Forest Landscapes in Print

A series of prints depicting serene forest landscapes with figures engaged in various activities, featuring trees, lakes, and rural scenes.

Landscape with the Merciful Samaritan who takes care of the traveler, Raphaël Sadeler (II), After Paul Bril, 1594 - 1632 print A forest landscape with a road. In addition to the road, the merciful Samaritan supports the robbed and wounded man and takes care of his wounds. München paper engraving / etching a Samaritan tending the wounds of the traveller. forest, wood

Dorpsstraat with a quack and other figures, Jan van Goyen, 1631 drawing paper. chalk counterproof village square, place. quack, charlatan, mountebank, 'saltimbanco'

Bubbleblowing putto with a zeis. Vanitas: A bubble blowing putto with a scythe in hand, leans on a column and has some skulls under his feet.

Three fish on a shore, after 1598 - 1618 print A pike, a perch and a tench lie together on the banks of a river. The river in the background. The print is part of a series with fish as the subject. paper engraving river. bony fishes: perch. bony fishes: pike. bony fishes: tench

Meditation 1860-1870 France. Etching on white wove paper . Odilon Redon

Ornamental composition in chinoiserie style; Ornamental designs in Chinoiserie style for Deuxième Cahier de Six Baraques Chinoises. Design for a print.

Paris, Leviez, Charles, Pillement, Jean Baptiste, Recueil De Differents Panneaux Chinois, Man with a stick on a bridge, verso - stamped, A Chinese man seen from behind stands with a stick on a bridge. To the right of the bridge is a vase of flowers next to a canopy with a banner., print, engraving, ornamental print, prints, engravings, ornamental prints, height 360 mm, width 251 mm, print maker, printmaker, 1755 - 1775, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26, after a design by, 1708 - 1778, seller

Various Caprices: The Two Soldiers and the Two Women, 1735-50. Giovanni Battista Tiepolo (Italian, 1696-1770). Etching;

Sketch of Trees Near Bridge (recto); Sketch of Building (verso) Artist's working dates 1734-1782 England. Charcoal and graphite (recto), and charcoal (verso), on blue laid paper, tipped onto cream wove paper . Richard Wilson

Fifth Day of Creation: God creates fish and birds; From creation to expulsion from paradise. Fifth Day of Creation: God creates fish and birds so that the water flies from the living creatures and flying along the sky-vibrant birds. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

Entrance to the Forest. Dated: c. 1846. Dimensions: plate: 28.5 x 35700 cm (11 1/4 x 14055 1/16 in.) sheet: 29.2 x 42.4 cm (11 1/2 x 16 11/16 in.). Medium: etching on chine coll proof. Museum: National Gallery of Art, Washington DC. Author: Paul Huet.

Bosrand on Heuvel, Evert Jan Muller, 1897 - 1938 print paper etching fringe, edge of the wood

Deer by a Pine Stream. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 9 1/2 x 10 1/4 in. (24.1 x 26 cm)Overall with mounting: 44 1/2 x 15 1/2 in. (113 x 39.4 cm). Date: early 15th century.The auspicious objects, animals, and flowers found in the imperial garden were often the subject of court paintings. In this miniature picture, a male deer and a female deer stand by a stream from which auspicious clouds emanate. The image seems to convey the message that in this cultivated, peaceful, and humane era, the nation is as idyllic as an imperial park. No doubt the painting functioned as part of a systematic program of imperial art designed to create a symbolic visualization of a cultivated emperor's reign. Museum: Metropolitan Museum of Art, New York, USA.

Attica Viewed from Mount Pentéli Made 1845 France. Etching on ivory China paper, laid down on white wove paper . Théodore Caruelle d' Aligny

Setting a Squirrel Trap, Winslow Homer, American, 1836-1910, Graphite, brush and watercolor on wove paper, Sketch of two boys and a girl climbing over rocks in a wood and advancing towards a squirrel trap., USA, ca. 1858, nature studies, Drawing, Drawing

Cup of Beef Achter Rots, 1657 - 1677 print Head of a beef appears behind a wall or rock. N. 12. paper engraving cow

The Blind Beggar. Alphonse Legros (French, 1837-1911). Drypoint;

The Schildersbuck at Hoog-Soeren. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 251 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Road in a Mountainous Country; Carlo Marchionni (Italian, 1702-1786); Italy; black chalk, pen and ink, brush and watercolor on paper

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Visser on a ton on the Waterkant, Egidius Linnig, 1853 print paper etching fisherman

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), L'Exilé (registered title (letter)), 1828. Balzac house.

