Forest Landscapes in Print

A series of prints depicting serene forest landscapes with figures engaged in various activities, featuring trees, lakes, and rural scenes.

Landscape with the Merciful Samaritan who takes care of the traveler, Raphaël Sadeler (II), After Paul Bril, 1594 - 1632 print A forest landscape with a road. In addition to the road, the merciful Samaritan supports the robbed and wounded man and takes care of his wounds. München paper engraving / etching a Samaritan tending the wounds of the traveller. forest, wood

Allart van Everdingen, Firs in the Defile, probably c 1645 1656 Firs in the Defile

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Le petit juif errant , Tramps, Trees, Wandering Jew, Alphonse Legros (1837-1911)

Copper engraving by Jan Pietersz. Saenredam depicting the abduction of Ganymede in a landscape with farmhouses, created between 1599 and 1601. The print shows mythological narrative and rural setting.

Devil's Bridge, Cardiganshire, 1837. John Sell Cotman (British, 1782-1842). Softground etching and roulette; platemark: 18.9 x 12.6 cm (7 7/16 x 4 15/16 in.); sheet: 47.7 x 30.9 cm (18 3/4 x 12 3/16 in.).

Les chercheurs de trésors , Treasure hunts, Alphonse Legros (1837-1911)

Artist: Alphonse Legros, French, 1837-1911, La Retour a laFerme, Etching, platemark: 23.2 × 29.9 cm (9 1/8 × 11 3/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

La Mort et le bûcheron (1st plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

A 1782 copper engraving by Gabriel Smith depicting a wild boar hunt, showing hunters, dogs, and boars in a forest, using dot engraving technique.

The Butterfly and the Pond. Rodolphe Bresdin; French, 1825-1885. Date: 1868. Dimensions: 180 × 112 mm (image); 290 × 218 mm (sheet). Lithograph (etching transfer) in black on tan-toned cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hengelaar at a lapse hut in a landscape; Landscapes to Pieter de Molijn.a Lapse Hut in a Landscape; On The Left a Fisherman in a Boat. Fourded from a Series of Four.

Return from the Plowing (Le retour de labourage). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Repos du voyageur , Travelers, Alphonse Legros (1837-1911)

De Boetvaardige Franciscus, Jacques Callot, 1632 print In a rocky environment, Francis is sitting on his knees, his arms spread into a begging gesture. In the foreground are companions at a tree. Under the performance a caption in Latin. This print is part of a series of six prints, consisting of a title print and five performances of penitent saints. print maker: Nancypublisher: Paris paper etching St. Francis of Assisi in ecstasy

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

Two Monks in Contemplation in a Forest. Artist: Carl Baron von Vittinghoff (German, Pressburg 1772-1826 Vienna). Dimensions: sheet: 12 5/8 x 10 in. (32.1 x 25.4 cm). Date: 1809. Museum: Metropolitan Museum of Art, New York, USA.

Cattle and Figures in a Landscape. Artist: Nicolaes Berchem (Dutch, Haarlem 1621/22-1683 Amsterdam). Dimensions: sheet: 7 3/16 x 11 3/8 in. (18.2 x 28.9 cm). Date: mid-17th-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Chinese dwellings and figures. Suite of six prints. I. Pillement inv. F. A. Aveline sc. London by I Pillement, a Paris chez Bashan, France, François Antoine Aveline, Jean Baptiste Pillement, Jean Baptiste Pillement, 1728 - 1780

Triptych with scenes from the life of Saint Remaclus, Martinus Antonius Kuytenbrouwer Jr., 1849 print Triptych with scenes from the life of Saint Remaclus. In the middle is Remaclus in his cave, which is located on the banks of the Semois River. The left shutter shows figures in liturgical clothing that hastily transport a coffin. In the right shutter the shrine of Remaclus, laid out in the Stavelot abbey church. Brussels paper etching / drypoint cortege, funeral procession. cave, grotto. coffin Stavelot

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Boucher, Francois (1703 1770)

Christmas, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1850, Etching with plate tone on thick, smooth, cream wove paper, Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm), Plate: 4 7/8 x 4 9/16 inches (12.4 x 11.6 cm), and Image: 3 15/16 x 3 3/16 inches (10 x 8.1 cm), architectural subject, barn, children, Christmas, cottage, dog (animal), doorway, farm, interior, moon, night, sheep, thatch, trees, window

On the Stage III. Artist: Edgar Degas, French, 1834-1917

Engel offers three women in the forest a book, Auguste Danse, 1839 - 1874 print paper etching forest, wood. angel(s) with book(-scroll) or banderole

Landscape with a castle on a rock, Paul Bril (Circle of), 1564 drawing Landscape with a castle on a rock. paper pen / brush farm or solitary house in landscape. castle

Garden statues in Chiswick Park.

