enchantress Borders missing. This scene is part of the Ovid's Metamorphoses series designed by Jean-Baptiste Oudry for the Beauvais manufactory in 1734. French & Co. stock sheet in archive, 5677-b Hunter, Practical book of Tapestries (1925), XIII c Göbel, Wandteppiche II:2 (1928), ill. 274 Related Works: Panels in set: GCPA 0243347, 0243352, 0188331; compositionally similar tapestry (larger composition): "The Garden of Circe" L. Bernheimer (Göbel, ill.

Title Unknown (Abstract Fantasy) Odilon Redon (1840-1916 French)

'Morocco', 1986-1988, Oil on canvas, 100 x 81 cm. Author: LUIS CLARAMUNT. Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

George Catlin, Facsimile of an Ojibbeway Robe, 1861 1869 Facsimile of an Ojibbeway Robe

Thomas Hartley Cromek, 1809-1873, British, School of St. Rocco, Venice, Study of Curved Decoration, ca. 1835. Watercolor, gouache, pen and brown ink, and graphite on moderately thick, slightly textured, brown wove paper.

CDK Wyspiały, Stanis Aw (1869 1907)

Indian scholars. Unknown late 19th-early 20th century Painting of men seated on the floor, with books in front of them. A green curtain is draped across the corner of the scene.

Egypt, Thebes, Luxor, Valley of the Kings, Mural painting in tomb of Ramses IV

Lewchewan chief and attendants. M'Leod, John, 1777-1820. Prints, Portraits. 1817. General Research Division. Ryukyuans, Ryukyuans , Clothing & dress, Fans (Accessories) , Japanese , Japan , Ryukyu Islands, Hairstyles , Japan , Ryukyu Islands, Men , Clothing & dress , Japan , Ryukyu Islands

Crewel Embroidered Bed Curtain. Dated: c. 1937. Dimensions: overall: 57.1 x 37.5 cm (22 1/2 x 14 3/4 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert T. Gills.

Lala Eve Rivol, Petroglyph Human Figures, 1935 1942 Petroglyph - Human Figures

Unusual shaped knot in piece of wood

Lazio Roma Albano Laziale Museo Civico Archeologico - Sala Ricevimenti4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chinese Coromandel lacquered screen manufactured for a European market 1600-1700

Detail from the gilded case housing the canopic shrine and jars of King Tutankhamen. 18th Dynasty, Egyptian tomb treasure. 1323 BC

Poncho or Tunic Nasca. Poncho or Tunic, 100-200 C.E. Camelid fiber, 74 7/16 x 27 9/16 in. (189.1 x 70 cm). This large panel is the most elaborate example of the discontinuous warp and weft technique in the Museums collection. With this technique, the warps and wefts on the textile change with every color and weaving session, rather than being continuous along the length and width of the fabric (see diagram). The bold designs on the red background include three large, colorful supernatural beings connected to several smaller figures. The largest figure wears a green and yellow feline pelt and is associated with two mythological animals devouring humans: an anthropomorphic bird and a shark depicted with a human arm. These composite beings combine animals of the natural world with Nasca supernatural deities who keep the world in order. The panel was converted into a poncho in antiquity, when a head opening was made at the center and long tassels were added at the shoulders. ___________

Drawing, Design for the Embroidery of a Lady's Overskirt of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouche on paper; 36 × 45.3 cm (14 3/16 × 17 13/16 in.)

Shepherdess and stag hunt ca. 1735 German, probably Nuremberg. Shepherdess and stag hunt 195842

Travel album with recordings of sights in India, Germany, Switzerland and France, various manufacturers, c. 1860 - c. 1900 scrapbook Photo album in leather band. Front and back slat are decorated with copper buttons and geometric motifs in relief. On the frontplat a representation of leaves made of small embroidered beads. The gold-op-snee album blades contain 59 glued photos. They are recordings made in India: city and street views, ports, quays, mosques, city gates, British government buildings and churches. In addition, printing from German and Swiss cityscapes, alpine landscapes and of sights in Paris. leather. glass. copper (metal). cardboard. paper. photographic support albumen print / embroidering travelling; tourism India. Alpen. Switzerland. Germany. France

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358431

Napoleon on his deathbed, in an allegorical setting

La Bièvre, view taken from Mr. Langlet, 83 rue Frileuse, Gentilly (Val-de-Marne). Ed. BUZON. Gelatino-silver-bromide draw. Paris, Carnavalet museum. 123364-11

Photo production of detail from a fresco to Simone Martini in the Santa Maria Novella in Florence, Italy, Fratelli Alinari, after Simone Martini, 1857 - 1900 photograph Florence cardboard. paper albumen print picture, painting Santa Maria Novella

SALA DE PRESIDENCIA - BEBEDORES Y FUMADORES - TAPIZ - SIGLO XVIII - 294 x 167 cm - COPIA DE DAVID TENIERS. Author: LIVINIO STUYCK VANDERGOTEN. Location: CONGRESO DE LOS DIPUTADOS-TAPICES. MADRID. SPAIN.

John Quill...

Tomb With Inscription. Part of ninestially room protecting for Hoogerhuis in Randenbroek at Amersfoort, the country house of Jacob van Campen.

Kapelle, anonymous (Monumentenzorg), Wall painting in the Reformed Church in Kapelle, verso - handwritten, photograph, photo, photos, topography, NH Church, found wall painting on the east wall of the south side, Kapelle, recto - handwritten, Kapelle ZB (Zeeland), Found wall painting on the east wall of the south side aisle in the church of the NH municipality, Oct. 1896, height 227 mm, width 165 mm, photographer, 1896 - 1896, photographic paper, photo paper, cardboard, daylight collodion silver print

Hand drawing. Hand drawin background

Fresco van Brummeni's allegory on the war in the Capitol, Anonymous, c. 1855 - c. 1890 stereograph photographic support. cardboard albumen print symbols, allegories of war; 'Guerra' (Ripa). picture, painting

The blessed Ranieri frees the poors from a Florentine jail (From Borgo del Santo Sepolcro Altarpiece) by Sassetta (1392-1450)/ Louvre, Paris/ 1437-1444/ Italy, School of Siena/ Tempera on panel/ Gothic/ 43x63/ Bible,Mythology, Allegory and Literature,His

Abruzzo Pescara Penne Madonna del Carmine4. Hutzel, Max 1960-1990 Post-medieval: fourteen views of baroque exterior, including detail views of main portal and columns. Interior views of nave, altars, cupola, choir, architectural sculpture, paintings, sculpture, and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

At the shed - mystery; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Ex Libris van Wolbert J. Vroom, Richard Nicolaüs Roland Holst, in or after 1924 - 1925 drawing Netherlands cardboard. ink. pencil

Batik Spread, 48 x 78 1/2 in. (121.92 x 199.39 cm), Cotton; needlework, China

of 3