Design for ceiling painting. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 187 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

Man met vogel, anonymous, after Jean Baptiste Pillement, 1755 - 1775 print A Chinese man stands with a bird cage and a bird on a ring in a kind of tree house. On the left next to him is a child. Paris paper etching standing figure. city-view, and landscape with man-made constructions - II - ideal landscapes

Le Repos. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Karl Bodmer.

Monte della Vernia from the Road of Casentino (Vue de la montagne della Vernia...). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: engraving on three sheets joined horizontally. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.

La Jeune Fille et La Mort. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Album magazine with two performances of bare trees; On the left the design, right the version, 1816 print Album magazine with two performances of bare trees; On the left the design, on the right the version. Is part of an album with 18 magazines with studies of trees. paper trees. the graphic arts

Print, Charles Emile Jacque, French, 1813 - 1894, Etching on wove paper, France, ca. 1860, Print

Rome, Armi, Giovanni Dall', Voogd, Hendrik, Italian landscapes, Tentamina Lithographica, Roots of a tree, verso - stamped, Tree roots at the foot of a slope., print, prints, School for the graphic arts in Utrecht, height 383 mm, width 496 mm, Dutch, 1768-07-10 - 1839-09-04, print maker, printmaker, 1820 - 1820, paper, tone lithography, 1777 - 1829, printer

January 21 (IT)

Plate 7, 'Suite de douze Pêcheurs et Chasseurs', Jean-Baptiste Pillement, French, 1728-1808, Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, Decorative landscape with Chinese figure sitting before a hut holding a fishing rod and line with a fish on it. Two framing lines. Right top corner: '7.' Bottom: 'J. Pillement.del.'; 'j. j. avril-sculp.1771.' Bottom center: 'Suite de douze Pêcheurs et Chasseurs / se vend à Paris chés Basan et Poignant Mds d'Estampes, rue et Hôtel / Serpente.', France, 1771, Print, Print

Haarlem, Barbiers, Pieter Bartholomeusz., Landscape with fisherman, verso - stamped, The fisherman stands under a tree. In the distance a village., print, prints, height 35 mm, width 63 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, printmaker, 1809 - 1837, paper, papier, lithografie (technique)

Woodland with a Pond. Flanders, possibly Brussels. Date: 1660-1670. Dimensions: 384.81 × 296.55 cm (151 1/2 × 116 3/4 in.). Wool and silk, silt and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Man with dog, sitting at the grave of Vergilius, Florian Grospietsch, 1826 print paper etching landscapes. grave, tomb. resting - BB - out of doors. dog Mergelline

Theodorus after Martin of your Jan Sadeler (1550-1600). Theodorus after Martin of your. Burin, an eighteenth.

Shocoh, the camp of the Philistines, is depicted through extensive ruins, large terebinth trees, and a Mohammadan shrine dedicated to Sheikh Abû Helâl. This site, currently known as Shuweikeh, is illustrated in the work of Harry Fenn (1838-1911). The piece was published by D. Appleton in New York between 1881 and 1884. The dimensions of the image are 22 x 16.5 cm

The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer, Johann Melchior Füssli, Swiss, 1677-1736, Christian Ulrich Wagner, German, 1686-1763, Brush and wash, pen and brown, black ink on cream laid paper, A gentleman with a dog is surrounded by a small circular rainbow and faces a mountain with a cascading waterfall. The picture contains two large diagrams - the upper portion of the picture consists of two circles and diagonal lines, and the lower portion contains two arches and diagonal lines. The letters P and O appear in the upper portion, while Fig. 1 and the letters S and O appear below. The diagonal lines leading to the arches in the bottom portion are emanating from an eye that appears on the ground, just to the right of the man and his dog., Zürich, Switzerland, before 1731, landscapes, Drawing, Drawing

Landscape. Artist: Roderic OConor, Irish, 1860-1940

W parku. Szermentowski, Józef (1833-1876), painter

Cháteau des revenants , Trees, Hills, Houses, Alphonse Legros (1837-1911)

Vue dans l'intérieur de L'ile Lucon., 1835 - 1836., 1835 - 1836., Paris. Publisher, Typ. de Firmin Didot freres. Voyages around the world. Forests, Luzon (Philippines)

Paradise with the Approach of the Archangel Raphael, 1824-1825, John Martin; Publisher: Septimus Prowett, London, British, 1789 - 1854, 7 1/2 x 10 7/8 in. (19.05 x 27.62 cm) (plate), Mezzotint and etching, England, 19th century

Mother with child, landscape with vultures, man with banner on battlefield, sitting woman, trees and a resting man with Fez in a tent camp, Firmin Gillot, After Emile Charles Hippolyte Lecomte-Veret, After Narcisse Berchère, After Auguste Bachelin, After Théophile Gautier , After Léon-Charles Flahaut, 1864 print Paris paper mother and baby or young child. predatory birds: vulture. (military) camp with tents

A roaring she-bear protecting her cubs in their lair in the forest. Etching by J.E. Ridinger.