The magpie and the sparrow are both eating grapes under the trees In the background the vineyard and the planter, who wants to chase the birds away, Magpie and the sparrow The exter and the sparrow , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 240 mm × w 150 mm

LANDSCAPE Armand Guillaumin (1841-1927). "Landscape". Charcoal on white ingres paper. Nineteenth century. Museum of Fine Arts of the city of Paris, small palace.

Putto in a boat and putto at a temple ..

Print

Gabriël Grub punished in the abyss by gnomes, Wilhelmus Petrus van Geldorp, 1872 print Gabriël Grub is a character from The Pickwick Papers, written by Charles Dickens in 1836. Grub is the literary precursor of Ebenezer Scrooge and the story shows many similarities with A Christmas Carol. Grub has been abducted by the king of the gnomes to his underground hiding place. There he shows scenes that change his feeling about humanity and Christmas. Between the scenes he is beaten by the gnomes. Rotterdam paper spirit of the earth, gnome, troll. corporal punishment in public. underground shelters

Paysanne se lavant les pieds , Peasants, Bodies of water, Trees, Alphonse Legros (1837-1911)

The Bellman Made 1879 England. Etching on paper . Samuel Palmer

Chinese houses and figures. Suite of six prints. I. Pillement inv. F.A. Aveline sc. London by I. Pillement, a Paris chez Basan, print maker: François-Antoine Aveline, Jean Baptiste Pillement, publisher: Basan, France, 1728 - 1780, paper, etching, engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the trip from Jacob to Egypt. (A. de Vesme 2; Dutuit 108) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Road in the forest. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Jasieński, Feliks (1861-1929), merchant employer, Wyczółkowski, Leon (1852-1936), graphic artist

Berger luttant avec sa chèvre. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Goats, Goatherds

De Bard.

Landscape with sharpening stone, Hermanus Fock, 1781 - 1822 print A face on a sharpening stone and a wooden bucket under a tree. A fence in the background. Amsterdam paper etching tools, aids, implements ~ crafts and industries: grindstone (+ outdoors; in the open air)

David beheads Goliat, Ugo da Carpi, After Rafaël, 1502 - 1532 print Goliat is on the ground. David stands over him and lifts the sword of Goliat above his head, ready to imagine him. The Philistines flee in the background. Italy paper David beheads Goliath with a sword. the Philistines in flight after the death of Goliath are pursued by the Israelites

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Giovanni Benedetto Castiglione, Young Shepherd on Horseback, 1638 Young Shepherd on Horseback

Hunting with Fladrai; Ridinger, Johann Elias (1698-1767); 18th century (1700-00-00-1800-00-00);

Houses between trees at water. Draughtsman: Gerard ter Borch (II) (possibly). Draughtsman: Pieter de Molijn (follower of). Dating: 1630 - 1636. Place: Haarlem. Measurements: h 181 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

plow at a fence, Albertus Brondgeest, 1796 - 1849.

Landscape with Shepherd and Sheep near Fontein, Gilles Demarteau, After Jean Pierre Louis Laurent Houel, 1732 - 1776 print Landscape with shepherd and sheep at Fontein. Title print for series Landscapes with unknown number of prints. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. ornamental fountain

Chinese houses and figures. Suite of six prints. I. Pillement inv. F.A. Aveline sc. London by I. Pillement, a Paris chez Basan, print maker: François-Antoine Aveline, Jean Baptiste Pillement, publisher: Jean Baptiste Pillement, France, 1728 - 1780, paper, etching, engraving

A view of a grinding stone and a wooden bucket under a tree. In the background a fence., Landscape with grindstone, print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 102 mm × w 163 mm

Stretched trolley for an inn, draughtsman: Jan van Goyen, 1606 - 1656, paper, h 108 mm × w 228 mm

Outskirts of Rome Made 1866 France. Etching on ivory China paper laid down on white wove paper . Jean Baptiste Camille Corot