Woman kneeling in front of a tomb, anonymous, 1700 - 1800, draughtsman: anonymous, 1700 - 1800, paper, brush, h 295 mm × w 236 mm

Clay cut by Paul Gauguin titled 'Maruru, Thank You,' created on Japanese paper with gray box technique between 1893 and 1894, depicting figures and composition.

Herd and two figures in a forest, draughtsman: Jacopo Ripanda, (attributed to), 1500 - 1525, paper, pen, h 87 mm × w 85 mm

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Insigne Comitatus Savolaxiae, Landscape with hunters and the coat of arms of Savolax, The print is part of an album., print, album sheet, prints, height 252 mm, width 154 mm, 1655 - 1727-05-18, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664, The Flight intoEgypt, Etching, sheet: 30 × 20.4 cm (11 13/16 × 8 1/16in.), Italian, 17thcentury, Works on Paper -Prints

The Sycamore. David Young Cameron; Scottish, 1865-1945. Date: 1905. Dimensions: 157 x 120 mm (image/plate); 177 x 136 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Pencil drawing by Ludwig Richter showing Zell am See with the stone sea and a Salzburg woman with her young son in the foreground, dated 1823.

The Miraculous Draught of Fishes 1883 France. Lithograph on gray chine laid down on ivory wove paper . Rodolphe Bresdin

The Fox and the Porcupine, from the book Aesopics: Or A Second Collection of Fables, Paraphrasd in Verse: Adornd with Sculpture, and Illustrated with Annotations by John Ogilby (London: Printed by Thomas Roycroft, 1668). Artist: Wenceslaus Hollar, Bohemian, 1607-1677

View from the obulle. Vue de the entrance of the brozage. (Turitity Informing (letter))

Jean Baptiste Oudry, The Partridge Saves Her Young, 1732 The Partridge Saves Her Young

Saint Jerome. Reproduction of pen and ink drawing with blue wash by A. Altdorfer.

A Chinese man seen from the back stands with a stick on a bridge. To the right of the bridge is a vase with flowers next to a canopy with a banner., Man with stick on bridge Recueil De Differents Panneaux Chinois (series title), print maker: anonymous, Jean Baptiste Pillement, Charles Leviez, Paris, 1755 - 1775, paper, etching, h 368 mm × w 254 mm

The Monstrous Pig of Landser. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 11/16 in. × 5 in. (11.9 × 12.7 cm). Date: ca. 1496. Museum: Metropolitan Museum of Art, New York, USA.

The Watering Place, 1864. Charles-Émile Jacque (French, 1813-1894). Etching;

Half-Dome, View from Moran Point. Thomas Moran; American, born England, 1837-1926. Date: 1886-1887. Dimensions: 298 x 207 mm (image); 325 x 230 mm (plate); 397 x 302 mm (sheet). Etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Founding sets of the Haagsche Etetsclub, Jan Weissenbruch, 1848 print Performances by four different artists. At the top left a landscape with trees and a water feature from Weissenbruch. At the top right a portrait of an unknown man by Craeyvanger. At the bottom left of a dune landscape by Van der Drift and below a landscape with a house on a riverbank. The Hague paper. etching landscapes with waters, waterscapes, seascapes (in the temperate zone). river. dune coast. sea. rural housing, e.g. country-house, villa, cottage. sailing-ship, sailing-boat. anonymous historical person portrayed alone

Eagle with young, Jacques Callot, 1646 print Presentation of an eagle who flies to the sun with his young. Among them a coastal landscape. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching predatory birds: eagle

Night spear fishing by Solomatkin, Leonid Ivanovich (1837-1883) State Russian Museum, St. Petersburg 1867 Oil on canvas 46x66 Russia Russian Painting of 19th cen. Genre Painting

Two men at a wall; Six landscapes. A man points out with a long stick to the inscription on a wall in a forest and looks at a second man, which is against a tree.

Barcaza atracada a la orilla. Museum: FREE LIBRARY PHILADELPH USA. Author: CHARLES BODMER.

Image reproduction: Karol Bisk (1863-1928), for a fishing rod; from: "Tygodnik Polski" 1899, p. 492; Tygodnik Polski (Warsaw; magazine; 1898-1905); 1899 (1899-00-00-1899-00-00);

50 céntimos. Billete, Olot, 1937. Museu Nacional d'Art de Catalunya MNAC.

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