The Herdsman's Cottage, 1850. Samuel Palmer (British, 1805-1881). Etching;

Scotch Firs, Inveroran 1873 Sir Francis Seymour Haden Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity.Scotch firs stand on a sloping hill, in the foreground at left; a river valley with trees at mid-distance; a mountain seen in the background."State I (Da, Ha). Several Scotch firs stand on the crest of a small hill on

Belvaux, Martinus Antonius Kuytenbrouwer (jr.), 1853

Remembrance of the Lake at Trastimene (Souvenir du lac de Trastimene). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358481

Rock party in an aquarium, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 240 mm × w 285 mm

Sebald Beham, Saint Jerome in a Landscape, 1520 Saint Jerome in a Landscape

Les bûcherons (2nd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Half undressed man in the forest, Willem Jacob Hofdijk, 1847 - c. 1863 print The man looks up, he is injured in his side. Possibly a Germanan. At the top left of him is a vulture on a branch. print maker: Netherlandsafter own design by: Netherlandsprinter: The Haguepublisher: The Hague paper forest, wood. infections and wounds (+ lying). extinct, 'historical' peoples: Teutons. predatory birds: vulture

Monument of Verlaine, Garden of Luxembourg. (Title registered (letter)) | Paris, August 1920. (Title of the whole)

A Snow-clad Landscape with Gray Clouds. Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 7 7/8 x 12 7/8 in. (20 x 32.7 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Sir Frank Short, 1857-1945, British, Huntsmen in a Wood, 1891. Etching printed in brown ink on medium, slightly textured, cream wove paper.

Design for a room piece: Amaryllis recognizes Myrtillo. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 389 mm × w 254 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Pastoral Sketch; Italy; graphite on paper

Le petit juif errant , Tramps, Trees, Wandering Jew, Alphonse Legros (1837-1911)

Design for a print, Landscape at Tienen with two men and a dog, draughtsman: Jean Théodore Joseph Linnig, 1843, paper, pen, h 106 mm × w 85 mm

Salmacis et Hermaphrodite (Bartsch 71) Herman van Swanevelt (1600-1655). Salmacis and Hermaphrodite (Bartsch 71). Floor, 17th century.

Print, Plate 4, "Suite de douze Pêcheurs et Chasseurs"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; etching on paper; 42.8 × 29.4 cm (16 7/8 × 11 9/16 in.)

Study Sheet with four figures and a landscape, Johan Philip van der Kellen, David van der Kellen (II), 1841 - 1878.

Conversation between two men and a woman in an open field; Various performances and figures; Agreeable Diversité the figures. .

Mountain Landscape with Figures and Buildings. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: Sheet: 10 5/16 × 15 15/16 in. (26.2 × 40.5 cm). Date: mid-to-late 1780s.Once thought to date to the mid-1770s, when Gainsborough moved to London from Bath, the handling of this sheet suggests a date following the artist's visit to the Lake District in 1783. His early drawings respond to the English landscape, but this composition is an imagined conflation that demonstrates admiration for Claude Lorrain and Gaspard Dughet conveyed using black and white chalks on blue paper, a seventeenth-century technique. The appreciation for rough, irregular forms accords with the contemporary British aesthetic of the Picturesque. Museum: Metropolitan Museum of Art, New York, USA.

Romantic scene with figures in mid distance, 1831, United Kingdom, by David Read. Gift of Mrs Harold Wright, 1965.

Martyrdom of the ten thousand (first part), Domenico Campagnola (attributed to), c. 1515 - c. 1520 print The Roman army leader Achatius of Ararat and his 10,000 followers were put to death because they had converted to Christianity. In the middle they are hung on trees, and on the right they are thrown from the rocks. In the middle above God the Father surrounded by putti. Italy paper counterproof the martyrdom of Achatius and his 10.000 companions on Mount Ararat: they are crucified and/or impaled on trees or thorns

Album magazine with two performances of two mourning willows: on the left the design, right the version, 1816 print Album magazine with two performances of two mourning willows: on the left the design, on the right the version. Is part of an album with 18 magazines with studies of trees. paper trees. the graphic arts

Le pêcheur à la ligne , Fishing, Boats, Bodies of water, Alphonse Legros (1837-1911)

Rome, Armi, Giovanni Dall', Voogd, Hendrik, Italian landscapes, Tentamina Lithographica, Overgrown rocks, verso - stamped, Rocks overgrown with bushes and trees. On the right a wall and in the background cypresses., print, prints, School for the graphic arts in Utrecht, height 390 mm, width 508 mm, Dutch, 1768-07-10 - 1839-09-04, print maker, printmaker, 1818 - 1818, paper, tone lithography, 1777 - 1829, printer, 1820 - 1820

Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap. Dated: c. 1642. Dimensions: plate: 7.9 x 7 cm (3 1/8 x 2 3/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Man on bridge, Hermanus Fock, 1781 - 1822.

The Washerwoman, 1767. Gilles Demarteau (French, 1722-1776), after François Boucher (French, 1703-1770). Crayon manner etching;

Les Faisans. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Karl Bodmer.

Pine and cross (grave); Wyczóżó Kowski, Leon (1852-1936); 1916-1919; 1920 (edition) (1916-00-00-1920-00-00);World War I (1914-1918), Legionowo (Ukraine), Polish Legions (1914-1917), Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, Wołczeck (Ukraine), Wyczółkowski, Leon (1852-1936). Memories from Legionowo 1916 (Kraków 1920), cemeteries, trees, Polish graphics, crosses, aviation, forest landscapes, Poland (culture), aircraft, pines, purchase (provenance)

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Sleeping Shepherd, 1857. Etching and drypoint on thick, smooth, cream wove paper with cream chine collé.

James Goodwyn Clonney, Boys with a Boat, c 1830 1835 Boys with a Boat

Pine trees and graves II. Wyczółkowski, Leon (1852-1936), graphic artist

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Tree Top. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet (Trimmed): 3 1/16 × 2 1/16 in. (7.7 × 5.2 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Eight studies of low plants with large leaves, draughtsman: Jan Frans Legillon, (mentioned on object), Bruges, 1761, paper, h 232 mm × w 186 mm

The Holy Family at Rest Beside a Stream. Rodolphe Bresdin; French, 1825-1885. Date: 1853. Dimensions: 225 × 172 mm. Lithograph on China paper laid down on heavy white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Alphonse Legros, Angler (Le pecheur a la ligne) Angler (Le pecheur a la ligne)

Bosphet. Page 165 From a sketchbook with 175 pages.

Les fagottiers , Laborers, Fuelwood gathering, Alphonse Legros (1837-1911)

In Gorce; Bart Omiejczyk, Edmund Ludwik (1885-1950); 1932 (1932-00-00-1932-00-00);

Ophelia's Death 1843 France. Lithograph in black on white wove paper . Eugène Delacroix

Girl on a wooden bridge; Oosterbeekche milkmaid.

Herder and his cattle near a tree, Jacob van de Velde (engraver), after Nicolaes Pietersz Berchem, c. 1770 print Shepherd who leans against a tree, stands around him his cattle. The print is loose in an album, see page 140, 141. Amsterdam paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock. leaning figure

A man stands on a narrow wooden bridge over a ditch. On the bank a jetty with a bucket and in the background the roof of a farmhouse., Man on bridge, print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 146 mm × w 186 mm

Boys with a Boat. Dated: c. 1830-1835. Dimensions: unframed: 4 3/8 x 5 1/2 in. (11.11 x 13.97 cm). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES GOODWYN CLONNEY.

Artist: Antoine Pierre Mongin, French, ca. 1761-1827, Untitled Man seated by tree, 18th century, Lithograph, Stone: 49.7 × 35.2 cm (19 9/16 × 13 7/8 in.); Sheet: 60.6 × 46.4 cm (23 7/8 × 18 1/4 in.) (irreg.), French, 18th century, Works on Paper - Prints

Landscape With Figures Crossing a Bridge Anonymous, Italian, Roman-Bolognese, 17th century Italian 17th century

Cháteau des revenants , Trees, Hills, Houses, Alphonse Legros (1837-1911)

Colos of the Apennines in the garden of the Villa Pratolino; The villa pratolino; Vues de la Villa de Pratolino. The sculpture The Colos of the Apennines (Colosso Dell'appennino) by Giambologna, in the garden of Villa Pratolino. A sculpture of an old man with beard that breaks out from a cave. He leans forward to a dog's head. Water comes out of the dog's head. A pond for the sculpture. Different figures in the foreground at the pond. A pine forest in the background.

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